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Kristy H (1252 KP) rated Best Intentions in Books
Feb 13, 2018
Marti Trailor is a beleaguered mother of three young children, struggling to hold on to any pieces of her own self as she takes care of her household and family while her husband, Elliot, works endless hours as an obstetrician. When her youngest daughter starts kindergarten, Marti, a former social worker, decides to go back to work. She gets a job, which, coincidentally happens to be in her husband's hospital--something he doesn't seem too thrilled about. Once there, Marti realizes just how overworked many of the doctors are. She also can't help but get a little too involved in the lives of her clients. It's while helping a client--and skirting that precarious line between social worker and friend--that Marti sees something horrible happen at the hospital. This event will change the course of her life forever and threaten everything she holds dear.
<i>This was an interesting novel, to say the least.</i> I was immediately drawn to it, as the author apparently lives in Charlottesville, my hometown. This book is set in Richmond, VA, and she certainly captures the area and the state quite well.
The book is told entirely from Marti's perspective and it takes a little while to fall into the pattern of reading, as present-tense and past-tense are presented together in the chapters without any break (at least they were in my ARC), leaving you a bit confused at first. The back and forth can be a little awkward and jarring in the beginning, though once you get used to it, it's a pretty compelling device. The novel isn't exactly exciting in a thriller-type way, but there's <i>a fascinating element to it that keeps you reading.</i>
There's a lot going on in this book--marital issues, a discussion on hospital policies, Marti juggling work and motherhood, investigative journalism, discussion into Richmond politics, etc. Sometimes it seems a little too much: did Marti really need to be the daughter of a Congressman, for instance?
Still, Raskin is a descriptive writer, and her prose is fairly easy to read, and again, as I mentioned, it's a hard-to-put down book. She had me from nearly the beginning, when she described one of the characters as "Tommy Lee Jones in his heyday cute." (She gets me, she really gets me, I thought!)
As the novel progresses, I found it almost Jodi Picoult-esque. There's a strong emphasis on character development, courtroom drama, and plot elements designed to make you think. Sure, the characters are drawn a bit black and white--Elliot bad, Marti good, but it works: Elliot is just so awful you cannot help but like Marti even more. Did I find the novel quite as persuasive and enjoyable as Picoult in her heyday? No. But that's pretty hard to do.
Overall, I enjoyed this one. It's descriptive, oddly compelling, and was a nice change of pace from the thrillers I've been reading lately. Definitely worth a read. I'd go with around 3.75 stars, rounded up to 4 here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/15/2017.
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<i>This was an interesting novel, to say the least.</i> I was immediately drawn to it, as the author apparently lives in Charlottesville, my hometown. This book is set in Richmond, VA, and she certainly captures the area and the state quite well.
The book is told entirely from Marti's perspective and it takes a little while to fall into the pattern of reading, as present-tense and past-tense are presented together in the chapters without any break (at least they were in my ARC), leaving you a bit confused at first. The back and forth can be a little awkward and jarring in the beginning, though once you get used to it, it's a pretty compelling device. The novel isn't exactly exciting in a thriller-type way, but there's <i>a fascinating element to it that keeps you reading.</i>
There's a lot going on in this book--marital issues, a discussion on hospital policies, Marti juggling work and motherhood, investigative journalism, discussion into Richmond politics, etc. Sometimes it seems a little too much: did Marti really need to be the daughter of a Congressman, for instance?
Still, Raskin is a descriptive writer, and her prose is fairly easy to read, and again, as I mentioned, it's a hard-to-put down book. She had me from nearly the beginning, when she described one of the characters as "Tommy Lee Jones in his heyday cute." (She gets me, she really gets me, I thought!)
As the novel progresses, I found it almost Jodi Picoult-esque. There's a strong emphasis on character development, courtroom drama, and plot elements designed to make you think. Sure, the characters are drawn a bit black and white--Elliot bad, Marti good, but it works: Elliot is just so awful you cannot help but like Marti even more. Did I find the novel quite as persuasive and enjoyable as Picoult in her heyday? No. But that's pretty hard to do.
Overall, I enjoyed this one. It's descriptive, oddly compelling, and was a nice change of pace from the thrillers I've been reading lately. Definitely worth a read. I'd go with around 3.75 stars, rounded up to 4 here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/15/2017.
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Jen Dixon is back in kindergarten. She thought her days as "Class Mom" were behind her: Jen's two daughters are in college after all. But Jen, at age forty-six, is back on the Mom circuit, with her first husband, Ron, and five-year-old son, Max. This is Jen's chance to do things over again, with a husband and the security she lacked the first time around. So when her best friend Nina (also PTA President) asks Jen to be Class Mom, she agrees. The duties of Class Mom seem fairly simple--coordinate field trips, set up class parties, and send out emails to the other parents. Jen does this with aplomb and a fairly decent level of sarcasm, which isn't always appreciated by all the parents. At the same time, she's training for a mud run and attempting to keep the flame going in her marriage with Ron. It doesn't help when she discovers that her high school crush is another parent in Max's class. Jen has a lot going on--can she juggle it all?
This book appealed to me on LibraryThing as I have two daughters in kindergarten and am suddenly in the midst of the whole school dynamic. Luckily, things aren't quite as dramatic as the school portrayed in Gelman's novel! The book came along at a pretty good time, as I've read a string of fairly serious thrillers recent. <i>It's certainly a funny and fast read. </i>
I couldn't help but like Jen. She's an engaging protagonist. Her struggles as a parent, wife, and friend are realistic and yet humorous. Her surrounding cast of characters, while not quite as fleshed out, are also funny, though not perhaps always as realistic (more on that later). I enjoyed that her husband, best friend, and kids weren't the typical stereotypes or cardboard cutouts you often see in novels, but real people, with issues of their own.
Also enjoyable was the way the novel interspersed Jen's emails to the class at the beginnings of many chapters (along with a variety of replies). They were usually funny and lightened up the book and surprisingly moved the plot along fairly well. They also made me grateful for some of the lack of politics at my kids' school--so far. It's still early though, sigh!
The only problem for me was that a lot of the good in this book--great characters, humor--was marred a bit by just a lot going on--not all of it completely believable. There are some silly plotlines thrown in that almost don't seem necessary and once resolved, are a bit disappointing. There's one last "shocker" tossed in at the very end of the novel that did surprise me somewhat, but I'm not really sure it was needed.
<i>Still, this is a very engaging and fun novel for a first-time novelist.</i> It's not a pretentious literary piece, but it's not aiming to be. Instead, it's certainly a witty and fascinating look at the craziness that happens in your children's classrooms. 3.5 stars.
I received a copy of this novel from the publisher and LibraryThing (thank you!) in return for an unbiased review; it is available everywhere as of 08/01/2017.
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This book appealed to me on LibraryThing as I have two daughters in kindergarten and am suddenly in the midst of the whole school dynamic. Luckily, things aren't quite as dramatic as the school portrayed in Gelman's novel! The book came along at a pretty good time, as I've read a string of fairly serious thrillers recent. <i>It's certainly a funny and fast read. </i>
I couldn't help but like Jen. She's an engaging protagonist. Her struggles as a parent, wife, and friend are realistic and yet humorous. Her surrounding cast of characters, while not quite as fleshed out, are also funny, though not perhaps always as realistic (more on that later). I enjoyed that her husband, best friend, and kids weren't the typical stereotypes or cardboard cutouts you often see in novels, but real people, with issues of their own.
Also enjoyable was the way the novel interspersed Jen's emails to the class at the beginnings of many chapters (along with a variety of replies). They were usually funny and lightened up the book and surprisingly moved the plot along fairly well. They also made me grateful for some of the lack of politics at my kids' school--so far. It's still early though, sigh!
The only problem for me was that a lot of the good in this book--great characters, humor--was marred a bit by just a lot going on--not all of it completely believable. There are some silly plotlines thrown in that almost don't seem necessary and once resolved, are a bit disappointing. There's one last "shocker" tossed in at the very end of the novel that did surprise me somewhat, but I'm not really sure it was needed.
<i>Still, this is a very engaging and fun novel for a first-time novelist.</i> It's not a pretentious literary piece, but it's not aiming to be. Instead, it's certainly a witty and fascinating look at the craziness that happens in your children's classrooms. 3.5 stars.
I received a copy of this novel from the publisher and LibraryThing (thank you!) in return for an unbiased review; it is available everywhere as of 08/01/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Zuky the BookBum (15 KP) rated The Breakdown in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/08/review-the-breakdown-by-b-a-paris/
<i><b>Synopsis:</b> On a stormy night, Cass decides to go against the wishes of her husband and take a dangerous shortcut home. Passing through the rural wooded road, she notices a car pulled up with a woman sat inside. After pulling over to help, Cass gets a weird feeling - why hasn’t the woman in the car shown relief at someone pulling over? Why has she not moved from her spot in the seat, just staring blankly out of the windscreen? Feeling spooked, Cass decides to drive off. The next morning she finds out that the woman is dead, “brutally murdered”, as the police say.
Cass can’t shake the guilt she feels at leaving the woman alone, and soon, the guilt is all she can focus on. She’s started to forget things, like when she bought an alarm system or inviting her friends over, but what she can’t forget is leaving the woman on her own, on a stormy night, to be murdered. She also can’t forget the silent phones calls she’s receiving and the horrible feeling that she’s being watched.</i>
---
After the huge success of <i>Behind Closed Doors</i>, B A Paris had a lot to live up to with this second novel, and for me, it wasn’t anywhere near as good. It didn’t grab me as well as the last. The tension was built just as well in this, steady and slowly, but it was the actual plot that I wasn’t connecting with. It seemed a bit outlandish and didn’t keep me on my toes quite as much. Annoyingly, someone hadn’t marked the spoilers in their review of this, so about halfway through reading the novel, the twist was “ruined”, but, to be honest, the ending was very predictable and I had already sussed it by the time I read that person’s review, so it wasn't that big of a deal.
Another problem with this book was the lack of character development. While we felt so attached to Grace and eager for her to be rid of the troubles in her life, I didn’t find myself thinking the same for Cass. In all honesty, she was a bit of a drip and was so overly hysterical that she just became annoying to read about. Our other, more side characters, Matthew and Rachel, were flat, soppy and unrealistic.
<spoiler>The texts between Matthew and Rachel, at the end of the novel, were really irritating that I ended up skipping over them. Why would we need to see what they said to each other when we already know what they had done? It was just rehashing parts of the plot that we could have sussed was them…</spoiler>
I hate to say such negative things about this novel, but I just don’t get the hype. The story has been done a million times before, and in better ways, too. Maybe I think so badly of this novel because Paris’ last was so great, but there is no comparison between the two.
<i>Thanks to Netgalley and Harlequin UK Ltd for giving me the opportunity to read this in exchange for an honest review.</i>
<i><b>Synopsis:</b> On a stormy night, Cass decides to go against the wishes of her husband and take a dangerous shortcut home. Passing through the rural wooded road, she notices a car pulled up with a woman sat inside. After pulling over to help, Cass gets a weird feeling - why hasn’t the woman in the car shown relief at someone pulling over? Why has she not moved from her spot in the seat, just staring blankly out of the windscreen? Feeling spooked, Cass decides to drive off. The next morning she finds out that the woman is dead, “brutally murdered”, as the police say.
Cass can’t shake the guilt she feels at leaving the woman alone, and soon, the guilt is all she can focus on. She’s started to forget things, like when she bought an alarm system or inviting her friends over, but what she can’t forget is leaving the woman on her own, on a stormy night, to be murdered. She also can’t forget the silent phones calls she’s receiving and the horrible feeling that she’s being watched.</i>
---
After the huge success of <i>Behind Closed Doors</i>, B A Paris had a lot to live up to with this second novel, and for me, it wasn’t anywhere near as good. It didn’t grab me as well as the last. The tension was built just as well in this, steady and slowly, but it was the actual plot that I wasn’t connecting with. It seemed a bit outlandish and didn’t keep me on my toes quite as much. Annoyingly, someone hadn’t marked the spoilers in their review of this, so about halfway through reading the novel, the twist was “ruined”, but, to be honest, the ending was very predictable and I had already sussed it by the time I read that person’s review, so it wasn't that big of a deal.
Another problem with this book was the lack of character development. While we felt so attached to Grace and eager for her to be rid of the troubles in her life, I didn’t find myself thinking the same for Cass. In all honesty, she was a bit of a drip and was so overly hysterical that she just became annoying to read about. Our other, more side characters, Matthew and Rachel, were flat, soppy and unrealistic.
<spoiler>The texts between Matthew and Rachel, at the end of the novel, were really irritating that I ended up skipping over them. Why would we need to see what they said to each other when we already know what they had done? It was just rehashing parts of the plot that we could have sussed was them…</spoiler>
I hate to say such negative things about this novel, but I just don’t get the hype. The story has been done a million times before, and in better ways, too. Maybe I think so badly of this novel because Paris’ last was so great, but there is no comparison between the two.
<i>Thanks to Netgalley and Harlequin UK Ltd for giving me the opportunity to read this in exchange for an honest review.</i>
Zuky the BookBum (15 KP) rated The Girl Before in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/04/review-the-girl-before-by-j-p-delaney/
<b><i>Please make a list of every possession you consider essential to your life.</b></i>
One Folgate Street is a minimalist house built by the mysterious, controlling and handsome Edward Monkford. To be granted lease, you must fill in a laborious questionnaire and attend a face-to-face meeting with Edward himself, and even then, you’re unlikely to be approved. There are a large number of rules you have to abide by when you live in the house, such as, no books (?!?!?!), no rugs, no curtains, and no leaving things out, such as clothes, toiletries etc, to name a few. You must also open your home for tours every so often and complete various questionnaires/assessments throughout your stay.
So, I know what you’re thinking, you’re thinking “who the hell would agree to that?” but as it happens, two women choose to live at One Folgate Street. Thanks to its low rent and dishy architect, both Jane and Emma are happy putting up with all the rules. Jane is the girl from now, and Emma is the girl before. Both women are troubled and both begin a relationship with architect Edward.
What follows is a novel full of mystery and sex. If you’re also not into the whole “daddy” thing then this won’t be for you.
Starting off this book, I was very worried I was going to hate it, because I’d seen a lot of people say the focus on kinky sex as a bit left field and overpowering to the plot. But, I managed to get over that when it started to appear in the story. In my opinion, it wasn’t as bad as many people had made it out to be and in any case, you can always skip over it. I thought it was going to go full 50 Shades at some moments, but it managed to avoid any of the scenes becoming too tactless.
The mystery of “the girl before” is certainly intriguing and kept me hooked (for the first half, at least). I liked the way this was set out as Emma (before) and Jane (now) and how the chapters often mirrored each other so we could see the similarities in each of the tenants lives and relationships with Edward.
What I didn’t like about this book was the characters, which I’m kind of assuming was the goal by Delaney? If not, then he/she (does anyone know and can inform me on their gender?) is pretty terrible at creating characters. Although Edward is set up to be our “villain”, I found Emma to be the most dislikable character, even after all was said and done. She was manipulative, unnecessarily forward, obnoxious and total putty in Edward’s hands. Women who can’t act on their own accord because of a man infuriate me, which is probably why I didn’t get on with this novel that well, as it’s kind of what the whole plot is about. I like my women strong and independent!
The ending of this novel, no word of a lie, infuriated me. What a total cop out. People are comparing this to <i>Gone Girl</i>, LOL. The conclusion to this novel is the most overused and uninspired “twist” you can ever imagine. What a way to ruin a perfectly OK novel.
Thanks to Netgalley and Quercus Books for giving me the opportunity to read this in exchange for an honest review.
<b><i>Please make a list of every possession you consider essential to your life.</b></i>
One Folgate Street is a minimalist house built by the mysterious, controlling and handsome Edward Monkford. To be granted lease, you must fill in a laborious questionnaire and attend a face-to-face meeting with Edward himself, and even then, you’re unlikely to be approved. There are a large number of rules you have to abide by when you live in the house, such as, no books (?!?!?!), no rugs, no curtains, and no leaving things out, such as clothes, toiletries etc, to name a few. You must also open your home for tours every so often and complete various questionnaires/assessments throughout your stay.
So, I know what you’re thinking, you’re thinking “who the hell would agree to that?” but as it happens, two women choose to live at One Folgate Street. Thanks to its low rent and dishy architect, both Jane and Emma are happy putting up with all the rules. Jane is the girl from now, and Emma is the girl before. Both women are troubled and both begin a relationship with architect Edward.
What follows is a novel full of mystery and sex. If you’re also not into the whole “daddy” thing then this won’t be for you.
Starting off this book, I was very worried I was going to hate it, because I’d seen a lot of people say the focus on kinky sex as a bit left field and overpowering to the plot. But, I managed to get over that when it started to appear in the story. In my opinion, it wasn’t as bad as many people had made it out to be and in any case, you can always skip over it. I thought it was going to go full 50 Shades at some moments, but it managed to avoid any of the scenes becoming too tactless.
The mystery of “the girl before” is certainly intriguing and kept me hooked (for the first half, at least). I liked the way this was set out as Emma (before) and Jane (now) and how the chapters often mirrored each other so we could see the similarities in each of the tenants lives and relationships with Edward.
What I didn’t like about this book was the characters, which I’m kind of assuming was the goal by Delaney? If not, then he/she (does anyone know and can inform me on their gender?) is pretty terrible at creating characters. Although Edward is set up to be our “villain”, I found Emma to be the most dislikable character, even after all was said and done. She was manipulative, unnecessarily forward, obnoxious and total putty in Edward’s hands. Women who can’t act on their own accord because of a man infuriate me, which is probably why I didn’t get on with this novel that well, as it’s kind of what the whole plot is about. I like my women strong and independent!
The ending of this novel, no word of a lie, infuriated me. What a total cop out. People are comparing this to <i>Gone Girl</i>, LOL. The conclusion to this novel is the most overused and uninspired “twist” you can ever imagine. What a way to ruin a perfectly OK novel.
Thanks to Netgalley and Quercus Books for giving me the opportunity to read this in exchange for an honest review.
Hazel (1853 KP) rated Silence Is Goldfish in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
<i>I received this book for free through Goodreads First Reads.</i>
“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel <i>Darkness</i> explores and all too realistic scenario set in a not so distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly virus succumb to suicide or death by natural causes – if the cold and starvation can be labeled natural.
Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral where what remains of the State will provide her with safety. However before she reaches her final destination she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueler future.
RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government, i.e. men, still control the lives of women. RAZR particularly focus on women’s rights to their own body, and are angry at the State’s current use for women: to procreate.
<i>Darkness</i> is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be at all.
The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without guilty conscience. <i>Darkness</i> highlights the horrors of war and the wild nature of humanity. Without men and women being able to live in harmony there is no peace, on the other hand, complete equality is not possible. Furthermore, are RAZR feminists or terrorists? It is an obvious fact that the human race cannot survive with merely one gender of the species, so is RAZR doing more harm than good by fatally punishing all men?
Overall, <i>Darkness</i> poses more questions than it answers, yet it is such a griping novel. Women, particularly feminists will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether <i>Darkness</i> will remain a standalone novel, or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.
“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel <i>Darkness</i> explores and all too realistic scenario set in a not so distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly virus succumb to suicide or death by natural causes – if the cold and starvation can be labeled natural.
Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral where what remains of the State will provide her with safety. However before she reaches her final destination she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueler future.
RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government, i.e. men, still control the lives of women. RAZR particularly focus on women’s rights to their own body, and are angry at the State’s current use for women: to procreate.
<i>Darkness</i> is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be at all.
The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without guilty conscience. <i>Darkness</i> highlights the horrors of war and the wild nature of humanity. Without men and women being able to live in harmony there is no peace, on the other hand, complete equality is not possible. Furthermore, are RAZR feminists or terrorists? It is an obvious fact that the human race cannot survive with merely one gender of the species, so is RAZR doing more harm than good by fatally punishing all men?
Overall, <i>Darkness</i> poses more questions than it answers, yet it is such a griping novel. Women, particularly feminists will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether <i>Darkness</i> will remain a standalone novel, or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.
Heather Cranmer (2721 KP) rated Spine Chillers: Krampus in Books
Dec 31, 2018
Just an Okay Read
When I heard about Krampus by Nancy Gray, it sounded like something I would love to read especially since I loved her other novel, Empty Eyes, so much. Unfortunately, Krampus was just an alright read.
The plot for Krampus is based on the central European folklore about a horned half goat, half demon who punishes naughty children during the Christmas season. Nancy Gray does a great job at sticking with the folklore in her book. Although this is a middle grade book, I felt like this would be better for upper middle grade since the subject matter is a bit more scary than Nancy Gray's previous scary novels. There are a few decent plot twists throughout Krampus. The world building is done very well, and at times, I felt like I was right there with Nick, living every moment, both good and bad, with him. Krampus is a short read which is perfect for middle schoolers who may not have the attention span for a longer book.
I had a hard time caring about the characters in Krampus at first, but about halfway through, I found myself worried about what would happen to Nick and wanting everything to turn out alright for him. I especially loved the character of Gretel/Greta. I found her to be the most interesting in the book even if she wasn't in the novel very much. I just loved her no-nonsense, straightforward attitude. I would love to read a Spine Chiller's novel about Greta. That's how much I loved her! The character of the Krampus was done very well, and as I've said before, the Krampus in this novel is very much like the one in folklore.
The pacing is what lets this book down the most in my opinion. During the first half of Krampus, the pacing is a bit all over the place although mostly it's just a bit slow. I found myself growing bored with Krampus and wondering if I should just give up. The action takes a long time to make an appearance, and I kept wondering when something major would happen. Since this is a short novel, I decided to persevere. I'm glad that I kept on reading because the second half is where the pacing picks up, and I found myself immersed in the book. I couldn't wait to learn what Nick's fate would be and what would become of the Krampus. The second half of this book definitely held my attention to the point where I stayed up a little later just to finish it so I could get closure.
Trigger warnings for Krampus include demons, monsters, violence, scary themes, one profanity, bullying, and death. Basically, this is a very dark book.
Overall, Krampus was just an alright read. I felt like it was much darker than the previous Nancy Gray book I had read. The plot is interesting enough, but the pacing during the first half is what makes Krampus just an okay read. However, I would definitely recommend Krampus by Nancy Gray to those aged 13+. The second half of this book makes it worthwhile.
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(A special thanks to Lola's Blog Tours for providing me with an eBook of Spine Chillers:Krampus by Nancy Gray in exchange for an honest and unbiased review.)
The plot for Krampus is based on the central European folklore about a horned half goat, half demon who punishes naughty children during the Christmas season. Nancy Gray does a great job at sticking with the folklore in her book. Although this is a middle grade book, I felt like this would be better for upper middle grade since the subject matter is a bit more scary than Nancy Gray's previous scary novels. There are a few decent plot twists throughout Krampus. The world building is done very well, and at times, I felt like I was right there with Nick, living every moment, both good and bad, with him. Krampus is a short read which is perfect for middle schoolers who may not have the attention span for a longer book.
I had a hard time caring about the characters in Krampus at first, but about halfway through, I found myself worried about what would happen to Nick and wanting everything to turn out alright for him. I especially loved the character of Gretel/Greta. I found her to be the most interesting in the book even if she wasn't in the novel very much. I just loved her no-nonsense, straightforward attitude. I would love to read a Spine Chiller's novel about Greta. That's how much I loved her! The character of the Krampus was done very well, and as I've said before, the Krampus in this novel is very much like the one in folklore.
The pacing is what lets this book down the most in my opinion. During the first half of Krampus, the pacing is a bit all over the place although mostly it's just a bit slow. I found myself growing bored with Krampus and wondering if I should just give up. The action takes a long time to make an appearance, and I kept wondering when something major would happen. Since this is a short novel, I decided to persevere. I'm glad that I kept on reading because the second half is where the pacing picks up, and I found myself immersed in the book. I couldn't wait to learn what Nick's fate would be and what would become of the Krampus. The second half of this book definitely held my attention to the point where I stayed up a little later just to finish it so I could get closure.
Trigger warnings for Krampus include demons, monsters, violence, scary themes, one profanity, bullying, and death. Basically, this is a very dark book.
Overall, Krampus was just an alright read. I felt like it was much darker than the previous Nancy Gray book I had read. The plot is interesting enough, but the pacing during the first half is what makes Krampus just an okay read. However, I would definitely recommend Krampus by Nancy Gray to those aged 13+. The second half of this book makes it worthwhile.
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(A special thanks to Lola's Blog Tours for providing me with an eBook of Spine Chillers:Krampus by Nancy Gray in exchange for an honest and unbiased review.)
Gareth von Kallenbach (980 KP) rated Alice Through the Looking Glass (2016) in Movies
Aug 6, 2019
As an Alice in Wonderland enthusiast, I was more than thrilled when Disney announced they were making Alice Through the Looking Glass, since the first film was visually stunning I went into watching the sequel with the same expectation that it would be rich in color and visuals. Visually it did not disappoint, with lavish costumes, and whimsical set design from beginning to end; the film was entertaining to watch. With returning characters such as Alice (Mia Wasikowska), The Mad Hatter (Johnny Depp), The Red Queen (Helena Bonham Carter), and The White Queen (Anne Hathaway); the main story focuses on Alice trying to save the Hatter. With the citizens of Wonderland concerned for the Hatter’s wellbeing they rely on Alice to try to save the Hatter before it is too late, however Alice must race against Time (Sacha Baron Cohen) to try to learn what has happened to the Hatters family. Alice learns you can’t change the past but you can learn from it for the future; but will this knowledge help her save the Hatter or keep her stuck in the past?
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
BookInspector (124 KP) rated Gallowstree Lane (Collins and Griffiths #3) in Books
Sep 24, 2020
This novel is told from multiple perspectives, and it is very hard to identify the main lead in this book. It is a Sarah Collins and Lizzie Griffiths detective novel, both of them are very strong female detectives, but they don’t have much communication between each other throughout the book, so I don’t really see them as a duo. It is a third book in the Metropolitan series, and I haven’t read the previous books. I found It perfectly understandable as a stand-alone, and the author explains a lot of things from previous books, but I think, to understand Sarah and Lizzie properly, it is better to read the previous books before starting this one.
So, a little about the characters, Lizzie is a single mother, who got pregnant after the affair with a fellow detective, who was married. Lizzie is trying her best to do her job like everybody else, but she is struggling. I really liked that the author analyzed childcare issues in this book, and how difficult is to be a mother, who wants to work and take care of her baby by her self. On the other hand, I have very strong negative emotions about her involvement with a married man in the first place, and that is what made her and Kieran (the married detective) my least favourite characters in this book.
Sarah Collins is a very determined detective, who knows how to get the stuff done. I really liked her as a character, it is visible that she loves the job and is very good at it. Kate London chose the characters very well for this novel. They are diverse, believable and very intriguing. I was very curious to read Ryan’s thoughts, he is a fifteen-year-old drug dealer, who’s friend gets stabbed. I am curious, how much actual truth was in Ryan’s thoughts compared to real life youth who act like “wannabe gangsters”. I can see that the author used her experience at the police very well, the procedures, places, the criminal mind looks very realistically portrayed in this book.
I think this book is more character orientated, the plot is intriguing, but the character’s thoughts and their lives are more absorbing than the plot itself. The plot is quite fast-paced and filled with a lot of findings, and I really enjoyed the whole investigation experience. The author analyses very important topics in this book, such as teenage criminals, knife crime, gangs and their war for territory, prostitution, drug addictions, childcare issues for working single mothers etc.
I really liked the writing style of this book, the whole book feels gloomy and intense, but at the same time, it is a very pleasant read. The setting continuously changes, depending on the character. The chapters have a very decent length and didn’t leave me bored. The ending was quite unexpected but rounded up this book quite well. So, to conclude, this is a very realistic and believable novel about teenage criminals and police work, filled with very amusing characters, and twisty plot. I learned a lot of interesting information and thoroughly enjoyed it. Especially the topics discussed in this novel. I strongly recommend this book to all, but especially to anyone living in London, I hope you will like it as much as I did.
So, a little about the characters, Lizzie is a single mother, who got pregnant after the affair with a fellow detective, who was married. Lizzie is trying her best to do her job like everybody else, but she is struggling. I really liked that the author analyzed childcare issues in this book, and how difficult is to be a mother, who wants to work and take care of her baby by her self. On the other hand, I have very strong negative emotions about her involvement with a married man in the first place, and that is what made her and Kieran (the married detective) my least favourite characters in this book.
Sarah Collins is a very determined detective, who knows how to get the stuff done. I really liked her as a character, it is visible that she loves the job and is very good at it. Kate London chose the characters very well for this novel. They are diverse, believable and very intriguing. I was very curious to read Ryan’s thoughts, he is a fifteen-year-old drug dealer, who’s friend gets stabbed. I am curious, how much actual truth was in Ryan’s thoughts compared to real life youth who act like “wannabe gangsters”. I can see that the author used her experience at the police very well, the procedures, places, the criminal mind looks very realistically portrayed in this book.
I think this book is more character orientated, the plot is intriguing, but the character’s thoughts and their lives are more absorbing than the plot itself. The plot is quite fast-paced and filled with a lot of findings, and I really enjoyed the whole investigation experience. The author analyses very important topics in this book, such as teenage criminals, knife crime, gangs and their war for territory, prostitution, drug addictions, childcare issues for working single mothers etc.
I really liked the writing style of this book, the whole book feels gloomy and intense, but at the same time, it is a very pleasant read. The setting continuously changes, depending on the character. The chapters have a very decent length and didn’t leave me bored. The ending was quite unexpected but rounded up this book quite well. So, to conclude, this is a very realistic and believable novel about teenage criminals and police work, filled with very amusing characters, and twisty plot. I learned a lot of interesting information and thoroughly enjoyed it. Especially the topics discussed in this novel. I strongly recommend this book to all, but especially to anyone living in London, I hope you will like it as much as I did.
Lottie disney bookworm (1056 KP) rated The Once and Future Witches in Books
Sep 20, 2020
Thank you to Netgalley for luring me in with this recommendation and the gorgeous cover art. Thank you to Alix E Harrow for providing such an amazing story for this ARC review. All the opinions expressed below are my own.
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!