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BankofMarquis (1832 KP) rated Roma (2018) in Movies
Jan 16, 2019
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
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BankofMarquis (1832 KP) rated tick, tick...Boom! (2021) in Movies
Jan 11, 2022
A Love Letter
If you ever worked on a live theater performance, whether as a performer, tech crew, make-up, costumes, box office, etc…the Netflix Original film tick, tick…BOOM is for you.
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BobbiesDustyPages (1259 KP) rated Marvel's The Defenders - Season 1 in TV
Aug 30, 2017
Action packed (1 more)
Good plot
Iron fist (4 more)
Iron fist
Iron fist
Kind of dull at times
Iron fist
Dysfunctional bunch of assholes that you want to have a drink with
The Defenders was a lot of fun to watch with some really awesome action sequences that I've come to associate with Marvel/Netflix while story is nothing new it was still fun to watch and to see The Defenders come together was really awesome(except for Iron fist). For me Jessica Jones was really the stand out from the group and really saved this season for me.
You really feel the shorts season with this one and since they waited so long for them to come together the last few episodes felt a but rushed so I do wish they would have extended the season to the normal 13 episodes I feel like it really would have helped the pacing of the season.
If you couldn't tell I really truly hated Iron Fist with a passion he was such an obnoxious epitome of rich white male privilege and he really did drag this season down for me since almost every time he was on screen I found my focus drifting off. I will admit I did enjoy his interactions with Luke Cage.
You really feel the shorts season with this one and since they waited so long for them to come together the last few episodes felt a but rushed so I do wish they would have extended the season to the normal 13 episodes I feel like it really would have helped the pacing of the season.
If you couldn't tell I really truly hated Iron Fist with a passion he was such an obnoxious epitome of rich white male privilege and he really did drag this season down for me since almost every time he was on screen I found my focus drifting off. I will admit I did enjoy his interactions with Luke Cage.
Paul Smedley (141 KP) rated Fire TV Stick with Alexa Voice Remote in Tech
Sep 30, 2018
Faster (2 more)
Higher Quality Resolution
Massive amount of content
Much better than G1
Well I won this beauty in the giveaway and used it quite a bit lately before giving a review.
I already had the first generation firestick so knew how they worked but wanted one with the voice search function to accompany my Sky Q box that does the same.
Not only is the Alexa voice search function good but I also found that the resolution is better, the speed is better and the load up is quicker!
The load up is still slower than a Sky box or Netflix on my smart TV but it’s the home to great shows such as Preacher which I highly recommend.
Overall, if you’re looking for a firestick then this model is the one to go for for speed and access to the great programmes and films available through Amazon Prime.
Setup is extremely easy, a PIN can be used to stop little ones going on anything not age appropriate or to stop any unauthorised purchases plus it’s interface is easy enough for children to use to watch kids programmes or even play some android games on!
Top product, top present and even better as I got it through Smashbomb’s giveaway!!!
I already had the first generation firestick so knew how they worked but wanted one with the voice search function to accompany my Sky Q box that does the same.
Not only is the Alexa voice search function good but I also found that the resolution is better, the speed is better and the load up is quicker!
The load up is still slower than a Sky box or Netflix on my smart TV but it’s the home to great shows such as Preacher which I highly recommend.
Overall, if you’re looking for a firestick then this model is the one to go for for speed and access to the great programmes and films available through Amazon Prime.
Setup is extremely easy, a PIN can be used to stop little ones going on anything not age appropriate or to stop any unauthorised purchases plus it’s interface is easy enough for children to use to watch kids programmes or even play some android games on!
Top product, top present and even better as I got it through Smashbomb’s giveaway!!!
Jessica Erdas (463 KP) rated Conversations With A Killer: The Ted Bundy Tapes in TV
Jan 26, 2019
An interesting look into the mind of a killer
This Netflix original details the killing spree enacted by Ted Bundy and his downward spiral. Very interesting for those curious about the actions of serial killers. Some of the details are pretty hard to swallow, as would be expected of any story where murders are committed. I think one of the most interesting parts to the show was being able to see his mannerisms, arrogance, and even his voice as he denied his guilt despite tantamount evidence against him. Ted Bundy was a killer who completely flipped profiling on its head; before him there were common misconceptions that a serial killer was an unattractive, uneducated, and socially inept person but after his atrocities were exposed, it forced members of law enforcement to look deeper into the kinds of people who committed such crimes against humanity. It was also very interesting to see the effect the trials had on his mother and her tearful pleas to avoid the death penalty. I didn't feel that it incited any sympathy for Bundy but it kind of opens your eyes to the destruction of a family, regardless. A testament to a mother's love, even to those we don't feel deserve it.
David McK (3721 KP) rated Daredevil by Brian Michael Bendis & Alex Maleev: Ultimate Collection, Book 1 in Books
Jan 30, 2019
So: Daredevil.
AKA MAtt Murdock: Blind Lawyer by day, Vigilante by night.
And a character that, unlike (say) your Superman or Spiderman or Batman's, only really came to my attention with the (so-so) 2003 movie of the same name, and the more recent (and better) Marvel Netflix series'.
I'd also never read any of the comics/graphic novels before, although I knew that the TV series, in particular, drew heavily from that source, but had heard good things about them. With all that said, I thought I would take a risk on this particular collection (purchased, and read, via Comixology on my iPad) to see what all the fuss was about.
And, at first, I wasn't overwhelmed - I found the first story arc just so-so, and couldn't really get to grips with the art-style.
However, things picked up (for me) once the collection went back to a more conventional art style, with the whole story arc around the attempted coup against the Kingpin, followed by his estranged wife's revenge, then by the outing of Murdock's secret identity (wow!) and the trial of the Costumed Superhero (not him) that follows a succession of whammies (for want of a better word) one after the other ...
More, please!
AKA MAtt Murdock: Blind Lawyer by day, Vigilante by night.
And a character that, unlike (say) your Superman or Spiderman or Batman's, only really came to my attention with the (so-so) 2003 movie of the same name, and the more recent (and better) Marvel Netflix series'.
I'd also never read any of the comics/graphic novels before, although I knew that the TV series, in particular, drew heavily from that source, but had heard good things about them. With all that said, I thought I would take a risk on this particular collection (purchased, and read, via Comixology on my iPad) to see what all the fuss was about.
And, at first, I wasn't overwhelmed - I found the first story arc just so-so, and couldn't really get to grips with the art-style.
However, things picked up (for me) once the collection went back to a more conventional art style, with the whole story arc around the attempted coup against the Kingpin, followed by his estranged wife's revenge, then by the outing of Murdock's secret identity (wow!) and the trial of the Costumed Superhero (not him) that follows a succession of whammies (for want of a better word) one after the other ...
More, please!
Veronica Pena (690 KP) rated The Shawshank Redemption (1994) in Movies
Mar 2, 2020
I have heard so many things about this movie over the years, I was wondering if it would live up to the hype. I was a little worried it wouldn't, so I've been avoiding it for so long. And it hasn't been available to watch anywhere for free until it came out on Netflix.
I am so glad I watched this film. There is nothing about it I didn't like. It felt like every character was important, there was a story to tell. I loved Morgan Freeman's narration and his performance as Red. Andy is brilliant and kind and cunning and a good friend and a great teacher. Norton is everything the criminal justice system is and shouldn't be. I am floored.
There are very few movies that after I see it, I have to own it. It's only happened a few times and the bar is very high. This film is one of those. I can't recommend it enough. It is a great watch with a great plot and a rolling story that never leaves you hanging. This is easily moving to the top 10 movies I adore - it might even hold the number one spot right now. Watch. This. Film.
I am so glad I watched this film. There is nothing about it I didn't like. It felt like every character was important, there was a story to tell. I loved Morgan Freeman's narration and his performance as Red. Andy is brilliant and kind and cunning and a good friend and a great teacher. Norton is everything the criminal justice system is and shouldn't be. I am floored.
There are very few movies that after I see it, I have to own it. It's only happened a few times and the bar is very high. This film is one of those. I can't recommend it enough. It is a great watch with a great plot and a rolling story that never leaves you hanging. This is easily moving to the top 10 movies I adore - it might even hold the number one spot right now. Watch. This. Film.
High school drama (1 more)
Mystery murder
Hooked!
This dramatic Spanish program couldn't be more gripping. Although it is filmed in Spain the voices are spoken over in English and as annoying as it is it's subtitled too and they don't always match up to what they are saying, but all the same its kept me hooked.
It all starts when three poor students school collapsed and they are sent off to a rich private school where they are clearly not welcomed. Season one is all about a murder and trying to figure out who did it and why they died, it's a brilliant story and I managed to get lost in it, there is something for everyone to relate to. Typical high school drama between popular kids poor kids and a murderer. Season two was equally as good and gripping as the first one with the story unravelling and people are breaking and the truth comes out. I have just started season three and again couldn't be more engrossed.
If you've seen share your thoughts
I had to make this myself as it wasn't under the TV review section. Netflix Original
It all starts when three poor students school collapsed and they are sent off to a rich private school where they are clearly not welcomed. Season one is all about a murder and trying to figure out who did it and why they died, it's a brilliant story and I managed to get lost in it, there is something for everyone to relate to. Typical high school drama between popular kids poor kids and a murderer. Season two was equally as good and gripping as the first one with the story unravelling and people are breaking and the truth comes out. I have just started season three and again couldn't be more engrossed.
If you've seen share your thoughts
I had to make this myself as it wasn't under the TV review section. Netflix Original