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LoganCrews (2861 KP) rated Annabelle Comes Home (2019) in Movies

Oct 26, 2020 (Updated Oct 26, 2020)

Annabelle Comes Home (2019)

2019 | Horror, Mystery, Thriller

7.0

(42 Ratings)

Movie Rating Watch

Incompetent, one of the worst horror movies I've ever seen. No film with a 70s soundtrack this cool should suck this hard, just as a bylaw from now on. Gives you false hope by starting off with Patrick Wilson and Vera Farmiga's charming Warren couple (after rehashing that first 𝘛𝘩𝘦 𝘊𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 scene for the third goddamned time in three different movies) then violating your trust by immediately veering into pure shit. Not even remotely scary, just really loud and irritating - somehow even less frightening than 𝘈𝘯𝘯𝘢𝘣𝘦𝘭𝘭𝘦: 𝘊𝘳𝘦𝘢𝘵𝘪𝘰𝘯 and that useless spinoff wasn't scary either. The same tropes with increasingly less charm, wit, originality, and purpose with each subsequent entry - this one having the added facet of looking like total ass now too! You'd think a beloved multi-million dollar franchise would be able to produce a film that doesn't look like a cheap Halloween section at a Party City with only like one and a half cool shots lmfao. At first you may think that maybe its lack of polish is supposed to add into a nostalgic, old-school Hollywood horror vibe but no - they just didn't care. For a now defaced series so adamant on overstuffing itself with intertwining lore (like so many films feel the need to nowadays during this unholy "just wait for the good stuff... it's building for now..." franchise kick) to the point of losing all sense of singularity they really put nothing into this writing to justify any of that. They really just turned this into some disgraceful, borderline unwatchable, generic drek that'd feel right at home in 2011/2012's rotten horror catalogue. A sequel to a prequel of a prequel to a main entry which has its own sequel that has *its* own spinoff. The pits.

Kudos

Mark @ Carstairs Considers (2682 KP) rated Fatal Cajun Festival in Books

Sep 13, 2019

Murder Isn’t Music to Maggie’s Ears

Maggie Crozat’s grand-mere has come up with the idea of Pelican, Louisiana, holding a musical festival in the days leading up to New Orleans’s famous Jazz Fest. Tammy Barker, a native who has gained fame as the winner of the TV singing competition, has agreed to return to headline the event. This isn’t good news for Maggie’s friend, Gaynell, however. Gaynell and Tammy went to high school together, and Tammy seems to have it out for her, even sabotaging Gaynell’s shot at auditioning for Jazz Fest. So when a murder takes place after Tammy’s set opening night of the festival, all eyes are on Gaynell. Can Maggie clear her friend?

This is the fifth book in the series, and it was wonderful to get to visit our friends in Pelican again. Maggie leads a strong cast. While there are quite a few regulars plus the suspects, I didn’t have any trouble keeping the characters straight while I was reading. However, there is a handy character guide in the front of the book if you do need it. The plot is strong with a couple of equally as strong sub-plots to keep the pages turning. I especially enjoyed a sub-plot involving Grand-mere. The twists and turns lead us to a logical climax. My only complaint is how Maggie works with the police, but it was a minor issue overall. We get five recipes and some fun background on things we learn in the story at the end of the book. I always feel like I’ve visited Louisiana when I read one of these books, and this one is no expectation. Fans old and new will be glad they picked it up.