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The Happy Birth Book: Your Trusted A-Z of Pregnancy, Birth and the Early Weeks
Book
'If you're having a baby this is a MUST READ. Get the birth you want whatever path you choose'...
Night Reader Reviews (683 KP) rated Transformist of the Heart and Soul in Books
Jan 6, 2021
Wonderful Self-help poetry journa
Transformist of the Heart and Soul by Melinda George is a self help journal mixed with a poetry book.
Follow one woman, possibly yourself through a discovery of self-love. Find acceptance and move on from damaging relationships with the aid of twelve heartfelt poems from someone who appears to have felt the same pain.
Once you feel ready the journal side of the book asks readers to write their thoughts in the form of poetry and to create daily mantras. For those wanting more you can create a 24 day gratitude list and write love letters to yourself. For the final aspect of the journal readers (or should I say writers) can glue or tape in images or since the squares are black use a white colored pencil to draw in ideas.
The poems are touching and probably relatable for a large number of people, as sad as that is. I also enjoyed how compact the book is, it is small enough to fin in a purse, backpack, or suitcase without taking up too much room. This book is more of a journal than an actual book. Only twelve poems are found in the 79 page book. The back of the book dose say it is a self-empowerment journal inspired by poem, but I wish there were more poems in it. It also would have been nice if the journal had some more specific writing prompts in it.
This book is directed mostly towards women. Specifically it seems to focus on someone leaving or recovering from a bad relationship. Readers should be prepared to or have a need to expose their hear and soul at least to themselves, which can be a painful process. I rate this book 3 out of 4. Over all the book/journal is very nice. I just with it had more poems and better/more specific writing prompts. The size of the book is nice for people on the go so they can write whenever they feel the inspiration.
Transformist of the Heart and Soul | Book| Austin Macauley Publishers USA
Follow one woman, possibly yourself through a discovery of self-love. Find acceptance and move on from damaging relationships with the aid of twelve heartfelt poems from someone who appears to have felt the same pain.
Once you feel ready the journal side of the book asks readers to write their thoughts in the form of poetry and to create daily mantras. For those wanting more you can create a 24 day gratitude list and write love letters to yourself. For the final aspect of the journal readers (or should I say writers) can glue or tape in images or since the squares are black use a white colored pencil to draw in ideas.
The poems are touching and probably relatable for a large number of people, as sad as that is. I also enjoyed how compact the book is, it is small enough to fin in a purse, backpack, or suitcase without taking up too much room. This book is more of a journal than an actual book. Only twelve poems are found in the 79 page book. The back of the book dose say it is a self-empowerment journal inspired by poem, but I wish there were more poems in it. It also would have been nice if the journal had some more specific writing prompts in it.
This book is directed mostly towards women. Specifically it seems to focus on someone leaving or recovering from a bad relationship. Readers should be prepared to or have a need to expose their hear and soul at least to themselves, which can be a painful process. I rate this book 3 out of 4. Over all the book/journal is very nice. I just with it had more poems and better/more specific writing prompts. The size of the book is nice for people on the go so they can write whenever they feel the inspiration.
Transformist of the Heart and Soul | Book| Austin Macauley Publishers USA
Leanne Crabtree (480 KP) rated Rejected (Shadow Beast Shifters, #1) in Books
Jan 7, 2021
I grabbed this one from Kindle Unlimited after taking advantage of their 6 months at a reduced cost offer because, you know, have you seen that cover?!
So this starts with Mera and her best friend heading to school while discussing the fact that they can't wait to have their first shift into their wolves so they can leave their pack after the abuse Mera has received off them after her father tried to kill the alpha when she was younger. Mera runs from the pack before her shift, knowing that death is likely to be her outcome either way - either from the shift itself or from the pack - but she's tracked down before then and brought back. Before long she shifts and finds her mate amongst her pack, only to be rejected by him and the intense pain both she and her wolf are in has her calling out to the Shadow Beast - the god of shifters - and he comes and takes her away.
I don't quite know how I feel about this book. It's like one extreme to another for all the males in Mera's life. Torin; doesn't like her and taunts her continuously but doesn't want her harmed by his father. Jaxson; one of her old best friends - torments her/attacks her almost daily but also seems to have feelings for her. Shadow; can't seem to stand her but won't let anyone else have her or touch her. I was so confused and conflicted by it. I wasn't cheering for anyone in particular. I even briefly wondered if it was going to turn into some reverse harem kind of thing...but nope. Or at least not in this one.
I honestly have no idea if I'm going to continue the series. It was the cover that pulled me into reading this one as it is...so maybe if the cover is as good...? I honestly don't know. I was expecting some romance and it was filled with an angry female and stupid alpha males, though there was a hot scene or two.
So this starts with Mera and her best friend heading to school while discussing the fact that they can't wait to have their first shift into their wolves so they can leave their pack after the abuse Mera has received off them after her father tried to kill the alpha when she was younger. Mera runs from the pack before her shift, knowing that death is likely to be her outcome either way - either from the shift itself or from the pack - but she's tracked down before then and brought back. Before long she shifts and finds her mate amongst her pack, only to be rejected by him and the intense pain both she and her wolf are in has her calling out to the Shadow Beast - the god of shifters - and he comes and takes her away.
I don't quite know how I feel about this book. It's like one extreme to another for all the males in Mera's life. Torin; doesn't like her and taunts her continuously but doesn't want her harmed by his father. Jaxson; one of her old best friends - torments her/attacks her almost daily but also seems to have feelings for her. Shadow; can't seem to stand her but won't let anyone else have her or touch her. I was so confused and conflicted by it. I wasn't cheering for anyone in particular. I even briefly wondered if it was going to turn into some reverse harem kind of thing...but nope. Or at least not in this one.
I honestly have no idea if I'm going to continue the series. It was the cover that pulled me into reading this one as it is...so maybe if the cover is as good...? I honestly don't know. I was expecting some romance and it was filled with an angry female and stupid alpha males, though there was a hot scene or two.
Melanie Caldicott (6 KP) rated The Beauty of Your Face in Books
Apr 29, 2021
You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
Gaspar Noe recommended Salò, or the 120 Days of Sodom (1975) in Movies (curated)
Laura Doe (1350 KP) rated Mirrorland in Books
Jul 1, 2021
This book was not at all what I expected, but in the best way.
We start off with Cat flying back from America to Edinburgh after her twin sister El has gone missing. Cat goes back to Edinburgh to find that her twin and her husband, Ross, have moved back into El and Cat’s childhood home. Whilst there, memories of their shared past start to come back to Cat but she spends most of the time trying to work out if they’re real memories or memories of the fantasies that the girls made up and played out. The main part of the girls’ childhood was a place that they called Mirrorland, a hidden tunnel that led to a locked wash house that they used to play in most of their childhood. As more and more memories come back, Cat has to deal with the trauma that occurred during their childhood. At the same time, she also has to deal with her sister missing and presumed dead. Cat is adamant the whole time that El isn’t dead and that she would know if she was as she would “feel” it, being identical twins she could always feel her sister’s pain. Cat also has to deal with her feelings for Ross resurfacing as he was also a large part of their childhood and she has never got over her feelings for him.
There were so many twists and turns in this book, that I had a hard time telling what was real from what was fantasy and it really put me in the mindset of Cat and her struggle to separate the two. I thought for the last part of the book that I had it all figured out, but in the last couple of chapters Carole Johnstone really threw a spanner in the works and changed everything again. Whilst a little confusing at times, it was good because it did make you empathise with Cat and how she was remembering things that had happened in her past.
Thank you to Carole Johnstone and Pigeonhole for allowing me to read this book in return for an honest review, I loved it!
We start off with Cat flying back from America to Edinburgh after her twin sister El has gone missing. Cat goes back to Edinburgh to find that her twin and her husband, Ross, have moved back into El and Cat’s childhood home. Whilst there, memories of their shared past start to come back to Cat but she spends most of the time trying to work out if they’re real memories or memories of the fantasies that the girls made up and played out. The main part of the girls’ childhood was a place that they called Mirrorland, a hidden tunnel that led to a locked wash house that they used to play in most of their childhood. As more and more memories come back, Cat has to deal with the trauma that occurred during their childhood. At the same time, she also has to deal with her sister missing and presumed dead. Cat is adamant the whole time that El isn’t dead and that she would know if she was as she would “feel” it, being identical twins she could always feel her sister’s pain. Cat also has to deal with her feelings for Ross resurfacing as he was also a large part of their childhood and she has never got over her feelings for him.
There were so many twists and turns in this book, that I had a hard time telling what was real from what was fantasy and it really put me in the mindset of Cat and her struggle to separate the two. I thought for the last part of the book that I had it all figured out, but in the last couple of chapters Carole Johnstone really threw a spanner in the works and changed everything again. Whilst a little confusing at times, it was good because it did make you empathise with Cat and how she was remembering things that had happened in her past.
Thank you to Carole Johnstone and Pigeonhole for allowing me to read this book in return for an honest review, I loved it!
Leanne Crabtree (480 KP) rated To Seduce a Witch's Heart (Love and Magic, #1) in Books
Jan 11, 2021
3.5 stars.
I've avoided paranormal romances for quite a while as I don't always want the romance to be the main part of my paranormal reads. This one, however, focused more on the romance between our witch, Merle, and our demon, Rhun. Note: I didn't realise this was a paranormal romance when I downloaded it.
It starts with Merle summoning Rhun from the Shadows - a land full of shadows, obviously - where he has been kept prisoner for the last twenty years. He comes back starving for the three things his demon needs - pleasure, pain and blood. He's very good at the charm and persuades Merle to give him two of three before finding out why she'd summoned him. Her sister, Maeve, has been taken by another demon of his kind and she is frantic to find her as she is the only remaining relative of hers.
I liked that the sexual tension between our characters happened from pretty much the first chapter. It was instant physical attraction but done well, in my opinion. He was just using her, initially, to get his powers back and she wasn't willing to let him go after anyone else when she'd been the one to summon him and feelings began to emerge the more they got to know each other/spent time together.
I did feel like the book was a tad overly long. They spent more time in bed together than they did searching for her sister - which made me get a little fed up at times, and also why it's taken me about a week to read this. Don't get me wrong, though. I did enjoy the interactions between our two characters. They had a lovely camaraderie once they got to know each other and I grew to really like them both.
Considering how I wasn't entirely invested in the story, I found myself getting a little emotional towards the end of this. I actually shed a tear when Rhun was forced back into the Shadows. It was so unfair. Of course, it would be a crappy ending to the book if they didn't get their HEA and of course they do (thank God!).
I've avoided paranormal romances for quite a while as I don't always want the romance to be the main part of my paranormal reads. This one, however, focused more on the romance between our witch, Merle, and our demon, Rhun. Note: I didn't realise this was a paranormal romance when I downloaded it.
It starts with Merle summoning Rhun from the Shadows - a land full of shadows, obviously - where he has been kept prisoner for the last twenty years. He comes back starving for the three things his demon needs - pleasure, pain and blood. He's very good at the charm and persuades Merle to give him two of three before finding out why she'd summoned him. Her sister, Maeve, has been taken by another demon of his kind and she is frantic to find her as she is the only remaining relative of hers.
I liked that the sexual tension between our characters happened from pretty much the first chapter. It was instant physical attraction but done well, in my opinion. He was just using her, initially, to get his powers back and she wasn't willing to let him go after anyone else when she'd been the one to summon him and feelings began to emerge the more they got to know each other/spent time together.
I did feel like the book was a tad overly long. They spent more time in bed together than they did searching for her sister - which made me get a little fed up at times, and also why it's taken me about a week to read this. Don't get me wrong, though. I did enjoy the interactions between our two characters. They had a lovely camaraderie once they got to know each other and I grew to really like them both.
Considering how I wasn't entirely invested in the story, I found myself getting a little emotional towards the end of this. I actually shed a tear when Rhun was forced back into the Shadows. It was so unfair. Of course, it would be a crappy ending to the book if they didn't get their HEA and of course they do (thank God!).
Eleanor Luhar (47 KP) rated Touching The Void in Books
Jun 24, 2019
At school a little while ago we looked at an extract from this book, and I decided I may as well read the rest of the book too.
If you don't already know, Joe Simpson suffered a serious leg injury while climbing a previously unreached summit in the Peruvian Andes, 1985. His partner, Simon Yates, had a life-changing decision to make that would determine who would live and who would not.
Joe tells his story in excruciating detail, with snippets from his partner's point of view, too. He uses a lot of technical language as would be expected, which can sometimes go straight over the reader's head. He describes his emotions, his physical pain after the injury, and the setting that he found himself in.
Things go well at first, but during the descent there is serious trouble. Joe and Simon work together to lower Joe with his disformed leg, and it works for some time. But eventually, Simon has to decide whether to cut the rope or not.
After his first injury, Joe manages to survive an unbelievably long fall. But now he's stuck in the crevasse, alone, with no hopes of returning to camp alive. Meanwhile, Simon is having to overcome his guilt and travel alone, with several frostbitten fingers and no food or water. The journey that both men must take is truly amazing and although you know the general outcome, you find yourself reading on and on to see what happens next.
Although it seems like a pretty short book, it took me slightly longer than expected to finish it. The technicalities meant nothing to me most of the time, making it slightly hard to visualise the scene in detail. But I was still able to appreciate the difficulties and obstacles that the climbers had to overcome, and I am amazed at how they did it.
The photos included throughout the book were really helpful for scene-setting, and show how stunning the views were over the mountain range.
I don't read biographies that often, so I knew it wouldn't be my favourite book. But it was good, and if you like this sort of thing then I would definitely recommend it. 3.5 stars I think.
If you don't already know, Joe Simpson suffered a serious leg injury while climbing a previously unreached summit in the Peruvian Andes, 1985. His partner, Simon Yates, had a life-changing decision to make that would determine who would live and who would not.
Joe tells his story in excruciating detail, with snippets from his partner's point of view, too. He uses a lot of technical language as would be expected, which can sometimes go straight over the reader's head. He describes his emotions, his physical pain after the injury, and the setting that he found himself in.
Things go well at first, but during the descent there is serious trouble. Joe and Simon work together to lower Joe with his disformed leg, and it works for some time. But eventually, Simon has to decide whether to cut the rope or not.
After his first injury, Joe manages to survive an unbelievably long fall. But now he's stuck in the crevasse, alone, with no hopes of returning to camp alive. Meanwhile, Simon is having to overcome his guilt and travel alone, with several frostbitten fingers and no food or water. The journey that both men must take is truly amazing and although you know the general outcome, you find yourself reading on and on to see what happens next.
Although it seems like a pretty short book, it took me slightly longer than expected to finish it. The technicalities meant nothing to me most of the time, making it slightly hard to visualise the scene in detail. But I was still able to appreciate the difficulties and obstacles that the climbers had to overcome, and I am amazed at how they did it.
The photos included throughout the book were really helpful for scene-setting, and show how stunning the views were over the mountain range.
I don't read biographies that often, so I knew it wouldn't be my favourite book. But it was good, and if you like this sort of thing then I would definitely recommend it. 3.5 stars I think.
Mayhawke (97 KP) rated Elevator Pitch in Books
Jun 28, 2019
A nice return to U.S. crime fiction
Crime fiction is my thing. It's what I read most of, most of the time.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Diane Arbus: Portrait of a Photographer
Book
The definitive biography of the beguiling Diane Arbus, one of the most influential and important...
Biography photography