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Frank Turner recommended A Shape of Punk to Come by Refused in Music (curated)

"This is a record that shaped my musical path as a musician for a long time. My hardcore trump card in life is that I saw them in 1998 in front of about 100 people. They were fucking amazing. When I went to that gig I had the record and I was a little bit confused by it. It was a very divisive record in the scene because of the electro elements. Over time I came to adore it. I did once fly to Sweden to buy a Dennis Lyxzén solo album because I couldn’t find it anywhere I can play this entire record in my sleep. Everything I did with Million Dead was informed by this album. I wasn’t really a fan of the new record, but I did once fly to Sweden to buy a Dennis Lyxzén solo album because I couldn’t find it anywhere. The guy in the record store thought I was out of my fucking mind, which arguably I was"

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Graham Massey recommended The Vibration Continues by Rahsaan Roland Kirk in Music (curated)

"That was the first of his records that I jumped in on. It's a good record to jump in. For starters, he's like a one-man orchestra and he plays three saxes at once, but that kind of overshadows him as a musician in some ways. It's the emotional punch in his playing that's the important thing here. His personality really comes across and he also sounds impish at times, just like a naughty boy. Or like a street fighter. He's got so many aspects to his personality that he really does wear them on his sleeves. He can take things like a Rogers and Hammerstein tune and he can turn it into something else. The thing with jazz is that people think you have to approach it thinking really deeply, but with Rahsaan Roland Kirk the music is so immediate. It should impact you immediately. He's got a pop sensibility but he gets into some really deep stuff as well."

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Ed O'Brien recommended Live at Carnegie Hall by Bill Withers in Music (curated)

Live at Carnegie Hall by Bill Withers

1973 | Rock

(0 Ratings)

Album Favorite

"I remember first listening to this during the OK Computer tour, too, with Colin [Greenwood]. The only thing I'd really known by him before – Bill, I mean, not Colin,– was 'Lovely Day'. When I'd got into him, he'd retired from the music industry, but years later, a documentary, Still Bill, came out about why he'd done that, and I'd really encourage any fan of his to get hold of it. He's just this lovely family man, doing joinery, talking about how he doesn't want to make music for the sake of it in this really lovely, gentle way.   There's a wisdom in his personality, too, a wisdom really comes out in his singing voice, and his music. He doesn't come across as an artist driven by the need to express himself creatively either, which is interesting. He comes across as a human being, a husband and a father before he's a musician. He talks about why that's important, and that really resonated with that way of thinking. "

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Marc Riley recommended Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols in Music (curated)

"I have an argument with people who say that the punk scene changed their lives. Nearly everyone I speak to says that the Clash were the most exciting and the most important group of the era. But without the Sex Pistols there wouldn't have been any Clash: end of story. And people claim that Chris Spedding played on the album [as uncredited session musician], but really it was Steve Jones, and he is one of the great rock & roll guitarists. And Lydon was streets ahead of everyone else. The Clash made great pop records and the Sex Pistols were a great punk group. And for me this is year zero, you can go back to the Stooges if you like but if you were a kid waiting for someone to kick against bands that I have listed like Genesis, then the Sex Pistols were it. They lit the touch paper. It's a cliché but it's true."

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