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    Guildhall

    Guildhall

    7.0 (1 Ratings) Rate It

    Tabletop Game

    Progress! That's what these Dark Ages need, someone with a little get-up-and-go. You've been a serf...

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Merissa (13854 KP) rated Muted Chords (The Road to Rocktoberfest 2022) in Books

Nov 7, 2022  
Muted Chords (The Road to Rocktoberfest 2022)
Muted Chords (The Road to Rocktoberfest 2022)
Samuel York | 2022 | Contemporary, LGBTQ+, Romance
8
8.0 (1 Ratings)
Book Rating
MUTED CHORDS is one of the Rocktoberfest 2022 books and we travel with Josh and the rest of his band to the festival itself. Eradicate Apathy has had some problems with their replacement bass player, so much so he is sacked. This is where Bran comes into play. He has wanted to play with them for quite a while but has his own baggage to contend with. When given the chance though, he can't say no. And once he meets Josh, all stops are pulled out.

The pacing of this story is fast and felt a little rushed to me in places, but you will be drawn into the close-knit relationships between the band members. You also get a look at some people who are not so nice, who have let fame (or the lack of it) sour them.

Overall, this was a sweet love story between Josh and Bran and brilliant relationships between the rest of the band members. However, there is some derogatory language, plus some angst near the ending, so consider yourself warned.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
    Stack the Countries®

    Stack the Countries®

    Education and Games

    (0 Ratings) Rate It

    App

    - Featured on the TODAY show! - Editor's Choice Award! - Children's Technology Review - "Stack the...

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Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies

Jan 22, 2021  
Alita: Battle Angel (2019)
Alita: Battle Angel (2019)
2019 | Action, Fantasy, Sci-Fi
7
7.4 (96 Ratings)
Movie Rating Watch
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.

Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.

Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.

That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.

There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.