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Phil Leader (619 KP) rated Out of the Silence in Books
Nov 21, 2019
This book tackles a difficult subject without compromise but still manages to be a gripping and powerful read. In rural Pakistan a woman is found badly injured after a horrific attack. Sure she is about to die she tells the nurse tending her the story of her life.
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
Neon's Nerd Nexus (360 KP) rated Knives Out (2019) in Movies
Nov 28, 2019
Donut Hole
Knives out is a classic old fashioned murder mystery given a breath of fresh modern day life to make it one of this years biggest delights. Knives out from the get go clearly and proudly wears a history of films/tv shows that it ows its existence to on both of its arms from Murder she wrote to Hetty Wainthropp a dash of Clue and many other murder mystery stories/tales too. Sets are fascinating with every nook and crany intricately stuffed full of the very things that inspired it almost as if its proud to display and pay great tribute to this sadly almost forgotton genre. As a film its comparable mostly to murder on the orient express mixed but its quirkiness, intelligence and charm help it soar way above that movie. Daniel Craig plays an almost Poirot character and its fascinating to watch his mind tick over and piece the puzzle together gradly along side the viewer. Its a slow burner but not a second of it drags as we follow the gradual and methodical webb spun infront of us. Pieces of clues are scattered everywhere tucked away in subtle background objects, woven into dialog and even hinted at in character names keeping your brain constantly engaged/stimulated and your eyes and ears paying attention. Its all so intricate, gradually layered, unpredictable and intelligent not even once using cheap methoods or reasoning to come to a conclusion. Subbtle themes underline the entire film too pulling the film into the present and making it higly relevant to today's goings on. Characters are deceitful, betray each other/lie constantly and the film depicts how these traits can be just as bad as murder but almost never face the same consequences. Symbolisum and metaphors are also everywhere along with great use of shadow showing inocence and and sinister intent (echoing back to classic film noir movies). Knives out certainly indeed left me smiling and challenged as well as thought provoked and rewarded. A clever, intriguing and facinating movie with a message that in a world plagued with racism, polotical lies, selfishness, deceit, distrust and the internent being used instead of knowledge nothing is more powerful than the wisdom of the old and the kind heart and inocence of a good heart.
JT (287 KP) rated Shutter Island (2010) in Movies
Mar 10, 2020
It’s all very film noir from Scorsese, more at home among gangsters and moles, here he turns his attention to a period mystery thriller.
The film has touches of Hitchcockian flair throughout it as we watch DiCaprio and Ruffalo embark through mist and fog in order to reach a desolate island, over run with guards and orderlies whose job it seems is to keep a watchful eye over the criminally insane.
And so begins a puzzling quest for the truth as DiCaprio attempts to leave no stone unturned in the search for the missing patient while at the same time battling his own demons.
The death of his wife in an apartment fire seems to be the catalyst for a lot of dream-scape and it only proves to be a distraction from the impending outcome, as an array of colourful characters try and put him and his partner off the scent. That and its also revealed that Teddy, an ex-GI has been tormented by memories of liberating Dachau nine years earlier.
It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
DiCaprio is nothing short of sublime and the transformation from seemingly sane individual to… well, anything else would be seen as a massive plot spoiler. The supporting cast are as equally good, with strong performances from Ben Kingsley, Michelle Williams and Jackie Earle Haley as a disfigured inmate who pops up to reveal to Teddy more clues about the mysterious secrets the island hides.
The cinematography is also exceptional with some really harrowing shots, one of which places us in the sights of a firing squad that cuts to pieces a group of death camp Nazis. Not to mention the dream sequence involving Teddy’s wife, covered in blood and disappearing into ash as a desperate DiCaprio grasps at one last embrace.
The film drops hints and clues all through it. There are some purposely shot continuity errors that film viewers should be watchful of that will lead them to the jaw dropping and well thought out if not predictable conclusion. It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
The film has touches of Hitchcockian flair throughout it as we watch DiCaprio and Ruffalo embark through mist and fog in order to reach a desolate island, over run with guards and orderlies whose job it seems is to keep a watchful eye over the criminally insane.
And so begins a puzzling quest for the truth as DiCaprio attempts to leave no stone unturned in the search for the missing patient while at the same time battling his own demons.
The death of his wife in an apartment fire seems to be the catalyst for a lot of dream-scape and it only proves to be a distraction from the impending outcome, as an array of colourful characters try and put him and his partner off the scent. That and its also revealed that Teddy, an ex-GI has been tormented by memories of liberating Dachau nine years earlier.
It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
DiCaprio is nothing short of sublime and the transformation from seemingly sane individual to… well, anything else would be seen as a massive plot spoiler. The supporting cast are as equally good, with strong performances from Ben Kingsley, Michelle Williams and Jackie Earle Haley as a disfigured inmate who pops up to reveal to Teddy more clues about the mysterious secrets the island hides.
The cinematography is also exceptional with some really harrowing shots, one of which places us in the sights of a firing squad that cuts to pieces a group of death camp Nazis. Not to mention the dream sequence involving Teddy’s wife, covered in blood and disappearing into ash as a desperate DiCaprio grasps at one last embrace.
The film drops hints and clues all through it. There are some purposely shot continuity errors that film viewers should be watchful of that will lead them to the jaw dropping and well thought out if not predictable conclusion. It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.
Gareth von Kallenbach (980 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Under the Big Black Sun: A Personal History of L.A. Punk
John Doe and Tom DeSavia
Book
Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to...
ComicBook!
Comics, Entertainment and Photo & Video
6.0
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ComicBook! is YOUR Creative Superpowers! 1.6+ MILLION USERS! Transform the ordinary to share-worthy...
Broadchurch
8.4
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TV Show Watch
Academy Award nominee Marianne Jean-Baptiste and legendary actress Charlotte Rampling star alongside...
Past Crimes
7.0
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Book
When his estranged grandfather is shot and left for dead, an Army Ranger plunges into the criminal...
Gareth von Kallenbach (980 KP) rated Nightmare Alley (2021) in Movies
Dec 2, 2021
Stanton Carlisle (Bradley Cooper); is a man trying to get by in late 1930s America in the new film “Nightmare Alley”. Our first introduction to Stanton is less than flattering and he soon finds himself employed at a Carnival after coming upon it by chance.
The eager Stanton is given advice and tools of the trade by his boss Clem (Willem Dafoe) as well as the mystic Zeena (Toni Collette) and Stanton eagerly wants to get ahead. While striking a friendship with fellow employee Molly (Rooney Mara); Stanton learns that Zeena’s older and alcoholic husband has a skill from a former act where he learns to read people and use verbal cues to appear to have the power of clairvoyance.
Eventually, Stanton seeks bigger opportunities and leaves with Molly for the city where they in time develop a successful act that offers them two shows a night at a fancy hotel and some of the finer things in life.
Unwilling to be content with what he has; Stanton becomes involved with a Psychologist named Lilith (Cate Blanchett) and uses her knowledge to set up higher-profile marks who will pay well for his supposed abilities and in doing so; sets a dangerous chain of events into motion.
The film is based on the 1946 book of the same name and an earlier 1947 film, and while it does an amazing job with the visuals and moody atmosphere of the era; it is a very long and slowly-paced film. The movie is over 2.5 hours long and comes across as overly long and self-indulgent as Director Guillermo del Toro could easily have shaved 30-45 minutes from the film and told the story without losing much.
The cast and performances are very good but a slow-paced and dour film is not an ideal way to spend 2.5 hours at the movies no matter how much it has going for it. The movie does have some good points but I think it will do much better on streaming and home video where audiences can pause and take a break.
If you are a fan of the Noir style of old; then this may be just what you are looking for, but I think it should have been so much more.
3.5 stars out of 5
The eager Stanton is given advice and tools of the trade by his boss Clem (Willem Dafoe) as well as the mystic Zeena (Toni Collette) and Stanton eagerly wants to get ahead. While striking a friendship with fellow employee Molly (Rooney Mara); Stanton learns that Zeena’s older and alcoholic husband has a skill from a former act where he learns to read people and use verbal cues to appear to have the power of clairvoyance.
Eventually, Stanton seeks bigger opportunities and leaves with Molly for the city where they in time develop a successful act that offers them two shows a night at a fancy hotel and some of the finer things in life.
Unwilling to be content with what he has; Stanton becomes involved with a Psychologist named Lilith (Cate Blanchett) and uses her knowledge to set up higher-profile marks who will pay well for his supposed abilities and in doing so; sets a dangerous chain of events into motion.
The film is based on the 1946 book of the same name and an earlier 1947 film, and while it does an amazing job with the visuals and moody atmosphere of the era; it is a very long and slowly-paced film. The movie is over 2.5 hours long and comes across as overly long and self-indulgent as Director Guillermo del Toro could easily have shaved 30-45 minutes from the film and told the story without losing much.
The cast and performances are very good but a slow-paced and dour film is not an ideal way to spend 2.5 hours at the movies no matter how much it has going for it. The movie does have some good points but I think it will do much better on streaming and home video where audiences can pause and take a break.
If you are a fan of the Noir style of old; then this may be just what you are looking for, but I think it should have been so much more.
3.5 stars out of 5
Fred (860 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Mar 15, 2019
Spider-Ham (3 more)
Fantastic design
Good music
Good voice acting
The choppy animation is headache inducing (2 more)
Story is bland
Some of the characters are wasted
Good. Not great.
Here we go again. Another over-rated superhero movie. Yes, it's good, but it's not great. Basically, what we got here is Miles Morales' origin story. I do love the characters & they are all acted well. I love the new Doc Oc & all of the Spider-people. The design of the characters & settings are a sight to see. The main problem is the movement of them. Every other frame is cut out, so the characters have a jerky movement to them. Supposedly, this is meant to encapsulate a comic book. Since a comic book does not move, this is a stupid reason given for lack-luster animation. There are quite a few anime out there today that use CGI-drawn animation. It looks choppy, cheap & crappy. And that's what we got here. Instead of smooth, graceful, Spider-Man like movement, we got what looks like low bitrate video. I truly feel this is why the movie, although it did well, did not do stupendous numbers at the box office compared to other recent animated movies.
Anyway, tossing that aside & taking account the design of the movie, I also found that the story was lackluster. I didn't find it too interesting or original. It just didn't grab me. I felt myself many times saying to myself that nothing special was going on. When they introduced the others from the Spider-Verse, I felt that some of them were a waste of space. Spider-Man Noir, played by Nicholas Cage, was funny but didn't do anything special. The Japanese girl with the robot, was utterly useless. If she wasn't in the film, it would be no different, except maybe to sell some toys. Now, I will say, I loved Spider-Ham, but I've been a fan of his since the 80s & still have all the original comic books. So, I am biased towards him. I would love to see him get his own movie, but I doubt he will.
Anyway, here's my bottom line. The movie was good. The style was great. Music was great. Characters were great. Story was meh. Animation was bad. After I watched the movie, I said, well that was pretty much a waste of time, but I'm not mad I watched. I just probably would never watch it again.
Anyway, tossing that aside & taking account the design of the movie, I also found that the story was lackluster. I didn't find it too interesting or original. It just didn't grab me. I felt myself many times saying to myself that nothing special was going on. When they introduced the others from the Spider-Verse, I felt that some of them were a waste of space. Spider-Man Noir, played by Nicholas Cage, was funny but didn't do anything special. The Japanese girl with the robot, was utterly useless. If she wasn't in the film, it would be no different, except maybe to sell some toys. Now, I will say, I loved Spider-Ham, but I've been a fan of his since the 80s & still have all the original comic books. So, I am biased towards him. I would love to see him get his own movie, but I doubt he will.
Anyway, here's my bottom line. The movie was good. The style was great. Music was great. Characters were great. Story was meh. Animation was bad. After I watched the movie, I said, well that was pretty much a waste of time, but I'm not mad I watched. I just probably would never watch it again.