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The horror genre can’t wait to splash the screen with as much blood and gore as possible, letting you know what the intentions of the film are going to be. In this Blumhouse produced thriller that isn’t the case, as Oscar winner Octavia Spencer plays quiet but dissociated veterinary assistant Sue-Ann, who befriends a group of adolescent teens.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
BookishWoo (317 KP) rated Pawsitively Poisonous: A Witch of Edgehill Mystery #1 in Books
Jun 20, 2020
For Fans of of cozy mysteries with a paranormal twist, this one is definitely for you!
I had actually read the 2nd book in the series first for review and enjoyed it so much that Melissa sent this one to me also.
The cover alone would have been an instant buy for me, the silhouetted witch against the bright green is so eye catching it literally screams out to you pick me up and read me (You know you want too)!
With Melissa being a professional pet sitter you just know that this would have a nod to pets, and she certainly did not disappoint. Edgehill is a small quirky town whose identity revolves around cats. With everything from the business names to the town fair having a cat related theme and name.
The characters are spot on and you cant help but fall in love with the main Protagonist Amber Blackwood and yes, she is a witch, from a long line of witches who keep their identity secret, for good reason!
Being a cozy mystery you are dragged into a plot line that keeps you on the edge of your seat and has you invested in the characters right through to the end. This leaves you wanting more and I can guarantee that you will move straight on to the second book in the series as you are left with so many unaswered questions about Amber and her family.
So if you are looking for a quick, quirky, fun read you should definitely go and grab yourself a copy!
Melissa sent me my copy of Pawsitively Poisonous for free in exchange for an honest review
I had actually read the 2nd book in the series first for review and enjoyed it so much that Melissa sent this one to me also.
The cover alone would have been an instant buy for me, the silhouetted witch against the bright green is so eye catching it literally screams out to you pick me up and read me (You know you want too)!
With Melissa being a professional pet sitter you just know that this would have a nod to pets, and she certainly did not disappoint. Edgehill is a small quirky town whose identity revolves around cats. With everything from the business names to the town fair having a cat related theme and name.
The characters are spot on and you cant help but fall in love with the main Protagonist Amber Blackwood and yes, she is a witch, from a long line of witches who keep their identity secret, for good reason!
Being a cozy mystery you are dragged into a plot line that keeps you on the edge of your seat and has you invested in the characters right through to the end. This leaves you wanting more and I can guarantee that you will move straight on to the second book in the series as you are left with so many unaswered questions about Amber and her family.
So if you are looking for a quick, quirky, fun read you should definitely go and grab yourself a copy!
Melissa sent me my copy of Pawsitively Poisonous for free in exchange for an honest review
Carrie Brownstein recommended track If There Is Something by Roxy Music in Early Years by Roxy Music in Music (curated)
Eleanor (1463 KP) rated Die Trying (Jack Reacher Book#2) in Books
Sep 24, 2019
Another action-packed outing for the lone star.
This is just the book I needed to be reading by the side of the pool this summer, hard to put down; an easy enjoyable read.
In Die Trying we meet up again with ex-military police Major Jack reacher, who accidentally gets swept up in the kidnapping of an FBI special agent (no surprises she happens to be hot!?!) While following the attempts of the FBI to get their agent back and Jack’s attempts to free her, an ever-larger plot unfolds raising the stakes.
Ok, you are going to have to be ready to suspend belief a lot in this book, which I usually struggle with (I love a good eye-roll) but it is fairly easy to do with this book thanks to fast pacing and great characters. I do recommend you just go along for the ride. I have very little in the way of military, combat or arms knowledge and no idea how accurate the details in this book are but they are written in such a commanding and interesting way I was more than happy to nod along and go with it.
It does slow a bit in the early to middle stages but the last quarter is full in your face action.
Reacher is just what you want from a hero no-nonsense and a lot of great walking through his thought processes. He's not an overcomplicated character and that feels nice and fresh to me. There is the all too predictable romance angle but its fairly concise and not too in your face.
This is just a fun read.
In Die Trying we meet up again with ex-military police Major Jack reacher, who accidentally gets swept up in the kidnapping of an FBI special agent (no surprises she happens to be hot!?!) While following the attempts of the FBI to get their agent back and Jack’s attempts to free her, an ever-larger plot unfolds raising the stakes.
Ok, you are going to have to be ready to suspend belief a lot in this book, which I usually struggle with (I love a good eye-roll) but it is fairly easy to do with this book thanks to fast pacing and great characters. I do recommend you just go along for the ride. I have very little in the way of military, combat or arms knowledge and no idea how accurate the details in this book are but they are written in such a commanding and interesting way I was more than happy to nod along and go with it.
It does slow a bit in the early to middle stages but the last quarter is full in your face action.
Reacher is just what you want from a hero no-nonsense and a lot of great walking through his thought processes. He's not an overcomplicated character and that feels nice and fresh to me. There is the all too predictable romance angle but its fairly concise and not too in your face.
This is just a fun read.
LeftSideCut (3778 KP) rated The Void (2016) in Movies
Aug 10, 2020
I watched The Void with absolutely no prior knowledge of what it was, and what it is, is certainly...something.
The Void felt to me like a series of homages to other horror classics. The overall plot seems like an obvious nod to Prince of Darkness. The creature designs are reminiscent of The Thing, albeit with a sprinkling of Guillermo Del Toro. The climax reminded me sometimes of Hellraiser. One of the villains gave me Re-Animator vibes. All the while, there's a distinct Lovecraftian undercurrent from start to finish.
All of this is a good thing though. The Void never feels like it's ripping off any of these movies, but rather wearing it's heart on it's sleeve.
As mentioned above, the creature designs reminded me of The Thing. This is further bolstered by their nightmarish aesthetic, and the fantastic use of practical effects. In fact, there's very minimal use of CGI at all, something you don't see too often these days.
My only criticisms are aimed at the plot. It's starts off well enough, and evokes a feeling of tension and uncertainty, well realised by a decent cast. Before long however, it's clear that a lot is left open to audience interpretation. The fever dream approach to the filming style leaves you questioning what is real and what's not, a plot technique that I'm usually all for, although The Void is a film that I feel could have benefited from a little more explanation and resolve.
Overall though, it's a gory, entertaining horror creature-feature, that I would recommend watching, even if it's just the once.
The Void felt to me like a series of homages to other horror classics. The overall plot seems like an obvious nod to Prince of Darkness. The creature designs are reminiscent of The Thing, albeit with a sprinkling of Guillermo Del Toro. The climax reminded me sometimes of Hellraiser. One of the villains gave me Re-Animator vibes. All the while, there's a distinct Lovecraftian undercurrent from start to finish.
All of this is a good thing though. The Void never feels like it's ripping off any of these movies, but rather wearing it's heart on it's sleeve.
As mentioned above, the creature designs reminded me of The Thing. This is further bolstered by their nightmarish aesthetic, and the fantastic use of practical effects. In fact, there's very minimal use of CGI at all, something you don't see too often these days.
My only criticisms are aimed at the plot. It's starts off well enough, and evokes a feeling of tension and uncertainty, well realised by a decent cast. Before long however, it's clear that a lot is left open to audience interpretation. The fever dream approach to the filming style leaves you questioning what is real and what's not, a plot technique that I'm usually all for, although The Void is a film that I feel could have benefited from a little more explanation and resolve.
Overall though, it's a gory, entertaining horror creature-feature, that I would recommend watching, even if it's just the once.
Lee KM Pallatina (951 KP) rated Constantine - Season 1 in TV
Apr 15, 2020 (Updated Apr 15, 2020)
It says master, does it? I should really change that to petty dabbler
Contains spoilers, click to show
My name is John Constantine. I am the one who steps on the shadows, all trench coat and arrogance. I'll drive your demons away, kick 'em in the bollocks, and spit on them when they're down, leaving only a nod, a wink and a wisecrack
Demon hunter and master of the occult John Constantine decided to cease fighting evil since his soul now belonged to the netherworld.
when demons target the daughter of one of his closest friends, he reluctantly rejoins the battle.
discovering Liv (the friends daughter) has second sight, an ability to see other worlds and predict supernatural occurrences, a power that makes her a threat to the new evil, She and Constantine take their combined skills on the road, travelling the country finding demons and send them back to hell.
Matt Ryan stars as john Constantine "master of the dark art's" who after failing to save an old friends young daughter from a powerful demon that dragged her to Hell years prior, leaves that life behind...until now.
This show was short lived, it was eventually accompanied by a animated mini series & an animated movie.
The character was voiced by Matt Ryan of course allowing that version of the character to continue, also being a main character in the DCAU movie justice league dark.
The character also appeared in the CWs arrowverse & is currently a mainstay in CWs legends of tomorrow, Ryan is casting perfection and is a fan favourite.
Demon hunter and master of the occult John Constantine decided to cease fighting evil since his soul now belonged to the netherworld.
when demons target the daughter of one of his closest friends, he reluctantly rejoins the battle.
discovering Liv (the friends daughter) has second sight, an ability to see other worlds and predict supernatural occurrences, a power that makes her a threat to the new evil, She and Constantine take their combined skills on the road, travelling the country finding demons and send them back to hell.
Matt Ryan stars as john Constantine "master of the dark art's" who after failing to save an old friends young daughter from a powerful demon that dragged her to Hell years prior, leaves that life behind...until now.
This show was short lived, it was eventually accompanied by a animated mini series & an animated movie.
The character was voiced by Matt Ryan of course allowing that version of the character to continue, also being a main character in the DCAU movie justice league dark.
The character also appeared in the CWs arrowverse & is currently a mainstay in CWs legends of tomorrow, Ryan is casting perfection and is a fan favourite.
Long Hot Summers - The Story Of by The Style Council
Album
The Style Council was emblematic of its creator. Paul Weller, smart, fearless, audacious, with a...
Phil Leader (619 KP) rated Raising Steam: (Discworld Novel 40) in Books
Nov 25, 2019
Raising Steam is another Diskworld book by Pratchett and I have to say I enjoyed it immensely.
The main plot is twofold, firstly concerning steam trains being created (with a nice nod to Reaper Man) and spreading across the Sto Plains and secondly the continuation of the story of the Dwarves from The Fifth Elephant and Thud. There is also some continuation of the Goblin thread from Snuff. As Moist von Lipwig is the main hero (of a sort) there are also references to Going Postal and Making Money (which is also where the title comes from - this is a Moist book).
The main plots only converge towards the end of the story but this doesn't really matter. The train story is fun and fast moving, some nice little nods to the steam pioneers on Roundworld thrown in, plenty of one liners and puns. There are also more than enough references to previous books and Rincewind makes an appearance (although Death only has a cameo and there's no Librarian which is a little disappointing). The Dwarf plot concerns the machinations of the Deep Downers in trying to preserve Dwarven ways and not to modernise.
Both have impetus and are just enough entwined that one plot didn't get left behind. The writing was crisp and well paced - Pratchett seems to have finally adapted to speaking the books rather than physically writing them.
Overall I enjoyed this immensely, certainly the one I've enjoyed the most since Going Postal. Certainly there are some flaws - Drumknott is subverted from being a dry dusty administrator and the railway is simply built too quickly - but these can easily be overcome by the reader.
Recommended for any Discworld fan. Possibly not a good introduction as there are too many knowing nods and references to previous works.
The main plot is twofold, firstly concerning steam trains being created (with a nice nod to Reaper Man) and spreading across the Sto Plains and secondly the continuation of the story of the Dwarves from The Fifth Elephant and Thud. There is also some continuation of the Goblin thread from Snuff. As Moist von Lipwig is the main hero (of a sort) there are also references to Going Postal and Making Money (which is also where the title comes from - this is a Moist book).
The main plots only converge towards the end of the story but this doesn't really matter. The train story is fun and fast moving, some nice little nods to the steam pioneers on Roundworld thrown in, plenty of one liners and puns. There are also more than enough references to previous books and Rincewind makes an appearance (although Death only has a cameo and there's no Librarian which is a little disappointing). The Dwarf plot concerns the machinations of the Deep Downers in trying to preserve Dwarven ways and not to modernise.
Both have impetus and are just enough entwined that one plot didn't get left behind. The writing was crisp and well paced - Pratchett seems to have finally adapted to speaking the books rather than physically writing them.
Overall I enjoyed this immensely, certainly the one I've enjoyed the most since Going Postal. Certainly there are some flaws - Drumknott is subverted from being a dry dusty administrator and the railway is simply built too quickly - but these can easily be overcome by the reader.
Recommended for any Discworld fan. Possibly not a good introduction as there are too many knowing nods and references to previous works.
Jesters_folly (230 KP) rated Saw V (2008) in Movies
Apr 20, 2021
Contains spoilers, click to show
Ok so another review for another Saw film (with 4 more to go), it would be easy to just write 'more of the same' but that's the good thing about the Saw movies, they give the viewers what they want, more games and more gore. but they also expand on the law and the characters.
The previous two films have focused on Amanda (The Pig) and an John (Jigsaw), Saw V concentrates on Mark Hoffman, the first copy cat killer and (I think) the first pig.
As with the previous few films, Saw V tells Marks tale in the present and via flashbacks and manages to weave Mark into the events we have seen in the other films. All the whilst we have another 'Game' being played out. However this time around the game is almost irrelevant where as the games in the other films normally end up being part of the ongoing story in Saw V it's just something else that is happening. The police don't even seem to know or find out about it being more interested in if there is a traitor and who it is.
Saw V does go back to it's roots whilst pushing the franchise forward, there are flashbacks to the previous films, showing how Mark was involved, all though they did seem to almost totally ignore Amanda. There is a small nod to the film 'Seven' which was an inspiration for the first film when Johns wife receives her inheritance.
The Biggest problem with Saw V is that the time line is getting too complicated to follow and seems to interfere with the events in Saw IV but that doesn't cause to many problems.
We never did get to find out what was in the box though, maybe in Saw VI.
The previous two films have focused on Amanda (The Pig) and an John (Jigsaw), Saw V concentrates on Mark Hoffman, the first copy cat killer and (I think) the first pig.
As with the previous few films, Saw V tells Marks tale in the present and via flashbacks and manages to weave Mark into the events we have seen in the other films. All the whilst we have another 'Game' being played out. However this time around the game is almost irrelevant where as the games in the other films normally end up being part of the ongoing story in Saw V it's just something else that is happening. The police don't even seem to know or find out about it being more interested in if there is a traitor and who it is.
Saw V does go back to it's roots whilst pushing the franchise forward, there are flashbacks to the previous films, showing how Mark was involved, all though they did seem to almost totally ignore Amanda. There is a small nod to the film 'Seven' which was an inspiration for the first film when Johns wife receives her inheritance.
The Biggest problem with Saw V is that the time line is getting too complicated to follow and seems to interfere with the events in Saw IV but that doesn't cause to many problems.
We never did get to find out what was in the box though, maybe in Saw VI.
LeftSideCut (3778 KP) rated Vampires vs. the Bronx (2020) in Movies
Oct 12, 2020 (Updated Oct 12, 2020)
Starting with the positives for this one...
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.
But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.
There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.
Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.
As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.
But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.
There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.
Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.
As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
