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An ex-child soldier, a violent, hairless man, and a drug lord make up the cast of characters in the Thomas Harris novel, 'Cari Mora.' Mora, our title character, is the ex-child soldier that now lives in Miami, Flordia, where she watches over a deceased drug lord's mansion. This drug lord is the real-life Pablo Escobar.
Written in Harris' crime fiction style, 'Cari Mora' quickly starts with men competing to get to the rumored millions of dollars in gold that is suppose to be at the Escobar mansion. One of these men is a very memorable German character named Hans-Peter Schneider, who readers come to know as someone that is hired to kill/deliver people to rich customers, as well as selling organs on the black market: " He [Schneider] could see his reflection in the glass side of his liquid cremation machine where he was dissolving Karla, a girl who hadn't worked out for business." When Schneider meets Mora, he immediately wants to sell her to a high paying customer.
The novel's main subject is Escobar's hidden gold, but readers also get a glimpse into the underworld of human trafficking and hired thugs. Most interestingly, the story surrounds the dark past of certain characters - - - mostly Mora and Schneider- - - who also happen to be the most put-together characters in all of the novel. All other characters seem to be filler, where most of their stories either don't end or aren't explained. Such as the character Benito, when the reader gets to follow him home, there is a mere snippet about his family life that leaves us wanting more: " Lupe was waiting at Benito's house, in spirit, in the small garden she had made behind Benito's house. He felt her presence warm and close to him as fireflies winked over the white blossoms, luminous under the moon. Benito poured a glass of Flor de Cana for himself and one for her. He drank both of them sitting in the garden with Lupe, and being there together was enough. "
While the treasure hunt is going on, a man named Jesus Villarreal becomes an important character that used to be Escobar's captain- - - and who knows exactly where the gold is hidden; he has not only made a deal with Schneider, but also another drug lord named Don Ernesto- - - if he tells exactly how to get the gold, safely, his wife, son and sister-in-law must be taken care of when he is gone.
This story has twist and turns known in every great crime fiction novel: a woman who is more than what she seems, thugs with guns, dark backstories, and fast-reading action. Yet, the story contains so many characters,even new ones coming in on almost every chapter, that it could be hard for readers to keep in mind who is who, especially with not enough description to tell them apart. Another disappointment is the character named Detective Terry Robles, who had such an amazing story to tell - - - from he and his wife being shot up by druggies to Robles seeking revenge when his wife can't exactly remember who she is,let alone who he is, because of her injury - - - but his story never comes to fruition, and we never get to experience the end of it.
As great as a character Mora is, I personally believe that Schneider would have been a much more interesting view point to read from. The story would have taken on a completely different appeal if the focus had been on strictly him. For instance, one of the most intriguing parts was reading about Schneider's past which may hold the key to why he is who he is : "His parents were in the freezer and he could hear their voices through the door. They could not get out because the freezer door was secured with a chain Hans had tied in an excellent chain knot, the way his father had taught him to tie a chain, shaking the knot until the links jammed tight. "
Although I wish for a different view point, I will say again that Mora is a well-written character - - - her character just becomes flat in certain places- - - but she still makes the story worth reading. Harris did a wonderful job in showing the darker side of life, as he has always done with his Hannibal series. If anyone is a fan of the Netflix show 'Narcos,' or crime fiction surrounding drug lords, they will certainly enjoy this book from beginning to end.
Written in Harris' crime fiction style, 'Cari Mora' quickly starts with men competing to get to the rumored millions of dollars in gold that is suppose to be at the Escobar mansion. One of these men is a very memorable German character named Hans-Peter Schneider, who readers come to know as someone that is hired to kill/deliver people to rich customers, as well as selling organs on the black market: " He [Schneider] could see his reflection in the glass side of his liquid cremation machine where he was dissolving Karla, a girl who hadn't worked out for business." When Schneider meets Mora, he immediately wants to sell her to a high paying customer.
The novel's main subject is Escobar's hidden gold, but readers also get a glimpse into the underworld of human trafficking and hired thugs. Most interestingly, the story surrounds the dark past of certain characters - - - mostly Mora and Schneider- - - who also happen to be the most put-together characters in all of the novel. All other characters seem to be filler, where most of their stories either don't end or aren't explained. Such as the character Benito, when the reader gets to follow him home, there is a mere snippet about his family life that leaves us wanting more: " Lupe was waiting at Benito's house, in spirit, in the small garden she had made behind Benito's house. He felt her presence warm and close to him as fireflies winked over the white blossoms, luminous under the moon. Benito poured a glass of Flor de Cana for himself and one for her. He drank both of them sitting in the garden with Lupe, and being there together was enough. "
While the treasure hunt is going on, a man named Jesus Villarreal becomes an important character that used to be Escobar's captain- - - and who knows exactly where the gold is hidden; he has not only made a deal with Schneider, but also another drug lord named Don Ernesto- - - if he tells exactly how to get the gold, safely, his wife, son and sister-in-law must be taken care of when he is gone.
This story has twist and turns known in every great crime fiction novel: a woman who is more than what she seems, thugs with guns, dark backstories, and fast-reading action. Yet, the story contains so many characters,even new ones coming in on almost every chapter, that it could be hard for readers to keep in mind who is who, especially with not enough description to tell them apart. Another disappointment is the character named Detective Terry Robles, who had such an amazing story to tell - - - from he and his wife being shot up by druggies to Robles seeking revenge when his wife can't exactly remember who she is,let alone who he is, because of her injury - - - but his story never comes to fruition, and we never get to experience the end of it.
As great as a character Mora is, I personally believe that Schneider would have been a much more interesting view point to read from. The story would have taken on a completely different appeal if the focus had been on strictly him. For instance, one of the most intriguing parts was reading about Schneider's past which may hold the key to why he is who he is : "His parents were in the freezer and he could hear their voices through the door. They could not get out because the freezer door was secured with a chain Hans had tied in an excellent chain knot, the way his father had taught him to tie a chain, shaking the knot until the links jammed tight. "
Although I wish for a different view point, I will say again that Mora is a well-written character - - - her character just becomes flat in certain places- - - but she still makes the story worth reading. Harris did a wonderful job in showing the darker side of life, as he has always done with his Hannibal series. If anyone is a fan of the Netflix show 'Narcos,' or crime fiction surrounding drug lords, they will certainly enjoy this book from beginning to end.
Ryan Hill (152 KP) rated Captain America: Civil War (2016) in Movies
May 11, 2019
Chris Evans as Steve Rogers/ Captain America
RDJ as Tony Stark/Iron man
Sebastian Stan as Bucky Barnes
Tom Holland as Peter Parker/Spider-man
Chadwick Boseman as Black panther/Tchalla (1 more)
The Airport fight scene
The climatic three-way battle
Zemo is a fantastic villian brilliantly played by Daniel Bruhl
Feels like a Captain America movie
Giant-Man is awesome,so is Paul Rudd
Mission Report, December 16, 1991
"Captain America: Civil War" is not only the best "Captain America" movie yet, but it may just be at the very top of the Marvel Cinematic Universe, due to it's emotionally satisfying themes. That may seem like extremely high praise, so I will explain why I believe that to be true, as well as why I think this is the most mature Marvel film to this point. Loosely following the events of both "Captain America: The Winter Solider" and "Avengers: Age of Ultron," while still harking back to previous films from this universe, this 13th installment in the ever growing Marvel Cinematic Universe, follows the team on different paths as they are once again pulled together.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Troy Aker (6 KP) rated Super 8 (2011) in Movies
Dec 13, 2017
Much fun from JJ Abrams
With Super 8, JJ Abrams did something I feel is rare in cinema. It was a monster movie in which you actually care about the people involved. Way too often in movies it becomes easy to cheer on the monster because the people involved just aren't likable, or that not enough time is spent on them to create a connection with the characters. A character driven monster-disaster movie is rare. This movie is the anti-Michael Bay movie. Which is part of the reason why I love it so much.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
Jamie (131 KP) rated The Edible Woman in Books
May 24, 2017
An honest exploration of the roles of women, marriage, and entering adulthood
Marian is an average college-educated woman who lives with a roommate in a decent apartment, works for a survey company, is moderately good looking, and has a handsome fiancé who is on his way to being a big shot lawyer. It sounds like life altogether is going pretty well for Marian. Yet for some reason she feels empty, why?
The Edible Woman explores the themes of losing a sense of self with maturity. At work she is pushed around, her roommate Ainsley is inconsiderate, the landlady is judgmental, and her boyfriend Peter is self centered and makes snide comments at Marian’s expense, acting like he can barely tolerate her. With each encounter Marian puts aside her pride for the sake of avoiding conflict. Marian expresses her problems through eating, or the lack thereof, hinting at a potential eating disorder. Just as she feels inhibited in life, she suddenly feels inhibited with the kinds of food that she can eat.
As the story continues she begins to dread marriage and question the direction her life is going—becoming just as listless as her friend and former classmate Clara, who after marriage and three pregnancies just seems beaten down. Marian’s fiancé Peter is the stereotypical perfect bachelor: a man’s man that looks down on women and views marriage as a ball and chain. Peter pushes Marian around in order to mold her into a subservient woman. There is no longer any room for her thoughts, her feelings, or her desires from under his shadow.
But what about work? What are women’s roles in society and the work force? Throughout the story there are several women including Marian with college educations, yet none of them really have a stable career. Women are expected to be wives and mothers, there’s simply no time for an education or a job. In this case, their educations are ultimately viewed as their downfall due to the crushing reality of how little opportunity they would have. This was the very sad truth at the time the book was written and thankfully is not exactly the case now in most parts of the world.
Atwood tackles a large number of social issues throughout the book that I think would be important for any young woman. Adulthood, relationships, marriage, the choice between work and education versus starting a family, and lastly feminism—both good and bad. (Hint: Ainsely is a perfect example of a bad feminist.)
There are certain elements of the book that are becoming quite dated. Namely the typewriters, the social expectation that all women can be are housewives, and the limited ways that women can dress; These things might make it difficult for young women to look past and relate to the main character. Despite this the book is still incredibly relevant in the message that it brings about maintaining one’s individuality. I absolutely love this book and found a lot of my former self in it’s pages.
The Edible Woman explores the themes of losing a sense of self with maturity. At work she is pushed around, her roommate Ainsley is inconsiderate, the landlady is judgmental, and her boyfriend Peter is self centered and makes snide comments at Marian’s expense, acting like he can barely tolerate her. With each encounter Marian puts aside her pride for the sake of avoiding conflict. Marian expresses her problems through eating, or the lack thereof, hinting at a potential eating disorder. Just as she feels inhibited in life, she suddenly feels inhibited with the kinds of food that she can eat.
As the story continues she begins to dread marriage and question the direction her life is going—becoming just as listless as her friend and former classmate Clara, who after marriage and three pregnancies just seems beaten down. Marian’s fiancé Peter is the stereotypical perfect bachelor: a man’s man that looks down on women and views marriage as a ball and chain. Peter pushes Marian around in order to mold her into a subservient woman. There is no longer any room for her thoughts, her feelings, or her desires from under his shadow.
But what about work? What are women’s roles in society and the work force? Throughout the story there are several women including Marian with college educations, yet none of them really have a stable career. Women are expected to be wives and mothers, there’s simply no time for an education or a job. In this case, their educations are ultimately viewed as their downfall due to the crushing reality of how little opportunity they would have. This was the very sad truth at the time the book was written and thankfully is not exactly the case now in most parts of the world.
Atwood tackles a large number of social issues throughout the book that I think would be important for any young woman. Adulthood, relationships, marriage, the choice between work and education versus starting a family, and lastly feminism—both good and bad. (Hint: Ainsely is a perfect example of a bad feminist.)
There are certain elements of the book that are becoming quite dated. Namely the typewriters, the social expectation that all women can be are housewives, and the limited ways that women can dress; These things might make it difficult for young women to look past and relate to the main character. Despite this the book is still incredibly relevant in the message that it brings about maintaining one’s individuality. I absolutely love this book and found a lot of my former self in it’s pages.
Kristy H (1252 KP) rated Give Me Your Hand in Books
Mar 10, 2019
Dark, intense, and compelling psychological thriller
Kit Owens is surviving high school but not living up to her true potential when Diane Fleming arrives at her school. Diane awakens a fire in Kit and the two form an unlikely friendship that propels Kit to academic success in her senior year. She and Diane study together and push each other to reach to be the best. Kit can't help but feel bad for her friend, who lives with her grandfather after the death of her dad. But all that changes when Diane shares an explosive secret with Kit, one that changes the way she views Diane and basically ends their friendship. Ten years later, Kit has tried to put Diane (and her secret) behind her. She's working in the lab of a female scientist, Dr. Severin, whom she's idolized for years--a woman Diane first helped introduce her to. But when Dr. Severin earns a prestigious grant and Kit learns that Diane is suddenly in the running for one of the coveted spots to work with the Doctor on the research, the past comes rushing back. Soon Diane and Kit find themselves over their head, with secrets and horror lurking around every corner.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
Kristy H (1252 KP) rated The Lying Game in Books
Jan 21, 2018
Predictable (1 more)
Slow-moving
Isa, Kate, Fatima, and Thea were the best of friends for a year in boarding school. Thick as thieves, they kept to themselves at Salten House, bonded by a game they invented (The Lying Game), where they came up with increasingly higher stakes lies for a series of points and boasting rights. The girls spent much of their time at The Mill House, Kate's childhood home--a quick walk across the marsh from their boarding school and home to Kate's father, Ambrose, and stepbrother, Luc. But all that changes when Ambrose, an art teacher at Salten, dies; a scandal is uncovered; and the girls are expelled. Years pass without the four women seeing each other, until they receive a text from Kate: I need you. Isa--with her baby daughter in tow, Fatima, and Thea return to The Mill House, where Kate still lives, to help their friend. But what exactly happened all those years ago? And are the women still playing The Lying Game?
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
Kristy H (1252 KP) rated Never Let You Go in Books
Jan 22, 2018
Lindsey Nash has not had the easiest of lives.
She escaped in the dark one night with her six-year-old daughter, Sophie, and just a few of their possessions. They were running from Andrew, Lindsey's drunken, abusive, and possessive husband. Lindsey knew that it was only a matter of time before Andrew killed her, leaving Sophie without her mom. But the night the two disappear, something else happens: a drunken Andrew gets behind the wheel, crashes his vehicle, and kills another woman. The accident puts him in prison for 10 years, giving Lindsey a small sense of freedom, but it's short-lived. Before she knows it, he's out, and headed for the town where Lindsey and Sophie have started over. Strange things start happen, and Lindsey is terrified for her life again--and Sophie's. Andrew claims prison has changed him, but Lindsey can't believe it. How will she and her daughter ever be safe?
This is my fourth Stevens book, and I know by now that she will keep you up late, frantically turning the pages, wondering what will happen. Of the ones I've read, I still think That Night is my favorite, but this one was quite an enjoyable and fast-paced read as well. I blew through it on vacation in about 24 hours, and it had a chilling creepiness to it that made me feel like I should be looking over my shoulder or continually pulling the curtains shut.
First, let's just put out there, as with most of Stevens' books, a big warning for abuse triggers. Please make that known to anyone who might be affected by such a storyline.
One of the best things about this novel was the way Stevens slowly unfurled bits of the plot, making you go "wow" each time something was revealed. The book is divided into three parts, and the first one switches between the present and the past, showcasing some of Lindsey and Andrew's abusive marriage. It's very effective. In the later parts, we hear from both Lindsey and Sophie, who is now a nearly grown teenager. Again, it's a compelling storytelling tool and allows Stevens to work the unreliable narrator angle. Is Lindsey just imagining all this? Can we trust her? Has she just brainwashed Sophie against her father?
The novel sets up a series of suspects, and I admit that I guessed "who did it" before page 100, but I still enjoyed the book immensely. It took me longer to work out why, and I was quite engrossed in the characters. I liked both Lindsey and Sophie, though I didn't love them or feel particularly attached to either, but I so enjoyed the mechanics of the story and what was going to come next that I was completely engaged nonetheless. The novel is very chilling, very eerie, and written so vividly that you can quite imagine many of its more frightening and suspenseful scenes. I can easily see it being made into a movie where I would be peeking tensely through my sleeves.
She escaped in the dark one night with her six-year-old daughter, Sophie, and just a few of their possessions. They were running from Andrew, Lindsey's drunken, abusive, and possessive husband. Lindsey knew that it was only a matter of time before Andrew killed her, leaving Sophie without her mom. But the night the two disappear, something else happens: a drunken Andrew gets behind the wheel, crashes his vehicle, and kills another woman. The accident puts him in prison for 10 years, giving Lindsey a small sense of freedom, but it's short-lived. Before she knows it, he's out, and headed for the town where Lindsey and Sophie have started over. Strange things start happen, and Lindsey is terrified for her life again--and Sophie's. Andrew claims prison has changed him, but Lindsey can't believe it. How will she and her daughter ever be safe?
This is my fourth Stevens book, and I know by now that she will keep you up late, frantically turning the pages, wondering what will happen. Of the ones I've read, I still think That Night is my favorite, but this one was quite an enjoyable and fast-paced read as well. I blew through it on vacation in about 24 hours, and it had a chilling creepiness to it that made me feel like I should be looking over my shoulder or continually pulling the curtains shut.
First, let's just put out there, as with most of Stevens' books, a big warning for abuse triggers. Please make that known to anyone who might be affected by such a storyline.
One of the best things about this novel was the way Stevens slowly unfurled bits of the plot, making you go "wow" each time something was revealed. The book is divided into three parts, and the first one switches between the present and the past, showcasing some of Lindsey and Andrew's abusive marriage. It's very effective. In the later parts, we hear from both Lindsey and Sophie, who is now a nearly grown teenager. Again, it's a compelling storytelling tool and allows Stevens to work the unreliable narrator angle. Is Lindsey just imagining all this? Can we trust her? Has she just brainwashed Sophie against her father?
The novel sets up a series of suspects, and I admit that I guessed "who did it" before page 100, but I still enjoyed the book immensely. It took me longer to work out why, and I was quite engrossed in the characters. I liked both Lindsey and Sophie, though I didn't love them or feel particularly attached to either, but I so enjoyed the mechanics of the story and what was going to come next that I was completely engaged nonetheless. The novel is very chilling, very eerie, and written so vividly that you can quite imagine many of its more frightening and suspenseful scenes. I can easily see it being made into a movie where I would be peeking tensely through my sleeves.
Kristy H (1252 KP) rated The Secret Place in Books
Feb 13, 2018
The fifth installment in Tana French's Dublin Murder Squad series reintroduces some familiar faces, notably Holly Mackey, Frank Mackey, and Stephen Moran from French's [b:Faithful Place|7093952|Faithful Place (Dublin Murder Squad, #3)|Tana French|https://d.gr-assets.com/books/1291165900s/7093952.jpg|7350661]. Detective Moran is toiling away in Cold Cases, dreaming of joining the Murder Squad, when Holly shows up. She holds in her hand a card reading "I know who killed him," featuring a photo of Chris Harper, a handsome boy from a private school who was killed a year ago. Suddenly, Stephen finds himself inserted into the middle of St. Kilda's School, Holly's private all-girls' school, the neighborhood school to Chris', and the place where his body was found. Stephen joins up with the Murder Squad's Detective Antoinette Conway, one of the original leads on Chris' case, to find out what happened. But Stephen quickly realizes that Antoinette isn't a popular figure in the Squad, and that the girls of St. Kilda's are a tight-knit, complicated bunch whose interconnected relationships present Conway and Moran many obstacles in finding Chris' killer. Can they find the killer before the girls close ranks for good?
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Hazel (1853 KP) rated How Not to Fall in Love, Actually: A Laugh-Out-Loud Romantic Comedy in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
“Life, as any chancer knows, is 10% planning, 10% design and 80% totally winging it …” and Catherine Bennetto’s debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emma’s life more bearable. Moving into her late grandmother’s Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emma’s life has the potential to be happier than it has ever been before – if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters – a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four – this novel is certain to entertain, although whether it deserves the “laugh-out-loud” status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book – and many British chick-lit – is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character – although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the reader’s situation, this book brings laughter, relaxation and the realisation that life is not so bad.
“Life, as any chancer knows, is 10% planning, 10% design and 80% totally winging it …” and Catherine Bennetto’s debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emma’s life more bearable. Moving into her late grandmother’s Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emma’s life has the potential to be happier than it has ever been before – if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters – a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four – this novel is certain to entertain, although whether it deserves the “laugh-out-loud” status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book – and many British chick-lit – is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character – although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the reader’s situation, this book brings laughter, relaxation and the realisation that life is not so bad.
LilyLovesIndie (123 KP) rated The Divided Hearts (Sweet Deception Regency #7) in Books
Nov 5, 2018
I received this book as a complimentary review copy through Story Cartel.
A love story of a different kind, The Divided Hearts tells the tale of Judith and Nate, and the long realisation they both go through before they accept their love for each other. Set against the backdrop of Newport, America, on the another war with the motherland, some great historical points are raised, as well as dealing with the emotional conflict of those with English ties but who are American at heart.
I thoroughly enjoyed this book, which is quite strange as I usually stay away from romance, and there are many reasons for this! Firstly I'll start with how easy it was to read. The flow was fantastic, really easy to get your head into, Darcy really sets the scene well and gives you just the right amount of information to keep you engaged in the story without overloading you. IT's very rare to find a book that's so easy to read, but you could dip in and out at your own leisure, knowing the idyllic life of early America was waiting for you to return.
Another thing I enjoyed about this book was the fantastic description used by Darcy. It was beautifully detailed, I felt that I could see every vista she described, feel all the dresses Judith wore and get all hot and flustered at Nate's muscles! It's rare that a book truly appeals to all senses whilst you are reading it, but Darcy manages this superbly and it is a great delight to read.
In addition, the characters deserve a mention. In a relatively short text, it's sometimes difficult to really engage and invest emotionally in the characters, but in 'The Divided Hearts' you are drawn whole heartedly into their lives. You agonise with Judith over her decision of whether to stay in America or not. You get excited when good things happen to the characters, you feel scared for them when they're in danger. I know it sounds vague, but believe me, this is a book you want to read for yourself, and I won't spoil that first read excitement!
Perhaps the best thing for me though was the story itself. It was entirely believable from start to finish. You really could have imagined this happening during that difficult transition time, and that makes it all the more enjoyable. It's like you're getting a lovely snippet into the past, and although it's a story, you don't feel it is entirely fictional, rather, you feel like there's some truth and somewhere out there this actually did happen. I think the accuracy of the history in general helps greatly with this, and it's a relief (and a pleasure!) to see a book that's so well researched and that presents such an accurate historical representation of the time and place it is describing.
In conclusion, this is a brilliant read for an easy afternoon sat in the sunshine. The plot, characters and description work fantastically together to provide a much needed release from the drama's of every day like. I highly recommend it to anyone who enjoys historical fiction or a little bit of easy reading romance.
A love story of a different kind, The Divided Hearts tells the tale of Judith and Nate, and the long realisation they both go through before they accept their love for each other. Set against the backdrop of Newport, America, on the another war with the motherland, some great historical points are raised, as well as dealing with the emotional conflict of those with English ties but who are American at heart.
I thoroughly enjoyed this book, which is quite strange as I usually stay away from romance, and there are many reasons for this! Firstly I'll start with how easy it was to read. The flow was fantastic, really easy to get your head into, Darcy really sets the scene well and gives you just the right amount of information to keep you engaged in the story without overloading you. IT's very rare to find a book that's so easy to read, but you could dip in and out at your own leisure, knowing the idyllic life of early America was waiting for you to return.
Another thing I enjoyed about this book was the fantastic description used by Darcy. It was beautifully detailed, I felt that I could see every vista she described, feel all the dresses Judith wore and get all hot and flustered at Nate's muscles! It's rare that a book truly appeals to all senses whilst you are reading it, but Darcy manages this superbly and it is a great delight to read.
In addition, the characters deserve a mention. In a relatively short text, it's sometimes difficult to really engage and invest emotionally in the characters, but in 'The Divided Hearts' you are drawn whole heartedly into their lives. You agonise with Judith over her decision of whether to stay in America or not. You get excited when good things happen to the characters, you feel scared for them when they're in danger. I know it sounds vague, but believe me, this is a book you want to read for yourself, and I won't spoil that first read excitement!
Perhaps the best thing for me though was the story itself. It was entirely believable from start to finish. You really could have imagined this happening during that difficult transition time, and that makes it all the more enjoyable. It's like you're getting a lovely snippet into the past, and although it's a story, you don't feel it is entirely fictional, rather, you feel like there's some truth and somewhere out there this actually did happen. I think the accuracy of the history in general helps greatly with this, and it's a relief (and a pleasure!) to see a book that's so well researched and that presents such an accurate historical representation of the time and place it is describing.
In conclusion, this is a brilliant read for an easy afternoon sat in the sunshine. The plot, characters and description work fantastically together to provide a much needed release from the drama's of every day like. I highly recommend it to anyone who enjoys historical fiction or a little bit of easy reading romance.