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Love Goes to Buildings on Fire: Music Made New in New York City in the ’70s
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Crime was everywhere, the government was broke and the city's infrastructure was collapsing, but...
Chris Sawin (602 KP) rated Electric Dragon 80.000 V (2000) in Movies
Jun 18, 2019
Dragon Eye Morrison (Tadanobu Asano, Hogun in the Thor films)) didn’t have a normal childhood. As a young boy, he climbed an electrical tower despite his friends warning him he’d be electrocuted. After the inevitable occurred, Dragon Eye seems to go through electroshock therapy whenever he gets into trouble. These shocking developments usually happen in fights and become more frequent when he gets older. As a result, he’s now charged with 80,000 volts of electricity at all times. He has developed his own version of the therapy that involves bolting himself to a table. The only way he can deal with being charged with this much electricity is by playing his electric guitar. Aside from his unusual self-treatment, Dragon Eye is a lizard expert who has an impressive reptile collection. When one of his lizards goes missing and Thunderbolt Buddha (Mastoshi Nagase, Paterson, The Hidden Blade) steps into the picture, that’s when things get even more bizarre.
Electric Dragon 80,000 V is a beyond weird cinematic experience. It clocks in at a little under 55-minutes, so calling it a full-length movie may be a bit of an overstatement. Written and directed by Gakuryū Ishii (credited as Sogo Ishi, he has also directed Labyrinth of Dreams and Angel Dust), the Japanese film is visually similar to Tetsuo, the Iron Man but is more like an extended music video that collided with the visuals of a live-action anime or manga. Ishii used the leftover funds from Gojoe: Spirit War Chronicle to make Electric Dragon 80,000 V while recruiting Asano and Nagase who were the two main leads in Gojoe.
Having nothing else in common with Gojoe, Electric Dragon 80,000 V is absolutely its own beast. The film’s biggest strength is its cinematography. With Norimichi Kasamatsu (Korean filmmaker Lee Song-il’s 2013 remake of Unforgiven) as the film’s cinematographer, being entirely in black and white allows the visuals of the film to bleed off the screen. Some of the most unique shots are when Dragon Eye is playing guitar as the drastic lighting and creative perspective are just what you’d expect from someone taking all of their frustrations out on a guitar; incredibly angry and in your face. There’s a scene in the second half of the film where Thunderbolt Buddha has gotten Dragon Eye’s full attention and Dragon Eye is moving through rooms without moving himself. He appears to be floating from room to room and it allows you to realize how he’s feeling at that particular point in the film as if it’s all a bad dream.
The music may be what makes or breaks the film for the viewer as it tends to walk a thin line between catchy rock music to nothing but loud, distorted noise with screaming. The film is noisy in every sense of the word. Whenever Dragon Eye starts playing his guitar, it often just sounds like noise. It fits the tone of the film perfectly since it complements the concept of channeling 80,000 volts of electricity through a guitar. That would probably sound more like amplified noise than polished music. If you’re not a fan of loud, heavy music then it may affect your judgment of the film.
Electric Dragon 80,000 V is an unusual gray scale experiment, but it’s certainly innovative and unlike anything else you’ve ever seen. It’s not a remake and it’s not an adaptation. It’s an original film that stands on its own, but its radical plunge into such severe weirdness could be a turnoff for some viewers as its manga inspired influences flow excessively through every frame surrounding every sequence with boisterous and heavy guitar riffs; think like a shorter and black and white version of Scott Pilgrim vs. the World that somehow fused with the FLCL anime. This was discovered while digging through Tadanobu Asano’s filmography and if you’re fan of his stuff, then Electric Dragon 80,000 V comes highly recommended.
Electric Dragon 80,000 V isn’t available to stream anywhere, was never released on Blu-ray (this would be amazing in high definition), and the DVD is out of print. A high quality version of the DVD cover had to be pulled from eBay of all places since Google can’t seem to find one otherwise that isn’t tiny in size. The DVD is available on Amazon from third party sellers for $39.99 plus $3.99 shipping in new condition and $29.98 with free shipping in used condition. A pre-owned DVD is running $69.99 to $79.99 on eBay with free shipping. It does look like someone uploaded a 90-minute version of the film on YouTube with English subs and that looks to be the best way to see the film at the moment.
Electric Dragon 80,000 V is a beyond weird cinematic experience. It clocks in at a little under 55-minutes, so calling it a full-length movie may be a bit of an overstatement. Written and directed by Gakuryū Ishii (credited as Sogo Ishi, he has also directed Labyrinth of Dreams and Angel Dust), the Japanese film is visually similar to Tetsuo, the Iron Man but is more like an extended music video that collided with the visuals of a live-action anime or manga. Ishii used the leftover funds from Gojoe: Spirit War Chronicle to make Electric Dragon 80,000 V while recruiting Asano and Nagase who were the two main leads in Gojoe.
Having nothing else in common with Gojoe, Electric Dragon 80,000 V is absolutely its own beast. The film’s biggest strength is its cinematography. With Norimichi Kasamatsu (Korean filmmaker Lee Song-il’s 2013 remake of Unforgiven) as the film’s cinematographer, being entirely in black and white allows the visuals of the film to bleed off the screen. Some of the most unique shots are when Dragon Eye is playing guitar as the drastic lighting and creative perspective are just what you’d expect from someone taking all of their frustrations out on a guitar; incredibly angry and in your face. There’s a scene in the second half of the film where Thunderbolt Buddha has gotten Dragon Eye’s full attention and Dragon Eye is moving through rooms without moving himself. He appears to be floating from room to room and it allows you to realize how he’s feeling at that particular point in the film as if it’s all a bad dream.
The music may be what makes or breaks the film for the viewer as it tends to walk a thin line between catchy rock music to nothing but loud, distorted noise with screaming. The film is noisy in every sense of the word. Whenever Dragon Eye starts playing his guitar, it often just sounds like noise. It fits the tone of the film perfectly since it complements the concept of channeling 80,000 volts of electricity through a guitar. That would probably sound more like amplified noise than polished music. If you’re not a fan of loud, heavy music then it may affect your judgment of the film.
Electric Dragon 80,000 V is an unusual gray scale experiment, but it’s certainly innovative and unlike anything else you’ve ever seen. It’s not a remake and it’s not an adaptation. It’s an original film that stands on its own, but its radical plunge into such severe weirdness could be a turnoff for some viewers as its manga inspired influences flow excessively through every frame surrounding every sequence with boisterous and heavy guitar riffs; think like a shorter and black and white version of Scott Pilgrim vs. the World that somehow fused with the FLCL anime. This was discovered while digging through Tadanobu Asano’s filmography and if you’re fan of his stuff, then Electric Dragon 80,000 V comes highly recommended.
Electric Dragon 80,000 V isn’t available to stream anywhere, was never released on Blu-ray (this would be amazing in high definition), and the DVD is out of print. A high quality version of the DVD cover had to be pulled from eBay of all places since Google can’t seem to find one otherwise that isn’t tiny in size. The DVD is available on Amazon from third party sellers for $39.99 plus $3.99 shipping in new condition and $29.98 with free shipping in used condition. A pre-owned DVD is running $69.99 to $79.99 on eBay with free shipping. It does look like someone uploaded a 90-minute version of the film on YouTube with English subs and that looks to be the best way to see the film at the moment.
Gareth von Kallenbach (974 KP) rated Chaos Walking (2021) in Movies
Mar 3, 2021
Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time.
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
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Suswatibasu (1701 KP) rated The Only Story in Books
Jan 10, 2018
Slightly irritating protagonist, but good story
This unusual romance is definitely not in the same ballpark as the likes of The Notebook and other such love stories - instead it begins as a pseudo-parody of the younger man-older woman genre - ending in a tragically realistic fashion.
Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"
As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"
As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
Phil Leader (619 KP) rated Primordial (A Liberator Universe Novelette) in Books
Nov 25, 2019
The first Liberator novel is a riot of noise, violence and fun, the summer blockbuster of the science fiction novel. This shorter story from the same universe shows a very different side, every bit as taut, dark and unsettling as Liberator is freewheeling, brash and stirring.
A vessel headed out to a distant star system comes across an ancient artifact in uncharted deep space together with an old damaged and apparently lifeless spaceship of unknown design. Despite misgivings the lure of salvage is too much for the crew to ignore. But they soon discover that although the ship may be derelict there is an entity there that has been waiting patiently for a long long time for visitors. For fresh meat.
Told from the point of view of XO Koby Solomon this is a terrific slice of science fiction horror, very much in the mould of something like Alien. Bailey plays the disorientation and claustrophobia of the derelict alien vessel for everything it is worth as well as the panic and paranoia of the salvage crew. Like the best horror stories it's never clear to the reader exactly what is going to happen next or where they - or the crew - ought to be looking: into the darkness ahead or over their shoulders?
There's really nothing to fault here. The change in pace from Liberator shows the breadth of imagination and story telling from Bailey (and his Liberator co-author Darren Bullock) will ensure that readers will want to keep reading.
A vessel headed out to a distant star system comes across an ancient artifact in uncharted deep space together with an old damaged and apparently lifeless spaceship of unknown design. Despite misgivings the lure of salvage is too much for the crew to ignore. But they soon discover that although the ship may be derelict there is an entity there that has been waiting patiently for a long long time for visitors. For fresh meat.
Told from the point of view of XO Koby Solomon this is a terrific slice of science fiction horror, very much in the mould of something like Alien. Bailey plays the disorientation and claustrophobia of the derelict alien vessel for everything it is worth as well as the panic and paranoia of the salvage crew. Like the best horror stories it's never clear to the reader exactly what is going to happen next or where they - or the crew - ought to be looking: into the darkness ahead or over their shoulders?
There's really nothing to fault here. The change in pace from Liberator shows the breadth of imagination and story telling from Bailey (and his Liberator co-author Darren Bullock) will ensure that readers will want to keep reading.