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Kirk Bage (1775 KP) rated Detective Story (1951) in Movies

Mar 3, 2020

Detective Story (1951)

1951 | Classics, Drama, Mystery

8.0

(1 Ratings)

Movie Rating

Adapted from a stage play that he loved, Detective story typifies the kind of roles of a man under pressure that Douglas came to be indelibly identified with. This time it was his co-star Eleanor Parker who got the Academy Award nomination, but it was their chemistry that really drew the eye. The troubles of life, and the task of being a good man in the face of a bad world were the themes Douglas tackled here. The setting of crime fighting over one day in the 21st precinct is secondary to the personal fight of the “hard-nosed” Jim McLeod, who does his best but can never get ahead. There are shadows of such films as Miller’s Crossing, LA Confidential and even Blade Runner in here. Notable for some gorgeous film-noir photography, and the obligatory Douglas breakdown speech.

Kudos

Kirk Bage (1775 KP) rated Lust for Life (1956) in Movies

Mar 3, 2020

Lust for Life (1956)

1956 | Classics, Drama

7.5

(2 Ratings)

Movie Rating

In yet another attempt to widen his range, Douglas was a surprising yet perfect choice to play tortured artist Vincent Van Gogh, in his 3rd and final Oscar nominated role. He was custom made to portray the wild passion and intensity of the artist, but it was his quiet moments of calm genius that really impressed. This time he lost the award to Yul Brynner for The King and I, as big, colourful productions began to dominate; also watching on as co-star Anthony Quinn picked up best supporting actor. There are rumours Douglas was less than happy to lose out, and he made a personal vow to soon enter the arena in a big epic that would sweep the board… Although many believe his artistic star had peaked here with the more subtle Lust For Life.

Kudos

Awix (3310 KP) rated Interlude (1968) in Movies

Apr 22, 2020 (Updated Apr 22, 2020)

Interlude (1968)

1968 | Drama, Romance

6.0

(1 Ratings)

Movie Rating

Low-octane drama set in (barely) swinging London. A young reporter becomes the mistress of a temperamental conductor (orchestra, not bus) - she knows it's a bad idea, he knows it's a bad idea, but hey, hormones, I guess. Sure enough, everyone ends up unhappy.

Good-looking but vacuous, a sort of Hampstead novel of a movie, with the personal issues of affluent Londoners raised to a level of towering significance. The whole thing is in such lethal good taste it sucks any potential life out of the story (on the other hand you can have fun playing guess-the-body-part during the slightly baffling sex scenes). Passes the time but very predictable; very early appearances by John Cleese and Derek Jacobi pique the interest. The music and theme song are considerably better than the rest of the film deserves.