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Gareth von Kallenbach (980 KP) rated Deepwater Horizon (2016) in Movies
Jul 15, 2019
On April 20th 2010, approximately 40 miles off of the Louisiana coast, the Deepwater Horizon drilling rig exploded and sank spilling over 3 million barrels of oil into the Gulf of Mexico. The Deepwater Horizon oil spill, also known as the Gulf oil spill and BP oil spill, is the worst oil spill in U.S. history, and cost 11 crew members their lives. It’s also one of the largest environmental disasters in history, who’s total cost to the marine life, fishing community, and entire Gulf coast is still unknown. The film Deepwater Horizon is based on the true story of the men and women who were working on the rig the day of the disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
Darren (1599 KP) rated Raising Arizona (1987) in Movies
Jul 25, 2019
Story: Raising Arizona starts as we meet H.I. McDunnough (Cage) a petty thieve that has a habit of robbing convenience stores, he falls for police officer Ed (Hunter) and after his third spell in prison he decides to settle down with Ed and hope to start a family.
When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.
Thoughts on Raising Arizona
Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.
Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.
Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.
Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.
Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.
Scene of the Movie – The diaper chase.
That Moment That Annoyed Me – The baby forgetting scenes.
Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.
Overall: Crime Comedy that is a must watch.
When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.
Thoughts on Raising Arizona
Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.
Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.
Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.
Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.
Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.
Scene of the Movie – The diaper chase.
That Moment That Annoyed Me – The baby forgetting scenes.
Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.
Overall: Crime Comedy that is a must watch.
Sophia (Bookwyrming Thoughts) (530 KP) rated Brazen (Gilded, #3) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I love <i><a title="Gilded review" href="http://www.bookwyrmingthoughts.com/review-gilded-by-christina-farley"; target="_blank" rel="noopener tag">Gilded</a></i> and all (<i>Silvern</i> is my least favorite), but <i>Brazen</i> is either a tie or my favorite of the entire series.
The third and final book in the <i>Gilded</i> series takes off shortly after <i>Silvern</i> when Jae Hwa signs a contract with Kud, Lord of Darkness and Chaos, to leave behind her family and past life in exchange to save Marc's life. Under Kud's control, Jae Hwa finds ways to save Korea and possibly the world from Kud's potential rule.
There is never a dull moment in <i>Brazen</i> the book is more action-packed and exciting than the first two books combined (those were exciting in and of themselves, but <i>Brazen</i> is so much more). Jae Hwa's seriously kick butt side also appears as Jae Hwa runs against time to find the Black Turtle orb and returning it to the Heavenly Chest before she loses her humanity or Kud finds the orb for himself. With the contract between Kud branded on her arm, Jae Hwa basically has no one on her side the Guardians want her head on a platter, Marc is cold and indifferent towards her as expected from the Guardians, and Kud holds the constant threat of harming her loved ones on her head.
But even though almost everyone is against her, Jae Hwa is slowly losing her humanity, and Kud seems to be onto her act sometimes, Jae Hwa still manages to evade revealing her true intentions to the lord of Darkness.
Farley also introduces readers to a little bit of Chinese mythology and history on Jae Hwa's search for the final orb, with plenty of life-threatening trials and obstacles that consist of mercury, tombs, and skeletons (plus, drowning). It also promptly demanded me to suggest that Christina pull a Rick Riordan and collide Chinese and Korean mythology together in a spin-off series (I just read the Percy Jackson/Kane Chronicles crossover at the time...). Fangirl me squealed when Christina said she loved the idea. (Now I'm really going to start counting my lucky book stars for that to happen.)
In reality, the idea is partially for a selfish reason and I honestly don't want to be done with the entire series. Even though I had a few bumpy occurrences with the characters a few times in Gilded and <i><a title="Silvern review" href="http://www.bookwyrmingthoughts.com/arc-review-silvern-by-christina-farley"; target="_blank" rel="noopener tag">Silvern</a></i>, I've actually grown to like Jae Hwa and company. All of them have grown so much in the three books that it's really hard to let them all go and carry on with their happily fictional lives.
I also envy anyone who hasn't reached the final book yet. >_< (But I wouldn't have been able to "shove" the book in a friend's face if I didn't get introduced to the series.)
<a href="https://bookwyrmingthoughts.com/arc-review-brazen-by-christina-farley/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I love <i><a title="Gilded review" href="http://www.bookwyrmingthoughts.com/review-gilded-by-christina-farley"; target="_blank" rel="noopener tag">Gilded</a></i> and all (<i>Silvern</i> is my least favorite), but <i>Brazen</i> is either a tie or my favorite of the entire series.
The third and final book in the <i>Gilded</i> series takes off shortly after <i>Silvern</i> when Jae Hwa signs a contract with Kud, Lord of Darkness and Chaos, to leave behind her family and past life in exchange to save Marc's life. Under Kud's control, Jae Hwa finds ways to save Korea and possibly the world from Kud's potential rule.
There is never a dull moment in <i>Brazen</i> the book is more action-packed and exciting than the first two books combined (those were exciting in and of themselves, but <i>Brazen</i> is so much more). Jae Hwa's seriously kick butt side also appears as Jae Hwa runs against time to find the Black Turtle orb and returning it to the Heavenly Chest before she loses her humanity or Kud finds the orb for himself. With the contract between Kud branded on her arm, Jae Hwa basically has no one on her side the Guardians want her head on a platter, Marc is cold and indifferent towards her as expected from the Guardians, and Kud holds the constant threat of harming her loved ones on her head.
But even though almost everyone is against her, Jae Hwa is slowly losing her humanity, and Kud seems to be onto her act sometimes, Jae Hwa still manages to evade revealing her true intentions to the lord of Darkness.
Farley also introduces readers to a little bit of Chinese mythology and history on Jae Hwa's search for the final orb, with plenty of life-threatening trials and obstacles that consist of mercury, tombs, and skeletons (plus, drowning). It also promptly demanded me to suggest that Christina pull a Rick Riordan and collide Chinese and Korean mythology together in a spin-off series (I just read the Percy Jackson/Kane Chronicles crossover at the time...). Fangirl me squealed when Christina said she loved the idea. (Now I'm really going to start counting my lucky book stars for that to happen.)
In reality, the idea is partially for a selfish reason and I honestly don't want to be done with the entire series. Even though I had a few bumpy occurrences with the characters a few times in Gilded and <i><a title="Silvern review" href="http://www.bookwyrmingthoughts.com/arc-review-silvern-by-christina-farley"; target="_blank" rel="noopener tag">Silvern</a></i>, I've actually grown to like Jae Hwa and company. All of them have grown so much in the three books that it's really hard to let them all go and carry on with their happily fictional lives.
I also envy anyone who hasn't reached the final book yet. >_< (But I wouldn't have been able to "shove" the book in a friend's face if I didn't get introduced to the series.)
<a href="https://bookwyrmingthoughts.com/arc-review-brazen-by-christina-farley/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
Gareth von Kallenbach (980 KP) rated The Watch (2012) in Movies
Aug 7, 2019
On the surface, life for Evan (Ben Stiller), appears to be ideal. He has a very nice home, a loving wife, a solid job as in upper management for Costco, and is very active in his suburban Ohio community. But Evan’s life is about to take an unexpected change when the night watchman for the store is found brutally murdered, leaving Evan distraught. Unhappy with the efforts of the local police force, Evan decides to form a community watch to solve the crime and to protect his beloved community.
In the new comedy The Watch, Stiller teams with comedy veterans Vince Vaughn, Jonah Hill, and relative newcomer Richard Ayoade, who has had audience in stitches for the past three years on the phenomenally popular and funny British comedy The I.T. Crowd.
Vaughn plays Bob, a successful contractor who sees the neighborhood watch as an opportunity for some much needed guys’-nights-out. Bob’s wife travels often for work leaving him to watch over their teenage daughter who hs driven Bob to hysterical fits of extreme measures as he attempts to divert any unwanted male attention from her.
Hill plays Franklin, a unstable individual who still lives at home with his mother after flunking out of high school and failing every evaluation the police department entrance exam offered, especially the part concerning mental stability. Franklin views the watch as his opportunity to get back at the police force and to clean up the streets. Ayoade rounds out the group as Jamarcus who sees the group as his chance to get back into the social network and envisions calls from lonely women looking for protection as his golden opportunity.
As the group begins to bond, Evan becomes agitated as he is, by nature, an insecure individual who finds Bob’s growing popularity within the group to be a threat to him and his plan to solve the murder. Despite their initial awkwardness the team begins to make progress and discovers a much larger threat to the community in the form of a hostile alien force which is capable of assuming human identity. In a desperate race against time the watch must not only battle the alien threat but each other and their own insecurities and issues to come together and save the day.
The film was directed by Akiva Schaffer who made a name for himself as part of the Lonely Island Boys who’ve done some outrageously funny song parodies on Saturday Night Live as well as the film Superbad.
While there are some very funny moments in the film as well as some fun sci-fi action sequences, the talented cast appears to be playing it safe rather than going all out. Time and time again the cast appears to be holding back. This is not to say that they don’t have great moments. Unfortunately, the best parts of the film were ruined by the trailers. I spent the whole time waiting for things to be kicked to the next level which sadly never arrived.
There were some pacing issues with film as it dragged at times. There were also some plot holes but naturally with films of this type, a deep and complicated plot is not to be expected. In the end, while entertaining, the film was disappointing. It could’ve been so much more, especially with so much talent attached to it. Sadly pacing issues and a fairly generic plot lacking any real surprises keeps the film from reaching its potential.
In the new comedy The Watch, Stiller teams with comedy veterans Vince Vaughn, Jonah Hill, and relative newcomer Richard Ayoade, who has had audience in stitches for the past three years on the phenomenally popular and funny British comedy The I.T. Crowd.
Vaughn plays Bob, a successful contractor who sees the neighborhood watch as an opportunity for some much needed guys’-nights-out. Bob’s wife travels often for work leaving him to watch over their teenage daughter who hs driven Bob to hysterical fits of extreme measures as he attempts to divert any unwanted male attention from her.
Hill plays Franklin, a unstable individual who still lives at home with his mother after flunking out of high school and failing every evaluation the police department entrance exam offered, especially the part concerning mental stability. Franklin views the watch as his opportunity to get back at the police force and to clean up the streets. Ayoade rounds out the group as Jamarcus who sees the group as his chance to get back into the social network and envisions calls from lonely women looking for protection as his golden opportunity.
As the group begins to bond, Evan becomes agitated as he is, by nature, an insecure individual who finds Bob’s growing popularity within the group to be a threat to him and his plan to solve the murder. Despite their initial awkwardness the team begins to make progress and discovers a much larger threat to the community in the form of a hostile alien force which is capable of assuming human identity. In a desperate race against time the watch must not only battle the alien threat but each other and their own insecurities and issues to come together and save the day.
The film was directed by Akiva Schaffer who made a name for himself as part of the Lonely Island Boys who’ve done some outrageously funny song parodies on Saturday Night Live as well as the film Superbad.
While there are some very funny moments in the film as well as some fun sci-fi action sequences, the talented cast appears to be playing it safe rather than going all out. Time and time again the cast appears to be holding back. This is not to say that they don’t have great moments. Unfortunately, the best parts of the film were ruined by the trailers. I spent the whole time waiting for things to be kicked to the next level which sadly never arrived.
There were some pacing issues with film as it dragged at times. There were also some plot holes but naturally with films of this type, a deep and complicated plot is not to be expected. In the end, while entertaining, the film was disappointing. It could’ve been so much more, especially with so much talent attached to it. Sadly pacing issues and a fairly generic plot lacking any real surprises keeps the film from reaching its potential.
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Ivana A. | Diary of Difference (1171 KP) rated Dracula in Books
Oct 2, 2020
Dracula by Bram Stoker is the ultimate horror classic of all times. This is where it all started. A tale about a creature that feeds on the blood to survive, but also a tale of friendship and love, described and presented in a way we rarely have a privilege to see these days.
If Vampire Diaries, Vampire Academy, Twilight and the Sookie Stackhouse series pop to your mind when you first think of vampires, this book might feel extremely slow to your taste. However, if you want to experience the real horror and the building tension through many diary entries - you will enjoy this book completely.
I am a fan of both, and I had moments where I fell in love with the detailed explanations of weather and whereabouts. But the setting of writing many polite letters to people dear to the characters also made me cringe. I suppose a cringe can’t be all bad for a horror book though?
Through many diary entries of various characters, we follow their experience with the Count Dracula. Young Jonathan Harker is sent to go to Transylvania and arrange for the apartments the Count Dracula wants to buy in London. During his stay, he faces many unusual things. Meanwhile, his fiance Mina and her friend Lucy are in London, and Lucy is facing some unusual experiences herself, when Dr. Seward arrives to help better her condition.
“How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.”
I knew what I was getting into, and I believe knowing this is a classic, and not a fast-paced romance with a paranormal twist put me in the right mood from the very beginning, so I was aware of what I was going into, and I really enjoyed it!
Dracula as a character is so mysterious, so powerful, very feared and secretly admired. I both loved and hated the fact that we don’t get to really see much of him, but we have to be satisfied with what the other characters are going through. And even though, he continues to be a shadow, a fear, a thought of everything they are doing. He is always there, even when he isn’t, and it requires great skills as a writer to create that presence for a character.
The characters of Lucy and Mina were very interesting - from a time perspective. How things have changed for women in all these years. What women were doing and thinking at that time, and how different it is now. I suppose I could make all the comparisons in the world - but one thing stays true will all classic books - they leave a mark of the time they were written, and this mark always gets better as time goes by.
“It is really wonderful how much resilience there is in human nature. Let any obstructing cause, no matter what, be removed in any way - even by death - and we fly back to first principles of hope and enjoyment."
I am glad I read Dracula, and I will try to read more classics in the new year. The writing style, the past of them, they remind you to take a big breath and acknowledge many things you take for granted in today’s world. In a world of page-turners, you sometimes need a slow book that makes you think deeply.
If Vampire Diaries, Vampire Academy, Twilight and the Sookie Stackhouse series pop to your mind when you first think of vampires, this book might feel extremely slow to your taste. However, if you want to experience the real horror and the building tension through many diary entries - you will enjoy this book completely.
I am a fan of both, and I had moments where I fell in love with the detailed explanations of weather and whereabouts. But the setting of writing many polite letters to people dear to the characters also made me cringe. I suppose a cringe can’t be all bad for a horror book though?
Through many diary entries of various characters, we follow their experience with the Count Dracula. Young Jonathan Harker is sent to go to Transylvania and arrange for the apartments the Count Dracula wants to buy in London. During his stay, he faces many unusual things. Meanwhile, his fiance Mina and her friend Lucy are in London, and Lucy is facing some unusual experiences herself, when Dr. Seward arrives to help better her condition.
“How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.”
I knew what I was getting into, and I believe knowing this is a classic, and not a fast-paced romance with a paranormal twist put me in the right mood from the very beginning, so I was aware of what I was going into, and I really enjoyed it!
Dracula as a character is so mysterious, so powerful, very feared and secretly admired. I both loved and hated the fact that we don’t get to really see much of him, but we have to be satisfied with what the other characters are going through. And even though, he continues to be a shadow, a fear, a thought of everything they are doing. He is always there, even when he isn’t, and it requires great skills as a writer to create that presence for a character.
The characters of Lucy and Mina were very interesting - from a time perspective. How things have changed for women in all these years. What women were doing and thinking at that time, and how different it is now. I suppose I could make all the comparisons in the world - but one thing stays true will all classic books - they leave a mark of the time they were written, and this mark always gets better as time goes by.
“It is really wonderful how much resilience there is in human nature. Let any obstructing cause, no matter what, be removed in any way - even by death - and we fly back to first principles of hope and enjoyment."
I am glad I read Dracula, and I will try to read more classics in the new year. The writing style, the past of them, they remind you to take a big breath and acknowledge many things you take for granted in today’s world. In a world of page-turners, you sometimes need a slow book that makes you think deeply.
Gareth von Kallenbach (980 KP) rated Ant-Man and The Wasp: Quantumania (2023) in Movies
Feb 16, 2023
Life for Scott Lang (Paul Rudd) is good. He is basking in the recognition
and fame that has come with his work with the Avengers and saving half the
universe from Thanos and has even become a best-selling author.
He has a successful relationship with Hope (Evangeline Lilly) who has
taken her father’s company to new heights and they have managed to blend
their personal and professional lives and enjoy a very happy life.
Scott does worry about his daughter Cassie (Kathryn Newton) as he lost
several years with her during the Blip and she is an activist who has been
arrested for her efforts including a hysterical prank on the police with
Pym technology.
Cassie is constantly on her father for not doing more as she feels that he
is more focused on the past battles with the Avengers and not the day to
day struggles people are facing. Over dinner, she tells Hope and her dad as
well as Hank (Michael Douglas), and Janet (Michelle Pfeiffer), whom she
studied Hank’s journals while they were in the Blip and has developed a
Quantum beacon which can map the Quantum Realm without having to venture
to the sub-atomic relay where until recently nobody had been able to
return from.
This news sends Janet into a panic during a demonstration and the four are
soon sucked into the realm and discover a diverse and thriving ecosystem
as well as an abundance of strange and dangerous creatures.
Janet is clearly hiding something and is frantic that they must leave but
their party has been scattered and they soon learn that she fears and
individual known as Kang (Jonathan Majors).
While she was trapped in the realm for thirty years, Janet encountered
King and helped him regain his power source but in doing so, learned he
was a banished conquerer who can manipulate time, space, and the
multiverse.
Her actions to trap Kang and lead a resistance to the vast empire he
created has set the stage as Janet has now returned to see what has
developed and Kang will stop at nothing to regain his power source to
escape and wreck his wrath on trillions.
Naturally, it is up to Scott, Hope, and the team to find a way to fight the
evil and powerful Kang to save the day.
The film is a darker tale than people might expect from an Ant-man movie
but in kicking off Phase 5 of the Marvel Cinematic Universe, the movie is
a visual splendor filled with amazing visuals, landscapes, and characters.
The film takes a bit of time to get to the action but when it arrives it
delivers and the performance of Majors as Kang is captivating it will
be interesting to see where the storyline evolves over the next series of
films leading up to “The Avengers: The Kang Dynasty” and beyond.
“Ant-man and the Wasp: Quantumania may not break loads of new ground in
terms of a Marvel film but Director Peyton Reed knows the characters well
and delivers a story that should resonate with the fans and the strong
cast and addition of Majors along with the great visuals make this
another winner for Marvel.
4 stars out of 5
and fame that has come with his work with the Avengers and saving half the
universe from Thanos and has even become a best-selling author.
He has a successful relationship with Hope (Evangeline Lilly) who has
taken her father’s company to new heights and they have managed to blend
their personal and professional lives and enjoy a very happy life.
Scott does worry about his daughter Cassie (Kathryn Newton) as he lost
several years with her during the Blip and she is an activist who has been
arrested for her efforts including a hysterical prank on the police with
Pym technology.
Cassie is constantly on her father for not doing more as she feels that he
is more focused on the past battles with the Avengers and not the day to
day struggles people are facing. Over dinner, she tells Hope and her dad as
well as Hank (Michael Douglas), and Janet (Michelle Pfeiffer), whom she
studied Hank’s journals while they were in the Blip and has developed a
Quantum beacon which can map the Quantum Realm without having to venture
to the sub-atomic relay where until recently nobody had been able to
return from.
This news sends Janet into a panic during a demonstration and the four are
soon sucked into the realm and discover a diverse and thriving ecosystem
as well as an abundance of strange and dangerous creatures.
Janet is clearly hiding something and is frantic that they must leave but
their party has been scattered and they soon learn that she fears and
individual known as Kang (Jonathan Majors).
While she was trapped in the realm for thirty years, Janet encountered
King and helped him regain his power source but in doing so, learned he
was a banished conquerer who can manipulate time, space, and the
multiverse.
Her actions to trap Kang and lead a resistance to the vast empire he
created has set the stage as Janet has now returned to see what has
developed and Kang will stop at nothing to regain his power source to
escape and wreck his wrath on trillions.
Naturally, it is up to Scott, Hope, and the team to find a way to fight the
evil and powerful Kang to save the day.
The film is a darker tale than people might expect from an Ant-man movie
but in kicking off Phase 5 of the Marvel Cinematic Universe, the movie is
a visual splendor filled with amazing visuals, landscapes, and characters.
The film takes a bit of time to get to the action but when it arrives it
delivers and the performance of Majors as Kang is captivating it will
be interesting to see where the storyline evolves over the next series of
films leading up to “The Avengers: The Kang Dynasty” and beyond.
“Ant-man and the Wasp: Quantumania may not break loads of new ground in
terms of a Marvel film but Director Peyton Reed knows the characters well
and delivers a story that should resonate with the fans and the strong
cast and addition of Majors along with the great visuals make this
another winner for Marvel.
4 stars out of 5