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Blazing Minds (92 KP) rated Back to the Future (1985) in Movies

Nov 1, 2021 (Updated Nov 3, 2021)  
Back to the Future (1985)
Back to the Future (1985)
1985 | Adventure, Comedy, Sci-Fi
OK, I’ve seen the film over and over again at home on Blu-ray, but nothing can match the feeling you get from seeing it on the big screen, even the opening sequence with the clocks ticking from all around you in the cinema, being able to read the newspaper clippings on the walls and so much more detail that you don’t really pick up on at home.

So by now, you all know the story of Back to the Future if you don’t where the heck have you been! But it all comes down to Doc Brown inventing the time machine from a DeLorean, even Marty is shocked by that one, “Wait a minute, Doc. Ah… Are you telling me you built a time machine… out of a DeLorean?”, in a twist of fate Marty is sent back to 1955 where he has to find the Doc to get back to the future, but things go wrong when Marty changes the outcome of time by accidentally coming between his mother and fathers first meeting.
  
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The Great Race (1965)
The Great Race (1965)
1965 | Action, Classics, Comedy
8
8.5 (6 Ratings)
Movie Rating
A fun throwback to 1920's Silent Film Farces
In a tribute to films of a bygone era, Director Blake Edwards pays homage to silent film farces of the 1920's - even dedicating this film to "Mr. Laurel and Mr. Hardy" - with the slapstick comedy THE GREAT RACE - and succeeds, mostly.

Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.

Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.

Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.

But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...

"They don't make 'em like this anymore".

8 out 10 stars and you can take that to the Bank (ofMarquis)
  
The Post (2017)
The Post (2017)
2017 | Biography, Drama, Thriller
You can’t get on the internet these days without a political controversy smacking you right in the face. You also can’t help but notice the timing of this historical thriller directed by Steven Spielberg. Using the past’s political agenda to reaffirm the resistance we are facing today. The Post takes place in the deep thrones of the Vietnam War, the “Pentagon Papers” are leaked: a classified study of revealing a government cover up relating to the war. Kay Graham (Meryl Steep) is the owner and largest shareholder of the Washington Post newspaper. Taking on a position she never foresaw herself ever doing after the untimely death of her husband. And, finally having to make one of the toughest decision of her entire life, both personally and professionally. To not only bringing down the government, but some very close personal friends in the process. It takes her Editor-In-Chief, Ben Bradlee (Tom Hanks) to convince her the importance of the news and the role journalists must play to deliver the news and protect the governed and not the government.

 

When you hear the high caliber names such as Hanks, Streep, Speilberg, you can almost guarantee a top notch film with unbelievable emphasis on character development. They definitely did not disappoint! The Post works as a history lesson. Not only does it portray the events that took place with such thorough details, it exemplifies the relationship between not only a journalist and their source, but also the personal struggle between the editor, the owner of the newspaper, their friends who hold major positions within the government, and the moral obligation to at least get the truth out to the public.

 

The set design, the costume design, the characters’ mannerisms are flawless. Even the way social interaction was demonstrated between men and women. Women’s role is in the home, cooking, cleaning, and entertaining. Something so simple as the use of a rotary phone played such a nostalgic role. I can’t say enough about the wonderful acting skills of both Streep and Hanks. I suspect one or both with be receiving some serious accolades during awards season. Streep and Hanks both shine throughout the entire film. They both did a great job at relaying the emotions and the turmoil these characters faced.

 

Many lines throughout the movie–“if we don’t hold them accountable, than who will?”–ring true to a lot of the issues affecting us today.
  
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