Dead Silent
Book
Digging for the truth can be fatal...20 years ago, Britain was rocked by the strange disappearance...
Death of a Busybody
Book
The eponymous nosy parker in Death of a Busybody is Miss Ethel Tither. She has made herself deeply...
Whispers Under Ground: The Third PC Grant Mystery
Stephen Walter and Ben Aaronovitch
Book
Doctor Who Screenwriter Ben Aaronovitch's superbly entertaining supernatural crime series has, with...
Zodiac
Book
In a society divided along Zodiac lines, status is cast at birth - and binding for life. When...
Greig Plays: v. 1: Europe; The Architect; The Cosmonaut's Last Message
Book
The first collection of plays of one of Scotland's best-known contemporary dramatists EUROPE is set...
Outlaw: How I Became Britain's Most Wanted Man
Book
Ray Bishop was on the run, skulking in a dealer's house in north London, when an image of his face...
The Kingdom (2007)
Movie
Thriller starring Jamie Foxx and Chris Cooper. When a terrorist bomb detonates inside a Western...
Clearly made on a punishingly low budget, and the vision of the future is occasionally a bit wonky from a modern perspective, but the five episodes written by series creator Chris Boucher are some of the best, most intelligent, wittiest and most cynical SF ever broadcast by the BBC. The other episodes not so much: everything gets a bit campy and there are a lot of national stereotypes on display. (Plus, the theme tune has been called the worst in TV history, and most of the incidental music is rubbish too.) Even when it's not particularly good, it's always trying to do something a bit different, and David Calder is consistently excellent as Spring. Not the first nor the last SF or fantasy show to be cut loose by the BBC before it had a chance to realise its potential.
Devoted to Death: Santa Muerte, the Skeleton Saint
Book
R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has...
Awix (3310 KP) rated Ultraviolet in TV
Jan 3, 2021
One of the many post-X Files genre shows to appear in the UK in the late 90s, but much better than most of them, largely because it resists the temptation to go overboard with the flashy fantasy elements: vampires rarely appear in the early episodes and this more closely resembles a police procedural show. But definitely a horror series, and an effective one for the most part, written and played with great skill. Starts off as an episodic show before the serial elements gradually take over - the standalone episodes are best - and comes up with some clever new spins on vampire lore. One wishes they could have made more than just the six episodes (plus a US pilot with a mostly different cast and rather different approach), but as it this this definitely counts as small but perfectly formed.

