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The Only Story
The Only Story
Julian Barnes | 2018 | Fiction & Poetry
8
9.0 (2 Ratings)
Book Rating
Slightly irritating protagonist, but good story
This unusual romance is definitely not in the same ballpark as the likes of The Notebook and other such love stories - instead it begins as a pseudo-parody of the younger man-older woman genre - ending in a tragically realistic fashion.

Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"

As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
  
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ClareR (6256 KP) Mar 6, 2018

I’ve just finished reading this and I’m mulling it over before I write my review. It really affected me, I think.

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Suswatibasu (1703 KP) Mar 6, 2018

Julian Barnes is a superb writer no doubt!

Primordial (A Liberator Universe Novelette)
Primordial (A Liberator Universe Novelette)
Nick Bailey | 2016 | Horror, Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
The first Liberator novel is a riot of noise, violence and fun, the summer blockbuster of the science fiction novel. This shorter story from the same universe shows a very different side, every bit as taut, dark and unsettling as Liberator is freewheeling, brash and stirring.

A vessel headed out to a distant star system comes across an ancient artifact in uncharted deep space together with an old damaged and apparently lifeless spaceship of unknown design. Despite misgivings the lure of salvage is too much for the crew to ignore. But they soon discover that although the ship may be derelict there is an entity there that has been waiting patiently for a long long time for visitors. For fresh meat.

Told from the point of view of XO Koby Solomon this is a terrific slice of science fiction horror, very much in the mould of something like Alien. Bailey plays the disorientation and claustrophobia of the derelict alien vessel for everything it is worth as well as the panic and paranoia of the salvage crew. Like the best horror stories it's never clear to the reader exactly what is going to happen next or where they - or the crew - ought to be looking: into the darkness ahead or over their shoulders?

There's really nothing to fault here. The change in pace from Liberator shows the breadth of imagination and story telling from Bailey (and his Liberator co-author Darren Bullock) will ensure that readers will want to keep reading.
  
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    Some places are far darker than deep space. Places where the shadows smile. Where men go mad and...

Pocket Full of Kryptonite by Spin Doctors
Pocket Full of Kryptonite by Spin Doctors
1991 | Alternative
7.0 (2 Ratings)
Album Favorite

"It was 1991/2 when the Spin Doctors had their relatively brief moment of huge fame, and their first album went triple platinum. I actually first saw them on The David Letterman Show in the early days of that, and was intrigued by the bouncy, very New York, educated and musicianly sound of the band, who were clearly great players. They were very much a product of that era when very good, very musically aware, very elegant musicians got together to make very direct rock music in a way that sounded so fresh and unlike the other stuff that was going on. They were musos, not a bunch of kids in a garage. They were guys who really knew about time signatures, rhythms and arrangements and had great ability with their instruments. And the singer, Chris Barron, brought a freshness in delivery that worked extremely well on The David Letterman Show and in the few videos they did at the time. I actually went to see them live in the UK and I met them, at the Wolverhampton Civic Hall or somewhere. The guitar player was a very charming guy, a bit of a fan and very pleased I came to the gig and went backstage to say hi, whereas the bass player and drummer gave me the cold shoulder, as if I was from a previous generation, like an earlier episode of Star Trek. For basically a three-piece with a singer they made a very cohesive noise."

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