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Heather Cranmer (2721 KP) rated The Neighbor in Books
Apr 13, 2021
I can not get enough of London Clarke's books. I have not read a bad one yet, so when I saw that she had released a new book entitled The Neighbor, I knew I had to read it. To say I was blown away is an understatement. The Neighbor has now become my favorite London Clarke book so far.
The plot of The Neighbor was definitely frightening. However, I could not put this book down. I kept trying to find opportunities when I had free time to read it. I was terrified for Claire and her four girls. I found myself wanting to protect them from whatever evil had invaded their house. I loved how the supernatural element of the story did not feel forced or cheesy. It was very believable so much so that I kept having to check for shadows as I read this book! The pacing was done perfectly. Although there are some parts of the story that are a bit predictable with how they will play out, I felt that it didn't take away from the narrative at all. I will say all the demon encounters were the spookiest though! However, London Clarke writes them in a way that won't leave you too scared to continue reading. She writes them in a way that will leave you wanting to know more. By the end of the book, all loose ends had been tied up, and there were no cliff hangers.
All of the characters in The Neighbor were fleshed out perfectly even the supporting characters. I really connected with Claire the most, not because she was the main character, but because we are both mothers. While I have two boys instead of four girls, my youngest, funnily enough named Levi (if you read The Neighbor, you'll find out why I find it funny), is the same age as Claire's youngest daughter named Paris. My oldest isn't much older than Claire's oldest daughter Annalen. Plus, Claire and myself are very close in age. I was behind Claire 100 percent, and it annoyed me when her ex-husband, Gunnar, thought she was just losing her mind instead of trying to help her out. I found Clair to be a very strong female character, and I felt so much admiration for her for what she chose to go through for her girls. (I know that most parents would have done the same though.) I also felt bad for Claire that one decision is what caused this whole supernatural mess. Steel was a definitely an interesting character that I did not trust from the very beginning. He is written perfectly, and even though I didn't trust him very much, he was still fun to read about. I found myself trying to figure him out all the time! Whitney was another character that I liked but didn't trust. It was so weird how her life seemed to mimic Claire's.
Trigger warnings for The Neighbor include profanity, violence, murder, death, suicide, alcohol, pedophilia (though not graphic), sex scenes (not very graphic), demons, and the occult.
Overall, The Neighbor is one heck of a rollercoaster ride, so be sure to strap yourself in tight. With it's terrifying plot and interesting characters, this book sucks you in from the very first page and won't spit you back out until it's had its wicked way with you. This is one book that needs to be made into a movie now. I would definitely recommend The Neighbor by London Clarke to those aged 18+ who love their spooky novels with a big helping of terrifying on the side. You will not be disappointed, that's for sure!
The plot of The Neighbor was definitely frightening. However, I could not put this book down. I kept trying to find opportunities when I had free time to read it. I was terrified for Claire and her four girls. I found myself wanting to protect them from whatever evil had invaded their house. I loved how the supernatural element of the story did not feel forced or cheesy. It was very believable so much so that I kept having to check for shadows as I read this book! The pacing was done perfectly. Although there are some parts of the story that are a bit predictable with how they will play out, I felt that it didn't take away from the narrative at all. I will say all the demon encounters were the spookiest though! However, London Clarke writes them in a way that won't leave you too scared to continue reading. She writes them in a way that will leave you wanting to know more. By the end of the book, all loose ends had been tied up, and there were no cliff hangers.
All of the characters in The Neighbor were fleshed out perfectly even the supporting characters. I really connected with Claire the most, not because she was the main character, but because we are both mothers. While I have two boys instead of four girls, my youngest, funnily enough named Levi (if you read The Neighbor, you'll find out why I find it funny), is the same age as Claire's youngest daughter named Paris. My oldest isn't much older than Claire's oldest daughter Annalen. Plus, Claire and myself are very close in age. I was behind Claire 100 percent, and it annoyed me when her ex-husband, Gunnar, thought she was just losing her mind instead of trying to help her out. I found Clair to be a very strong female character, and I felt so much admiration for her for what she chose to go through for her girls. (I know that most parents would have done the same though.) I also felt bad for Claire that one decision is what caused this whole supernatural mess. Steel was a definitely an interesting character that I did not trust from the very beginning. He is written perfectly, and even though I didn't trust him very much, he was still fun to read about. I found myself trying to figure him out all the time! Whitney was another character that I liked but didn't trust. It was so weird how her life seemed to mimic Claire's.
Trigger warnings for The Neighbor include profanity, violence, murder, death, suicide, alcohol, pedophilia (though not graphic), sex scenes (not very graphic), demons, and the occult.
Overall, The Neighbor is one heck of a rollercoaster ride, so be sure to strap yourself in tight. With it's terrifying plot and interesting characters, this book sucks you in from the very first page and won't spit you back out until it's had its wicked way with you. This is one book that needs to be made into a movie now. I would definitely recommend The Neighbor by London Clarke to those aged 18+ who love their spooky novels with a big helping of terrifying on the side. You will not be disappointed, that's for sure!
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IntelliDrink is a sophisticated blood alcohol content (BAC) calculator. It has a simple user...
Bob Mann (459 KP) rated Denial (2016) in Movies
Sep 29, 2021
Jewry Trial.
It’s the mid-90’s and Deborah Lipstadt (Rachael Weisz, “The Lobster“), an American professor of Holocaust studies at a US university has written a book naming and shaming David Irving (Timothy Spall, “Mr Turner”) as a Nazi-apologist who denies that the Holocaust ever happened. Filing a law suit against Penguin Books and Lipstadt in the UK, Lipstadt chooses to fight rather than settle and takes the case to the High Courts in a much publicised trial.
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Ross (3284 KP) rated Nightblade's Vengeance in Books
Oct 10, 2017
*** I received a free advance copy of this book from NetGalley in exchange for an honest review ***
This summer I read the first Nightblade trilogy: I loved the first one (the world-building, the three different stories running in parallel and occasionally crossing over), enjoyed the second one (character development was the focus plus setting up the conflict in the conclusion) and tolerated the final book (largely a repeat of the same plot as the first two plus a number of loose ends left un-tied).
Given how I fell out of love with the series as it went on, I was a little tentative about reading this, the first in a new trilogy following on from the events of the first. I have to say it was very poor.
Pretty much nothing happens throughout the book, the sole focus is on political manoeuvring and the nightblades have become a shadow of what they were to be at the end of the first series.
The king is dying and has no heir, so one of three lords looks likely to be chosen to take the throne (or decide to take it). There is some unrest within the populace of the Kingdom towards nightblades (ninja-like warriors with a spidey-sense warning them of danger and allowing them to sense each other) - rumours are spreading that nightblades are demanding unreasonable payment for protection and are harming those they are supposed to be serving. And a particularly weak nightblade, the daughter of a dayblade (whose powers are used to heal rather than in combat) killed in service, by a mysterious warrior who subsequently vanished, is looking for vengeance (hence the title).
And that is pretty much it. The plot is very basic, the narrative takes an absolute age to cover what few events are happening and the vocabulary is pretty limited (I think at one point within three paragraphs about 6 things were said to have happened "in a moment" or "for a moment").
Twice in the book the phrase "to cut a long, boring story short" was used and I can't help but think Kirk was referring to what he himself should do.
I wasn't sure after ending the nightblade trilogy whether I would return to the world of the nightblades. Now I am certain I won't.
This summer I read the first Nightblade trilogy: I loved the first one (the world-building, the three different stories running in parallel and occasionally crossing over), enjoyed the second one (character development was the focus plus setting up the conflict in the conclusion) and tolerated the final book (largely a repeat of the same plot as the first two plus a number of loose ends left un-tied).
Given how I fell out of love with the series as it went on, I was a little tentative about reading this, the first in a new trilogy following on from the events of the first. I have to say it was very poor.
Pretty much nothing happens throughout the book, the sole focus is on political manoeuvring and the nightblades have become a shadow of what they were to be at the end of the first series.
The king is dying and has no heir, so one of three lords looks likely to be chosen to take the throne (or decide to take it). There is some unrest within the populace of the Kingdom towards nightblades (ninja-like warriors with a spidey-sense warning them of danger and allowing them to sense each other) - rumours are spreading that nightblades are demanding unreasonable payment for protection and are harming those they are supposed to be serving. And a particularly weak nightblade, the daughter of a dayblade (whose powers are used to heal rather than in combat) killed in service, by a mysterious warrior who subsequently vanished, is looking for vengeance (hence the title).
And that is pretty much it. The plot is very basic, the narrative takes an absolute age to cover what few events are happening and the vocabulary is pretty limited (I think at one point within three paragraphs about 6 things were said to have happened "in a moment" or "for a moment").
Twice in the book the phrase "to cut a long, boring story short" was used and I can't help but think Kirk was referring to what he himself should do.
I wasn't sure after ending the nightblade trilogy whether I would return to the world of the nightblades. Now I am certain I won't.
Quinn Blackburn (3 KP) rated Unwind (Unwind, #1) in Books
May 14, 2018
Render Unto Cesar
Shusterman takes dystopian futures a step above the ordinary in this dark coming of age tale. In the not too distant future a war was fought in the U.S. over abortion, the 2nd Civil War. To appease all sides an unthinkable accord was reached. Instead of abortion, between the ages of 13 and 18 you can choose to send your child to a Harvest camp to be unwound, taken apart and all their body parts donated to others. We are given three characters with differing perspectives through which we see the workings of this world.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
Whatchareadin (174 KP) rated Genuine Fraud in Books
May 10, 2018
***3.5 Stars***
Jule and Imogen are both orphans. But their lives couldn't have ended up more different. Imogen was adopted into a wealthy family at a young age and Jule was sent to live with an aunt. Though they were raised differently, it's this one similarity that draws them to one another. There is just one problem, Jule is look for someone to love and love her in return and once she has latched on to Imogen she will stop at nothing to get it. And Imogen, drops the person as soon as she finds the love she is looking for. How will this work out for this pair.
So this book was confusingly good! I gave it 3.5 stars because even though the story kept me interested it was also very confusing. First of all, it starts with chapter 18 and the story is told in reverse chronological order. Then it ends with chapter 19. Every character in this book is absolutely crazy, which isn't a bad thing, but at the end I was still confused.
Jule is a good listener, and that skill alone allows her to make her way into other people's lives without them even realizing she wasn't there from the beginning. She has a great memory and can remember numbers, dates and details perfectly. She has also been trained to use these skills to her advantage. This along with the training she received to be an expert fighter, she can go very far in life as long as she isn't caught.
Imogen is spoiled. She doesn't know what she wants to do with her life, but she is happy to travel around the world and spend her money until she finds out. Surrounded by friends all the time, she finds it hard to find herself and when she get tired or bored, she just moves on from those people and places to something new.
Jule and Imogen have a unique friendship. They are old school friends, right? They were so close. But what will happen when Imogen is tired of Jule? Will she dump her like the rest? Like I said before I was so confused by the end of this book. I wasn't sure which was truth and what was <u> Genuine Fraud</u>.
Jule and Imogen are both orphans. But their lives couldn't have ended up more different. Imogen was adopted into a wealthy family at a young age and Jule was sent to live with an aunt. Though they were raised differently, it's this one similarity that draws them to one another. There is just one problem, Jule is look for someone to love and love her in return and once she has latched on to Imogen she will stop at nothing to get it. And Imogen, drops the person as soon as she finds the love she is looking for. How will this work out for this pair.
So this book was confusingly good! I gave it 3.5 stars because even though the story kept me interested it was also very confusing. First of all, it starts with chapter 18 and the story is told in reverse chronological order. Then it ends with chapter 19. Every character in this book is absolutely crazy, which isn't a bad thing, but at the end I was still confused.
Jule is a good listener, and that skill alone allows her to make her way into other people's lives without them even realizing she wasn't there from the beginning. She has a great memory and can remember numbers, dates and details perfectly. She has also been trained to use these skills to her advantage. This along with the training she received to be an expert fighter, she can go very far in life as long as she isn't caught.
Imogen is spoiled. She doesn't know what she wants to do with her life, but she is happy to travel around the world and spend her money until she finds out. Surrounded by friends all the time, she finds it hard to find herself and when she get tired or bored, she just moves on from those people and places to something new.
Jule and Imogen have a unique friendship. They are old school friends, right? They were so close. But what will happen when Imogen is tired of Jule? Will she dump her like the rest? Like I said before I was so confused by the end of this book. I wasn't sure which was truth and what was <u> Genuine Fraud</u>.
graveyardgremlin (7194 KP) rated The Other Countess (The Lacey Chronicles, #1) in Books
Feb 15, 2019
THE OTHER COUNTESS is a sweet and harmless love story set in Tudor England during the reign of Queen Elizabeth I, in the year of 1582 to be exact. Lady Eleanor Rodriguez, Countess of San Jaime, is our penniless heroine who is saddled with her absent-minded alchemist father; the roles of child and parent have been long since been reversed. The preface, which takes place in 1578, gives us our first glimpse of William Lacey, the new Earl of Dorset at age fourteen, as he throws a twelve-year-old Ellie and her father off his land.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
Billie Wichkan (118 KP) rated The Dare (Detective Natalie Ward #3) in Books
May 22, 2019
When thirteen-year-old Savannah Hopkins doesnt come straight home from school, as she always does, her mother Jane immediately raises the alarm.
Leading the investigation is Detective Natalie Ward whose daughter Leigh is the same age as Savannah. Soon Natalies worst fears are confirmed when the teenagers broken body is found in nearby shrubland.
Evidence points towards a local recluse, but just as the net is closing around him, one of Savannahs friends, Harriet, is reported missing.
As Natalie delves into the lives of both girls, she soon discovers a sinister video on their phones, daring the girls to disappear from their families for 48 hours.
But Natalie isnt quick enough for this killer, and she is devastated to find Harriets body on a fly tip a day later.
Caught up in the case, she takes her eye off her own daughter and when Leigh goes missing after school she knows she must be in terrible danger. The clock is ticking for Natalie. Can she catch this killer before her little girl becomes the next victim?
This is the third book in Carol Wyers British 'Detective Natalie Ward' series.
The Dare opens with the disappearance of thirteen year-old Savannah Hopkins. She recently moved to this new town with her mother Jane. Savannah simply doesnt return home after school one day. The next day her body is found, and the thriller is off and running. Other seemingly random teen-aged girls disappear after Savannah. Detective Ward and her team is frustratingly one step behind the killer as the body count increases. But its certainly not for lack of trying on their part.
The plot, as always, was plausible, as we dont always know what our children are doing when not at home. We dont know what they are doing on their mobile devices, or who their friends are. It is a scary time for parents. Carol Wyer incorporated those fears into this book, and she did a great job!
I liked the additional perspective of the killer occasionally being thrown in. Definitely made it interesting to know his thoughts.
I highly recommend this book, I can't wait for book 4..
Thank-You to NetGalley; the publisher, Bookouture; and the author, Carol Wyer; for providing a free e-ARC copy of this book.
Leading the investigation is Detective Natalie Ward whose daughter Leigh is the same age as Savannah. Soon Natalies worst fears are confirmed when the teenagers broken body is found in nearby shrubland.
Evidence points towards a local recluse, but just as the net is closing around him, one of Savannahs friends, Harriet, is reported missing.
As Natalie delves into the lives of both girls, she soon discovers a sinister video on their phones, daring the girls to disappear from their families for 48 hours.
But Natalie isnt quick enough for this killer, and she is devastated to find Harriets body on a fly tip a day later.
Caught up in the case, she takes her eye off her own daughter and when Leigh goes missing after school she knows she must be in terrible danger. The clock is ticking for Natalie. Can she catch this killer before her little girl becomes the next victim?
This is the third book in Carol Wyers British 'Detective Natalie Ward' series.
The Dare opens with the disappearance of thirteen year-old Savannah Hopkins. She recently moved to this new town with her mother Jane. Savannah simply doesnt return home after school one day. The next day her body is found, and the thriller is off and running. Other seemingly random teen-aged girls disappear after Savannah. Detective Ward and her team is frustratingly one step behind the killer as the body count increases. But its certainly not for lack of trying on their part.
The plot, as always, was plausible, as we dont always know what our children are doing when not at home. We dont know what they are doing on their mobile devices, or who their friends are. It is a scary time for parents. Carol Wyer incorporated those fears into this book, and she did a great job!
I liked the additional perspective of the killer occasionally being thrown in. Definitely made it interesting to know his thoughts.
I highly recommend this book, I can't wait for book 4..
Thank-You to NetGalley; the publisher, Bookouture; and the author, Carol Wyer; for providing a free e-ARC copy of this book.