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Shark Baroni And The Stars In The Sea
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A fantastic debut from a budding young author, Shark Baroni and the Stars in the Sea is a tale full...
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Bong Mines Entertainment (15 KP) rated Eric B for President: Term 2 by Eric Bellinger in Music
Jun 7, 2019
Eric Bellinger is an R&B singer outta Los Angeles. Not too long ago, he released “Eric B for President: Term 2“, his new EP featuring Wale, ELHAE, Tayla Parx, and Victoria Monet. This project is a follow up to Bellinger’s “Eric B for President: Term 1” album.
“Naked in the White House”
The first song off “Term 2” was “Naked in the White House“, which is filled with visionary thoughts of Bellinger and his main squeeze, walking around naked in their home. Due to its potency, we had to replay this song several times before moving on to Make You Mine, a pure tropical fantasy tune.
“Make You Mine”
The Arrad-directed video stars Christina Milian. And it shows Bellinger on an exotic landscape, with an ocean nearby.
“Know/Vibes”
The third track, Know/Vibes featuring ELHAE, is intimate. And Bellinger reminds us that nothing last forever because time is of the essence. So, you gotta get it right, and get right to it. Don’t fake the funk, and make it happen with the one you love.
“Too Cool/Boujee”
Next, we listened to Too Cool/Boujee, a two-part song, which gives off a swaggering braggadocio effect that illuminates inner confident. It’s cool, it’s boujee, and it made us feel good about being who we are.
“Treat Yourself”
Then, Treat Yourself featuring Wale reminded us hard-working people that we gotta treat ourselves by buying the cars that we want to drive, and pulling up to that big house in a neighborhood we wanna live in. And, it won’t hurt to buy that bust-downed Rolex with a gold chain either. We replayed this track several times before moving on to the next one.
“Island”
On Island featuring Tayla Parx, Bellinger returns to the running around naked in the white house theme. But this time, it’s on an exotic island with his main squeeze, with a nearby table for two, probably filled with wine and sh*t like that. But, while the female is cooking, Bellinger is thinking about having her on the menu because she reminds him of wet dishes. Wet dishes? We can say, Bellinger’s imagination is at the peak of the songwriting industry, which is a good thing.
“Coastin”
Coastin pulls the curtains in, and Bellinger dimmers the light. Enough with all the sweet talkin’, wining and dining, now, it’s time for some action. So far, this is the most intimate time on “Eric B for President: Term 2”, and we know it’s going down when Bellinger sings, “Baby, you should come and ride my wave / You so lit, damn, you spark my interest / Let’s go surfing for a couple days / Hop on my board.”
“Malibu Nights”
Malibu Nights featuring Victoria Money is the actual lovemaking scene that we’ve been waiting for. Bellinger sings, “There’s something ’bout those Malibu nights, got me wondering if I could swim in your ocean, girl / Silhouette of your hips got me thinking ’bout stroking, girl.” And then, “Crash into me, I need you tonight / So, bring that lil body over here / Come let daddy whisper in your ear / I’ma tell you what you wanna hear / Rub my fingers through your hair / Put your legs up in the air like / Put them legs up in the air like /Taking off your underwear like…
Whoa-whoa-whoa-whoa, slow it down playboy. No doubt, Bellinger gets it in; and we declare “Eric B for President: Term 2” as an R&B treasure because it’s dope, replay-able, and we could visualize and relate to everything that Bellinger is singing about.
FUN FACT
Bellinger has been successfully leaking ink from his pen. He co-wrote two songs on Chris Brown’s Grammy-winning F.A.M.E., Brandy’s Without You, and Justin Bieber’s Right Here. But, his biggest hits came with Usher’s ‘Lemme See’ and Brown’s ‘Fine China’.
https://www.bongminesentertainment.com/eric-bellinger-term-2-album/
“Naked in the White House”
The first song off “Term 2” was “Naked in the White House“, which is filled with visionary thoughts of Bellinger and his main squeeze, walking around naked in their home. Due to its potency, we had to replay this song several times before moving on to Make You Mine, a pure tropical fantasy tune.
“Make You Mine”
The Arrad-directed video stars Christina Milian. And it shows Bellinger on an exotic landscape, with an ocean nearby.
“Know/Vibes”
The third track, Know/Vibes featuring ELHAE, is intimate. And Bellinger reminds us that nothing last forever because time is of the essence. So, you gotta get it right, and get right to it. Don’t fake the funk, and make it happen with the one you love.
“Too Cool/Boujee”
Next, we listened to Too Cool/Boujee, a two-part song, which gives off a swaggering braggadocio effect that illuminates inner confident. It’s cool, it’s boujee, and it made us feel good about being who we are.
“Treat Yourself”
Then, Treat Yourself featuring Wale reminded us hard-working people that we gotta treat ourselves by buying the cars that we want to drive, and pulling up to that big house in a neighborhood we wanna live in. And, it won’t hurt to buy that bust-downed Rolex with a gold chain either. We replayed this track several times before moving on to the next one.
“Island”
On Island featuring Tayla Parx, Bellinger returns to the running around naked in the white house theme. But this time, it’s on an exotic island with his main squeeze, with a nearby table for two, probably filled with wine and sh*t like that. But, while the female is cooking, Bellinger is thinking about having her on the menu because she reminds him of wet dishes. Wet dishes? We can say, Bellinger’s imagination is at the peak of the songwriting industry, which is a good thing.
“Coastin”
Coastin pulls the curtains in, and Bellinger dimmers the light. Enough with all the sweet talkin’, wining and dining, now, it’s time for some action. So far, this is the most intimate time on “Eric B for President: Term 2”, and we know it’s going down when Bellinger sings, “Baby, you should come and ride my wave / You so lit, damn, you spark my interest / Let’s go surfing for a couple days / Hop on my board.”
“Malibu Nights”
Malibu Nights featuring Victoria Money is the actual lovemaking scene that we’ve been waiting for. Bellinger sings, “There’s something ’bout those Malibu nights, got me wondering if I could swim in your ocean, girl / Silhouette of your hips got me thinking ’bout stroking, girl.” And then, “Crash into me, I need you tonight / So, bring that lil body over here / Come let daddy whisper in your ear / I’ma tell you what you wanna hear / Rub my fingers through your hair / Put your legs up in the air like / Put them legs up in the air like /Taking off your underwear like…
Whoa-whoa-whoa-whoa, slow it down playboy. No doubt, Bellinger gets it in; and we declare “Eric B for President: Term 2” as an R&B treasure because it’s dope, replay-able, and we could visualize and relate to everything that Bellinger is singing about.
FUN FACT
Bellinger has been successfully leaking ink from his pen. He co-wrote two songs on Chris Brown’s Grammy-winning F.A.M.E., Brandy’s Without You, and Justin Bieber’s Right Here. But, his biggest hits came with Usher’s ‘Lemme See’ and Brown’s ‘Fine China’.
https://www.bongminesentertainment.com/eric-bellinger-term-2-album/
Bob Mann (459 KP) rated Ocean’s 8 (2018) in Movies
Sep 29, 2021
Can 8 women do the work of 11, 12 or even 13 men?
The female empowerment #SheToo implications of the title are clearly writ large for this movie! The answer of course…. is a major spoiler, so we won’t go there.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
graveyardgremlin (7194 KP) rated Sleeping with the Fishes (Fred the Mermaid, #1) in Books
Feb 15, 2019
While I'm not a big fan of MaryJanice Davidson's work, I've still semi-enjoyed a few of her other books, although there was the case of an exceptionally horrendous short story, but this book was pretty bad - nay, terrible. The book was disjointed and had very underdeveloped characters. Supposedly it's a romance, but the only romance it has is between Dr. Barb and Jonas, who were actually the best characters in the book, which is saying a lot. Although really, Jonas seemed gay; is there any straight man that acts like that? Even metrosexuals? There was just much. I doubt the average gay guy acts this way. It's just insulting...to everyone! Fred was a horrible character and had no redeeming features what-so-ever. I mean it's nice to have a different heroine who isn't the typical cookie-cutter image but this is ridiculous. I could not even fathom (heehee, get it? Fathom? The ocean? Water? Oh, forget it. ;P) what Thomas or Artur could see in her, or why they would like her, especially since they didn't know her except for her surly nature. Honestly, this is a horrible start to this series. I thought it would be a fun and interesting take on mermaids, but I could have written something better, which is sad. The more I think about it the more upset I am. I mean, yes I had a chuckle here and there, yes there were some interesting aspects, but there really wasn't a story and I can't imagine anyone actually caring for these characters. How dare Ms. Davidson maim poor mermaids, undersea folk, or whatever; I've always had a fondness for these mythical(?) creatures. I'm sorry this was such a travesty when there aren't very many books that feature merpeople. Luckily, it's a very quick read and I didn't pay eight bucks for this...this--well you get the drift. Thank you BookMooch! ;D
Whatchareadin (174 KP) rated The High Tide Club in Books
Apr 9, 2019
Josephine Bettendorf Warrick is 99 years old. She has terminal cancer and any day could be her last. She asks for the help of Brooke Trappnell an attorney in town to help settle her affairs. Brooke is aware that Ms. Warrick has attorneys and lives on an island off the coast of Georgia. Why she needs Brooke's help is unclear. Brooke's grandmother was an old friend of Josephine's and they lost touch over the years. Josephine would like to make amends to her friends and leave them a part of the island so that the state will not get a hold of it, for that she needs Brooke's help. Josephine, Ruth, Millie, and Varina were The High Tide Club. Before she dies she wants to see in person her friends or their relatives. Will Josephine be able to accomplish everything she needs to before her death?
Thank you to NetGalley, and St. Martin's Press for the opportunity to read and review this book.
It has been a while since I have read one of Ms. Andrew's books. This book was good. It held my attention and kept me intrigued throughout.
Can you imagine living on an island in a palatial estate? Cut off from most of the world by the ocean. Sounds like a dream come true to me.
The story switches time from present day to 1941 when The High Tide Club was formed. There are many secrets that these friends shared and kept from one another. The four friends lost touch after the war except for Josephine and Varina, although their relationship has strained over the past few years.
Brooke herself is the granddaughter of Millie which is why Josephine chose her for the job in the first place. Brooke finds out things about her family she didn't know about and is successful at bringing together the ancestors of her friends. But the state wants the land and Josephine's distant relatives want to give it up to them. Discoveries are made and secrets are uncovered in this book.
Thank you to NetGalley, and St. Martin's Press for the opportunity to read and review this book.
It has been a while since I have read one of Ms. Andrew's books. This book was good. It held my attention and kept me intrigued throughout.
Can you imagine living on an island in a palatial estate? Cut off from most of the world by the ocean. Sounds like a dream come true to me.
The story switches time from present day to 1941 when The High Tide Club was formed. There are many secrets that these friends shared and kept from one another. The four friends lost touch after the war except for Josephine and Varina, although their relationship has strained over the past few years.
Brooke herself is the granddaughter of Millie which is why Josephine chose her for the job in the first place. Brooke finds out things about her family she didn't know about and is successful at bringing together the ancestors of her friends. But the state wants the land and Josephine's distant relatives want to give it up to them. Discoveries are made and secrets are uncovered in this book.
Neon's Nerd Nexus (360 KP) rated The Meg (2018) in Movies
May 14, 2019
Jason
#themeg all be it a highly forgettable film manages to be an extreamly enjoyable #shark romp that ends just before it begins to out stay its welcome. Sitting somewhere between #Theshallows & #deepbluesea #meg is an an American-Chinese co-production & it shows. There's an incredible amount of #chinese cast members here witch is very refreshing to see in a big #American #blockbuster & they all do a fantastic job at acting too. China locations are also #beautiful to look at & there's a fantastic sense of depth to the #ocean visuals making for some gorgeously tense silent under #water scenes. Cgi is alright for the most part & does a good job with its highly detailed shark models. Surprisingly #jasonstatham is the star of the show here & when he wasnt on screen I was longing for more time with him rather than the shark itself. Not only is he extremely #charming & charismatic he's absolutely hilarious, clearly realising what type of movie he signed up for & just having a ton of fun. Its a very silly film which plays to its advantage but the problems come when it tries to get to serious, it just kills the flow & makes the film #grind to a halt at times. Over all the message was alright too with its themes of how the human ego leads us to being so #cocky & sure of ourselves that we believe we are superior & invulnerable only to be shot down or knocked off guard by something more primitive. Major influences from old #japanese #monster #movies are a nice touch & characters are all very likable but they seem to have no cares for each other at all which all though odd actually does work in the films favour. A bit repetitive after a while with an abrupt anticlimactic ending Meg is well worth a watch & a ton of #silly forgettable #fun. Way less violent than I expected too. #odeon #odeonlimitless #friyay #gore #horror #scary #themegmovie #review #filmbuff #sharknado
Goddess in the Stacks (553 KP) rated The Pisces in Books
Aug 3, 2018
I've been wanting to read this one for a while; you know how much I like my mermaids! This one is male, and not as predatory as other books I've read, but still good. This is one of the books from my summer TBR list, and the second book I've read from that list so far.
I feel like this book is better classified as Contemporary Fiction than fantasy; the existence of the merman is the only magical thing about it. Everything else is an exploration on love, obsession, and the lengths people will go to to meet their needs. Broder manages to wax philosophical but with a frankness that keeps everything relatable; from missing ex-boyfriends to worrying about Tinder dates, to thinking about the empty abyss of the ocean at night, Lucy's inner dialogue speaks to the anxiety within all of us.
I went back and forth as to whether I actually liked Lucy or not. I did like her for most of the book, but then she had to go and be stupid and I'm not sure I can forgive her for that. It does illustrate how far some people will go when they're obsessed with something, so it's realistic, I suppose. But I'd rather the cost had fallen on Lucy instead of the innocent bystander.
The ending of the book wasn't entirely satisfactory. It wrapped up the story, sure, but the next to the last paragraph introduced a question that hadn't otherwise been considered, and leaves it unanswered. Which is a pet peeve of mine. It's not philosophy, it's a question of is she or isn't she, and that's not something the reader can really theorize about.
Overall, I really liked the book. There were a couple of events that annoyed me, but for the most part, this was a good summer read. It largely takes place on the beach, it's at turns funny, sexy, sad, and weird. I think it's mostly deserving of the hype it received.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I feel like this book is better classified as Contemporary Fiction than fantasy; the existence of the merman is the only magical thing about it. Everything else is an exploration on love, obsession, and the lengths people will go to to meet their needs. Broder manages to wax philosophical but with a frankness that keeps everything relatable; from missing ex-boyfriends to worrying about Tinder dates, to thinking about the empty abyss of the ocean at night, Lucy's inner dialogue speaks to the anxiety within all of us.
I went back and forth as to whether I actually liked Lucy or not. I did like her for most of the book, but then she had to go and be stupid and I'm not sure I can forgive her for that. It does illustrate how far some people will go when they're obsessed with something, so it's realistic, I suppose. But I'd rather the cost had fallen on Lucy instead of the innocent bystander.
The ending of the book wasn't entirely satisfactory. It wrapped up the story, sure, but the next to the last paragraph introduced a question that hadn't otherwise been considered, and leaves it unanswered. Which is a pet peeve of mine. It's not philosophy, it's a question of is she or isn't she, and that's not something the reader can really theorize about.
Overall, I really liked the book. There were a couple of events that annoyed me, but for the most part, this was a good summer read. It largely takes place on the beach, it's at turns funny, sexy, sad, and weird. I think it's mostly deserving of the hype it received.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Kelly Knows (95 KP) rated White Squall (1996) in Movies
Jul 3, 2019
Skipper Kills All The Waves
The fantastic telling of the true story of the ill-fated Albatross. Sometimes you watch a movie at a young age, and the power of it sticks with you well into adulthood. White Squall is such a movie for me, and I imagine, many others. A sailor once, and a sailor someday to be, my father and I first watched this movie together when I was a youngster. Those silvered memories can be tarnished if a movie doesn't age well. Not the case with White Squall. Jeff Bridges is a powerhouse as the indomitable Skipper. You will instantly become caught up in the story of these young men learning what it means to indeed be called a man, especially on the sea. Some of the tropes are clunky, but merely a product of the time. You still buy in to the plot with little to no eye rolling. The archetypes of the characters run from Oscar level to 2D flat, but with a main cast of over a dozen, that is to be expected. Again, Jeff Bridges is amazing and more than carries the slack, performance wise. Parents be warned, this is based on a tragedy at sea. Do the math on that one, and adjust accordingly for the kids. The plot is fairly tame for the first half of the movie. The reason this movie gets high marks from me is the incredible direction from Ridley Scott, and the powerhouse sea visuals. The effects department really went to town on this one. You can feel the fury of the ocean, for she is a fickle mistress. They even used a full-scale mock-up of the ship in a horizon tank. Google that. It's awesome. With an amazing story, cast, score, all the above, this movie will always be the perfect with side of popcorn and a comfy recliner.
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