
Awix (3310 KP) rated The Bodyguard (2016) in Movies
Sep 20, 2020
The film may be a plea for consideration for dementia sufferers, but nobody watches it for that reason: people watch it for the sight of an obese man in his sixties battering the living daylights out of much younger stuntmen (much like every other recent Sammo Hung vehicle). However, the action sequences, though decent, are a long time coming, and most of the rest of the film is a slow-moving and sentimental melodrama which doesn't quite hit the spot despite decent performances from Sammo and Jacqueline Chan. (The tonal mismatch between all this and the bone-crunching, throat-slitting nature of the gangster scenes is considerable.) Fans of the big man may find this enjoyable enough to persevere with, but it's probably too slow and weird for everyone else.

Kristina (502 KP) rated Lock Every Door in Books
Dec 7, 2020
My most immediate consensus was that 'Lock Every Door' would reveal itself as a paranormal genre. I wasn't sure how I felt about that, considering Riley's previous books were mystery/suspense, but I grew to like the idea.
Honestly, this book could have ended in any number of ways and I probably would have been satisfied. Genuine disappointment ensued when Jules first believed a cult lives in the Bartholomew; not because the culprit wasn't of paranormal nature, but because it was so outlandish. However, as hard to believe as it may be, I was more intrigued by what was truly going on and the fact it had been happening for so many generations. The entire mystery was still a bit absurd, but it appealed to me more than the cult theory.
While I may not have enjoyed this book as much as the first two, I still consider myself a Sager fan. I'm excited to see what's in store for any future books!

Emma @ The Movies (1786 KP) rated The Leisure Seeker (2017) in Movies
Sep 25, 2019
Helen Mirren and Donald Sutherland in a movie together... I wanted to love this one. I'm sad to say that I really didn't.
Having not seen a trailer I was completely blindsided by the actual subject matter. From the things I've seen, and the IMDb description above along with "Adventure, Comedy, Drama" under it's entry I was expecting something entirely different. Something funny, and more like a teen road movie, but with older people. But the tale of last chance before ill health wins, is bleak to say the least.
It's a strong and important message about life with, and after, illness. The two are essentially on the run from their ill health, Ella is terminal and John is nearly completely lost to his memories. You get the fleeting highs and lows that the couple do throughout, but they don't make up for the slow and "every day" nature of the movie.
This one was another on the "I'd have left but then I wouldn't have been able to bitch about it" list.

Andy K (10823 KP) rated Night Moves (2014) in Movies
Sep 7, 2019
Two environmentalist partner with an ex military marine to devise a plan to blow up a hydroelectric plant that they believe is harming nature in an act of sabotage. They meet up, iron out the details, then procure the necessary materials they need to get the job done.
Their scheme goes mostly the way they thought with one big exception they find out about the day after the deed is done.
The three handle the news in different ways and with a varied emotional reaction. They then start doubting each other will be able to keep the secret of what they have done and tensions begin to mount.
I hoping was hoping for more going on and there were long sequences where not much actually happened. I found myself checking the time every 20 minutes which is never a good sign.

Awix (3310 KP) rated A Wrinkle in the Skin in Books
Sep 13, 2019
Worlds away from the 'cosy catastrophe' label which this kind of book is occasionally lumbered with, this anticipates The Road in many ways: the central image is of a man and a boy making their way across the devastated landscape, scavenging to survive and trying to avoid lawless mobs of other survivors. Christopher's ideas about human nature are crushingly cynical but unpleasantly compelling; the psychological depth of this book makes most similar works of fiction look frivolous and lightweight. Still, for all the skill with which it is written, this story is both tragic and depressing (the book does a good job of making you realise the difference between the two). It's telling that while it concludes on the promise of hope, it's only a promise: an actual happy ending would feel grotesquely inappropriate. Not without its strengths, but a tough read in many ways - other apocalypses are much more fun.

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