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The Empress Dowager Cixi: The Concubine Who Launched Modern China
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Empress Dowager Cixi (1835-1908) is the most important woman in Chinese history. She ruled China for...
The War on Women
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In 1973, Sue Lloyd Roberts joined ITN as a news trainee and went on to be one of the UK's first...
LeftSideCut (3776 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 19, 2019 (Updated Oct 25, 2019)
A dammmnnn shame
Contains spoilers, click to show
Oh boy.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
Nursery Rhymes by ChuChu TV
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*** To have an AD FREE experience, please buy 5 premium videos. We’re happy to introduce a new...
Whatchareadin (174 KP) rated When Dimple Met Rishi in Books
Apr 3, 2019
Dimple Shah has just graduated from high school and, in the fall, she will go to Stanford and study web design. San Francisco State University, is holding a six-week course for this over the summer, that Dimple would love to attend. The only problem is that it costs $1000 and she knows her parents can't afford it. So she is genuinely surprised when they agree to let her go. On her first day she runs into, literally, Rishi Patel, who is there on an arrangement from his parents. Dimple has no idea. Dimple is not having any of it. When they are paired for the six weeks, Dimple is sure it will never work. Rishi isn't even into web design, but as time goes on, and they get to know each other better, Dimple begins to change her mind about Rishi. But is it enough to promise her life to him at this young age, or will they just be friends for the long haul.
I loved listening to this book. I'm not sure if I would have enjoyed the book just reading it. As a married woman, I don't know if I could have allowed my parents to set me up with my future husband.
Dimple is a non-traditional Hindu woman. She wants a job and a career before even thinking about a boyfriend, much less a husband. Rishi is very traditional and just wants his parents to be proud of him. They both are able to teach the other a different way of life, but will it be enough for them to agree to be together?
I love how these two young adults tried something new and allowed themselves to feel something they may not have otherwise felt. They were both able to make new friends and make discoveries about themselves that helped them to grow.
This is a great story for young adults to read. Sure in the end, we all want to find that special someone and settle down. But you should live your life for yourself, before you decide that it's time to settle down. And when you find that special someone, you should know what to do to make them happy and make yourself happy as well.
I loved listening to this book. I'm not sure if I would have enjoyed the book just reading it. As a married woman, I don't know if I could have allowed my parents to set me up with my future husband.
Dimple is a non-traditional Hindu woman. She wants a job and a career before even thinking about a boyfriend, much less a husband. Rishi is very traditional and just wants his parents to be proud of him. They both are able to teach the other a different way of life, but will it be enough for them to agree to be together?
I love how these two young adults tried something new and allowed themselves to feel something they may not have otherwise felt. They were both able to make new friends and make discoveries about themselves that helped them to grow.
This is a great story for young adults to read. Sure in the end, we all want to find that special someone and settle down. But you should live your life for yourself, before you decide that it's time to settle down. And when you find that special someone, you should know what to do to make them happy and make yourself happy as well.
Hazel (1853 KP) rated Tonight the Streets Are Ours in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
From Leila Sales, the author of <i>This Song Will Save Your Life</i>, comes a new contemporary young adult novel about love and friendship. Seventeen-year-old Arden, a recklessly loyal girl, discovers a blog, <i>Tonight The Streets Are Ours</i>, and becomes obsessed with the writer’s life. Peter has had experiences that Arden has also had; such as a relative leaving and loving people a lot more than they love you.
Arden’s loyalty to her friend Lindsey has occasionally ended up with Arden taking on the punishments she does not deserve. Arden believes she is doing this out of love but is beginning to question why no one else does those types of things for her. After being let down by her boyfriend, Arden and Lindsey go on a road trip to New York in search of this admirable Peter. However, this trip ends up with Arden and Lindsey falling out, and Peter not quite being who the Internet made him out to be.
To begin with, <i>Tonight The Streets Are Ours</i>, felt very sketchy. The writing style and themes did not match up. Whereas the characters were teenagers and dealing with age appropriate issues, the actual writing felt as though it was targeted at a much younger audience. The characters were not particularly likable, including Arden who at times appeared to be representing perfection in terms of her personality. It is not until much later in the novel that the pace picks up and the story becomes more exciting. Once Arden meets Peter and begins to realize that reality conflicts with the online Peter, the true message of the book begins to come across.
It is difficult to rate this book. Whilst the ending was good, the beginning dragged so much that I almost gave up on reading it. If I felt that way then chances are other readers may do too – readers that may not actually persevere. For this reason, <i>Tonight The Streets Are Ours</i> is not a book I would easily recommend.
From Leila Sales, the author of <i>This Song Will Save Your Life</i>, comes a new contemporary young adult novel about love and friendship. Seventeen-year-old Arden, a recklessly loyal girl, discovers a blog, <i>Tonight The Streets Are Ours</i>, and becomes obsessed with the writer’s life. Peter has had experiences that Arden has also had; such as a relative leaving and loving people a lot more than they love you.
Arden’s loyalty to her friend Lindsey has occasionally ended up with Arden taking on the punishments she does not deserve. Arden believes she is doing this out of love but is beginning to question why no one else does those types of things for her. After being let down by her boyfriend, Arden and Lindsey go on a road trip to New York in search of this admirable Peter. However, this trip ends up with Arden and Lindsey falling out, and Peter not quite being who the Internet made him out to be.
To begin with, <i>Tonight The Streets Are Ours</i>, felt very sketchy. The writing style and themes did not match up. Whereas the characters were teenagers and dealing with age appropriate issues, the actual writing felt as though it was targeted at a much younger audience. The characters were not particularly likable, including Arden who at times appeared to be representing perfection in terms of her personality. It is not until much later in the novel that the pace picks up and the story becomes more exciting. Once Arden meets Peter and begins to realize that reality conflicts with the online Peter, the true message of the book begins to come across.
It is difficult to rate this book. Whilst the ending was good, the beginning dragged so much that I almost gave up on reading it. If I felt that way then chances are other readers may do too – readers that may not actually persevere. For this reason, <i>Tonight The Streets Are Ours</i> is not a book I would easily recommend.
Gareth von Kallenbach (980 KP) rated Mr. Holmes (2015) in Movies
Aug 6, 2019
The new Roadside Attractions film Mr. Holmes is a new twist on an age-old story.
We first see Sherlock Holmes (Ian McKellan) in a train voyage with a package, and we don’t know to or from where he’s going or why.
The entire movie is full of flash backs and multiple time frames of the same mans life, as he tries to piece together memories that seem to lie just beyond his ability to recollect
Holmes has retired from his detective business and is cared for by widowed housekeeper Mrs. Munro (Laura Linney) and her young son Roger (Milo Parker).
Roger is quick witted and interested in anything Holmes might be able to teach him, and throughout the movie their relationship moves from one of strained and grumpy acceptance (on the part of Holmes) to one of grandfatherly love. It is a beautiful relationship that develops between the two, and makes the near -disaster that occurs at the end of the film even more heart wrenching.
It is of utmost importance to Holmes that he remember the details of his last case, 30 years prior, that apparently caused him to close up shop as a detective and retire to the coast. The trip we see him on in the opening scene turns out to be a trip to Japan to meet with Mr. Umezaki (Hiroyuki Sanada) who helped him search for, and ultimately find, a plant (prickly ash) said to have curative powers for memory problems.
Holmes plays both the role of his younger self and as the 93 year old man with advancing Alzheimer’s very very well. I believed the character as a 60 year old and just as much as a 93 year old.
The film felt a little bit long, and there were a few slow spots but overall it flowed very well despite all the jumping around in time & place, and it wove together the stories past & present to tell a cohesive and interesting tale. It built relationships between the main characters and I could see the bond between Holmes and Roger, and even the somewhat prickly Mrs. Munro growing throughout the film.
I would give this film 4 out of 5 stars.
We first see Sherlock Holmes (Ian McKellan) in a train voyage with a package, and we don’t know to or from where he’s going or why.
The entire movie is full of flash backs and multiple time frames of the same mans life, as he tries to piece together memories that seem to lie just beyond his ability to recollect
Holmes has retired from his detective business and is cared for by widowed housekeeper Mrs. Munro (Laura Linney) and her young son Roger (Milo Parker).
Roger is quick witted and interested in anything Holmes might be able to teach him, and throughout the movie their relationship moves from one of strained and grumpy acceptance (on the part of Holmes) to one of grandfatherly love. It is a beautiful relationship that develops between the two, and makes the near -disaster that occurs at the end of the film even more heart wrenching.
It is of utmost importance to Holmes that he remember the details of his last case, 30 years prior, that apparently caused him to close up shop as a detective and retire to the coast. The trip we see him on in the opening scene turns out to be a trip to Japan to meet with Mr. Umezaki (Hiroyuki Sanada) who helped him search for, and ultimately find, a plant (prickly ash) said to have curative powers for memory problems.
Holmes plays both the role of his younger self and as the 93 year old man with advancing Alzheimer’s very very well. I believed the character as a 60 year old and just as much as a 93 year old.
The film felt a little bit long, and there were a few slow spots but overall it flowed very well despite all the jumping around in time & place, and it wove together the stories past & present to tell a cohesive and interesting tale. It built relationships between the main characters and I could see the bond between Holmes and Roger, and even the somewhat prickly Mrs. Munro growing throughout the film.
I would give this film 4 out of 5 stars.
LeftSideCut (3776 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
Pepi House Free
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Try before you buy! Meet and greet the huge Pepi family in Pepi House! Join 10 lovely characters in...
RasPi Magazine: Build & code with Raspberry Pi
Book and Magazines & Newspapers
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From the team behind Linux User & Developer magazine, RasPi is the essential guide to getting the...