Search
Search results
The Marinated Meeple (1853 KP) created a post in Oscars Discussion
Jan 29, 2020
Kirk Bage (1775 KP) rated Uncut Gems (2019) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
I despised this film so much, I can barely bring myself to look at Adam Sandler’s face ever again! I mean, I hated everything about it. Half a day after seeing it I am still feeling somewhat nauseous, and full of disbelief that it has been subject to such attention and favourable reviews.
Objectively, it isn’t a badly made film; it has a consistent visual and tonal style, and at least the semblance of a structure that drives towards a conclusion that makes sense. It is just that it is a nasty piece of work, about awful people in an awful world, doing awful things, presented as though that is somehow edgy and cool, rather than crass and offensive.
Not since Whiplash has a film felt so much like a heart-attack, such is the dizzying, unrelenting pace. If it is designed to unnerve then it accomplishes that in spades, but unlike Whiplash it is not a pleasant experience to be forced to feel that way for 2 hours in the presence of this despicable character. It lacks any kind of grace or empathy, replacing clever, tight dialogue with loud, grating rants that make you feel physically sick.
Much has been made by Netflix of publicising this as an awards worthy work, with Sandler at the centre of attention. And many have wondered why it has been shunned by every major awards, in every category. That is no mystery to me, because when you strip away the bling it is almost totally devoid of value or meaning. It is just about an arsehole being an arsehole, surrounded by arseholes, chasing something no one cares about but them.
Screaming and saying “fuck” a lot in every single scene does not constitute acting. It constitutes an annoying headache! This is not the Sandler of Punch Drunk Love or Reign Over Me, where he does demonstrate some skill, but the Sandler of his worst macho and misogynistic tendencies. Take my word for it and avoid this piece of trash at all costs. Life is too short. The only reason I am not giving this 1/10 is that it did have the power to offend me – insipid it isn’t, repugnant it surely is.
Objectively, it isn’t a badly made film; it has a consistent visual and tonal style, and at least the semblance of a structure that drives towards a conclusion that makes sense. It is just that it is a nasty piece of work, about awful people in an awful world, doing awful things, presented as though that is somehow edgy and cool, rather than crass and offensive.
Not since Whiplash has a film felt so much like a heart-attack, such is the dizzying, unrelenting pace. If it is designed to unnerve then it accomplishes that in spades, but unlike Whiplash it is not a pleasant experience to be forced to feel that way for 2 hours in the presence of this despicable character. It lacks any kind of grace or empathy, replacing clever, tight dialogue with loud, grating rants that make you feel physically sick.
Much has been made by Netflix of publicising this as an awards worthy work, with Sandler at the centre of attention. And many have wondered why it has been shunned by every major awards, in every category. That is no mystery to me, because when you strip away the bling it is almost totally devoid of value or meaning. It is just about an arsehole being an arsehole, surrounded by arseholes, chasing something no one cares about but them.
Screaming and saying “fuck” a lot in every single scene does not constitute acting. It constitutes an annoying headache! This is not the Sandler of Punch Drunk Love or Reign Over Me, where he does demonstrate some skill, but the Sandler of his worst macho and misogynistic tendencies. Take my word for it and avoid this piece of trash at all costs. Life is too short. The only reason I am not giving this 1/10 is that it did have the power to offend me – insipid it isn’t, repugnant it surely is.
JT (287 KP) rated Fractured (2019) in Movies
Mar 10, 2020
I went into this without expecting much. More often than not Netflix originals fall flat. I can’t understand why, given the amount of money that the streaming service has behind them? While their original TV series’ are bingewatched, their original films just don’t seem to get the high praise – until now.
Ray Monroe (Sam Worthington) and his wife Joanne (Lily Rabe) are driving back from Thanksgiving with Joanne’s parents, by all accounts it didn’t go well as the pair bicker over cold turkey and the dirty looks Ray receives from Joanne’s mother. Oblivious to their low key argument is daughter Peri (Lucy Capri), sat in the back seat. When the trio makes a pit stop at a local gas station Peri is injured in a fall and Ray takes her to the local hospital to get help. What results is a Hitchkoiam style thriller with several clever twists and turns that will leave you constantly second-guessing yourself.
Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge
Ray has a troubled past. At the gas station, he purchases miniature bottles of alcohol rather than the batteries needed for Peri’s music player. He’s dealing with a number of issues that invlude trying to save his rocky marraige and escape a past that keeps coming back to haunt him. Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge.
As the drama and tension unfolds we start to wonder whether or not Ray has actually lost it? We are swayed one way to the next, settling on a likely outcome but then changing our minds mid way through. Is the hospital hiding something? To go into any more detail would give it away but it’s safe to say that in my humble opion this is one the best thrillers I have seen for some time.
Ray Monroe (Sam Worthington) and his wife Joanne (Lily Rabe) are driving back from Thanksgiving with Joanne’s parents, by all accounts it didn’t go well as the pair bicker over cold turkey and the dirty looks Ray receives from Joanne’s mother. Oblivious to their low key argument is daughter Peri (Lucy Capri), sat in the back seat. When the trio makes a pit stop at a local gas station Peri is injured in a fall and Ray takes her to the local hospital to get help. What results is a Hitchkoiam style thriller with several clever twists and turns that will leave you constantly second-guessing yourself.
Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge
Ray has a troubled past. At the gas station, he purchases miniature bottles of alcohol rather than the batteries needed for Peri’s music player. He’s dealing with a number of issues that invlude trying to save his rocky marraige and escape a past that keeps coming back to haunt him. Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge.
As the drama and tension unfolds we start to wonder whether or not Ray has actually lost it? We are swayed one way to the next, settling on a likely outcome but then changing our minds mid way through. Is the hospital hiding something? To go into any more detail would give it away but it’s safe to say that in my humble opion this is one the best thrillers I have seen for some time.
Gareth von Kallenbach (980 KP) rated Whiskey Tango Foxtrot (2016) in Movies
Aug 6, 2019
Based on “The Taliban Shuffle: Strange Days in Afghanistan,” a memoir by Kim Barker, “Whiskey Tango Foxtrot” follows the journey of a copy writer turned war reporter (Tina Fey).
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
Charlie Cobra Reviews (1840 KP) rated Shaft (2019) in Movies
Jul 7, 2020
Shaft Gets The Shaft In This Newest Reboot/Update
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
Charlie Cobra Reviews (1840 KP) rated Krypton in TV
Jul 7, 2020
Krypton Is No Kryptonite, Despite No Supes
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
Charlie Cobra Reviews (1840 KP) rated Love, Death & Robots in TV
Jul 7, 2020
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Rocket Video Cast for Roku - Stream Movies to TV
Productivity and Photo & Video
4.0
Rate It
App
Unleash your Roku device with Roku Rocket Video Cast. With Roku Rocket you can browse the web and...