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Bob Mann (459 KP) rated Spielberg (2017) in Movies
Sep 29, 2021
On making Drew Barrymore cry.
“Spielberg” is an HBO-produced documentary by documentarian Susan Lacy. You’ll never guess who the subject is?!
Steven Spielberg is a product of one of the most surprising revolutions in Hollywood in the late 70’s: one of a set of wunderkind directors alongside such luminaries as George Lucas, Francis Ford Coppola, John Milius, Brian De Palma and Martin Scorcese. These men (only men, it should be noted!) were ready to cock a snook at Hollywood’s traditional studio system to break rules (case in point, Star Wars’ lack of opening credits) and move cinema into the format that would last to this day.
As this excellent documentary makes clear, Spielberg was one of the least rebellious of the movie-brats. Even though (astoundingly) he blagged himself a production office at Universal (after hiding during the Tram Tour toilet stop!), his path to the top was through hard graft on multiple Universal TV shows, after recognition of his talents by Universal exec Sidney Sheinberg who speaks in the film.
Before we get to that stage of his life, we cover his childhood back-story as a reluctant Jew living in a non-Jewish neighbourhood, driven to fill his time with tormenting his sisters and movie-making with a Super 8 camera. Scenes of home videos, photos and his early attempts at special effects are all fascinating. The impact of his Bohemian mother Leah and workaholic father Arnold, and particularly the very surprising relationship breakdown that happened between them, go a long way to explain the constant return to ‘father issues’ in many of his films such as “E.T.”, “Close Encounters of the Third Kind”, “Hook” and “Indiana Jones and the Last Crusade”.
The majority of the film though settles down into a roughly chronological review of the highlights of his movie career, with particular emphasis justly being placed on some of the key watershed moments in that career. Most of his films get at least a mention, but “Jaws”, “E.T.”, “Schindler’s List”, “The Color Purple”, “Jurassic Park”, “Munich” and “Empire of the Sun” get more focus. It is such a wonderful trip down my cinematic memory lane. I also forget just what cinematic majesty and craftsmanship is present in these films: I just hope that at some point this will get a Blu-Ray or DVD release so it can be properly appreciated (rather than viewing it on a tiny airplane screen which is how I watched this): the combination of film clips in here is breathtaking.
As might be expected for a documentary about the great director, there is plenty of ‘behind the camera’ footage on show, some of which is fascinating. Spielberg could always get the very best performances out of the youngsters on set, from Cary Guffey (“Toys!!”) in “Close Encounters” to a heartbreaking scene where he reduces the young Drew Barrymore to howls of emotion in “E.T.”. A master at work.
All of the movie scenes are accompanied by new interview footage from Spielberg himself, as well as warm platitudes from many of the luminaries he has worked with in the past. Directors involved include many of the the directors referenced above, as well as those modern directors influenced by him such as J.J. Abrams; his go-to cinematographers Vilmos Zsigmond and Janusz Kaminski; his ‘go-to’ composer John Williams; and stars including his go-to ‘everyman’ Richard Dreyfuss, Tom Cruise, Harrison Ford, Bob Balaban, Tom Hanks, Opray Winfrey, Leonardo DiCaprio, Christian Bale, Dustin Hoffman and James Brolin. Some of these comments are useful and insightful; some are just fairly meaningless sound bites that add nothing to the film. What all the comments are though is almost all uniformly positive.
And that’s my only criticism of the film. Like me, Susan Lacy is clearly a big fan. It is probably quite hard to find anyone who isn’t…. but perhaps Ms Lacy should have tried a bit harder! There is only limited focus on his big comedy flop of 1979, “1941”, and no mention at all of his lowest WW grossing film “Always”. And there are only a few contributors – notably film critic Janet Maslin – who are willing to stick their head above the parapet and prod into Spielberg’s weaknesses; ostensibly his tendency to veer to the sentimental and away from harder issues: the omitted “Color Purple” ‘mirror scene’ being a case in point.
This is a recommended watch for Spielberg fans. On the eve of the launch of his latest – “Ready Player One”, a film that I am personally dubious about from the trailer – it’s a great insight into the life and works of the great man. It could though have cut a slightly harder and more critical edge.
Steven Spielberg is a product of one of the most surprising revolutions in Hollywood in the late 70’s: one of a set of wunderkind directors alongside such luminaries as George Lucas, Francis Ford Coppola, John Milius, Brian De Palma and Martin Scorcese. These men (only men, it should be noted!) were ready to cock a snook at Hollywood’s traditional studio system to break rules (case in point, Star Wars’ lack of opening credits) and move cinema into the format that would last to this day.
As this excellent documentary makes clear, Spielberg was one of the least rebellious of the movie-brats. Even though (astoundingly) he blagged himself a production office at Universal (after hiding during the Tram Tour toilet stop!), his path to the top was through hard graft on multiple Universal TV shows, after recognition of his talents by Universal exec Sidney Sheinberg who speaks in the film.
Before we get to that stage of his life, we cover his childhood back-story as a reluctant Jew living in a non-Jewish neighbourhood, driven to fill his time with tormenting his sisters and movie-making with a Super 8 camera. Scenes of home videos, photos and his early attempts at special effects are all fascinating. The impact of his Bohemian mother Leah and workaholic father Arnold, and particularly the very surprising relationship breakdown that happened between them, go a long way to explain the constant return to ‘father issues’ in many of his films such as “E.T.”, “Close Encounters of the Third Kind”, “Hook” and “Indiana Jones and the Last Crusade”.
The majority of the film though settles down into a roughly chronological review of the highlights of his movie career, with particular emphasis justly being placed on some of the key watershed moments in that career. Most of his films get at least a mention, but “Jaws”, “E.T.”, “Schindler’s List”, “The Color Purple”, “Jurassic Park”, “Munich” and “Empire of the Sun” get more focus. It is such a wonderful trip down my cinematic memory lane. I also forget just what cinematic majesty and craftsmanship is present in these films: I just hope that at some point this will get a Blu-Ray or DVD release so it can be properly appreciated (rather than viewing it on a tiny airplane screen which is how I watched this): the combination of film clips in here is breathtaking.
As might be expected for a documentary about the great director, there is plenty of ‘behind the camera’ footage on show, some of which is fascinating. Spielberg could always get the very best performances out of the youngsters on set, from Cary Guffey (“Toys!!”) in “Close Encounters” to a heartbreaking scene where he reduces the young Drew Barrymore to howls of emotion in “E.T.”. A master at work.
All of the movie scenes are accompanied by new interview footage from Spielberg himself, as well as warm platitudes from many of the luminaries he has worked with in the past. Directors involved include many of the the directors referenced above, as well as those modern directors influenced by him such as J.J. Abrams; his go-to cinematographers Vilmos Zsigmond and Janusz Kaminski; his ‘go-to’ composer John Williams; and stars including his go-to ‘everyman’ Richard Dreyfuss, Tom Cruise, Harrison Ford, Bob Balaban, Tom Hanks, Opray Winfrey, Leonardo DiCaprio, Christian Bale, Dustin Hoffman and James Brolin. Some of these comments are useful and insightful; some are just fairly meaningless sound bites that add nothing to the film. What all the comments are though is almost all uniformly positive.
And that’s my only criticism of the film. Like me, Susan Lacy is clearly a big fan. It is probably quite hard to find anyone who isn’t…. but perhaps Ms Lacy should have tried a bit harder! There is only limited focus on his big comedy flop of 1979, “1941”, and no mention at all of his lowest WW grossing film “Always”. And there are only a few contributors – notably film critic Janet Maslin – who are willing to stick their head above the parapet and prod into Spielberg’s weaknesses; ostensibly his tendency to veer to the sentimental and away from harder issues: the omitted “Color Purple” ‘mirror scene’ being a case in point.
This is a recommended watch for Spielberg fans. On the eve of the launch of his latest – “Ready Player One”, a film that I am personally dubious about from the trailer – it’s a great insight into the life and works of the great man. It could though have cut a slightly harder and more critical edge.
theVman (16 KP) rated Ready Player One (2018) in Movies
Apr 6, 2018
Visual effects (1 more)
action scenes
Script (2 more)
Exposition
Casting
Ready Player Bomb!
I understand certain decisions and changes have to be made when adapting a book for the screen but with this one i just didnt understand or agree with 90% of them. For the most part the changes underminds the actual story the book was telling.
However, trying to be objective the best i can and looking at it just as a movie - i still didnt like it. For me it felt like the structure of the whole move was fractured. Everyone was totally miscast for my liking, leaving all the characters un-charismatic and un-endearing, leaving the story without a heart or a soul. I felt like the exposition was clunky at best, leading to the relationships between characters to either feel forced or not given them enough time to grow naturally, especially the "love interest" story. Also I felt it glossed over some key elements of the plot at the beginning, mainly due to the aforementioned clunky exposition, but also with its eagerness to go straight for throat with high octane action, which although brilliantly staged and choreographed through the camera, left me feeling like it was pointless, due to lack of context or feeling of any real threat. I never really felt like it got any of this right until the final battle in the climax of the film, but by then id given up the films ability to win me back.
Add to that the changes/difference from the book that failed to make any sense to me, or understand why they choose that direction to take - my frustration only grows and grows. The only real big change that i liked was the car race at the beginning which does not feature at all in the book...because it would be visually more exciting than what was actually written in the book. Some of the changes i felt like they were taking the safe option and lacked the balls of the book, such as the film choosing to let some character(s) not die, and pretty much totally ignoring the social commentary the book was making about big corporations, media influences, economic status of the world etc..... all things that i felt made the book as popular as it is in the first place. Popular enough that Spielberg wanted to turn it into a major motion picture.
However, trying to be objective the best i can and looking at it just as a movie - i still didnt like it. For me it felt like the structure of the whole move was fractured. Everyone was totally miscast for my liking, leaving all the characters un-charismatic and un-endearing, leaving the story without a heart or a soul. I felt like the exposition was clunky at best, leading to the relationships between characters to either feel forced or not given them enough time to grow naturally, especially the "love interest" story. Also I felt it glossed over some key elements of the plot at the beginning, mainly due to the aforementioned clunky exposition, but also with its eagerness to go straight for throat with high octane action, which although brilliantly staged and choreographed through the camera, left me feeling like it was pointless, due to lack of context or feeling of any real threat. I never really felt like it got any of this right until the final battle in the climax of the film, but by then id given up the films ability to win me back.
Add to that the changes/difference from the book that failed to make any sense to me, or understand why they choose that direction to take - my frustration only grows and grows. The only real big change that i liked was the car race at the beginning which does not feature at all in the book...because it would be visually more exciting than what was actually written in the book. Some of the changes i felt like they were taking the safe option and lacked the balls of the book, such as the film choosing to let some character(s) not die, and pretty much totally ignoring the social commentary the book was making about big corporations, media influences, economic status of the world etc..... all things that i felt made the book as popular as it is in the first place. Popular enough that Spielberg wanted to turn it into a major motion picture.
MaryAnn (14 KP) rated A Promise Forged (Ohio Brides #3) in Books
Mar 5, 2019
Kat transformed in front of him. Her chin came up, her fingers stopped twitching with the fabric of her gown, and a real sparkle bubbled in her eyes. It was like watching Snow White come to life when the prince kissed her. A heartwarming WWII historical from award-winning author Cara Putman: Kat Miller has dreamed of playing baseball her entire life. When she earns a spot on a team in the All-American Girls Professional Softball League, she finds that things aren’t as glamorous as she imagined. She struggles with long road trips, grueling practices, and older teammates who are jealous of her success. And to top it all off, an irritating reporter is constantly getting under Kat’s skin. Events in Jack Raymond’s career have left him cynical and distanced from God. He never wanted to write at a small paper, and he certainly didn’t want to be assigned to something as inconsequential as a women’s softball team. Then Kat walks into his life. The fiery, young softball player somehow climbs the walls around his heart and makes him want to hope again. When lies fly and the league appears to fail, will Kat and Jack’s new love survive?
My Thoughts: Every girl has a dream, and this time it's Kat's turn to have hers come true! A chance to play professional baseball. Cara Putman has weaved history and fiction in an entertaining storyline; s based the all women's league that was formed during the second world war.
Kat is the youngest member on the team and as I read the book, I wanted to take her under my wing and protect her from her jealous teammates. Kat had to suffer being away from her family, the jealousy of some of her teammates, traveling, grueling schedules and falling in love for the first time.
This was a very entertaining novel. I truly enjoyed it and it was a pleasure to read. One of the things I enjoyed about the book, was that Kat wanted to make a difference. She wanted to be a light for the Lord where ever she went. Her actions actually made Jack turn back to the Lord.
Even though I hadn't read the first two books, this was easy to follow on its own. I would love to read more from Cara Putman.
My Thoughts: Every girl has a dream, and this time it's Kat's turn to have hers come true! A chance to play professional baseball. Cara Putman has weaved history and fiction in an entertaining storyline; s based the all women's league that was formed during the second world war.
Kat is the youngest member on the team and as I read the book, I wanted to take her under my wing and protect her from her jealous teammates. Kat had to suffer being away from her family, the jealousy of some of her teammates, traveling, grueling schedules and falling in love for the first time.
This was a very entertaining novel. I truly enjoyed it and it was a pleasure to read. One of the things I enjoyed about the book, was that Kat wanted to make a difference. She wanted to be a light for the Lord where ever she went. Her actions actually made Jack turn back to the Lord.
Even though I hadn't read the first two books, this was easy to follow on its own. I would love to read more from Cara Putman.
Gareth von Kallenbach (980 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 19, 2019
“John Wick Chapter 3: Parabellum” literally hits the ground running as the film opens with the title star (Keanu Reeves) and his faithful dog running desperately through the rain soaked streets of New York. Wick is set to have every major player after him and 14 million dollar bounty in less than an hour and he is desperate to find a way out of his situation.
Picking up moments from the end of the last film, Wick is persona non grata due to his decision to conduct business on the grounds of the Continental which while providing services and sanctuary to those in his profession; is strictly forbidden.
As he gets closer to the appointed hour; the streets fill with assassins looking to take down the legend and this drives Wick to desperately call in a Marker with a figure from his past (Anjelica Houston) in order to get passage from the city.
Wick hopes that by meeting with the head of the Table he can get the bounty removed and stop running for his life. This of course requires him to deal with figures from his past such as Sofia (Halle Berry) who would sooner shoot him rather than help him due to the enormous risks associated with helping him in any way.
Of course the bodies pile up along the way as Wick dispatches countless foes in creative and brutal fashion showing his reputation is still very well earned.
The film also has a very clever secondary story that involves Winston (Ian McShane) being forced to atone for his willingness to give Wick a one hour head start at the end of the last film and this of course will bring things full circle as Wick must decide what is most important to him as he tries to find a way out of his deadly situation.
Toss in a master assassin (Mark Dacascos) and his army of rogues after Wick and the film never lets up once. It is an epic thrill ride and a symphony of bullets, blades, blood, and bodies and Reeves and the cast have never been better. While most series have run out of steam by the third film, this series has never been more enjoyable and I cannot wait to see what comes next.
http://sknr.net/2019/05/10/john-wick-chapter-3-parabellum/
Picking up moments from the end of the last film, Wick is persona non grata due to his decision to conduct business on the grounds of the Continental which while providing services and sanctuary to those in his profession; is strictly forbidden.
As he gets closer to the appointed hour; the streets fill with assassins looking to take down the legend and this drives Wick to desperately call in a Marker with a figure from his past (Anjelica Houston) in order to get passage from the city.
Wick hopes that by meeting with the head of the Table he can get the bounty removed and stop running for his life. This of course requires him to deal with figures from his past such as Sofia (Halle Berry) who would sooner shoot him rather than help him due to the enormous risks associated with helping him in any way.
Of course the bodies pile up along the way as Wick dispatches countless foes in creative and brutal fashion showing his reputation is still very well earned.
The film also has a very clever secondary story that involves Winston (Ian McShane) being forced to atone for his willingness to give Wick a one hour head start at the end of the last film and this of course will bring things full circle as Wick must decide what is most important to him as he tries to find a way out of his deadly situation.
Toss in a master assassin (Mark Dacascos) and his army of rogues after Wick and the film never lets up once. It is an epic thrill ride and a symphony of bullets, blades, blood, and bodies and Reeves and the cast have never been better. While most series have run out of steam by the third film, this series has never been more enjoyable and I cannot wait to see what comes next.
http://sknr.net/2019/05/10/john-wick-chapter-3-parabellum/
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