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Sophia (Bookwyrming Thoughts) (530 KP) rated Fire and Bone (Otherborn, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Neon's Nerd Nexus (360 KP) rated The Lighthouse (2019) in Movies
Mar 2, 2020
Spill yer beans
The Lighthouse is cinematic perfection that will leave anyone that lets it engulf thier mind and senses broken, disturbed, traumatised and violated. An experience like no other I can not stress enough that everyone must whitness this utter masterpiece. Primarily a character study about two lighthouse keepers descent into madness however the way the film depicts this reaches far deeper than I ever even imagined it would. (Possible spoilers ahead) Theres an unquestionable comparison to Greek mythology here and as the film plays out Willem Dafoe character draws several comparisons to King Trident, Zeus and Minos but ultimatly ends up becoming one of his own 'God of the lighthouse' keeping his prized possession locked away at the top of his tower. Robert Pattison also compares to the Titan Prometheus trying to steel this possesion/fire from this so called god. He can also be compared to Icarus trapped in a tower by a mean man with no means of escape and Odysseus constantly distracted/infatuated with the Sirens surrounding the lighthouse. I found these comparisions integrated into the story beautifully and theres constant fable/mythological imagry to reinforce these comparisons too which is hauntingly striking and terrifyingly prominent. Atmosphere is pin sharp here and as these two men begin to break you feel everything that starts to grate on them bombarding your senses as a viewr too. Everything is communicated flawlessly to really draw the viewer in as if we too are stuck with these to men feeling evrything build up, irritate, torment and add to the degradation of the mind until it hits its breaking point. Floors creaking & bowing, metal bending and screeching, wind howling, waves crashing, rain beating down, shutters rattling and birds squawking its intense and realistic sound design thats for sure. Mix this with a constant sence of dread from the narrow corridors, looming shadows, low lighting, claustrophobic living quaters, fog, harsh weather, mud, anoying seagulls, restricted views, countless foul smells, hard back breaking work, sexual frustrations, loneliness and alcohol its enough to make anyone go insane and as the film plays out cabin fever really intensifies (especially for us with the film being shot in black and white and with a smaller aspect ratio). This is some of the best acting ive seen for sure both Dafoe and Pattison portray these characters so well that you would be convinced you were watching historic archive footage of two people cooped up. Both are devious liars, have vicious tempers and nasty streaks as well as mysterious pasts and both are also constantly in a fight for dominance of the lighthouse and the secrets it holds. In this day and age The lighthouse is such a true gem to behold and is so unique and engrossing you would swear it transported you back in time while watching it. I also did not expect this film to take the turn it does half way through either almost becoming a distressing horror movie and as intense as a tesuo film and as my friend and me left the screening we found ourselves deeply disturbed/traumatised with our hearts pounding from what we had just been exposed to. Disgustingly intense, depressingly dripping in sadness, brutaly violent and deeply unsettling the lighthouse is one hell of a movie and may just be one of the best movies I have ever seen, it really is without a doubt a cinema experience I will certainly never forget. Comparable to the witch, the turin horse and apocalypse now the lighthouse deserves all the praise its been getting and more. Stunning.
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
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Lee (2222 KP) rated Thor: Ragnarok (2017) in Movies
Oct 27, 2017
Thor! (3 more)
Hulk!
Korg!
Everything else!
Finally, a decent Thor movie!
Thor movies have always been a bit hit and miss for me. The first one did a pretty decent, standard job of introducing Thor and the mythology surrounding him and home world of Asgard. It also introducing us to mischievous brother Loki, in preparation for his involvement in the Avengers and beyond. But, in my opinion the movie never really hit the mark in the way that the first Captain America or Iron Man movies did. The Dark World was just awful. I remember falling asleep halfway through and then waking up right at the end. Before I drifted off, Loki was dead. When I woke up, he was alive. I just couldn't be arsed to go back and find out what the hell had happened in-between, and I still don't know.
Since then, the appeal of Thor (aside from his obvious appeal to the ladies) has grown considerably via his other appearances within the Marvel Cinematic Universe. His humourous side began to show a lot more. Ragnarok just takes that side of him to a whole other level, delivering the funniest most ridiculous Marvel movie to date. And it's a joyous blast!
Things start as they mean to go on, with Thor dangling in chains before giant fire demon Surtur, constantly interrupting his monologue as he waffles on about destroying Asgard. Thor soon escapes, defeating a huge army and killing a dragon creature in an impressive battle sequence. Then, it's back to Asgard for a little bit of Loki mischief, down to Earth for a brief but hilarious meeting with one of the newest additions to the MCU, followed by a trip to Norway! And then it's time to introduce us to the big bad of the movie, banished sister of Thor and Loki, Hela the goddess of death (Cate Blanchett), who has returned to claim the throne of Asgard. It's no secret, if you've seen the trailer, that she's powerful enough to destroy Mjolnir, so when she does, Thor and Loki both know she means business. Hela banishes Thor to Sakaar, and that's where the crazy really kicks in. Captured by a Valkyrie from Asgard, Thor is transported to the fighting pits where he is set to meet the Grandmaster (Jeff Goldblum) and fight against his champion in the main event. It's at this point that we also meet Korg, a rock gladiator voiced by Taika Waititi himself, who manages to deliver many of the films funniest lines in a softly spoken Kiwi accent.
Again, if you've seen the trailer then you've already at this point got a pretty good idea who the champion gladiator is going to be. And the "He's a friend from work" line sums up just how much fun this entire scene is. Watching from the sidelines is Loki, and his reaction upon seeing Hulk, along with his reaction to the whole magnificent fight sequence, is hilarious. But, the one thing on Thor's mind is to get back to Asgard and stop Hela. And his plan involves eventually recruiting Hulk, the Valkyrie who captured him, and even Loki, to form a brand new team called 'The Revengers'!
Along with Thor, this is also the best use of Hulk within a Marvel movie so far. He has plenty more to say this time round, and with a wider range of emotions too. Most of the time though this involves being sulky and moody, and complaining about everyone on Earth thinking he's the stupidest Avenger. The banter between Thor and Hulk throughout the entire movie is just brilliant.
I tend to judge my Marvel movies on how often I catch myself gazing at the screen with a wide-eyed, slack-jawed geeky grin on my face and there were a lot of those moments during Ragnarok, especially during the final scenes. I can't remember the last time I had this much fun watching a Marvel movie!
Since then, the appeal of Thor (aside from his obvious appeal to the ladies) has grown considerably via his other appearances within the Marvel Cinematic Universe. His humourous side began to show a lot more. Ragnarok just takes that side of him to a whole other level, delivering the funniest most ridiculous Marvel movie to date. And it's a joyous blast!
Things start as they mean to go on, with Thor dangling in chains before giant fire demon Surtur, constantly interrupting his monologue as he waffles on about destroying Asgard. Thor soon escapes, defeating a huge army and killing a dragon creature in an impressive battle sequence. Then, it's back to Asgard for a little bit of Loki mischief, down to Earth for a brief but hilarious meeting with one of the newest additions to the MCU, followed by a trip to Norway! And then it's time to introduce us to the big bad of the movie, banished sister of Thor and Loki, Hela the goddess of death (Cate Blanchett), who has returned to claim the throne of Asgard. It's no secret, if you've seen the trailer, that she's powerful enough to destroy Mjolnir, so when she does, Thor and Loki both know she means business. Hela banishes Thor to Sakaar, and that's where the crazy really kicks in. Captured by a Valkyrie from Asgard, Thor is transported to the fighting pits where he is set to meet the Grandmaster (Jeff Goldblum) and fight against his champion in the main event. It's at this point that we also meet Korg, a rock gladiator voiced by Taika Waititi himself, who manages to deliver many of the films funniest lines in a softly spoken Kiwi accent.
Again, if you've seen the trailer then you've already at this point got a pretty good idea who the champion gladiator is going to be. And the "He's a friend from work" line sums up just how much fun this entire scene is. Watching from the sidelines is Loki, and his reaction upon seeing Hulk, along with his reaction to the whole magnificent fight sequence, is hilarious. But, the one thing on Thor's mind is to get back to Asgard and stop Hela. And his plan involves eventually recruiting Hulk, the Valkyrie who captured him, and even Loki, to form a brand new team called 'The Revengers'!
Along with Thor, this is also the best use of Hulk within a Marvel movie so far. He has plenty more to say this time round, and with a wider range of emotions too. Most of the time though this involves being sulky and moody, and complaining about everyone on Earth thinking he's the stupidest Avenger. The banter between Thor and Hulk throughout the entire movie is just brilliant.
I tend to judge my Marvel movies on how often I catch myself gazing at the screen with a wide-eyed, slack-jawed geeky grin on my face and there were a lot of those moments during Ragnarok, especially during the final scenes. I can't remember the last time I had this much fun watching a Marvel movie!
Hazel (1853 KP) rated Red Rising in Books
May 30, 2017
Mildly boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.