"I still listen to ‘If You Want Me To Stay’ with great pleasure, it never diminishes. I first heard it when it came out, or close to it; I think I was 9 years old or roughly there. Somebody had the single of it in the neighborhood where I was living, which was Connecticut at the time. I liked it, but then over the years whenever I would hear it I kept liking it more and more and more. “It was the overall thing, I think it’s his phrasing, it's so wild and so groovy - I’m trying not to say the word 'funky', but it is! It's his vocal delivery and how he’s singing, Sly Stone had these little jumps or big jumps going way up high or dropping way down low. It’s kind of crazy, but it’s all making sense. And that bass line is such a hook, it’s the whole way through. The whole tune starts off with that bass playing a beautiful, very melodic and funky groovy line. “I love this song. It was probably my first time hearing music like that, and to me it’s still one of the greatest tracks, the bass line on it, just the way he sings it and the song itself. It’s still one that I’ll put on sometimes late at night. I love everything about it"

"How could I not love it? I’m a former architect and “Parasite” even had a photo of the “architect” who designed the house. I was fascinated with the long horizontal window in the living room of the elegant house — looking out to the peaceful garden — in contrast to the long horizontal window in the semi-basement house looking out to the crowded neighborhood where a guy pisses regularly. As it rains at the elegant house — seen through the window, it’s a beautiful sight, but in the semi-basement house — rain becomes a flood of sewage! So many layers of detail which reveal economic inequities…. the cramped bathroom with the raised toilet — the only area where the sister could get cell phone reception… vs. how she “fit in” when bathing in the more luxurious bathroom. I loved the delicious details like the sister pointing out the “schizophrenic” area of the child’s paintings — the dark shape in the lower right hand corner — so she could be paid more for art therapy! Yummy! And of course the amazing shot where the former housekeeper is HORIZONTAL in the basement — trying to push open the bookcase. I thought she was possessed by a demon. Then the film surprised me again and took another unexpected seismic shift. All the visual delights strengthened the story in a great feedback loop! Bravo!"