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Darren (1599 KP) rated Child's Play (2019) in Movies
Jun 22, 2019
Thoughts on Child’s Play
Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.
Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.
Overall: Blood Splattering fun.
Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.
Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.
Overall: Blood Splattering fun.
Chris Sawin (602 KP) rated After.Life (2010) in Movies
Jun 23, 2019
Anna (Christina Ricci) and Paul (Justin Long) have been together for quite some time. Although Anna seems to be pulling away, Paul is still madly in love with her. When his job offers him a promotion that would require him to move, Paul intends to ask Anna to come with him and be his wife. Anna, however, takes his lead-in as a break-up proposal before he can finish and leaves. After getting into a car accident, Anna wakes up in a funeral home where the director Eliot Deacon (Liam Neeson) tries to convince her that she's dead. Anna struggles with whether or not she has passed on and is merely in transition to the afterlife in the hands of a man with an incredible gift or is still alive and being held captive by a a lunatic.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
Gareth von Kallenbach (980 KP) rated Hacksaw Ridge (2016) in Movies
Jul 15, 2019
World War II was an event that changed America’s standing globally and ensured the end of Hitler’s tyranny over Europe. It witnessed an isolated nation enter the war after being attacked by the Japanese at Pearl Harbor. The war forced men from all walks of life to step up in defense of their nation and for the freedom of those abroad. Desmond Dawes was one of these men, however, he sought to serve a different function in war. Instead of taking lives, he wanted to save them.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Sophia (Bookwyrming Thoughts) (530 KP) rated Broken Dolls (Broken Dolls, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong><em>Broken Dolls</em> is like a creepy version of <em>Toy Story</em></strong> (I suppose <em>Toy Story</em> could be creepy...) with live, animated dolls created from humans. They're supposed to be unemotional and feel nothing – not pain, not happiness, not loneliness...
For three decades, Ella lived her life as a doll, assisting the Professor in his creations. In those years, she's forgotten about her humanity and seems perfectly happy as a dancing doll until the Professor unveils his latest creation: a goth doll named Lisa.
Here are my thoughts on the Professor: I deem him an ingenious mad scientist. He is absolutely <em>insane</em>, feels guilty about the past, and wants to change the world. I honestly don't know what to say about the guy aside from the fact I actually feel just a tad bit bad for him in the long run.
But as odd as it might be, I enjoyed the aspect of humans being turned into dolls and living a supposedly ideal life with no emotions or feelings and a life controlled by the Professor. I didn't expect Ella to have much of a voice or a personality aside from what she knew during her time as a doll (also more robotic sounding), and it is definitely the case in the early parts of <em>Broken Dolls</em> when Puxty sets up Ella's world in a Toy Story-esque fashion.
Ella's world revolves around the Professor making her a comfy room (lots of pink) in a chest in the attic of his home (that sentence sounds weird). To pass the time away, Ella spends her days locked up in the attic practicing ballet and recording adventures from her imagination into a recorder. The attic comes out a little bland – nothing remotely interesting and Ella's day-to-day actions would have sounded repetitively boring if Puxty didn't bring Lisa and Gabby into the story.
When Ella meets Lisa, however, she doesn't like Lisa; Lisa makes multiple attempts to destroy Ella because of the theory she has about Ella and all the other dolls. Around the same time, Ella meets the Professor's granddaughter, Gabby, a girl who has a virus that will eventually lead her to an inevitable fate. Like many kids, Gabby is adventurous, and she adores and protects Ella from the moment they meet. Unfortunately for Gabby, the Professor also has plans to turn Gabby into a doll-like Ella and prevent her from dying.
In the time Ella meets Lisa and Gabby, she starts to develop feelings and emotions and becomes more curious about her time before she turned into a doll. With the help of Lisa and another doll, she also strives to dig out all of the Professor's secrets to his experiments before Gabby becomes an Ella-sized playmate. But not only does Ella uncovers the Professor's secrets, she uncovers hers as well and Puxty gives us a glimpse into Ella's human life before becoming a doll.
I personally think Ella is better off as a doll compared to being a human. With the brief glimpse of Ella's human life, she starts out extremely happy and becomes really pessimistic later on – I don't know how I would be able to handle human Ella. Since <em>Broken Dolls</em> has a sequel coming out sometime in 2016, I'm really curious how Ella will cope with her doll life as everyone around her knows who she really is and continues on with their lives.
<a href="https://bookwyrmingthoughts.com/arc-review-broken-dolls-by-tyrolin-puxty/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong><em>Broken Dolls</em> is like a creepy version of <em>Toy Story</em></strong> (I suppose <em>Toy Story</em> could be creepy...) with live, animated dolls created from humans. They're supposed to be unemotional and feel nothing – not pain, not happiness, not loneliness...
For three decades, Ella lived her life as a doll, assisting the Professor in his creations. In those years, she's forgotten about her humanity and seems perfectly happy as a dancing doll until the Professor unveils his latest creation: a goth doll named Lisa.
Here are my thoughts on the Professor: I deem him an ingenious mad scientist. He is absolutely <em>insane</em>, feels guilty about the past, and wants to change the world. I honestly don't know what to say about the guy aside from the fact I actually feel just a tad bit bad for him in the long run.
But as odd as it might be, I enjoyed the aspect of humans being turned into dolls and living a supposedly ideal life with no emotions or feelings and a life controlled by the Professor. I didn't expect Ella to have much of a voice or a personality aside from what she knew during her time as a doll (also more robotic sounding), and it is definitely the case in the early parts of <em>Broken Dolls</em> when Puxty sets up Ella's world in a Toy Story-esque fashion.
Ella's world revolves around the Professor making her a comfy room (lots of pink) in a chest in the attic of his home (that sentence sounds weird). To pass the time away, Ella spends her days locked up in the attic practicing ballet and recording adventures from her imagination into a recorder. The attic comes out a little bland – nothing remotely interesting and Ella's day-to-day actions would have sounded repetitively boring if Puxty didn't bring Lisa and Gabby into the story.
When Ella meets Lisa, however, she doesn't like Lisa; Lisa makes multiple attempts to destroy Ella because of the theory she has about Ella and all the other dolls. Around the same time, Ella meets the Professor's granddaughter, Gabby, a girl who has a virus that will eventually lead her to an inevitable fate. Like many kids, Gabby is adventurous, and she adores and protects Ella from the moment they meet. Unfortunately for Gabby, the Professor also has plans to turn Gabby into a doll-like Ella and prevent her from dying.
In the time Ella meets Lisa and Gabby, she starts to develop feelings and emotions and becomes more curious about her time before she turned into a doll. With the help of Lisa and another doll, she also strives to dig out all of the Professor's secrets to his experiments before Gabby becomes an Ella-sized playmate. But not only does Ella uncovers the Professor's secrets, she uncovers hers as well and Puxty gives us a glimpse into Ella's human life before becoming a doll.
I personally think Ella is better off as a doll compared to being a human. With the brief glimpse of Ella's human life, she starts out extremely happy and becomes really pessimistic later on – I don't know how I would be able to handle human Ella. Since <em>Broken Dolls</em> has a sequel coming out sometime in 2016, I'm really curious how Ella will cope with her doll life as everyone around her knows who she really is and continues on with their lives.
<a href="https://bookwyrmingthoughts.com/arc-review-broken-dolls-by-tyrolin-puxty/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Aug 6, 2019
Full disclosure here: I am a huge fan of the original series of Planet of the Apes movies. I have them on VHS and Laser Disc, having watched them at least a dozen times each. That being said, I didn’t really enjoy 2011’s Rise of the Planet of Apes with James Franco. Not that it was a bad movie, per say, but it didn’t really keep me captivated, so much so that I can barely remember all of the main plot points. At the time I thought that I might be jaded being such a huge fan of the originals. And then I saw Dawn of the Planet of the Apes (we’ll just refer to it as “Dawn” from here on out). I didn’t have very high expectations for Dawn.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Gareth von Kallenbach (980 KP) rated The Wolverine (2013) in Movies
Aug 6, 2019
In 2009, we were treated to the origin story for one of Marvel’s most beloved characters: The Wolverine. Enthusiasm for the story turned to discord and malcontent for most, but if you had the ability to look past the inadequacies found in most Marvel silver-screen adaptations (as I did), then at least you would have enjoyed seeing the comic come to life.
Here in 2013, Hugh Jackman reprises his role for the 6th time, making his way to Japan to bring about one of the community’s favorite portions of the mythos: the way of the samurai, Muriko, and the Silver Samurai.
The story opens with the bombing of Nagasaki, and Logan’s survival of the atrocity. He saves a Japanese soldier from suicide, and then from the Atomic Bomb.
Fast forward to the present and we have a broken mountain man that was once Logan (Jackman). He lives in the hills, away from people, because he no longer wants to be a soldier. His immortality has become a curse.
After a rousing row with some local hunters, a representative for Yashida (the aforementioned Japanese soldier) talks Logan into going back to Japan to pay his respects to a dying man.
The story spins away from there on a turbulent ride that is equal parts drama and action.
Let’s get to my thoughts.
—————The good ———————-
The cinematography, script, acting, and editing was top-notch. The sets, costumes, effects, stunts and fight scenes were all pleasurably executed. This was a very well-made movie.
—————-The bad ————————
The plot holes were too numerous to be anything but amazingly distracting. Without giving too much away, here are just a few:
During a ceremony, in broad day light, on a huge roof, one of the main secondary characters is lurking. With as many people and security, this was HIGHLY implausible. Laughable, at best.
Ninjas are not a real thing, and they never were. They were a fable; a story told without any factual, historical basis, and their presence cheapened the film.
When the A-bomb was dropped, those who survived the actual explosion still died to the radiation within a certain range. There is no way Yashida would have survived Nagasaki the way the event was portrayed in the film.
At some point, Wolverine loses his ability to heal. It’s never clear if his regenerative powers are fully gone or just suppressed, but he can’t heal well enough to stop bleeding. With this in mind, his survival of so many shots to the body is extremely questionable.
On that same note: if he can’t heal, how did the holes made by the blades extruding from his hands heal up? After every scene in which the blades come out, his hands remain free of blood or marks.
Wolverine was clearly killing people with his claws, which I liked, but there should have been far more limb and torso severing, given how sharp his adamantium blades are and how overwhelmingly strong he is supposed to be.
The Wolverine character has an unmatched sense of smell, but it was never used in the movie, not even once. The opportunity presented itself multiple times.
These are just a few examples, and there were many more jarring discrepancies. There were so many that it detracted from the movie in an unforgivable way. Even this was totally separate from the comic-to-silver-screen transition, for which those remarks are better left to someone more learned in the comic realm.
The part I enjoyed the most came during the last 30 seconds of the film, as part of the credits. It sets up a future film. Enjoy.
All in all, The Wolverine was great. That said, if you have a critical eye, like myself, you will find many faults.
Here in 2013, Hugh Jackman reprises his role for the 6th time, making his way to Japan to bring about one of the community’s favorite portions of the mythos: the way of the samurai, Muriko, and the Silver Samurai.
The story opens with the bombing of Nagasaki, and Logan’s survival of the atrocity. He saves a Japanese soldier from suicide, and then from the Atomic Bomb.
Fast forward to the present and we have a broken mountain man that was once Logan (Jackman). He lives in the hills, away from people, because he no longer wants to be a soldier. His immortality has become a curse.
After a rousing row with some local hunters, a representative for Yashida (the aforementioned Japanese soldier) talks Logan into going back to Japan to pay his respects to a dying man.
The story spins away from there on a turbulent ride that is equal parts drama and action.
Let’s get to my thoughts.
—————The good ———————-
The cinematography, script, acting, and editing was top-notch. The sets, costumes, effects, stunts and fight scenes were all pleasurably executed. This was a very well-made movie.
—————-The bad ————————
The plot holes were too numerous to be anything but amazingly distracting. Without giving too much away, here are just a few:
During a ceremony, in broad day light, on a huge roof, one of the main secondary characters is lurking. With as many people and security, this was HIGHLY implausible. Laughable, at best.
Ninjas are not a real thing, and they never were. They were a fable; a story told without any factual, historical basis, and their presence cheapened the film.
When the A-bomb was dropped, those who survived the actual explosion still died to the radiation within a certain range. There is no way Yashida would have survived Nagasaki the way the event was portrayed in the film.
At some point, Wolverine loses his ability to heal. It’s never clear if his regenerative powers are fully gone or just suppressed, but he can’t heal well enough to stop bleeding. With this in mind, his survival of so many shots to the body is extremely questionable.
On that same note: if he can’t heal, how did the holes made by the blades extruding from his hands heal up? After every scene in which the blades come out, his hands remain free of blood or marks.
Wolverine was clearly killing people with his claws, which I liked, but there should have been far more limb and torso severing, given how sharp his adamantium blades are and how overwhelmingly strong he is supposed to be.
The Wolverine character has an unmatched sense of smell, but it was never used in the movie, not even once. The opportunity presented itself multiple times.
These are just a few examples, and there were many more jarring discrepancies. There were so many that it detracted from the movie in an unforgivable way. Even this was totally separate from the comic-to-silver-screen transition, for which those remarks are better left to someone more learned in the comic realm.
The part I enjoyed the most came during the last 30 seconds of the film, as part of the credits. It sets up a future film. Enjoy.
All in all, The Wolverine was great. That said, if you have a critical eye, like myself, you will find many faults.
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Bob Mann (459 KP) rated Booksmart (2019) in Movies
Sep 28, 2021
A raunchy but extremely funny teen-sex comedy.
A panda’s eye view of teenage life.
I tend to struggle to find a really good comedy to add to my top 10 of the year. Last year it was “Game Night” that made my list. One that is definitely heading there this year is “Booksmart”.
A retread on a well-travelled tyre.
The coming of age school comedy has been rehashed multiple times. These include films as varied as “Napoleon Dynamite”, “Superbad”, “Easy A”, “Mean Girls”, “Never Been Kissed” and “10 Things I Hate About You”. In tone, “Booksmart” is probably closest to “Superbad”, but it manages – under the direction of actress Olivia Wilde, in her debut feature – to establish a quirky likeability all of its own. An instant classic in the making.
Not for the prudish.
The story concerns two BFF’s – Molly (Beanie Feldstein, sister of Jonah Hill) and Amy (Kaitlyn Dever). They have both spent their young lives trying to score A’s at school in lieu of all other distractions. On the eve of their graduation, Molly realises that this was not a binary option. Her school companions have managed to get all of the success without any of the self-sacrifice! She calls “Malala”! And the duo proceed on a drink and drug-fuelled night to catch up on all the school social life they have missed out on!
Part of this catching up includes sex, and with Amy as a naive wannabe lesbian, in awe of tom-boy skateboarder Ryan (Victoria Ruesga), coming out has never seemed so painful.
I first saw this on a plane and guffawed so much that I went out to buy the DVD for a family viewing. Watching it again though, it is really very, very rude. If you were to categorize it, I think “sex comedy” would be a primary tag. A clumsy but realistic scene between Amy and the “hot girl” Hope (Diana Silvers… who really is) is excruciatingly hard to watch. This can therefore prove an uncomfortable co-watch for ‘young folks’ who – despite all the obvious evidence! – assume their parents / in-laws have done nothing in the past other than hold hands!! 🙂
In a great ensemble cast, Kaitlyn Dever is a revelation.
Kaitlyn Dever has cut her teeth with supporting roles on a few B-grade movies this year including “Beautiful Boy” and “The Front Runner“. But here she takes centre stage and is an absolute revelation as the sexually bemused teen. While Beanie Feldstein has the more obvious comic lead role, it is Dever who continually grabbed my attention with her acting skills. This young lady is added to my “one to watch” list.
This is not to decry the rest of the cast. For this is a great ensemble performance from a pretty unknown cast. The only familiar faces are Lisa Kudrow and Jason Sudeikis, but they only have bit parts.
The only role that didn’t quite work for me was that of the kooky drugged out hippie Gigi (Billie Lourd). It was all a bit too over-the-top for me in a movie that didn’t really need that sort of manic angle. (However, this did set up a Marwen-style drug scene that made me snort… with laughter).
As a comedy, will this by the whole you think it is?
I think this will prove to be a firm young person’s favourite for many years to come. Whether you will find it funny or not will probably depend on the setting of your ‘crudometer’ and your resilience to bad language on screen.
For me, personally, I am clearly still 17 on the inside! I loved it. Not only do I think it a good comedy. It is also a feel-good movie about best friends; a coming of age lesbian adventure; and a film that treats the multi-coloured spectrum of modern sexual variety as something entirely normal and to be celebrated.
I tend to struggle to find a really good comedy to add to my top 10 of the year. Last year it was “Game Night” that made my list. One that is definitely heading there this year is “Booksmart”.
A retread on a well-travelled tyre.
The coming of age school comedy has been rehashed multiple times. These include films as varied as “Napoleon Dynamite”, “Superbad”, “Easy A”, “Mean Girls”, “Never Been Kissed” and “10 Things I Hate About You”. In tone, “Booksmart” is probably closest to “Superbad”, but it manages – under the direction of actress Olivia Wilde, in her debut feature – to establish a quirky likeability all of its own. An instant classic in the making.
Not for the prudish.
The story concerns two BFF’s – Molly (Beanie Feldstein, sister of Jonah Hill) and Amy (Kaitlyn Dever). They have both spent their young lives trying to score A’s at school in lieu of all other distractions. On the eve of their graduation, Molly realises that this was not a binary option. Her school companions have managed to get all of the success without any of the self-sacrifice! She calls “Malala”! And the duo proceed on a drink and drug-fuelled night to catch up on all the school social life they have missed out on!
Part of this catching up includes sex, and with Amy as a naive wannabe lesbian, in awe of tom-boy skateboarder Ryan (Victoria Ruesga), coming out has never seemed so painful.
I first saw this on a plane and guffawed so much that I went out to buy the DVD for a family viewing. Watching it again though, it is really very, very rude. If you were to categorize it, I think “sex comedy” would be a primary tag. A clumsy but realistic scene between Amy and the “hot girl” Hope (Diana Silvers… who really is) is excruciatingly hard to watch. This can therefore prove an uncomfortable co-watch for ‘young folks’ who – despite all the obvious evidence! – assume their parents / in-laws have done nothing in the past other than hold hands!! 🙂
In a great ensemble cast, Kaitlyn Dever is a revelation.
Kaitlyn Dever has cut her teeth with supporting roles on a few B-grade movies this year including “Beautiful Boy” and “The Front Runner“. But here she takes centre stage and is an absolute revelation as the sexually bemused teen. While Beanie Feldstein has the more obvious comic lead role, it is Dever who continually grabbed my attention with her acting skills. This young lady is added to my “one to watch” list.
This is not to decry the rest of the cast. For this is a great ensemble performance from a pretty unknown cast. The only familiar faces are Lisa Kudrow and Jason Sudeikis, but they only have bit parts.
The only role that didn’t quite work for me was that of the kooky drugged out hippie Gigi (Billie Lourd). It was all a bit too over-the-top for me in a movie that didn’t really need that sort of manic angle. (However, this did set up a Marwen-style drug scene that made me snort… with laughter).
As a comedy, will this by the whole you think it is?
I think this will prove to be a firm young person’s favourite for many years to come. Whether you will find it funny or not will probably depend on the setting of your ‘crudometer’ and your resilience to bad language on screen.
For me, personally, I am clearly still 17 on the inside! I loved it. Not only do I think it a good comedy. It is also a feel-good movie about best friends; a coming of age lesbian adventure; and a film that treats the multi-coloured spectrum of modern sexual variety as something entirely normal and to be celebrated.