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Three Graves Full
Jon Gray and Jamie Mason
Book
Hitchcock meets the Coen Brothers in a darkly comic suspense novel with the tense pacing of a...
Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
Charlie Cobra Reviews (1840 KP) rated The Dead Don't Die (2019) in Movies
Jul 7, 2020 (Updated Oct 25, 2020)
An All Star Cast Couldn't Get This Film To Rise From The Grave
Contains spoilers, click to show
I was greatly disappointed in this movie. I thought it was a little funny in the beginning with Adam Driver's character breaking the fourth wall and talking about the theme song for the movie but a lot of the humor was kind or dry and fell flat for me. Bill Murray's character was too serious and Chloe Sevigny's too emotional but they were good in contrast to each other and I guess the police force in general were ok. What threw me off too was that it took so long for anything to happen. The pacing was off in this movie and nothing really happened for a long time. I was hoping that it was setting something up and that it would pay off but I can't say that it did in a successful way. The first scene with the zombies at the dinner attacking the workers there was pretty good and I thought it was funny with the whole "coffee" thing sure. But too many characters and scenes were wasted. I thought the Selena Gomez's car group were wasted and could have been utilized better and would have made the movie/story more interesting. The same with Danny Glover and Caleb Landy Jones who try their best to survive but are overtaken by zombies because the cops don't have the balls to leave their car to even check on them. Even Tom Waits character Hermit Bob was wasted because he never really does anything except hide in the woods and look at people through binoculars. I don't know i really don't, I mean I see such wasted potential in a movie having so many good actors. Makes me wonder what they think about the film if any of them have seen it. The only character I really liked was Tilda Swinton as the creepy mortician/undertaker and how she kicked ass with that samurai sword. Another thing that bothered me was when the zombies got their heads cut off or shot there was just this weaird black ash or sand that came out and no blood or anything. It was kind of a cool effect at first but then it was never explained or anything so it started bothering the crap out of me. There were a couple of other parts that were funny for me and one or two scenes of action but I have to say this was a below normal zombie comedy movie. Nothing like Zombieland. I give The Dead Don't Die a 4/10.
Jesters_folly (230 KP) rated The Fast and the Furious (2001) in Movies
May 18, 2021
Contains spoilers, click to show
So this is the first time I've seen 'The Fast and the Furious' and the only other film in the franchise I've seen is 'Hobbs and Shaw', Which I knew was a (slightly) different beast but, with the new film out soon I thought I may as well start from the beginning.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
Kristy H (1252 KP) rated Do No Harm in Books
Feb 25, 2021
A dark look into how far a mother would go to save her child
After a tough childhood, where she was orphaned and spent time in foster care, Emma finally has the life she's always wanted. A successful doctor, she has a loving husband, Nate, and a young son, Josh. But that all stands to change when Josh, who is only five, is diagnosed with leukemia. Even with her hospital insurance, Josh's potential life-saving treatment will cost hundreds of thousands of dollars. Determined to save Josh no matter what, Emma makes the decision to sell opioids. Her choice puts her directly against Nate, a local police officer, who is investigating the death of a potential drug dealer. Emma will do anything to save Josh--does that include murder?
"I felt like I'd been dropped down a rabbit hole with the wolf sitting right outside. And the wolf was my husband."
This is a brutal dark read that pulls you into Emma and Nate's dilemma immediately. Personally, I found it hard to read about Josh's illness. I have a difficult time with books about kids being sick. But, McDonald is an excellent writer, and she does a wonderful job portraying stricken parents, pushed to the brink, who would do anything for their child. For Emma, it's turning to selling drugs. For Nate, it's working constantly to solve his current case, which means a promotion that could brings additional money for their family. The story is told from each of their perspectives, ratcheting up the tension with each chapter.
Emma, it seems, really has no limits on what she would do for Josh. McDonald makes the reader question: how far would you go to save your child? The book also offers a nuanced perspective on the opioid crisis, versus the usual "drugs bad" stance we get in many novels, which I appreciated. The entire novel makes you think and question standard perspectives in so many ways. It turns good versus evil and right versus wrong on its heels. And it offers a dark and insightful look into drug addiction and chronic pain and how families support each other (or don't).
Overall, this isn't an easy read, but it's a well-written and compelling one. It's timely, with an excellent perspective on the drug problems facing Americans and leaves the reader questioning much about right versus wrong. 4 stars.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review. It is available on 2/16/2021.
"I felt like I'd been dropped down a rabbit hole with the wolf sitting right outside. And the wolf was my husband."
This is a brutal dark read that pulls you into Emma and Nate's dilemma immediately. Personally, I found it hard to read about Josh's illness. I have a difficult time with books about kids being sick. But, McDonald is an excellent writer, and she does a wonderful job portraying stricken parents, pushed to the brink, who would do anything for their child. For Emma, it's turning to selling drugs. For Nate, it's working constantly to solve his current case, which means a promotion that could brings additional money for their family. The story is told from each of their perspectives, ratcheting up the tension with each chapter.
Emma, it seems, really has no limits on what she would do for Josh. McDonald makes the reader question: how far would you go to save your child? The book also offers a nuanced perspective on the opioid crisis, versus the usual "drugs bad" stance we get in many novels, which I appreciated. The entire novel makes you think and question standard perspectives in so many ways. It turns good versus evil and right versus wrong on its heels. And it offers a dark and insightful look into drug addiction and chronic pain and how families support each other (or don't).
Overall, this isn't an easy read, but it's a well-written and compelling one. It's timely, with an excellent perspective on the drug problems facing Americans and leaves the reader questioning much about right versus wrong. 4 stars.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review. It is available on 2/16/2021.
Phillip McSween (751 KP) rated Men in Black (1997) in Movies
Jan 6, 2021
Visually Brilliant and Gorgeous
A New York police officer gets thrown into a crazy world when he stumbles upon a special group trying to stop intergalactic threats.
Acting: 10
Will Smith and Tommy Lee Jones have to be one my most favorite duos of all time. Playing Agent J and Agent K respectively, their partnership is one of new blood versus old head. I love how each of them took on their respective role, Smith with air of cockiness and bravado and Jones with the nature of one who has been there and done that too many times before. And I haven’t even dove into the fun performances of actors like Rip Torn and Tony Shalhoub. Very well casted movie.
Beginning: 10
Characters: 10
J and K are magnificent to watch, but it’s the broad scope of aliens for me that take the cake. There’s Jeebs whose head can explode and grow back. Then there’s Edgar who eventually becomes a massive bug wearing an “Edgar Suit” played by the amazing Vincent D’Onofrio. Those are only to name a couple from a large list of enriching characters that shed a fun new light on the underground of New York.
Cinematography/Visuals: 10
Conflict: 10
The first ten minutes of the movie gives you a taste of what the action is going to be like. That dives right into the next scene and the next. Great action with high stakes that races across the city of New York. I appreciate the high level of conflict that kept me engaged.
Entertainment Value: 7
Memorability: 7
Pace: 10
Ninety-eight minutes goes by quick in Men In Black. It’s one of those movies that you almost don’t want to end but you know it has to. It races through its story, but just quickly enough so that you don’t miss any important details. I love when movies can move at a pace like this without ruining with exposition.
Plot: 7
Resolution: 8
I wanted a little more from the ending but it was satisfactory for the most part. Definitely leaves room for the obvious sequel that follows it. Decent way to wrap things up.
Overall: 89
From the beginning, I had no doubt that I was going to like Men In Black. It wraps solid sci-fi action into a nice gift with quick pacing and a solid story for a bow. Director Barry Sonnenfeld masterfully captures the “aliens among us” idea and makes it inventive. Definitely a necessary piece of sci-fi movie history.
Acting: 10
Will Smith and Tommy Lee Jones have to be one my most favorite duos of all time. Playing Agent J and Agent K respectively, their partnership is one of new blood versus old head. I love how each of them took on their respective role, Smith with air of cockiness and bravado and Jones with the nature of one who has been there and done that too many times before. And I haven’t even dove into the fun performances of actors like Rip Torn and Tony Shalhoub. Very well casted movie.
Beginning: 10
Characters: 10
J and K are magnificent to watch, but it’s the broad scope of aliens for me that take the cake. There’s Jeebs whose head can explode and grow back. Then there’s Edgar who eventually becomes a massive bug wearing an “Edgar Suit” played by the amazing Vincent D’Onofrio. Those are only to name a couple from a large list of enriching characters that shed a fun new light on the underground of New York.
Cinematography/Visuals: 10
Conflict: 10
The first ten minutes of the movie gives you a taste of what the action is going to be like. That dives right into the next scene and the next. Great action with high stakes that races across the city of New York. I appreciate the high level of conflict that kept me engaged.
Entertainment Value: 7
Memorability: 7
Pace: 10
Ninety-eight minutes goes by quick in Men In Black. It’s one of those movies that you almost don’t want to end but you know it has to. It races through its story, but just quickly enough so that you don’t miss any important details. I love when movies can move at a pace like this without ruining with exposition.
Plot: 7
Resolution: 8
I wanted a little more from the ending but it was satisfactory for the most part. Definitely leaves room for the obvious sequel that follows it. Decent way to wrap things up.
Overall: 89
From the beginning, I had no doubt that I was going to like Men In Black. It wraps solid sci-fi action into a nice gift with quick pacing and a solid story for a bow. Director Barry Sonnenfeld masterfully captures the “aliens among us” idea and makes it inventive. Definitely a necessary piece of sci-fi movie history.
Ross (3284 KP) rated The Shadow Man in Books
Feb 19, 2021 (Updated Feb 19, 2021)
Good thriller, but not a patch on Fields' other books
This standalone (as far as I know) book sits beside Fields' Luc Callanach (Ava Turner) series, again set in Edinburgh. Other than the brash Chief Superintendent Overbeck, none of those characters are introduced here. Instead, because of the workload of Edinburgh's Major Incident Team, DI Baarda has been called in from London to assist in a murder/kidnapping. Along with him is Dr Connie Woodwine, a brash American criminal psychologist. They are looking into the disappearance of one woman, and quickly link it to the death of another and find that they are on the hunt for someone with issues.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
BookInspector (124 KP) rated The Art of Death in Books
Jul 1, 2021
The main character in this novel is DI Grace Archer, she is a leading investigator in a series of very bizarre and very cruel murders. There is a very wide variety of diverse and intriguing characters in this novel, and this book is told from multiple perspectives, including the victims and the killer as well. DI Archer is a very complex character, her childhood had its horrors, and she is an outsider in her new police station. But I really admired her strength, sharp mind and complexity. This book allows me to delve deeper into the characters, especially the victims, I think all the victims were suffering from one thing or another, and it was interesting to read about their lives.
The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.
The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂
So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.
The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂
So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
BookInspector (124 KP) rated I'll Find You in Books
Sep 24, 2020
The protagonist in this story is Emily, a nurse, who is struggling with the loss of her sister Zoe. Zoe has been missing for over a year, and Emily still keeps looking for her. The rest is covered by the blurb pretty accurately. Emily is a very disturbed character, she has mental health issues and is trying to cling to normality very hard, but life keeps throwing unusual situations at her. I think Emily is a very interesting and unique character, and I did like her baffled but a very strong personality.
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
BookInspector (124 KP) rated Madam Tulip (Madam Tulip #1) in Books
Sep 24, 2020
More reviews at https://bbookinspector.wordpress.com
When I read the description of this book, I knew it is going to be a fun read, and I was right. This book was my first try of cosy mysteries and I really enjoyed this well deserved treat to my brains, after reading some intense psychological thrillers.
The blurb above, describes this book quite accurately. Derry is broke actress who is “teeny bit psychic”. So, when the chance comes to earn some (good) money out of it, she decided to try. But soon she got involved into murder “investigation”, where she knew more than the police.
The characters used in this book were very well chosen. This is a book about actors and celebrities, so, of course, there were some eccentric, artistic characters, whose charm and charisma has to shine. I really enjoyed the great balance between the “over the top” characters and the casual, “down to earth” ones. Ahern kept a wide variety of well rounded characters to choose from, so I think everyone can find their favourite one, according to their taste. My favourite was Derry; I loved her simple personality and sharp way of thinking, even though her parents are really crazy.
The plot of this novel was very entertaining and enjoyable. I liked the smooth flow of the story, with unexpected findings and turns. The whole story was told from Derry’s perspective, but that was fully sufficient to understand the characters well. As it says in the description below, Ahern grew up in a theatrical family, I think that is why the theatrical life details used in this novel were so accurate and detailed, and I absolutely enjoyed reading all those bits and pieces about actors and theatre.
The writing style of this novel is really pleasurable, filled with Irish spirit. The language used in this book is easy to read and understandable. The chapters are decent length, and divided into smaller parts as well, so it doesn’t drag along and didn’t leave me bored. The ending of the book was unexpected and filled with action, and left some unresolved issues, which, I believe, might come up in other books of Madam Tulip. So to conclude, I think this book was a great introduction to Madam Tulip and her capabilities, and I was very pleased to witness this metamorphosis. I really enjoyed all this extra-ordinariness combined with simplicity and casualness, and I think it is a great read for these cold autumn evenings.
Was given this book by Author for honest review.
When I read the description of this book, I knew it is going to be a fun read, and I was right. This book was my first try of cosy mysteries and I really enjoyed this well deserved treat to my brains, after reading some intense psychological thrillers.
The blurb above, describes this book quite accurately. Derry is broke actress who is “teeny bit psychic”. So, when the chance comes to earn some (good) money out of it, she decided to try. But soon she got involved into murder “investigation”, where she knew more than the police.
The characters used in this book were very well chosen. This is a book about actors and celebrities, so, of course, there were some eccentric, artistic characters, whose charm and charisma has to shine. I really enjoyed the great balance between the “over the top” characters and the casual, “down to earth” ones. Ahern kept a wide variety of well rounded characters to choose from, so I think everyone can find their favourite one, according to their taste. My favourite was Derry; I loved her simple personality and sharp way of thinking, even though her parents are really crazy.
The plot of this novel was very entertaining and enjoyable. I liked the smooth flow of the story, with unexpected findings and turns. The whole story was told from Derry’s perspective, but that was fully sufficient to understand the characters well. As it says in the description below, Ahern grew up in a theatrical family, I think that is why the theatrical life details used in this novel were so accurate and detailed, and I absolutely enjoyed reading all those bits and pieces about actors and theatre.
The writing style of this novel is really pleasurable, filled with Irish spirit. The language used in this book is easy to read and understandable. The chapters are decent length, and divided into smaller parts as well, so it doesn’t drag along and didn’t leave me bored. The ending of the book was unexpected and filled with action, and left some unresolved issues, which, I believe, might come up in other books of Madam Tulip. So to conclude, I think this book was a great introduction to Madam Tulip and her capabilities, and I was very pleased to witness this metamorphosis. I really enjoyed all this extra-ordinariness combined with simplicity and casualness, and I think it is a great read for these cold autumn evenings.
Was given this book by Author for honest review.