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Gareth von Kallenbach (980 KP) rated Call of Duty: Infinite Warfare - Sabotage in Video Games
Jun 19, 2019
Call of Duty: Infinite Warfare has released their first of four planned DLC Packs; Sabotage for the Xbox One and PC systems after being previously released for the PS4 platform.
Like previous DLC packs in the series; the set contains four new maps and a new Zombie/Alien gameplay mode.
The first map is Noir: which is a futuristic Brooklyn setting teaming with open streets and an open courtyard which makes for some really close quarters combat. The map is great for those who like a run and gun approach but there are plenty of windows and areas for snipers and surprise attacks.
The next map is Renaissance which is a beautiful recreation of a pastoral Venetian setting. Players will battle in courtyards, a church, and along canals which create many choke points for enemy forces to mount attacks.
The third map is Neon which is a Tron like map set in a computer simulation. Players and vehicles as well as parts of the map de-rez when destroyed. The map has long lines and balconies which make for great points for snipers and those looking to mount and ambush, but I really liked mounting counter attacks in the night club which allows players a way to cover large parts of the map without having to travel the dangerous streets.
The final map is Dominion which is a futuristic remake of the classic Modern Warfare 2 map Afghan. Players will battle in a map with a downed vehicle at the center. The map has plenty of ridges, observation areas, and halls to allow players to battle one another in multiple game styles.
For me the highlight of the pack is the second installment of the Zombie mode called Rave in the Redwoods. The game continues the story of the four actors pulled into horror movies to battle legions of undead. The previous map was set in an 80s theme park and this time out we get a 90s themed camping horror film as the setting. Players get to use weapons such as a golf club, a spiked baseball bat, a machete, and other melee weapons before they pick up some heavier firepower to go with their grenades. Like in previous versions, players will have to buy access to various areas, new weapons, ammunition and such. There are also puzzles to solve to unlock new and special weapons and traps as well as to make the game progress to a conclusion point. Should players not solve the needed puzzles, then they will face wave after wave of enemies. Writer/Director Kevin Smith is on hand and can be a playable character and those looking for a change of pace can bring on a neon lightshow at various points. For fun players can also battle Bigfoot, a psycho killer, and other threats but trust me, there is plenty of challenge to go around. The Afterlife arcade returns so players who die are given a chance to play various games to make their way back into the game. With four player co-op, you will want to take advantage of the Zip Lines to get around.
While the new maps are fun, they really do not offer anything radically different but do extend the life of the game. For me, the Zombie mode is what makes this a must own as it continues to be the best overall Zombie experience in any of the COD games.
http://sknr.net/2017/03/15/call-duty-infinite-warfare-sabotage-dlc/
Like previous DLC packs in the series; the set contains four new maps and a new Zombie/Alien gameplay mode.
The first map is Noir: which is a futuristic Brooklyn setting teaming with open streets and an open courtyard which makes for some really close quarters combat. The map is great for those who like a run and gun approach but there are plenty of windows and areas for snipers and surprise attacks.
The next map is Renaissance which is a beautiful recreation of a pastoral Venetian setting. Players will battle in courtyards, a church, and along canals which create many choke points for enemy forces to mount attacks.
The third map is Neon which is a Tron like map set in a computer simulation. Players and vehicles as well as parts of the map de-rez when destroyed. The map has long lines and balconies which make for great points for snipers and those looking to mount and ambush, but I really liked mounting counter attacks in the night club which allows players a way to cover large parts of the map without having to travel the dangerous streets.
The final map is Dominion which is a futuristic remake of the classic Modern Warfare 2 map Afghan. Players will battle in a map with a downed vehicle at the center. The map has plenty of ridges, observation areas, and halls to allow players to battle one another in multiple game styles.
For me the highlight of the pack is the second installment of the Zombie mode called Rave in the Redwoods. The game continues the story of the four actors pulled into horror movies to battle legions of undead. The previous map was set in an 80s theme park and this time out we get a 90s themed camping horror film as the setting. Players get to use weapons such as a golf club, a spiked baseball bat, a machete, and other melee weapons before they pick up some heavier firepower to go with their grenades. Like in previous versions, players will have to buy access to various areas, new weapons, ammunition and such. There are also puzzles to solve to unlock new and special weapons and traps as well as to make the game progress to a conclusion point. Should players not solve the needed puzzles, then they will face wave after wave of enemies. Writer/Director Kevin Smith is on hand and can be a playable character and those looking for a change of pace can bring on a neon lightshow at various points. For fun players can also battle Bigfoot, a psycho killer, and other threats but trust me, there is plenty of challenge to go around. The Afterlife arcade returns so players who die are given a chance to play various games to make their way back into the game. With four player co-op, you will want to take advantage of the Zip Lines to get around.
While the new maps are fun, they really do not offer anything radically different but do extend the life of the game. For me, the Zombie mode is what makes this a must own as it continues to be the best overall Zombie experience in any of the COD games.
http://sknr.net/2017/03/15/call-duty-infinite-warfare-sabotage-dlc/
Baby Care & Dress Up - Love & Have Fun with Babies
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~~> Dress, Feed & Bathe your Baby - Have a Tea Party & Put your Baby to Bed! ~~> Play Mommy & Care...
Isabel Smith (34 KP) rated The Liar's Girl in Books
Jun 28, 2018
What if the person you loved wasn't who you thought they were?
Alison Smith is living the dream. Not only are she and her best friend Liz excited about their freshman year at the prestigious St. John’s College in Dublin, Ireland; Alison has also met someone…he could even be the one. From the instant she meets Will in a night club, sparks fly between them and they become that couple – the one that’s constantly attached at the hip, madly in love, and whose future shines so bright.
In a terrible turn of events, however, everything comes crashing down. First some fellow female classmates start disappearing. Then, they’re found washed up along Dublin’s Grand Canal. It is clear that a serial killer is on the prowl. Alison is dealt a jagged double whammy after Liz is identified as the Canal Killer’s latest victim and Will is identified as the Canal Killer himself. Absolutely shell-shocked, Alison leaves her home behind and moves to the Netherlands, enrolls in a new college, and starts life anew so to speak.
As the ten-year anniversary of the Canal Killer’s vicious spree approaches, a new string of victims is found in the Grand Canal in the exact same fashion as before. Could it be a copycat killer? Could Will, now in prison, be working with a partner on the outside? Or is it possible that the Garda (aka the Irish police force) could have captured the wrong guy all those years ago?
I loved reading this book! Author Catherine Ryan Howard did a superb job of making Alison’s story both heartbreaking and redemptive, thrilling and enlightening. What she goes through with Will both as a freshman and ten years later is shocking yet entirely believable. She is a heroine you want to get behind and cheer for as she seeks to find the truth about the Canal Killer’s identity, her feelings for Will, and the connection between the past and present crimes. Fans of Patricia Cornwell’s whodunit mysteries will enjoy the suspense, strong female lead, and detective skills offered up by Howard’s The Liar’s Girl.
In a terrible turn of events, however, everything comes crashing down. First some fellow female classmates start disappearing. Then, they’re found washed up along Dublin’s Grand Canal. It is clear that a serial killer is on the prowl. Alison is dealt a jagged double whammy after Liz is identified as the Canal Killer’s latest victim and Will is identified as the Canal Killer himself. Absolutely shell-shocked, Alison leaves her home behind and moves to the Netherlands, enrolls in a new college, and starts life anew so to speak.
As the ten-year anniversary of the Canal Killer’s vicious spree approaches, a new string of victims is found in the Grand Canal in the exact same fashion as before. Could it be a copycat killer? Could Will, now in prison, be working with a partner on the outside? Or is it possible that the Garda (aka the Irish police force) could have captured the wrong guy all those years ago?
I loved reading this book! Author Catherine Ryan Howard did a superb job of making Alison’s story both heartbreaking and redemptive, thrilling and enlightening. What she goes through with Will both as a freshman and ten years later is shocking yet entirely believable. She is a heroine you want to get behind and cheer for as she seeks to find the truth about the Canal Killer’s identity, her feelings for Will, and the connection between the past and present crimes. Fans of Patricia Cornwell’s whodunit mysteries will enjoy the suspense, strong female lead, and detective skills offered up by Howard’s The Liar’s Girl.
Debbiereadsbook (1300 KP) rated The Right Fit in Books
Aug 9, 2018
a nice easy read
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
If you follow my reviews, you'll know I have a particular hatred of using the word NICE to describe a book. But sometimes, it's the only word my brain will use for a book and I can't spit any other word out.
So, this is a NICE book. A GOOD book.
Maxine sees Anthony when she's waiting for a blind date, who turns up but pretends he's not her date. They *literally* dump into each at a night club, when Maxine was dragged out by her sisters for some rebound sex. Anthony is a professional ice hockey player but Maxine doesn't have a clue who he is, so when she assumes he's a mechanic, he runs with it. When She finds out the truth, ALL the truth, can Maxine forgive him? Can she really allow herself to be happy??
This is, from what I can see, the first book by Dubois I've read; indeed, I *think* this is her first novel. And for the most part, I did enjoy it. And I'm stuck with that N word a the back of my throat!
I don't mean this in a negative way, not at all, it's just I can't find any other word that projects my feelings bout this book and you all know, I'm all about sharing my book feelings!
I liked the way the story flowed. We don't get all of Anthony's history in one go, you get hints and clues, and I put them altogether so wrong. You don't get all of Maxine's pain at her break up, the whole story comes in snippets along the way.
Some of the dialogue is amusing, with Anthony's English not quite up to speed yet, but I liked that he flipped between English and French, and his English is portrayed in a way I remember the French students from school speaking.
So, for the most part, I DID enjoy it, but I can't get past the *Nice Book* title.
3.5 stars, rounded up to 4 for the blog
**same worded review will appear elsewhere**
If you follow my reviews, you'll know I have a particular hatred of using the word NICE to describe a book. But sometimes, it's the only word my brain will use for a book and I can't spit any other word out.
So, this is a NICE book. A GOOD book.
Maxine sees Anthony when she's waiting for a blind date, who turns up but pretends he's not her date. They *literally* dump into each at a night club, when Maxine was dragged out by her sisters for some rebound sex. Anthony is a professional ice hockey player but Maxine doesn't have a clue who he is, so when she assumes he's a mechanic, he runs with it. When She finds out the truth, ALL the truth, can Maxine forgive him? Can she really allow herself to be happy??
This is, from what I can see, the first book by Dubois I've read; indeed, I *think* this is her first novel. And for the most part, I did enjoy it. And I'm stuck with that N word a the back of my throat!
I don't mean this in a negative way, not at all, it's just I can't find any other word that projects my feelings bout this book and you all know, I'm all about sharing my book feelings!
I liked the way the story flowed. We don't get all of Anthony's history in one go, you get hints and clues, and I put them altogether so wrong. You don't get all of Maxine's pain at her break up, the whole story comes in snippets along the way.
Some of the dialogue is amusing, with Anthony's English not quite up to speed yet, but I liked that he flipped between English and French, and his English is portrayed in a way I remember the French students from school speaking.
So, for the most part, I DID enjoy it, but I can't get past the *Nice Book* title.
3.5 stars, rounded up to 4 for the blog
**same worded review will appear elsewhere**
Butch Vig recommended track Virginia Plain by Roxy Music in Early Years by Roxy Music in Music (curated)
Shirley Manson recommended Stone Roses by The Stone Roses in Music (curated)
Survival Island 2017 - Savage 2
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Love survival games with great graphics? Download and play now! “Hey, survivor! Get to the coast,...
Gareth von Kallenbach (980 KP) rated Bravetown (2015) in Movies
Aug 6, 2019
Today’s movie selection is certainly a ‘heavy’ …. and by heavy I mean 1 half serious and 1 half inspirational. It’s one of those stories where the protagonist has been fighting an uphill battle most of their lives and in the end, being the catalyst for change in the lives of others ends up being that factor which changes their own life for the better.
‘Bravetown’ stars Lucas Till as Josh Harvest. A rising star and one of the best club DJ’s in the New York music scene. Night after night his music draws friends, crowds, promoters, and record producers looking to sign him. By day he sleeps and watches ‘Platoon’ when he’s not skipping school. Just as suddenly as the music starts spinning it all comes crashing down though when Josh overdoses one night and is raced to the hospital. After a confrontation with his mother (Maria Bello) and faced with the alternative choice of arrest and imprisonment,
Josh agrees to be sentenced to court ordered rehab and is sent from the mad streets of New York City to a small town in North Dakota to live with his father.
After the culture shock of going from the ‘city that never sleeps’ to a small town only known for their kids joining the military upon graduation right out of high school and going off to war (many of whom never return) subsides, Josh succumbs to his situation and settles in to his court appointed rehab with Alex (Josh Duhamel) a veteran who’se obsessed with soccer and has a dark past of his own. Sooner or later, everyone’s past catches up to them though .One night after his arrival, Josh’s reputation from New York catches up to him while attending a school dance. Dissatisfied with the music being played, Josh spins one set while the school’s dance team is performing on stage and then abruptly leaves. Unbeknownst to him, a member of the dance team recognized his music, recorded his set which they then used to win a competition.
After reluctantly agreeing to help them, the school’s last place dance team proceeds to win competition after competition and Josh and the dance team’s captain Mary (Kherington Payne). It soon becomes all to clear to Josh though that Mary’s grief is connected to his therapist’s past and that only by confronting it will Mary and Alex be able to come to terms and heal.
There a very few movies that did what this movie his done which is to touch on a subject that very few want to talk about or even acknowledge today in America. The knowledge that most of the people in this country who are sent off to war are young people from small towns or people from low income communities who either have no money to attend college after high school or have no other options for the future except to n the military. Now please don’t misunderstand me. I have nothing but the utmost respect for the men and women who serve and defend our nation and I come from a military family. However, for young people though in the present day …. many really have no other future to look forward too because of the high cost of university or college education. As part of the backstory, this film shines a light on that subject and does so in a respectful way. They way the ‘life in the big city’ merges to that in ‘small town america’ in the movie was done so in such a way that it seems like the two are right next door. As you are watching the film for the first time, the ‘culture shock’ is not so much a ‘shock’ itself but more like a record slowly spinning after the music is over.
Personally, I’m not a fan of any of the dancing shows and movies that have apparently captured the attention of everyone else over the last few years whether it’s ‘Dancing With The Stars’, ‘So You Think You Can Dance?’, ‘Step Up’, ‘Bring It On’, etc. But I freely admit that the dancing in this film was pretty GORRAM awesome and it impressed the heck out of me. The collection of actors and actresses assembled for this film was equally as awesome. Lucas Till (The X-Men Movies), Laura Dern (Jurassic Park), Josh Duhamel (Transformers), and Kherington Payne (True Blood, CSI, Glee) all brought their own serious brand of acting to this film and they don’t disappoint. There no war flashbacks, no car chases, and only one violent scene in the movie. All the action in the movie centers around the music and the brilliantly choreographed dancing. All the drama centers around the characters coming to terms with grief and lose. It’s better than many of the movies you find in theaters right now. Try to find ‘Bravetown’ between all the blockbusters that start hitting theaters in May. Trust me, it’s worth the view and if you can’t find it in theaters, order it online. I’m going this one 4 out of 5 stars. It clocks in at 112 minutes, but it’s worth it.
‘Bravetown’ stars Lucas Till as Josh Harvest. A rising star and one of the best club DJ’s in the New York music scene. Night after night his music draws friends, crowds, promoters, and record producers looking to sign him. By day he sleeps and watches ‘Platoon’ when he’s not skipping school. Just as suddenly as the music starts spinning it all comes crashing down though when Josh overdoses one night and is raced to the hospital. After a confrontation with his mother (Maria Bello) and faced with the alternative choice of arrest and imprisonment,
Josh agrees to be sentenced to court ordered rehab and is sent from the mad streets of New York City to a small town in North Dakota to live with his father.
After the culture shock of going from the ‘city that never sleeps’ to a small town only known for their kids joining the military upon graduation right out of high school and going off to war (many of whom never return) subsides, Josh succumbs to his situation and settles in to his court appointed rehab with Alex (Josh Duhamel) a veteran who’se obsessed with soccer and has a dark past of his own. Sooner or later, everyone’s past catches up to them though .One night after his arrival, Josh’s reputation from New York catches up to him while attending a school dance. Dissatisfied with the music being played, Josh spins one set while the school’s dance team is performing on stage and then abruptly leaves. Unbeknownst to him, a member of the dance team recognized his music, recorded his set which they then used to win a competition.
After reluctantly agreeing to help them, the school’s last place dance team proceeds to win competition after competition and Josh and the dance team’s captain Mary (Kherington Payne). It soon becomes all to clear to Josh though that Mary’s grief is connected to his therapist’s past and that only by confronting it will Mary and Alex be able to come to terms and heal.
There a very few movies that did what this movie his done which is to touch on a subject that very few want to talk about or even acknowledge today in America. The knowledge that most of the people in this country who are sent off to war are young people from small towns or people from low income communities who either have no money to attend college after high school or have no other options for the future except to n the military. Now please don’t misunderstand me. I have nothing but the utmost respect for the men and women who serve and defend our nation and I come from a military family. However, for young people though in the present day …. many really have no other future to look forward too because of the high cost of university or college education. As part of the backstory, this film shines a light on that subject and does so in a respectful way. They way the ‘life in the big city’ merges to that in ‘small town america’ in the movie was done so in such a way that it seems like the two are right next door. As you are watching the film for the first time, the ‘culture shock’ is not so much a ‘shock’ itself but more like a record slowly spinning after the music is over.
Personally, I’m not a fan of any of the dancing shows and movies that have apparently captured the attention of everyone else over the last few years whether it’s ‘Dancing With The Stars’, ‘So You Think You Can Dance?’, ‘Step Up’, ‘Bring It On’, etc. But I freely admit that the dancing in this film was pretty GORRAM awesome and it impressed the heck out of me. The collection of actors and actresses assembled for this film was equally as awesome. Lucas Till (The X-Men Movies), Laura Dern (Jurassic Park), Josh Duhamel (Transformers), and Kherington Payne (True Blood, CSI, Glee) all brought their own serious brand of acting to this film and they don’t disappoint. There no war flashbacks, no car chases, and only one violent scene in the movie. All the action in the movie centers around the music and the brilliantly choreographed dancing. All the drama centers around the characters coming to terms with grief and lose. It’s better than many of the movies you find in theaters right now. Try to find ‘Bravetown’ between all the blockbusters that start hitting theaters in May. Trust me, it’s worth the view and if you can’t find it in theaters, order it online. I’m going this one 4 out of 5 stars. It clocks in at 112 minutes, but it’s worth it.
Lee (2222 KP) rated It: Chapter Two (2019) in Movies
Sep 6, 2019 (Updated Sep 6, 2019)
Bloated, messy at times, not quite as good as chapter 1 :(
It's fair to say that IT Chapter 2 has been one of my most anticipated movies this year. The trailer, which I've probably watched just as many times now as I watched the Endgame trailer, gives me goosebumps every time, and I couldn't wait to rejoin the losers club for another battle with Pennywise the clown. I was lucky enough to secure tickets to the immersive IT experience in London last weekend, adding further fuel to my excitement, and I decided to book the double bill showing of both chapters at the cinema in order to fully enjoy the complete story. Watching chapter 1 up on the big screen again proved to be just as enjoyable for me as the first time I saw it. Sadly though, I feel that chapter 2 didn't quite measure up to chapter 1.
It's now been 27 years since the events of chapter 1. One night, at the Derry funfair, a prolonged and brutal homophobic attack takes place, seemingly serving no other purpose than to provide us with a lengthy setup for the return of Pennywise. Yes, the clown is back and looking for revenge. It falls to Mike (Isaiah Mustafa), the only member of the losers club still living in Derry, to call on the others, to tell them they need to come home and to fulfill the oath they all pledged as children - no matter where they are, if "It" ever comes back, they'll come back to finish it. They all take the call they never thought they'd get and immediately their lives feel the impact - Bill (James McAvoy) is now a famous writer and suddenly starts to regain his stutter, Beverly (Jessica Chastain) clearly hasn't managed to escape a life of abuse, Ben (Jay Ryan) has managed to shed a lot of weight, Richie (Bill Hader) throws up before going on stage to perform stand-up, Eddie (James Ransome) simply refuses to believe what he's hearing. And Stanley (Andy Bean), well he fully appreciates the horror that lies ahead of them all.
The adult versions of the losers club are all perfectly cast, and just as entertaining in adult form as they are as children. Any reviews you read for this movie will no doubt mention Bill Hader as adult Richie, and all praise for him is well deserved. Just as Finn Wolfhard stole the show as the young, wise cracking and potty mouthed Richie in chapter 1, so does Bill Hader here. But the entire adult cast is all simply spot on.
They all meet up at a Chinese restaurant in Derry, gradually recalling forgotten events from their childhood over a meal and falling back into old friendships once again. We get multiple flashbacks of them all as teenagers, new scenes that help to flesh out the story-line, and these continue throughout the entire movie. It's a real nostalgic joy to revisit these younger versions again, and to immediately see how each flashback moment ultimately affects them as adults. The threat of Pennywise constantly lingers though, and they know they have work to do.
They go their separate ways, remaining in Derry but taking time to reacquainte themselves with the town and their own personal history there. Mike has a theory on how to defeat Pennywise once and for all, but first they must face him individually - grow stronger and more confident so that they can hopefully overcome him together as a team.
Unfortunately though, Pennywise never really feels as much of a threat as he did in the first movie. The slow brooding, creepy scares that worked so effectively then are all but lost here. There certainly are still a handful of those in chapter 2, and those do work extremely well, but they're simply outnumbered by a constant barrage of jump scares and CGI monsters. I lost count of the number of times we got a random CGI creature rapidly approaching us and the over-reliance on CGI is noticeably jarring, even more so in the final act. The use of practical, psychological scares is sorely missed and the whole thing is nowhere near as scary as chapter 1.
The run-time clocks in at 2hr 50, compared to a tighter 2hr 15 for chapter 1, and it really notices. Admittedly, the Stephen King source material is pretty hefty anyway (so I hear), but at times this just felt bloated and messy in its interpretation, too much being thrown at you and not enough of it sticking. That CG heavy finale I mentioned is also way too long, and really drags. It's a shame because I really enjoyed the introduction of the adult losers and the interweaving of their lives with the flashbacks from 27 years earlier. There's talk of an extended cut being out there and potentially being released. Personally, I would prefer a much leaner, shorter cut.
It's now been 27 years since the events of chapter 1. One night, at the Derry funfair, a prolonged and brutal homophobic attack takes place, seemingly serving no other purpose than to provide us with a lengthy setup for the return of Pennywise. Yes, the clown is back and looking for revenge. It falls to Mike (Isaiah Mustafa), the only member of the losers club still living in Derry, to call on the others, to tell them they need to come home and to fulfill the oath they all pledged as children - no matter where they are, if "It" ever comes back, they'll come back to finish it. They all take the call they never thought they'd get and immediately their lives feel the impact - Bill (James McAvoy) is now a famous writer and suddenly starts to regain his stutter, Beverly (Jessica Chastain) clearly hasn't managed to escape a life of abuse, Ben (Jay Ryan) has managed to shed a lot of weight, Richie (Bill Hader) throws up before going on stage to perform stand-up, Eddie (James Ransome) simply refuses to believe what he's hearing. And Stanley (Andy Bean), well he fully appreciates the horror that lies ahead of them all.
The adult versions of the losers club are all perfectly cast, and just as entertaining in adult form as they are as children. Any reviews you read for this movie will no doubt mention Bill Hader as adult Richie, and all praise for him is well deserved. Just as Finn Wolfhard stole the show as the young, wise cracking and potty mouthed Richie in chapter 1, so does Bill Hader here. But the entire adult cast is all simply spot on.
They all meet up at a Chinese restaurant in Derry, gradually recalling forgotten events from their childhood over a meal and falling back into old friendships once again. We get multiple flashbacks of them all as teenagers, new scenes that help to flesh out the story-line, and these continue throughout the entire movie. It's a real nostalgic joy to revisit these younger versions again, and to immediately see how each flashback moment ultimately affects them as adults. The threat of Pennywise constantly lingers though, and they know they have work to do.
They go their separate ways, remaining in Derry but taking time to reacquainte themselves with the town and their own personal history there. Mike has a theory on how to defeat Pennywise once and for all, but first they must face him individually - grow stronger and more confident so that they can hopefully overcome him together as a team.
Unfortunately though, Pennywise never really feels as much of a threat as he did in the first movie. The slow brooding, creepy scares that worked so effectively then are all but lost here. There certainly are still a handful of those in chapter 2, and those do work extremely well, but they're simply outnumbered by a constant barrage of jump scares and CGI monsters. I lost count of the number of times we got a random CGI creature rapidly approaching us and the over-reliance on CGI is noticeably jarring, even more so in the final act. The use of practical, psychological scares is sorely missed and the whole thing is nowhere near as scary as chapter 1.
The run-time clocks in at 2hr 50, compared to a tighter 2hr 15 for chapter 1, and it really notices. Admittedly, the Stephen King source material is pretty hefty anyway (so I hear), but at times this just felt bloated and messy in its interpretation, too much being thrown at you and not enough of it sticking. That CG heavy finale I mentioned is also way too long, and really drags. It's a shame because I really enjoyed the introduction of the adult losers and the interweaving of their lives with the flashbacks from 27 years earlier. There's talk of an extended cut being out there and potentially being released. Personally, I would prefer a much leaner, shorter cut.
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.