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Ross (3282 KP) rated The Unspoken Name in Books
Mar 2, 2020
Interesting story in an unusual world
The Unspoken Name is a fantasy story in one of the most unusual settings I have come across. The world is divided into a number of different "worlds", each reached through portals. Travel between worlds requires some form of floating ship to travel through the Maze, a sort of empty dimension between worlds. And within those worlds, we have two main races (I think!), the more insular, religious sect of orcs (far more civilised than your standard orc) and the "more human" race (I picture them as human but there was something about their ears that kept being mentioned that I ended up picturing them like Thundercats!).
Csorwe, an "orc", was chosen at birth to be sacrificed to the Unspoken One on her 14th birthday, something she has come to terms with, and other than the occasional time when she is possessed by the God in order to give people visions of the future, this is her lot in life. Until that fateful day comes when she is persuaded to leave what was to become her tomb and instead to become an assistant to the powerful magician Sethannai. Meanwhile, Shuthmili is a young trainee magician looking for historical relics while waiting to be summoned to take her place in one of a number of "hive minds" and serve her country. The characters cross paths searching for the Reliquary of an infamous magician.
So much of this world was left to the reader to work out for themselves. While I am keen to visualise things for myself, here there was a little too much left to imagination. The world felt confusing at time, undefined at others, and it did impact my sense of immersion and enjoyment of the book.
The story starts strongly, with some excellent passages, followed by massive jumps in time on journeys and through the world. This was a relief for me, having been burned by a number of books that described every single step, meal and encounter ad nauseam. It really felt like the author had a desire to tell an epic story but without the need for detailed narrative, a welcome mindset.
However, this trailed off after the first third, and the pace grinded to a crawl, with every interaction taking long rambling chapters to happen.
The characters in the story are all well defined and the reader finds themselves liking/loathing them as required.
The story for me was a little all over the place. We had one overarching story but a number of mini stories in order to achieve that and I really did find myself struggling to remember who was where, doing what and why. While I did enjoy the read, the pacing issues and unclear missions hit me hard.
Csorwe, an "orc", was chosen at birth to be sacrificed to the Unspoken One on her 14th birthday, something she has come to terms with, and other than the occasional time when she is possessed by the God in order to give people visions of the future, this is her lot in life. Until that fateful day comes when she is persuaded to leave what was to become her tomb and instead to become an assistant to the powerful magician Sethannai. Meanwhile, Shuthmili is a young trainee magician looking for historical relics while waiting to be summoned to take her place in one of a number of "hive minds" and serve her country. The characters cross paths searching for the Reliquary of an infamous magician.
So much of this world was left to the reader to work out for themselves. While I am keen to visualise things for myself, here there was a little too much left to imagination. The world felt confusing at time, undefined at others, and it did impact my sense of immersion and enjoyment of the book.
The story starts strongly, with some excellent passages, followed by massive jumps in time on journeys and through the world. This was a relief for me, having been burned by a number of books that described every single step, meal and encounter ad nauseam. It really felt like the author had a desire to tell an epic story but without the need for detailed narrative, a welcome mindset.
However, this trailed off after the first third, and the pace grinded to a crawl, with every interaction taking long rambling chapters to happen.
The characters in the story are all well defined and the reader finds themselves liking/loathing them as required.
The story for me was a little all over the place. We had one overarching story but a number of mini stories in order to achieve that and I really did find myself struggling to remember who was where, doing what and why. While I did enjoy the read, the pacing issues and unclear missions hit me hard.
Leanne Crabtree (480 KP) rated Scorched (Sapphire City, #1) in Books
Jan 6, 2021
I received this ARC via Netgalley in exchange for an honest review.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
In a world where everything can be bought and sold, even pregnancy has a value in The Farm by Joanne Ramos. Make no mistake: this isn’t dystopian fiction. In fact it’s probably closer to what is actually happening than we could imagine.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Kristy H (1252 KP) rated A Spark Of Light in Books
Mar 12, 2019
Serious subject but great characters & story
It starts off as a typical day at the Center, a women's reproductive health care clinic in Mississippi. For Hugh McElroy, it's his 40th birthday, and a day that he hopes will pass by quietly and quickly. But everything changes in a moment when an armed shooter enters the Center--shooting employees and patients on sight. Hugh, a negotiator for the police, is immediately called to the scene. Once there, he comes to the horrifying realization that his sister, Bex, and his only daughter, fifteen-year-old, Wren, are inside. Hugh tries to keep this information to himself, determined to save the people he loves the most. Meanwhile, many inside the clinic are struggling to stay alive, while the shooter is trying to come to terms with the reasons that brought him to the clinic in the first place.
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Kristy H (1252 KP) rated The Almost Sisters in Books
Jan 23, 2018
Great story with a strong cast of characters
Leia Birch Briggs is a self-professed nerd: a graphic novelist with a penchant for comic books, Wonder Woman, and online gaming. So it's not exactly surprising that, with the help of tequila, she'd fall for a handsome man in a Batman costume at a comics convention in Atlanta. What comes next is a bit more of a surprise: Leia is pregnant from that one-night stand, and it's up to her to tell her over-protective family and very Southern grandmother. To top it off, said Batman was African American: not exactly the easiest thing to tell your Baptist family with Southern roots. But before Leia can even tell her family, she gets some disturbing news from Alabama about her paternal grandmother, Birchie. As Leia rushes to Alabama to help Birchie, she also learns that her stepsister, Rachel, is struggling. So Leia and her teenage niece, Lavender, head to Alabama to assist Birchie and break Leia's big news. But it turns out Birchie has some pretty big news of her own. News that will change everything Leia has ever known about her family.
This is one of those ARCs that I don't remember requesting, but I'm really glad I did. It was a pleasant surprise - just a fun, warm novel, even with its serious (and extremely timely) subject matter. I warmed to nerdy Leia immediately (and not just because I have a cat named after said Princess): she's real and flawed and quite relatable. All of the women in Leia's life are well-written and their own people: sweet Lavender, trying to figure out her way in the world as her parents' marriage implodes; Rachel, Lavender's mom, a perfectionist struggling with a lot of imperfection; Wattie, Birchie's best friend, an African American woman living with her in Alabama; and then the amazing Birchie herself, written so impeccably that I could just see her stubborn, regal face pour vibrantly from every page. I fell hard for each of these women and their struggles became mine.
Sure, a lot of this book is a little predictable, but the racial tensions and struggles that Jackson writes about are not: they are real and true. Jackson captures the racial divisions so well - the sweet, kind sweet tea side of the South versus the dark, racist, segregated aspects. I could just picture Birchville and its townsfolk. The novel is excellent in that so much of the story is humorous, yet the serious side is very well-done, too.
Leia is a graphic novelist and portions of the book describe a graphic novel she'd written -- I'm not a huge graphic novel fan, so I wasn't completely into those pieces, but I was able to slide past them. The parallels in Leia's novel to the South didn't elude me, so I appreciated why that was included, even if I didn't always want to read a summary of a supposedly graphic novel. Some of the symbolism and metaphors may be a little too forced/spelled out for us at times, but I still enjoyed the novel very much. Pieces of it made me laugh out loud - Leia's sense of humor and her predicaments, Birchie's tough sensibility. Birchie and Wattie's dynamic was wonderful, and I really cared for those two.
In the end, I really enjoyed this one. There's a great story here as well a plot that doesn't gloss over racial discord. I appreciated both. The cast of characters is great -- real, funny, humorous, and heartbreaking. Certainly recommend.
I received a copy of this novel from the publisher and Librarything (thank you!) in return for an unbiased review.
This is one of those ARCs that I don't remember requesting, but I'm really glad I did. It was a pleasant surprise - just a fun, warm novel, even with its serious (and extremely timely) subject matter. I warmed to nerdy Leia immediately (and not just because I have a cat named after said Princess): she's real and flawed and quite relatable. All of the women in Leia's life are well-written and their own people: sweet Lavender, trying to figure out her way in the world as her parents' marriage implodes; Rachel, Lavender's mom, a perfectionist struggling with a lot of imperfection; Wattie, Birchie's best friend, an African American woman living with her in Alabama; and then the amazing Birchie herself, written so impeccably that I could just see her stubborn, regal face pour vibrantly from every page. I fell hard for each of these women and their struggles became mine.
Sure, a lot of this book is a little predictable, but the racial tensions and struggles that Jackson writes about are not: they are real and true. Jackson captures the racial divisions so well - the sweet, kind sweet tea side of the South versus the dark, racist, segregated aspects. I could just picture Birchville and its townsfolk. The novel is excellent in that so much of the story is humorous, yet the serious side is very well-done, too.
Leia is a graphic novelist and portions of the book describe a graphic novel she'd written -- I'm not a huge graphic novel fan, so I wasn't completely into those pieces, but I was able to slide past them. The parallels in Leia's novel to the South didn't elude me, so I appreciated why that was included, even if I didn't always want to read a summary of a supposedly graphic novel. Some of the symbolism and metaphors may be a little too forced/spelled out for us at times, but I still enjoyed the novel very much. Pieces of it made me laugh out loud - Leia's sense of humor and her predicaments, Birchie's tough sensibility. Birchie and Wattie's dynamic was wonderful, and I really cared for those two.
In the end, I really enjoyed this one. There's a great story here as well a plot that doesn't gloss over racial discord. I appreciated both. The cast of characters is great -- real, funny, humorous, and heartbreaking. Certainly recommend.
I received a copy of this novel from the publisher and Librarything (thank you!) in return for an unbiased review.
Hadley (567 KP) rated Ghost Story in Books
May 14, 2019
Great story line (1 more)
Great characters
Don Wanderley is a writer who happens to meet a supernatural being, and this meeting causes his life to be turned upside down in the novel 'Ghost Story.' Wanderley's brother and uncle both die of strange circumstances, leading him to seek how their deaths came to be. What Wanderley finds is that they were both infatuated with two women: Alma Mobley and Ann- Veronica Moore; Mobley just so happens to be Don's ex-fiance'.
Even if it seems so, Wanderley is not the main character of this book, instead, we meet four older gentlemen who have been friends the majority of their lives: John, Lewis, Ricky and Sears. The four have created what they like to call 'the Chowder Society,' where they meet up in suit and tie at one of their houses to tell ghost stories. Sears tells one ghost story that will haunt them the rest of the book about his time as a teacher in a rural town known as Elmira: "Well, one of the most dreadful things in my life happened to me there, or it didn't happen and I imagined it all, but anyhow it scared the pants off me and eventually made it impossible for me to stay on. This is the worst story I know, and I've kept it locked up in my mind for fifty years."
After that story, strange things begin to happen in Milburn; a farmer named Elmer Scales, reports that his sheep have been slaughtered by having their throats slit and completely drained of blood, but there are no footprints nor blood stains where the sheep were killed: " 'Their throats were cut,' Elmer said to his wife. 'What did I tell you? Some crazyman's been out here. And -' his voice rose ' - a crazyman who can fly, because he didn't leave no prints.' "
When the reader finds out that the four life long friends have a dark secret that has seem to come back to haunt them, we witness them being killed off by a supernatural force, one by one. This story brings not only a great cast of characters and amazing story telling, but also twist and turns that are not seen from a mile away, like most paranormal thrillers have today.
The supernatural force readers are introduced to is a shape shifter, who takes on forms from a werewolf to a vampire " When he took off the dark glasses his eyes shone a uniform golden yellow. " But the book is not lacking on ghosts, either : "Then she saw a figure moving around out there and Nettie, who understood more than even her sister credited, fearfully watched it approach the house and barn. She uttered a few choked sounds, but knew that Rea would never hear them. The figure came nearer, hauntingly familiar. Nettie was afraid it was the boy from town Rea talked about - that wild boy in a rage that Rea had named him to police. She trembled, watching the figure come nearer across the field, imagining what life would be like if the boy did anything to Rea; and then squawked in terror and nearly tipped over the wheelchair. The man walking toward the barn was her brother Stringer, wearing the brown shirt he'd had on the day he died: it was covered with blood, just as it had been when they'd put him on the table and wrapped him in blankets, but his arms were whole."
The entire story takes place in the town of Milburn, with a few scenes outside of it, but because of this, there are so many secondary characters introduced that the reader may find themselves back tracking through the book just to remember who all of them are. On top of that, a lot of the characters are so much alike, that description can't even help tell who is who. Even our four main characters have similar descriptions, other than girth, that it takes a couple of chapters for readers to put a face to a name. Only some secondary characters become important enough to remember near the end of the book, this including a teenager named Peter.
'Ghost Story' is among the few paranormal books that can stand on it's own. There are scenes of hallucination that out-do those of the top paranormal writers of today. One of the most memorable scenes is with the character Lewis: "Lewis moved back and forth on the floorboards, willing his friends to return with the farmer's car. He did not want to look at the covered shape on the bed; he went to the window. Through the greasepaper he could see only vague orange light.. He glanced back at the sheet. 'Linda, ' he said miserably. " - the scene quickly changes - "He stood in a metal room, with gray metal walls. One light bulb hung from the ceiling. His wife lay under a sheet on a metal table. Lewis leaned over her body and sobbed. 'I won't bury you in the pond,' he said. 'I'll take you into the rose garden.' He touched his wife's lifeless fingers under the sheet and felt them twitch. He recoiled. "
When the ghost story is finally revealed from the main characters' past, pieces of the puzzle begin to fit together. To not give away too much, here is a portion of that story: " 'She said she was lonely,' Ricky said. 'Said she was sick of this damned town and all the hypocrites in it. She wanted to drink and she wanted to dance, and she didn't care who was shocked. Said this dead little town and all its dead little people could go to hell as far as she was concerned. And if we were men and not little boys, we'd damn the town too.' "
While our main characters are being killed off one by one, the town of Milburn is going through an odd blizzard that seems to put everyone on edge: " People settled down in front of the television and ate pizzas from the freezer and prayed that the power lines would stay up; they avoided one another. If you looked outside and saw your next-door neighbor fighting up his lawn to get to his front door, he looked unearthly, transformed by stress into a wild ragged frontier version of himself: you knew he'd damage anyone who threatened to touch his dwindling store of food. He'd been touched by that savage music you had tried to escape, and if he looked through your Thermopane picture window and saw you his eyes were barely human."
Although 'Ghost Story' was published in 1979, it still has a big impact on the way the paranormal genre is written today. Straub not only makes a convincing story line, but he also makes characters that the reader can actually care about. Even when we find out what has been going on in the small town of Milburn, the reader can still feel a very real threat from the supernatural force within it. 'Ghost Story' is by far the best paranormal thriller I have ever read. I highly recommend this book to anyone who believes that the past can come back to haunt you.
For more reviews by me, please check out my blog at goreandtea.com
Even if it seems so, Wanderley is not the main character of this book, instead, we meet four older gentlemen who have been friends the majority of their lives: John, Lewis, Ricky and Sears. The four have created what they like to call 'the Chowder Society,' where they meet up in suit and tie at one of their houses to tell ghost stories. Sears tells one ghost story that will haunt them the rest of the book about his time as a teacher in a rural town known as Elmira: "Well, one of the most dreadful things in my life happened to me there, or it didn't happen and I imagined it all, but anyhow it scared the pants off me and eventually made it impossible for me to stay on. This is the worst story I know, and I've kept it locked up in my mind for fifty years."
After that story, strange things begin to happen in Milburn; a farmer named Elmer Scales, reports that his sheep have been slaughtered by having their throats slit and completely drained of blood, but there are no footprints nor blood stains where the sheep were killed: " 'Their throats were cut,' Elmer said to his wife. 'What did I tell you? Some crazyman's been out here. And -' his voice rose ' - a crazyman who can fly, because he didn't leave no prints.' "
When the reader finds out that the four life long friends have a dark secret that has seem to come back to haunt them, we witness them being killed off by a supernatural force, one by one. This story brings not only a great cast of characters and amazing story telling, but also twist and turns that are not seen from a mile away, like most paranormal thrillers have today.
The supernatural force readers are introduced to is a shape shifter, who takes on forms from a werewolf to a vampire " When he took off the dark glasses his eyes shone a uniform golden yellow. " But the book is not lacking on ghosts, either : "Then she saw a figure moving around out there and Nettie, who understood more than even her sister credited, fearfully watched it approach the house and barn. She uttered a few choked sounds, but knew that Rea would never hear them. The figure came nearer, hauntingly familiar. Nettie was afraid it was the boy from town Rea talked about - that wild boy in a rage that Rea had named him to police. She trembled, watching the figure come nearer across the field, imagining what life would be like if the boy did anything to Rea; and then squawked in terror and nearly tipped over the wheelchair. The man walking toward the barn was her brother Stringer, wearing the brown shirt he'd had on the day he died: it was covered with blood, just as it had been when they'd put him on the table and wrapped him in blankets, but his arms were whole."
The entire story takes place in the town of Milburn, with a few scenes outside of it, but because of this, there are so many secondary characters introduced that the reader may find themselves back tracking through the book just to remember who all of them are. On top of that, a lot of the characters are so much alike, that description can't even help tell who is who. Even our four main characters have similar descriptions, other than girth, that it takes a couple of chapters for readers to put a face to a name. Only some secondary characters become important enough to remember near the end of the book, this including a teenager named Peter.
'Ghost Story' is among the few paranormal books that can stand on it's own. There are scenes of hallucination that out-do those of the top paranormal writers of today. One of the most memorable scenes is with the character Lewis: "Lewis moved back and forth on the floorboards, willing his friends to return with the farmer's car. He did not want to look at the covered shape on the bed; he went to the window. Through the greasepaper he could see only vague orange light.. He glanced back at the sheet. 'Linda, ' he said miserably. " - the scene quickly changes - "He stood in a metal room, with gray metal walls. One light bulb hung from the ceiling. His wife lay under a sheet on a metal table. Lewis leaned over her body and sobbed. 'I won't bury you in the pond,' he said. 'I'll take you into the rose garden.' He touched his wife's lifeless fingers under the sheet and felt them twitch. He recoiled. "
When the ghost story is finally revealed from the main characters' past, pieces of the puzzle begin to fit together. To not give away too much, here is a portion of that story: " 'She said she was lonely,' Ricky said. 'Said she was sick of this damned town and all the hypocrites in it. She wanted to drink and she wanted to dance, and she didn't care who was shocked. Said this dead little town and all its dead little people could go to hell as far as she was concerned. And if we were men and not little boys, we'd damn the town too.' "
While our main characters are being killed off one by one, the town of Milburn is going through an odd blizzard that seems to put everyone on edge: " People settled down in front of the television and ate pizzas from the freezer and prayed that the power lines would stay up; they avoided one another. If you looked outside and saw your next-door neighbor fighting up his lawn to get to his front door, he looked unearthly, transformed by stress into a wild ragged frontier version of himself: you knew he'd damage anyone who threatened to touch his dwindling store of food. He'd been touched by that savage music you had tried to escape, and if he looked through your Thermopane picture window and saw you his eyes were barely human."
Although 'Ghost Story' was published in 1979, it still has a big impact on the way the paranormal genre is written today. Straub not only makes a convincing story line, but he also makes characters that the reader can actually care about. Even when we find out what has been going on in the small town of Milburn, the reader can still feel a very real threat from the supernatural force within it. 'Ghost Story' is by far the best paranormal thriller I have ever read. I highly recommend this book to anyone who believes that the past can come back to haunt you.
For more reviews by me, please check out my blog at goreandtea.com
Nick Rhodes recommended Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols in Music (curated)
BankofMarquis (1832 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 12, 2021
See Shang-Chi on the Big Screen
The new Marvel Super Hero film, SHANG-CHI and the LEGEND OF THE TEN RINGS is the kind of film that deserves to be seen on the big screen and Writer/Director Destin Daniel Cretton (JUST MERCY) has crafted a film that earns that statement.
Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.
Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.
At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.
Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.
The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.
This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.
But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.
Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.
This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.
To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.
Try to see SHANG-CHI on the Big Screen, the visuals are worth it.
Letter Grade A- (the finale needed to be better)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.
Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.
At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.
Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.
The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.
This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.
But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.
Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.
This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.
To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.
Try to see SHANG-CHI on the Big Screen, the visuals are worth it.
Letter Grade A- (the finale needed to be better)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ryan Hill (152 KP) rated Captain America: The First Avenger (2011) in Movies
May 9, 2019
"i'm just a kid from brooklyn"
"I'm just a kid from Brooklyn"
A rip-roaring homage to old fashioned serials and comic books. Joe Johnston somehow pulls off the tone and look, firmly planting me into the 1940's time period. As fantastical as it is I still feel the real world within the picture.
Protagonist Steve Rogers makes for an easily likable guy who at the start is a smaller guy, who stands up to bullies even if it means getting his ass beat. His dream is to serve his country and although not meeting physical requirements for the army, he proves the heart and courage to become the specimen of a super soldier syrum. With this experiment, Steve's size, strength and conditioning is greatly enhanced and becomes the face of WW2 propaganda. His desire to fight however gets him involved with the battle against a division of the Nazi's known as Hydra, headed by Johann Schmidt, the "Red Skull".
Red Skull is one of the best villians of the Marvel cinematic universe. I couldn't imagine him played by anyone other than Hugo Weaving who brings such gravitas and personality to the role. Red Skull is an experiment of the soldier syrum himself which gives him a certain connection to Rogers, but chooses to use his power for the service of himself and his evil desires. The film includes the element of Nazi fascination with science and experimentation, taking it a step further. Red Skull discovers other worldly magic, the Tesseract of Asgard, which he utilizes for the use of weaponry. Thus, blending historical events with an exciting dose of imagination. A Nazi more powerful than Hitler? That's pretty scary.
The action comes swift and mighty, combining the fleshy violence of war with creative comic book thrills. It's some of the most entertaining action I've ever seen. I love that the presence of Hitler can be felt even though he is not on screen. It seamlessly connects the future with the past, makes the looming threat of the entire world felt, and contains elements of other Marvel films past and present that only adds to the movie and never detracts. Tony Stark's father has a direct influence on Captain America which adds a layer to the proceeding films. Thor and Loki's place in future events are tied in perfectly. Steve's friendship with Bucky and presumed death is one of the emotional cores to the film that also plays into the sequels. Unbelievable.
Can I just mention the charming romance between Peggy and Steve Rogers? It's so natural and plays out over the duration of the film without anything ridiculous. When Peggy tears up as Steve is speeding toward the unkown in a downed plane, I lose it. I lose it every time. They never got that last dance and my heart is broken.
When Red Skull calls Steve a "simpleton with a shield" I'm like YES!! that's why I love him. I could be Steve Rogers. I could be Captain America. Well, not really, but he's one of the most relatable on screen super heroes. I'd even say he's the one I can see myself in the most. Consider me #TeamCap.
I must make mention of the wonderful musical score and songs written for the film. Very important piece to the puzzle. I listen to "Star Spangled Man" just about every time I take a walk. The costumes and production design deserve all the love in the world as well. Tommy Lee Jones is great and makes me laugh as usual. All performances are great. Points for finding a use for Captain America's vintage comic book costume and re-enacting the punch to Hitler's face from Captain America issue #1.
Who taught Cap how to fight like that though? Guess that's one of the perks of the syrum too.
A rip-roaring homage to old fashioned serials and comic books. Joe Johnston somehow pulls off the tone and look, firmly planting me into the 1940's time period. As fantastical as it is I still feel the real world within the picture.
Protagonist Steve Rogers makes for an easily likable guy who at the start is a smaller guy, who stands up to bullies even if it means getting his ass beat. His dream is to serve his country and although not meeting physical requirements for the army, he proves the heart and courage to become the specimen of a super soldier syrum. With this experiment, Steve's size, strength and conditioning is greatly enhanced and becomes the face of WW2 propaganda. His desire to fight however gets him involved with the battle against a division of the Nazi's known as Hydra, headed by Johann Schmidt, the "Red Skull".
Red Skull is one of the best villians of the Marvel cinematic universe. I couldn't imagine him played by anyone other than Hugo Weaving who brings such gravitas and personality to the role. Red Skull is an experiment of the soldier syrum himself which gives him a certain connection to Rogers, but chooses to use his power for the service of himself and his evil desires. The film includes the element of Nazi fascination with science and experimentation, taking it a step further. Red Skull discovers other worldly magic, the Tesseract of Asgard, which he utilizes for the use of weaponry. Thus, blending historical events with an exciting dose of imagination. A Nazi more powerful than Hitler? That's pretty scary.
The action comes swift and mighty, combining the fleshy violence of war with creative comic book thrills. It's some of the most entertaining action I've ever seen. I love that the presence of Hitler can be felt even though he is not on screen. It seamlessly connects the future with the past, makes the looming threat of the entire world felt, and contains elements of other Marvel films past and present that only adds to the movie and never detracts. Tony Stark's father has a direct influence on Captain America which adds a layer to the proceeding films. Thor and Loki's place in future events are tied in perfectly. Steve's friendship with Bucky and presumed death is one of the emotional cores to the film that also plays into the sequels. Unbelievable.
Can I just mention the charming romance between Peggy and Steve Rogers? It's so natural and plays out over the duration of the film without anything ridiculous. When Peggy tears up as Steve is speeding toward the unkown in a downed plane, I lose it. I lose it every time. They never got that last dance and my heart is broken.
When Red Skull calls Steve a "simpleton with a shield" I'm like YES!! that's why I love him. I could be Steve Rogers. I could be Captain America. Well, not really, but he's one of the most relatable on screen super heroes. I'd even say he's the one I can see myself in the most. Consider me #TeamCap.
I must make mention of the wonderful musical score and songs written for the film. Very important piece to the puzzle. I listen to "Star Spangled Man" just about every time I take a walk. The costumes and production design deserve all the love in the world as well. Tommy Lee Jones is great and makes me laugh as usual. All performances are great. Points for finding a use for Captain America's vintage comic book costume and re-enacting the punch to Hitler's face from Captain America issue #1.
Who taught Cap how to fight like that though? Guess that's one of the perks of the syrum too.
Hazel (1853 KP) rated As I Descended in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.