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Immune: How Your Body Defends and Protects You
Book
The human body is like an exceedingly well-fortified castle, defended by billions of soldiers - some...
Erika (17789 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 29, 2020 (Updated Dec 29, 2020)
I was lucky enough to see this in theaters with my 'rents. I do not agree with Warner Bros decision to release same day on HBO Max, so I initially wasn't going to see it, but my dad bought the tickets.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
Hazel (2934 KP) rated A Plague of Traitors (Leine Basso #11) in Books
Aug 22, 2021
I have made no secret that I am a fan of D.V. Berkom's work and particularly of her books starring Leine Basso but you would think that after so many stories it would become stale. Well let me tell you that this is most certainly not the case. D.V. Berkom has a gift of creating plausible and exciting situations that keep me coming back every single time.
Once again, I have run out of words to describe how much I enjoyed this book so will just say that it is yet another action packed thriller full of tension that will have you turning the pages at quick speed (or tapping the screen!).
D.V. Berkom has a knack of creating excellent characters and this book is absolutely littered with them from the good guys to the not-so-good. Leine has to be one of my favourite characters of all time - she is strong, brave, not afraid to kick rear ends but with a soft side that is endearing and feels natural and believable.
This is part of a series but, in my opinion, it holds up extremely well as a stand-alone. There are recurring characters, and I am pleased to see the return of Derek, but the author has the ability to provide just enough information so you don't get lost but not so much that it detracts from the current story.
Yet again, this is another hit for me and I would recommend this and the rest of the series to anyone who loves a thrilling read that although contains violence, it's not over the top.
I, for one, cannot wait for the Leine's next "adventure" but I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for sending me a copy of "A Plague of Traitors" before the official publication date on 31-August-2021 in return for an honest, unbiased and unedited review for which I am, once again, extremely grateful.
Once again, I have run out of words to describe how much I enjoyed this book so will just say that it is yet another action packed thriller full of tension that will have you turning the pages at quick speed (or tapping the screen!).
D.V. Berkom has a knack of creating excellent characters and this book is absolutely littered with them from the good guys to the not-so-good. Leine has to be one of my favourite characters of all time - she is strong, brave, not afraid to kick rear ends but with a soft side that is endearing and feels natural and believable.
This is part of a series but, in my opinion, it holds up extremely well as a stand-alone. There are recurring characters, and I am pleased to see the return of Derek, but the author has the ability to provide just enough information so you don't get lost but not so much that it detracts from the current story.
Yet again, this is another hit for me and I would recommend this and the rest of the series to anyone who loves a thrilling read that although contains violence, it's not over the top.
I, for one, cannot wait for the Leine's next "adventure" but I must thank D.V. Berkom for allowing me to be a member of her Advance Reader Team and for sending me a copy of "A Plague of Traitors" before the official publication date on 31-August-2021 in return for an honest, unbiased and unedited review for which I am, once again, extremely grateful.
Merissa (12929 KP) rated Pestilence (The Four Horsemen #1) in Books
Apr 25, 2023
This book starts with Aldo 'waking up' after a successful attempt at killing himself, so to say he was a bit confused should be taken as given. He finds out that he is now Pestilence, the White Horseman. It is his job to go where he is sent and spread epidemics in order to keep the balance between Heaven and Hell. He was a doctor in his life, so it is both ironic and heartbreaking for him to now be spreading disease. In an effort to distance himself from the human population, he lives in the middle of the Amazon jungle. So you can imagine his surprise when he sees a man stumble into his clearing, full of fever and virus.
Bart was left in the middle of the jungle by his lover and the rest of the research team. He doesn't know how he has made it to the clearing, but he is glad that he did when Pestilence looks after him and helps him to make a long and slow recovery. Pestilence is riddled with guilt over the deaths of his wife and son due to the Bubonic Plague, and his 'job'. Bart comes into his life like a dervish and Pestilence starts to question if he can actually have a relationship.
I thoroughly enjoyed the world-building and characters in this book. It is the first of a new series, and I am looking forward to reading the others. Although I really liked Pestilence and Bart, I personally loved the scenes with Death, as I really enjoyed his dry wit and personality.
With a relationship that grows and develops, as well as forgiveness, guilt, love, and disease, this book is certainly worth the read. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
Bart was left in the middle of the jungle by his lover and the rest of the research team. He doesn't know how he has made it to the clearing, but he is glad that he did when Pestilence looks after him and helps him to make a long and slow recovery. Pestilence is riddled with guilt over the deaths of his wife and son due to the Bubonic Plague, and his 'job'. Bart comes into his life like a dervish and Pestilence starts to question if he can actually have a relationship.
I thoroughly enjoyed the world-building and characters in this book. It is the first of a new series, and I am looking forward to reading the others. Although I really liked Pestilence and Bart, I personally loved the scenes with Death, as I really enjoyed his dry wit and personality.
With a relationship that grows and develops, as well as forgiveness, guilt, love, and disease, this book is certainly worth the read. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
The Ostin Rebel (Isle of Ostin #4)
8.0
Rate It
Book
Everest Ostin thought being a royal vampire was amazing when he was younger. As he aged, he...
MM Paranormal Romance
Neil Goddard (3 KP) rated Hellboy (2019) in Movies
Feb 27, 2020
It all looked soooo promising
Contains spoilers, click to show
Let me say this upfront; David Harbour looks f---ing boss as Hellboy. The makeup is far superior to that of Ron Perlman, not that there was anything wrong with Ron Perlman’s, but with this new incarnation it’s all in the eyes. Deep red, sunken, pained. Sadly, that is all I can say about this movie that is one hundred percent genuinely positive. There are positives however, but they come with a big ‘however’.
I was initially a little concerned that we were getting a re-boot and not a direct sequel to Hellboy II: The Golden Army (2008), especially as it still seemed so recent and was so well made. I know it was over a decade ago but quality is timeless, yeah? Then David Harbour was cast and Neil Marshall announced as director. Great, thought I, an actor I like and a director who’s put out some solid genre material. I saw the first picture of Harbour as Hellboy and I was genuinely excited. I saw the trailer and again, excited. Then I watched the film.
Eurgh, where to start?
Firstly, Ian McShane’s initial voice over is clunky and ill fitting, then they throw in some b@llocks about King Arthur and Excalibur. I had my first wobble here, as some of the effects seemed less than special.
Cue opening titles.
The film starts with a Mexican wrestling match that is purely exposition to let us know Hellboy is a hard drinking and hard fighting anti-hero working for an organisation that deals with the paranormal. The make up for his vampiric opponent is also great (can’t fault the makeup department), but the scene seemed superfluous. We get the nubbin of the story forming now; some horrible witchy wench from way back when was cut into bits and flung around jolly old England to prevent her from spreading a right ‘orrible plague. Turns out a potty-mouthed Liverpudlian pig-monster is collecting said bits in the hope of putting her back together in exchange for his normal appearance. Scouse pig-monster is quite entertaining.
Hellboy goes to England at the request of an upper-class paranormal society to help them kill giants; this goes t1ts up. Again, this seems like unnecessary exposition to introduce Alice, a medium who he rescued as a baby, who now rescues him in a transit van. We also get introduced to M11’s Agent Daimio. There something wrong with him, he keeps injecting himself with a serum to stop something happening. I knew at this point we’d get to see what it was eventually, probably at a juncture where something is needed to rescue someone important. However, at this point I had a feeling it would be bad, I just didn’t know how bad.
There some more fighting, some good effects, some mediocre effects and some terrible effects. There’s some good one-liners, there’s some dull and/or terrible dialogue and then we get the film’s conclusion.
There’s something I’ve been putting off mentioning as I didn’t want the entire review to be about it, and it could have been; the witchy wench at the heart of all this paranormal consternation, Nimue, is played by Milla Jovovich and she is terrible. From when she first opens her mouth to her predictable demise, she is terrible. Terrible. TERRIBLE.
I love some of the Resident Evil films but all she’s required to do is some slow-motion scissor kicks and shoot zombies and zombie-dogs in the face. She is tolerated, rather than enjoyed. Here she is emoting, or at least I think that’s what she was going for, and as a depiction of an evil entity bent of the destruction of all mankind, she is, for want of a better word, cack.
David Harbour and the Hellboy franchise deserve better than this. To be blunt, the franchise has better than this and Mike Mignola should be a bit more f---ing precious with his creation.
Hellboy (2004) was genuinely exciting; it was an origin story that bought that story full circle for its thrilling and apocalyptical conclusion. It has a wonderful nemesis, great support and breath-taking visuals. The re-tread of the origin story in Hellboy (2019) is, again, one more unnecessary diversion from a sketchy plot, which, for all its meagre bones takes a f-ck load of time to tell.
Hellboy II: The Golden Army (2008) was equally impressive. It also introduced a fully formed community of creatures and customs hiding alongside mankind. It did so with nonchalant aplomb. Nothing seemed irrelevant or forced. For two films with almost identical running times, Hellboy (2019) tells less of a story with way more waffle.
So, I did mention there were some positives. David Harbour is great. He’s dour, sarcastic, defiant and funny, he just has no engaging story in which to be all those things. Ian McShane is good as the father figure but he is overshadowed by memories of the late, unbelievably great John Hurt. The story of a witch trying to destroy mankind is solid fantasy movie gold and the unleashing of her plague late in the final act is suitably hellish; bizarre demons emerging from city streets and tearing humans limb from limb, it’s bloody wonderful and wonderfully bloody. They all could have come straight out of a Clive Barker fever dream. However, it’s too little too late, by this point in the story we’ve had too many cutaways, too much shoddy CGI, and Agent Daimio stinking up many a scene with his ‘will he won’t he’ turn into something rubbish… he does.
The worst part of all this is I don’t know if they can come back from this. The film may have sunk the franchise at least for the next few years.
I do however, look forward to a re-boot in a decade or so, if we haven’t all been assimilated by aliens, overrun by AI robots or decimated by a supernatural plague bought on by some witchy wench with an axe to grind.
THREE WORD SUMMATION: Big Red Turd.
I was initially a little concerned that we were getting a re-boot and not a direct sequel to Hellboy II: The Golden Army (2008), especially as it still seemed so recent and was so well made. I know it was over a decade ago but quality is timeless, yeah? Then David Harbour was cast and Neil Marshall announced as director. Great, thought I, an actor I like and a director who’s put out some solid genre material. I saw the first picture of Harbour as Hellboy and I was genuinely excited. I saw the trailer and again, excited. Then I watched the film.
Eurgh, where to start?
Firstly, Ian McShane’s initial voice over is clunky and ill fitting, then they throw in some b@llocks about King Arthur and Excalibur. I had my first wobble here, as some of the effects seemed less than special.
Cue opening titles.
The film starts with a Mexican wrestling match that is purely exposition to let us know Hellboy is a hard drinking and hard fighting anti-hero working for an organisation that deals with the paranormal. The make up for his vampiric opponent is also great (can’t fault the makeup department), but the scene seemed superfluous. We get the nubbin of the story forming now; some horrible witchy wench from way back when was cut into bits and flung around jolly old England to prevent her from spreading a right ‘orrible plague. Turns out a potty-mouthed Liverpudlian pig-monster is collecting said bits in the hope of putting her back together in exchange for his normal appearance. Scouse pig-monster is quite entertaining.
Hellboy goes to England at the request of an upper-class paranormal society to help them kill giants; this goes t1ts up. Again, this seems like unnecessary exposition to introduce Alice, a medium who he rescued as a baby, who now rescues him in a transit van. We also get introduced to M11’s Agent Daimio. There something wrong with him, he keeps injecting himself with a serum to stop something happening. I knew at this point we’d get to see what it was eventually, probably at a juncture where something is needed to rescue someone important. However, at this point I had a feeling it would be bad, I just didn’t know how bad.
There some more fighting, some good effects, some mediocre effects and some terrible effects. There’s some good one-liners, there’s some dull and/or terrible dialogue and then we get the film’s conclusion.
There’s something I’ve been putting off mentioning as I didn’t want the entire review to be about it, and it could have been; the witchy wench at the heart of all this paranormal consternation, Nimue, is played by Milla Jovovich and she is terrible. From when she first opens her mouth to her predictable demise, she is terrible. Terrible. TERRIBLE.
I love some of the Resident Evil films but all she’s required to do is some slow-motion scissor kicks and shoot zombies and zombie-dogs in the face. She is tolerated, rather than enjoyed. Here she is emoting, or at least I think that’s what she was going for, and as a depiction of an evil entity bent of the destruction of all mankind, she is, for want of a better word, cack.
David Harbour and the Hellboy franchise deserve better than this. To be blunt, the franchise has better than this and Mike Mignola should be a bit more f---ing precious with his creation.
Hellboy (2004) was genuinely exciting; it was an origin story that bought that story full circle for its thrilling and apocalyptical conclusion. It has a wonderful nemesis, great support and breath-taking visuals. The re-tread of the origin story in Hellboy (2019) is, again, one more unnecessary diversion from a sketchy plot, which, for all its meagre bones takes a f-ck load of time to tell.
Hellboy II: The Golden Army (2008) was equally impressive. It also introduced a fully formed community of creatures and customs hiding alongside mankind. It did so with nonchalant aplomb. Nothing seemed irrelevant or forced. For two films with almost identical running times, Hellboy (2019) tells less of a story with way more waffle.
So, I did mention there were some positives. David Harbour is great. He’s dour, sarcastic, defiant and funny, he just has no engaging story in which to be all those things. Ian McShane is good as the father figure but he is overshadowed by memories of the late, unbelievably great John Hurt. The story of a witch trying to destroy mankind is solid fantasy movie gold and the unleashing of her plague late in the final act is suitably hellish; bizarre demons emerging from city streets and tearing humans limb from limb, it’s bloody wonderful and wonderfully bloody. They all could have come straight out of a Clive Barker fever dream. However, it’s too little too late, by this point in the story we’ve had too many cutaways, too much shoddy CGI, and Agent Daimio stinking up many a scene with his ‘will he won’t he’ turn into something rubbish… he does.
The worst part of all this is I don’t know if they can come back from this. The film may have sunk the franchise at least for the next few years.
I do however, look forward to a re-boot in a decade or so, if we haven’t all been assimilated by aliens, overrun by AI robots or decimated by a supernatural plague bought on by some witchy wench with an axe to grind.
THREE WORD SUMMATION: Big Red Turd.
Zombie Hunter: FPS Apocalypse
Games and Entertainment
App
The new real zombie war game with incredible 3D graphics. Your goal is to survive from the undead...
Billie Wichkan (118 KP) rated We All Fall Down in Books
May 22, 2019
...**THIS IS A GOVERNMENT ALERT**IF YOU EXHIBIT SYMPTOMS, STAY IN YOUR HOMES**PLEASE REMAIN CALM AND DO NOT ATTEMPT THE RESCUE OF OTHERS**THIS IS A GOVERNMENT ALERT**IF YOU EXHIBIT SYMPTOMS, STAY IN YOUR HOMES**PLEASE REMAIN CALM AND DO NOT ATTEMPT THE RESCUE OF OTHERS**THIS IS A GOVERNMENT ALERT**...
IT STARTS WITH ONE PATIENT
A woman is dying in an Italian hospital, coughing up blood, convulsing and barely conscious.
BEFORE IT SPREADS TO THE TOWN
Dr Alana Vaughn, an expert from NATO, confirms everyones worst fears: the woman has the highly infectious disease that swept through Europe eight hundred years ago. The Black Death.
AND TAKES THE CITY
The sickness is spreading so quickly that soon the outbreak becomes a global pandemic. Markets crash and governments fall as quickly as the citizens they govern.
THEN THE COUNTRY
As panic takes hold and the death toll climbs, the consequences become horrifically clear Alana must discover a way to stop the disease or it will be the end of us all.
THEN THE WORLD - AND WE ALL FALL DOWN.
The book is fast paced and had me on the edge of my seat wondering if Alana, Nico, Byron and company were going to be able to get to the bottom of who unleashed the plague and when or if they could get it under control.
The book was well written with believable and interesting characters.
I really liked the medical aspect of the book and how the scientists and doctors react to a dormant disease suddenly becoming active all over again and with them struggling to cope with the lack of vaccines available and also the consideration of the disease used as a bio-weapon was really interesting.
This is scary to think, could biological terrorism really happen, how fast can viruses spread and how safe are we?
I thoroughly enjoyed this book and look forward to reading more from this author.
Highly Recommend reading!
Thank you to NetGalley and Simon & Schuster for this e-book ARC to read and review. I enjoyed this so much that I intend to seek out the other books written by this author.
IT STARTS WITH ONE PATIENT
A woman is dying in an Italian hospital, coughing up blood, convulsing and barely conscious.
BEFORE IT SPREADS TO THE TOWN
Dr Alana Vaughn, an expert from NATO, confirms everyones worst fears: the woman has the highly infectious disease that swept through Europe eight hundred years ago. The Black Death.
AND TAKES THE CITY
The sickness is spreading so quickly that soon the outbreak becomes a global pandemic. Markets crash and governments fall as quickly as the citizens they govern.
THEN THE COUNTRY
As panic takes hold and the death toll climbs, the consequences become horrifically clear Alana must discover a way to stop the disease or it will be the end of us all.
THEN THE WORLD - AND WE ALL FALL DOWN.
The book is fast paced and had me on the edge of my seat wondering if Alana, Nico, Byron and company were going to be able to get to the bottom of who unleashed the plague and when or if they could get it under control.
The book was well written with believable and interesting characters.
I really liked the medical aspect of the book and how the scientists and doctors react to a dormant disease suddenly becoming active all over again and with them struggling to cope with the lack of vaccines available and also the consideration of the disease used as a bio-weapon was really interesting.
This is scary to think, could biological terrorism really happen, how fast can viruses spread and how safe are we?
I thoroughly enjoyed this book and look forward to reading more from this author.
Highly Recommend reading!
Thank you to NetGalley and Simon & Schuster for this e-book ARC to read and review. I enjoyed this so much that I intend to seek out the other books written by this author.
Kristy H (1252 KP) rated Beautiful Broken Rules in Books
Feb 13, 2018
College student Emerson Moore has a hard and fast set of rules for relationships -- mainly: avoid them like the plague. She won't sleep with any guy more than three times, to prevent attachment of any kind. So far, Emerson has had great success with this, and she's having fun. Then Emerson meets Jaxon - when he and his twin brother, Jace, move in with Emerson's best friend, Cole. Emerson quickly becomes close to Jaxon. Is he the one who will turn her set of rules on its head?
This book had promise and it was a quick read, but overall, I just found it ridiculous and the writing was terrible - stilted and juvenile. It reminded me of something a middle schooler would write (though hopefully they wouldn't stray into this sexualized subject matter). Emerson is a college student absolutely determined not to have a relationship based on the fact that her parents split -- she has certainly had trauma in her life to cause her feelings, but her insane attachment to this gets to be a little silly. She is a poor communicator and a frustrating protagonist. The character development is nil and we're basically just told things about her and the rest of the characters, rather than shown them, or allowed to see things develop on their own.
Furthermore, some of the stereotypes in this book are beyond frustrating. Emerson's willingness to embrace being the school "slut" (a word she seems to have no problem with) is awful. When Jaxon enters the scene, no one seems to have an issue with his insane over-protectiveness and anger issues. It would be one thing if this was written somewhat cheekily, a la "Twilight," but these characters genuinely seem to think their actions and motivations are okay. The end result is a portrayal of college as nothing but sexual encounters with a mix of sexual harassment and domestic abuse thrown in. It all overshadows what could be a decent story (girl with commitment issues meets handsome guy with shadowy past). There were certainly some bright spots, but overall it just left me feeling too icky.
This book had promise and it was a quick read, but overall, I just found it ridiculous and the writing was terrible - stilted and juvenile. It reminded me of something a middle schooler would write (though hopefully they wouldn't stray into this sexualized subject matter). Emerson is a college student absolutely determined not to have a relationship based on the fact that her parents split -- she has certainly had trauma in her life to cause her feelings, but her insane attachment to this gets to be a little silly. She is a poor communicator and a frustrating protagonist. The character development is nil and we're basically just told things about her and the rest of the characters, rather than shown them, or allowed to see things develop on their own.
Furthermore, some of the stereotypes in this book are beyond frustrating. Emerson's willingness to embrace being the school "slut" (a word she seems to have no problem with) is awful. When Jaxon enters the scene, no one seems to have an issue with his insane over-protectiveness and anger issues. It would be one thing if this was written somewhat cheekily, a la "Twilight," but these characters genuinely seem to think their actions and motivations are okay. The end result is a portrayal of college as nothing but sexual encounters with a mix of sexual harassment and domestic abuse thrown in. It all overshadows what could be a decent story (girl with commitment issues meets handsome guy with shadowy past). There were certainly some bright spots, but overall it just left me feeling too icky.
Jordan Binkerd (567 KP) rated The Scorpion King 3: Battle For Redemption (2012) in Movies
Oct 27, 2019
Victor Webster sells the fights (5 more)
Ron Perlman is never a bad thing.
Neither is Temura Morrison.
Billy Zane is comically evil
Krystal Vee and Selina Lo pull off their reason for being here - hot chicks kicking ass.
Nice scenery and sets
Victor Webster fails to sell being The Rock, even aside from skin ton (2 more)
The story and lore are all over the place, not helped by the setting
The Warriors of the book announcing themselves just felt silly and contrived
Muddies the franchise and lore
The longer this goes the more damage this franchise does to itself. Let's review what we've seen so far:
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....