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Kristy H (1252 KP) rated You Were There Too in Books
Mar 19, 2020
Mia and Harrison move to tiny Hope Springs from Philadelphia, each hoping to escape their own problems. Here they have a picture-perfect house and a supposedly matching perfect life. But Mia is struggling with infertility and her husband has his own hidden demons. Plus Mia has a secret: at night, she has recurring dreams about another man. So imagine her surprise when she runs into him--in the flesh--in Hope Springs. Even more surprising? He tells her he dreams of her, too.
This was an odd and intense read--nothing like what I expected, though I'm not sure what I was expecting, really. In fact, it was so serious at times, I had to read it in chunks. It was too much to take in, Mia's miscarriages and her emotions, the dreams and what they could mean. I don't really mean this in a bad way, either. The feelings in this book are just strong and extremely well-done.
I really liked the idea of dreams in the novel and how they are presented. I mean, what would you do if you were suddenly face to face with your fantasy, with someone who had been in your dreams for over a decade? What a particular situation.
"It's only that--at times--he feels so real. And has for the ten or more years that he's been starring in my nighttime reveries."
For me, where this book went off the rails, is when it started to meander. Oliver--Mia's dream guy in real life--and Mia join forces to try to figure out what their dreams mean. Mia laments about the men in her life. And then the book takes a turn and is just so damn sad. I felt betrayed, honestly, by its outcome. While I feel that it was very well-written--the way infertility is portrayed is well-done in a lot of ways--I felt as if I read an entire book for nothing. Why, I wondered, did we go through all that?
So, while I found the book to be quite captivating and emotional, what was going to be a 4-star read fell down to 3. Alas.
This was an odd and intense read--nothing like what I expected, though I'm not sure what I was expecting, really. In fact, it was so serious at times, I had to read it in chunks. It was too much to take in, Mia's miscarriages and her emotions, the dreams and what they could mean. I don't really mean this in a bad way, either. The feelings in this book are just strong and extremely well-done.
I really liked the idea of dreams in the novel and how they are presented. I mean, what would you do if you were suddenly face to face with your fantasy, with someone who had been in your dreams for over a decade? What a particular situation.
"It's only that--at times--he feels so real. And has for the ten or more years that he's been starring in my nighttime reveries."
For me, where this book went off the rails, is when it started to meander. Oliver--Mia's dream guy in real life--and Mia join forces to try to figure out what their dreams mean. Mia laments about the men in her life. And then the book takes a turn and is just so damn sad. I felt betrayed, honestly, by its outcome. While I feel that it was very well-written--the way infertility is portrayed is well-done in a lot of ways--I felt as if I read an entire book for nothing. Why, I wondered, did we go through all that?
So, while I found the book to be quite captivating and emotional, what was going to be a 4-star read fell down to 3. Alas.
Neon's Nerd Nexus (360 KP) rated Ocean’s 8 (2018) in Movies
May 14, 2019
Who run the world
#Oceans8 is a safe #heist #movie that takes very little risks but offers plently of enjoyment all the same. I won't lie I enjoyed this #film way more than I expected I would, is it the perfect heist film? no, is it a well made film? also no but its enjoyable for what it is that's for sure. Here's what I liked - the performances are great & the characters are all very likable (each one has a distinct personality & the chemistry they have with each other is genuine & entertaining). All the #ladies look absolutely #stunning & the garments they all wear constantly amaze & add more to their character. Infact I'd goe as far as to say its mostly these things alone that carry the entire film & make it such a #fun watch. My attention was also held the entire time & I never felt bored either & there were even points where the film managed to be quite tense too. Things I really didnt like - its not filmed very well or very intrestingly at all & infact it borders on being quite basic/lazy at times with quick cuts abruptly rushing/killing some scenes, boring camera work & generic screen wipes are also thrown in a lot randomly too. There's also a distinct lack of #style, class, omph & glamour with most locations especially feeling forgettable & dull. #jamescorden its also incredibly miss cast & his performance doesnt seem to fit well with the rest of the films tone. Story wise its not that interesting either & after the heist the film does fall a bit flat. Luckily however these few good points do in this case make the film really worth a watch eg - getting to know the characters & watching them prepare & pull off the heist was entertaining/fun & at times tense. Costumes, probs & a couple of sets were a joy to look at. #Music was ok & worked well with what was happening on screen. Acting is brilliant & its really nice to see #sandrabullock back in a lead roll again & looking so #beautiful while she does it too. Overall a good time heist movie that offers nothing new but keeps you interested with its lead performances. #odeon #odeonlimitless #oceans11 #hellenbonhamcarter #rihanna #annehathaway #cateblanchett #mindykaling #cinifile #filmbuff #review
Kristy H (1252 KP) rated All the Bright Places in Books
Feb 8, 2018
Theodore is a quirky teen whose life has been troubled by sadness. His parents are divorced and Theo's recent past has been marked by dark patches, what he thinks of as a deep sleep, where he zones out from depression and sadness. He finds himself thinking often of suicide. One day, while on the ledge of their school's Bell Tower, Theo comes across Violet. Violet's life has changed drastically since the death of her older sister in a car accident. She's not so sure about life lately, either. So Theo lets everyone at school think Violet "saved" him on that Tower, when it's really him who talks her down. The two form an unlikely friendship and embark on a school project, documenting the "natural wonders" of their home state of Indiana. But do Violet and Finch realize the sadness each is dealing with?
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Kristy H (1252 KP) rated When the lights go out in Books
Mar 11, 2019
Creepy & befuddling but diminished by its ending
Jessie Sloane's mom has passed away, but before doing so, she encouraged Jessie to find herself. Jessie decides to apply to college, but the college flags her social security number. Apparently it belongs to someone who is deceased. As Jessie attempts to unravel the bureaucracy behind her application, she becomes more and more convinced that something is up with her past. Even worse, her thoughts are jumbled by the fact that she hasn't slept well since her mother's death. She's no longer able to tell what's truly happening around her. What's the story with her identity? And is she crazy or is something sinister going on in her life?
"Find yourself, Mom told me. One of two wishes she had for me before she died. Maybe she didn't mean for me to apply to college. Maybe it was far less esoteric than that. Maybe it was quite literal. Find yourself, she said, because Jessie Sloane isn't you."
Well, I'm not so sure about this one. The novel goes back in forth in time between present-day Jessie and her story and a woman named Eden, whose story mainly takes place in the 1990s. Eden's timeline varies a bit though, which makes it hard to keep track of. (At least for me.) A lot of Eden's storyline revolves around infertility, which I thought was handled very well. As someone who has struggled with that, I identified with her and probably liked the book a bit more just because of that.
As for Jessie and her tale, it was definitely creepy at times, which is something Mary Kubica can do very well. With her sleep deprivation, Jessie is the ultimate unreliable narrator, and it's very hard to tell if she's crazy or what on earth is happening. At times, it seems as if the book is leading you down a particular path, but you're never exactly sure who or what to trust.
And then, of course, there's that twist. I'd heard a lot about it, so I was expecting something, but with Kubica, it's hard to know what. I'll admit, it wasn't this. I had sort of figured out where things were leading, but it didn't diminish how cheated I felt by the ending. I've seen a lot of reviews where folks loved it and others where they didn't--I just felt letdown. I won't go further so as to avoid spoilers, but know that it did diminish my overall enjoyment of the book. And while I wasn't loving it entirely--it's sort of a jumble of confusion and weird characters--the ending deflates what I did enjoy.
Overall, this is a creepy book in many ways, with a story that befuddles but intrigues you. It's compelling but the ending diminishes a lot of the early drama and excitement.
I received a copy of this novel from the publisher and Netgalley/Edelweiss in return for an unbiased review (thank you!).
"Find yourself, Mom told me. One of two wishes she had for me before she died. Maybe she didn't mean for me to apply to college. Maybe it was far less esoteric than that. Maybe it was quite literal. Find yourself, she said, because Jessie Sloane isn't you."
Well, I'm not so sure about this one. The novel goes back in forth in time between present-day Jessie and her story and a woman named Eden, whose story mainly takes place in the 1990s. Eden's timeline varies a bit though, which makes it hard to keep track of. (At least for me.) A lot of Eden's storyline revolves around infertility, which I thought was handled very well. As someone who has struggled with that, I identified with her and probably liked the book a bit more just because of that.
As for Jessie and her tale, it was definitely creepy at times, which is something Mary Kubica can do very well. With her sleep deprivation, Jessie is the ultimate unreliable narrator, and it's very hard to tell if she's crazy or what on earth is happening. At times, it seems as if the book is leading you down a particular path, but you're never exactly sure who or what to trust.
And then, of course, there's that twist. I'd heard a lot about it, so I was expecting something, but with Kubica, it's hard to know what. I'll admit, it wasn't this. I had sort of figured out where things were leading, but it didn't diminish how cheated I felt by the ending. I've seen a lot of reviews where folks loved it and others where they didn't--I just felt letdown. I won't go further so as to avoid spoilers, but know that it did diminish my overall enjoyment of the book. And while I wasn't loving it entirely--it's sort of a jumble of confusion and weird characters--the ending deflates what I did enjoy.
Overall, this is a creepy book in many ways, with a story that befuddles but intrigues you. It's compelling but the ending diminishes a lot of the early drama and excitement.
I received a copy of this novel from the publisher and Netgalley/Edelweiss in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Among the Ten Thousand Things in Books
Feb 13, 2018
Review on my <a href="http://justacatandabookatherside.blogspot.com/2016/01/oh-im-becoming-ghost-in-your-life-and.html">blog here</a>.
Jack Shanley is a fairly well-known New York artist. He's a married father of two. He's also an adulterer, who carries on affairs in his New York studio. This comes back to bite him, so to speak, when one of his exes sends his wife a large box chronicling their entire relationship - emails, texts, sexts - all printed and contained in this one box. The box is delivered to Jack's apartment and opened by his eleven-year-old daughter, Kay, and fifteen-year-old son, Simon. They show the box to their mother, Deb, forcing her to confront the many flaws of her husband. Meanwhile, Kay and Simon are (justifiably) traumatized by the box's contents and the possible dissolution of their parents' marriage.
This was an odd book. As a child of divorce, a lot of this book hit home, and I felt myself feeling a great deal of sympathy for Deb, Kay, and Simon - especially as they disappear off to their vacation home, of sorts, to recover. (Alas, no vacation home when I was a child.) Julia Pierpoint is certainly a strong writer and her prose is lovely and well-crafted. Still, the book often just seems a little flat.
The strangest part of this book, to me, as many other reviewers have pointed out - is that is constructed in four parts - parts one and three basically deal with the immediate aftermath of the box's delivery and how the family reacts. Parts two and four tell us what happen to Jack, Deb, Kay, and Simon for their entire lives. It's an odd author tool, and I'm not sure it entirely works. For me, I was caught up enough in Part One's tale and then found Part Two incredibly jarring - even more so to be dumped back into the current story at Part Three. Part Four repeats Two a bit and tells a bit more about what happens to the characters. It's an odd device, and I really would have preferred not to have had Part Two stuck in there at all. I suppose it's an artistic overreach that appeals to critics but not most actual readers.
Overall, I found the book an intriguing look at a family dealing with a father's betrayal. Not a ton happens - it's not that sort of book - but Pierpont's writing is strong, and I liked Simon and Kay. I am not sure the book is one that will leave a lasting impression with me, though.
Jack Shanley is a fairly well-known New York artist. He's a married father of two. He's also an adulterer, who carries on affairs in his New York studio. This comes back to bite him, so to speak, when one of his exes sends his wife a large box chronicling their entire relationship - emails, texts, sexts - all printed and contained in this one box. The box is delivered to Jack's apartment and opened by his eleven-year-old daughter, Kay, and fifteen-year-old son, Simon. They show the box to their mother, Deb, forcing her to confront the many flaws of her husband. Meanwhile, Kay and Simon are (justifiably) traumatized by the box's contents and the possible dissolution of their parents' marriage.
This was an odd book. As a child of divorce, a lot of this book hit home, and I felt myself feeling a great deal of sympathy for Deb, Kay, and Simon - especially as they disappear off to their vacation home, of sorts, to recover. (Alas, no vacation home when I was a child.) Julia Pierpoint is certainly a strong writer and her prose is lovely and well-crafted. Still, the book often just seems a little flat.
The strangest part of this book, to me, as many other reviewers have pointed out - is that is constructed in four parts - parts one and three basically deal with the immediate aftermath of the box's delivery and how the family reacts. Parts two and four tell us what happen to Jack, Deb, Kay, and Simon for their entire lives. It's an odd author tool, and I'm not sure it entirely works. For me, I was caught up enough in Part One's tale and then found Part Two incredibly jarring - even more so to be dumped back into the current story at Part Three. Part Four repeats Two a bit and tells a bit more about what happens to the characters. It's an odd device, and I really would have preferred not to have had Part Two stuck in there at all. I suppose it's an artistic overreach that appeals to critics but not most actual readers.
Overall, I found the book an intriguing look at a family dealing with a father's betrayal. Not a ton happens - it's not that sort of book - but Pierpont's writing is strong, and I liked Simon and Kay. I am not sure the book is one that will leave a lasting impression with me, though.
Zuky the BookBum (15 KP) rated The Teacher (DS Imogen Grey, #1) in Books
Mar 15, 2018
This book was fucking awesome.
A lot of the plot was predictable and I was pretty sure I knew what was going on very soon into the book, but that didn't take away any of the shock factor this books gave out.
"Most definitely *not* for the faint-hearted!" I have to agree with this warning, a lot of this book was absolutely brutal. I'm a big fan of blood and guts, in movies and books, but even this made me wince a few times. Diamond really knows how to describe a gory bloodbath!
To begin with this book is a little confusing, each chapter tells the story of a different character and to begin with there just seems to be thousands of narratives and no explanation, but it quickly wraps that up for you and that's when the ball really gets rolling. I warn you, you will get hooked on this book, it's one of those stories where you just want to keep reading and reading and reading.
Miles and Grey were such an excellent duo together. The fact they were both damaged in some way really made them click but not bring the mood of the book down at all. <spoiler> I also love the fact that these two didn't get it on! Finally, a female and male character who can remain buddies without having to fuck each other!</spoiler> Miles was definitely my favourite of the two, he was flawed and withdrawn but he had a good heart and a good brain and he knew what he needed to do at all times, no fucking about.
Abbey's story really hit me hard and I found it quite difficult to read... the things she went through (tw//r*pe) were absolutely horrific and the people who reacted to it were awful. People reacted in the worst possible way after the admission of a r*pe victim and I think Diamond's writing really reflected a problem a lot of society have in understanding where the blame lies. Women (and occasionally men) are never <i> ever</i> asking for it. I wish we knew a little more about the darker things in Abbey's life, it would have nice to have known what became of her dad. I also would have liked to know whether anyone ever found out about the bad things she did... <spoiler> for example, would they not have found Christian's body in the Samurai if they were pulling the museum apart? </spoiler>
Parker's tale broke my heart and I'm so happy with how everything turned out for him, those men got what they deserved! <spoiler>Though it would have been nice to see Morris get what he deserved!</spoiler>
I've already gone on to recommend the book to friends and family, though if you're sensitive to gore and/or rape then this is definitely a book to steer clear from! Really enjoyable book to read (not in a morbid way) and definitely the best book I've read in what feels like forever! Would have been 5 stars if it wasn't for the fact I guessed everything <spoiler> apart from Abbey killing and hiding Christian!</spoiler> before it happened.
A lot of the plot was predictable and I was pretty sure I knew what was going on very soon into the book, but that didn't take away any of the shock factor this books gave out.
"Most definitely *not* for the faint-hearted!" I have to agree with this warning, a lot of this book was absolutely brutal. I'm a big fan of blood and guts, in movies and books, but even this made me wince a few times. Diamond really knows how to describe a gory bloodbath!
To begin with this book is a little confusing, each chapter tells the story of a different character and to begin with there just seems to be thousands of narratives and no explanation, but it quickly wraps that up for you and that's when the ball really gets rolling. I warn you, you will get hooked on this book, it's one of those stories where you just want to keep reading and reading and reading.
Miles and Grey were such an excellent duo together. The fact they were both damaged in some way really made them click but not bring the mood of the book down at all. <spoiler> I also love the fact that these two didn't get it on! Finally, a female and male character who can remain buddies without having to fuck each other!</spoiler> Miles was definitely my favourite of the two, he was flawed and withdrawn but he had a good heart and a good brain and he knew what he needed to do at all times, no fucking about.
Abbey's story really hit me hard and I found it quite difficult to read... the things she went through (tw//r*pe) were absolutely horrific and the people who reacted to it were awful. People reacted in the worst possible way after the admission of a r*pe victim and I think Diamond's writing really reflected a problem a lot of society have in understanding where the blame lies. Women (and occasionally men) are never <i> ever</i> asking for it. I wish we knew a little more about the darker things in Abbey's life, it would have nice to have known what became of her dad. I also would have liked to know whether anyone ever found out about the bad things she did... <spoiler> for example, would they not have found Christian's body in the Samurai if they were pulling the museum apart? </spoiler>
Parker's tale broke my heart and I'm so happy with how everything turned out for him, those men got what they deserved! <spoiler>Though it would have been nice to see Morris get what he deserved!</spoiler>
I've already gone on to recommend the book to friends and family, though if you're sensitive to gore and/or rape then this is definitely a book to steer clear from! Really enjoyable book to read (not in a morbid way) and definitely the best book I've read in what feels like forever! Would have been 5 stars if it wasn't for the fact I guessed everything <spoiler> apart from Abbey killing and hiding Christian!</spoiler> before it happened.
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Marylegs (44 KP) rated The Name of the Wind in Books
Aug 14, 2019
The Name of the Wind can only be classed as an epic fantasy. The first installment in a series of books I will definitely be carrying on with. I am a great lover of fantasy books, I will not compare it to others as I don’t believe it is that similar to others I have read. True, certain elements seem familiar, the loss of loved ones, finding one’s self, falling in love with an unobtainable person, continuing an education above the class of the main character… I could go on but I won’t. However for all these similarities, it still felt new and fresh in its delivery.
The main character Kvothe is likeable and I was really routing for him. The bulk of the story is told from his perspective as he endeavours to tell his story to a scribe who had come seeking the truth about his extraordinary life. We follow his story from his unlikely beginnings as part of traveling troupe to him becoming nothing short of a hero.
As a sucker for love, I have to say some of the most enjoyable sections of the book involved Denna, as soon and the two meet I could feel the glimmerings of hopefully first love. Without giving anything away, this love doesn’t go the traditional way that most stories would travel. But it is obviously there and knowing that there are more books to read I am sure there is more to Kvothe and Denna story together.
My least liked character has to Ambrose (what a silly girly name to begin with). He is petty and unlikeable from the on start. I feel the dislike between Kvothe and Ambrose will culminate into something sinister which no doubt will be an integral part of the tale…. But I really wish he would get his comeuppance…. Soon.
If like me you want to read a fantasy book that has all the elements you would want; love, conflict, revenge, magic, friendship and injustice. But doesn’t play by all the rules and is obviously building strong foundations towards what hopefully will be an impressive ending, then I believe this book is for you.
The main character Kvothe is likeable and I was really routing for him. The bulk of the story is told from his perspective as he endeavours to tell his story to a scribe who had come seeking the truth about his extraordinary life. We follow his story from his unlikely beginnings as part of traveling troupe to him becoming nothing short of a hero.
As a sucker for love, I have to say some of the most enjoyable sections of the book involved Denna, as soon and the two meet I could feel the glimmerings of hopefully first love. Without giving anything away, this love doesn’t go the traditional way that most stories would travel. But it is obviously there and knowing that there are more books to read I am sure there is more to Kvothe and Denna story together.
My least liked character has to Ambrose (what a silly girly name to begin with). He is petty and unlikeable from the on start. I feel the dislike between Kvothe and Ambrose will culminate into something sinister which no doubt will be an integral part of the tale…. But I really wish he would get his comeuppance…. Soon.
If like me you want to read a fantasy book that has all the elements you would want; love, conflict, revenge, magic, friendship and injustice. But doesn’t play by all the rules and is obviously building strong foundations towards what hopefully will be an impressive ending, then I believe this book is for you.
Kirk Bage (1775 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Feb 25, 2021
There was some genuine surprise when I saw this had been made as an Amazon Original. I thought the character of Borat was old news, there certainly couldn’t be anyone left, in America or otherwise, that wasn’t wise to the joke by now, and aware of Sasha Baron Cohen’s desire to satirise the hell out of everything dumb folk may stand for. For it to work people have to believe 100% that he is a real person, this is what made the first film so incredible to watch – the opened mouthed awe at the pure audacity of the performer and the pure stupidity of the “victims”. But, I guess he figured a way around it, and also realised that no one but Borat could better lampoon the very worst aspects of the America the Trump era has created.
The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.
There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.
Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.
Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.
There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.
Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.
Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
Charlie Cobra Reviews (1840 KP) rated The Silence (2019) in Movies
Jul 7, 2020
Good But Not Great, Hints of Tension & Terror
The Silence is a 2019 horror film directed by John R. Leonetti and based on a screenplay by Carey Van Dyke and Shane Van Dyke. It is an adaptation of a novel by the same name by author Tim Lebbon. The movie was produced by Constantin Film and EMJAG Productions and distributed by Netflix. It stars Kiernan Shipka, Stanley Tucci, and Miranda Otto.
A team of researchers accidentally unleash an unknown species of blind winged creatures deep in a cavern underground. The creatures, called "vesps", violently attack the researchers, killing them before flying out of the cave seeking the noisiest areas next. Ally (Kiernan Shipka), who lost her hearing in a car accident, lives with her brother Jude (Kyle Harrison Breitkopf), parents, Hugh (Stanley Tucci) and Kelly (Miranda Otto), grandmother Lynn (Kate Trotter) and dog Otis. As the outbreak spreads, a state of emergency is declared and people are urged to stay quiet and indoors. However Ally suggests the countryside is likelier to be more quiet so they set out in two cars, accompanied by Glenn (John Corbett), Hugh's best friend.
This movie was alright, but i felt it could have been better. It wasnt terrible though and even had some really good scenes. It was a pretty cool idea/concept. I feel that the film A Quiet Place, did a better job in almost every way in comparison. I think that this movie wasn't able to sell the tension in a convincing way and was unrealistic in some parts. I liked Stanley Tucci's acting but the daughter's was hit or miss for me the entire film. And I'm sure there were plenty of plot holes in this film too, I could feel them as the movie went on. As critic Chris Agar of Screen Rant put it, "...a fairly bland thriller that struggles to leave much of an impact - despite some fleeting moments of pure tension and terror." I give it a 6/10.
A team of researchers accidentally unleash an unknown species of blind winged creatures deep in a cavern underground. The creatures, called "vesps", violently attack the researchers, killing them before flying out of the cave seeking the noisiest areas next. Ally (Kiernan Shipka), who lost her hearing in a car accident, lives with her brother Jude (Kyle Harrison Breitkopf), parents, Hugh (Stanley Tucci) and Kelly (Miranda Otto), grandmother Lynn (Kate Trotter) and dog Otis. As the outbreak spreads, a state of emergency is declared and people are urged to stay quiet and indoors. However Ally suggests the countryside is likelier to be more quiet so they set out in two cars, accompanied by Glenn (John Corbett), Hugh's best friend.
This movie was alright, but i felt it could have been better. It wasnt terrible though and even had some really good scenes. It was a pretty cool idea/concept. I feel that the film A Quiet Place, did a better job in almost every way in comparison. I think that this movie wasn't able to sell the tension in a convincing way and was unrealistic in some parts. I liked Stanley Tucci's acting but the daughter's was hit or miss for me the entire film. And I'm sure there were plenty of plot holes in this film too, I could feel them as the movie went on. As critic Chris Agar of Screen Rant put it, "...a fairly bland thriller that struggles to leave much of an impact - despite some fleeting moments of pure tension and terror." I give it a 6/10.