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A World on Fire: An Epic History of Two Nations Divided
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'No two nations have ever existed on the face of the earth which could do each other so much good or...
Bob Mann (459 KP) rated The Death Of Stalin (2017) in Movies
Sep 29, 2021
Death…. Torture…. Child Abuse…. LOL??
Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of “Veep” and “The Thick of It”, with his only previous foray into directing movies being “In the Loop”: a spin-off of the latter series. Lovers of his work will know that he sails very close to the wind on many occasions, such that watching can be more of a squirm-fest than enjoyment.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Whatchareadin (174 KP) rated The Identicals in Books
May 10, 2018
Tabitha and Harper Frost are identical twins. Their parents divorced when they were 14 years old, and the twins were split between the parents(like the Parent Trap). Tabitha goes with their mother to Nantucket and Harper goes with their father to Martha's Vineyard. Even though these 2 islands are only a few miles away, they might as well be thousands. After this separation the girls grew farther and farther apart until they stopped speaking all together. When their father, Billy, dies, will it be enough to bring Tabitha and Harper back together as the sisters they once were, or will this drive them even farther apart?
Elin Hilderbrand has put together another enjoyable novel. My travels have never brought me further north than upstate New York, but she paints a picture of the New England coastline as a place I have to visit.
I don't know what it's like to be a twin, but I do have a sister. I think it would be impossible to go years without speaking to or seeing my sister. What happened between Tabitha and Harper that they couldn't work out their differences? Will the death of their father prove to them that whatever it was can be fixed?
For me, I didn't really connect with either of these characters. The person I connected most with was Ainsley, Tabitha's 15 year old daughter. At the beginning of the book, she is struggling through life as all girls at that age do. Trying to find out who you are, who your friends should be, which cliques to be a part of. Ainsley is trying to figure out her place in her world and trying to find her way through that with a parent who is pretty much hands-off.
Harper is also struggling through some things at the start of the book. But unfortunately, this is nothing new for Harper. She always seems to find herself on the wrong side of trouble.
Tabitha as well is going through a tough situation. As the head of her mother's clothing empire, trying to keep the store afloat as well as raise a teenage daughter and have a social life, it's a lot on one person.
Will these three ladies be able to put their differences aside, pull up their big girl panties, and work everything out so that they all will be able to coexist and thrive?
Elin Hilderbrand has put together another enjoyable novel. My travels have never brought me further north than upstate New York, but she paints a picture of the New England coastline as a place I have to visit.
I don't know what it's like to be a twin, but I do have a sister. I think it would be impossible to go years without speaking to or seeing my sister. What happened between Tabitha and Harper that they couldn't work out their differences? Will the death of their father prove to them that whatever it was can be fixed?
For me, I didn't really connect with either of these characters. The person I connected most with was Ainsley, Tabitha's 15 year old daughter. At the beginning of the book, she is struggling through life as all girls at that age do. Trying to find out who you are, who your friends should be, which cliques to be a part of. Ainsley is trying to figure out her place in her world and trying to find her way through that with a parent who is pretty much hands-off.
Harper is also struggling through some things at the start of the book. But unfortunately, this is nothing new for Harper. She always seems to find herself on the wrong side of trouble.
Tabitha as well is going through a tough situation. As the head of her mother's clothing empire, trying to keep the store afloat as well as raise a teenage daughter and have a social life, it's a lot on one person.
Will these three ladies be able to put their differences aside, pull up their big girl panties, and work everything out so that they all will be able to coexist and thrive?
BookwormMama14 (18 KP) rated Chivalrous (Valiant Hearts, #2) in Books
Jan 2, 2019
In 1217 the daughter of a baron has but one obligation in life: To marry the man her father chooses and continue the family line. But what if said daughter wished for something different, what if her heart's desire was to become a knight?
"Gwen felt no fear, only the surge of battle coursing through her. Steeling her. Strengthening her."
Gwendolyn Barnes longs to be be a chivalrous knight like her brothers. But her ruthless father has plans to marry her to a man who is able to break her free spirit. She is expected to become a meek and submissive wife to whomever her father chooses. Even in the Arthurian-inspired land of North Britannia Gwen is expected to concede to her parents decisions. But when Sir Allen comes to Edendale, Gwen finds herself longing for a family of her own, if Sir Allen were the one she was wed to. When tragedy befalls the land they must make their choices. Ones which could separate them forever. Will the love Gwen has found be lost forever? Will she be forced to marry a brute of a man? Will Sir Allen, the hope of the land, be able to save them all from destruction?
"She would cling tight to her shield of faith. God would be her defense."
Chivalrous is a riveting story of faith, hope and love. As I was reading I was constantly reminded of the Disney movie Brave (which is one of my favorites). Dina Sleiman's Valiant Hearts series is incredible! I love imagining what it would have been like to live in medieval England. However, it is hard for me to fathom being born into a culture that does not allow a person to choose their own future. To be bound by rules and regulations that dictate your every waking moment. It makes me grateful to be born in the time I was. There is a lot of emotions experienced in this book. But through it all the message is clear. Never give up! Keep fighting for what is right and true. And God will be with us every step of the way, guiding us into our destiny.
I received a free digital copy of Chivalrous from Bethany House Publishing through NetGalley in exchange for my honest review.
"Gwen felt no fear, only the surge of battle coursing through her. Steeling her. Strengthening her."
Gwendolyn Barnes longs to be be a chivalrous knight like her brothers. But her ruthless father has plans to marry her to a man who is able to break her free spirit. She is expected to become a meek and submissive wife to whomever her father chooses. Even in the Arthurian-inspired land of North Britannia Gwen is expected to concede to her parents decisions. But when Sir Allen comes to Edendale, Gwen finds herself longing for a family of her own, if Sir Allen were the one she was wed to. When tragedy befalls the land they must make their choices. Ones which could separate them forever. Will the love Gwen has found be lost forever? Will she be forced to marry a brute of a man? Will Sir Allen, the hope of the land, be able to save them all from destruction?
"She would cling tight to her shield of faith. God would be her defense."
Chivalrous is a riveting story of faith, hope and love. As I was reading I was constantly reminded of the Disney movie Brave (which is one of my favorites). Dina Sleiman's Valiant Hearts series is incredible! I love imagining what it would have been like to live in medieval England. However, it is hard for me to fathom being born into a culture that does not allow a person to choose their own future. To be bound by rules and regulations that dictate your every waking moment. It makes me grateful to be born in the time I was. There is a lot of emotions experienced in this book. But through it all the message is clear. Never give up! Keep fighting for what is right and true. And God will be with us every step of the way, guiding us into our destiny.
I received a free digital copy of Chivalrous from Bethany House Publishing through NetGalley in exchange for my honest review.
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