I Know Your Kind: Poems
Book
Selected for the National Poetry Series by Ada Limon, I Know Your Kind is a haunting, blistering...
Poetry Appalachia addiction grief opioids death
Crisis (2021)
Movie Watch
Three stories about the world of opioids collide: a drug trafficker arranges a multi-cartel Fentanyl...
Non-Medical and Illicit Use of Psychoactive Drugs
Suzanne Nielsen, Raimondo Bruno and Susan Schenk
Book
This volume is devoted to descriptions of non medical as well as medical uses for some drugs that...
Perioperative Pain Management, an Issue of Orthopedic Clinics
Frederick M. Azar, James H. Calandruccio, Benjamin J. Grear and Benjamin M. Mauck
Book
This volume of Orthopedic Clinics will focus on Perioperative Pain Management. Edited by members of...
Cancer-Related Breakthrough Pain
Book
Malignant episodic (or 'breakthrough') pain is a common feature of cancer pain that can have a...
Sarah (7798 KP) rated Crisis (2021) in Movies
Feb 19, 2021
The main purpose of Crisis appears to be highlighting two entirely juxtaposed real life issues with opioids - the illegal smuggling and import of street drugs and the completely legal yet questionable drugs introduced by drug companies with full support of the government. For most, neither of these stories should be particularly surprising as they're fairly common knowledge and have been featured in countless films and documentaries over the years, although I think this may be the first time the two stories have been shown together in a film. And for Crisis this really works - showing the two contrasting issues makes for a more interesting and unique story rather than concentrating solely on one that we've seen many times before, especially as its split into three separate narratives.
However, the problem with Crisis is that not all of the narratives are as engaging as intended. Evangeline Lilly puts in a wonderful and emotional performance as architect and mother Claire, but her narrative becomes a little unrealistic as she becomes bent on revenge at those responsible for involving her son in the drugs underworld. And unfortunately Armie Hammer's narrative as undercover federal agent Jake is nothing original, with a smuggling operation and drugs bust that we've seen in many other films, some of which I'm afraid have done it a lot better. The most interesting narrative though is that of Gary Oldman as Dr Tyrone Brower, whose struggle over whether to tell the truth about a new dangerous drug or take the money from his drug company employers is a surprisingly thrilling morality tale. It's helped by a superb turn from Oldman himself and a wonderful supporting role from Greg Kinnear (who I've adored since 1997's As Good As It Gets), and the verbal sparring scenes between Brower and Kinnear's university Dean are probably the best in the film. It's a shame however that Luke Evans isn't given as much to do with his part in this narrative, even with his questionable American accent.
The biggest problem I had with all of the narratives is that unlike similar films that intertwine related narratives that eventually intersect dramatically (think 2006's Best Picture Oscar winner Crash), the narratives here don't all come together in the way I was expecting, which was rather disappointing.
Cinematography-wise, director and writer Jarecki does a good job as the film looks and feels good, and really highlights the US and Canadian settings. The soundtrack only adds to the overall tense and suspenseful feel of the film, although it does feature the typical pulsing, drum beat style that seems to be standard for a modern thriller. And the script, while possibly a little clichéd especially around the drugs bust and smuggling, is good and with his supporting acting role as Jake's fellow DEA agent Stan, Nicholas Jarecki could be one to watch in future.
Overall, Crisis is a good thriller that tells the story of well-known drug issues in a different way and does well in highlighting real life concerns. For the most part it succeeds in bringing an interesting set of narratives together for a fairly gripping albeit slightly long film, and despite my preconceptions about how its intersecting storylines should play out, it is an enjoyable watch, although for the most part thanks to the talents of Gary Oldman.
Saul Sailing Snapper (211 KP) rated Bosch - Season 5 in TV
May 20, 2019
Harry Bosch was created by Michael Connolly in a series of books and has been adapted very well for the small screen. Titus Welliver (Lost, Deadwood) is perfect in the lead role as the gifted detective who has a troubled past.
This series opens with Bosch having fallen on hard times. With ruffled hair, leg in a brace and a cane, he is ushered off a bus in a make shift camp in the desert. Shuffling in a line of desperate addicts he waits for his reward for a day's work, a dose of opioids. After a run in with another addict he is caught snooping around the camp by one of the guards. He is taken to the head kingpin who thinking he is spying on them puts one bullet in the gun found in Bosch's backpack and points it at his head about to pull the trigger...
This series is possibly one of the best crime/detective shows around at the moment. It's pace is deliberate and slow with detectives taking their time finding vital clues (or missing them) but cleverly working multiple plot lines throughout the entire 10 episodes.
Pandora's Lab: Seven Stories of Science Gone Wrong
Book
What happens when ideas presented as science lead us in the wrongdirection? History is filled with...
Kingdom of the Blind (Chief Inspector Armand Gamache #14)
Book
The new Chief Inspector Gamache novel from the #1 New York Times bestselling author. When a...