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Kristy H (1252 KP) rated Mr. Nobody in Books
Mar 19, 2020
Emma Lewis is neuropsychiatrist, who is surprised when she's asked to work on a case for a newsworthy patient. Dubbed "Mr. Nobody," he's a man found on a British beach, in wet clothes and without any identification. He won't speak and the hospital staff are all drawn to him. But for Emma to take the case, it means returning to a place that she left fourteen years ago in disgrace--a place she's worked to leave behind and erase any signs of herself from.
"Why can't I remember? Why can't I remember my name? The weight of what this means bears down on him with each cold snatched breath he takes. Fear pumping through him, primal and quickening. Oh God. It's all gone. His world shrinks to a pinhead and then dilates so wide, suddenly terrifyingly borderless."
This book started out like gangbusters. Alternating between Emma and Mr. Nobody, whom the hospital staff quickly dubs Matthew, I was drawn in immediately. Who on earth is Matthew, why can't he remember who he is, and what is his deal? But there were a few issues. Emma clearly has a backstory. Yes, something happened to her fourteen years ago. To me, this is the equivalent of "vaguebooking"--you know when someone posts something on Facebook or social media: "Something horrible has happened. Oh woe is me." And then all their friends have to either guess, or say "Oh I'm so sorry," but the poster never actually tells you what happened? I'm sorry, but in books, after a while, dragging this all out is too much. Just freaking tell us what happened to you, Emma, or stop alluding to it!
So Emma and Matthew, of course, surpass patient/doctor boundaries, finding each other fascinating. There are, accordingly, twists in the book. Some, I will hand it to Steadman, are pretty darn good. Much of the book is quite readable and moves at a good pace--Emma's allusions to her past not withstanding. It's certainly intriguing. There are some interesting side characters: a local police officer and his nosy reporter wife; a benevolent nurse, etc. Emma's kind and patient brother.
But then the ending and biggest reveal comes along and eh. I found it a little anticlimactic. After all we've been through together, Emma?! I don't know. I was hoping for more, especially after all the fuss about Something in the Water, which I still haven't read. (I know, I know. It's on my TBR.)
So, in the end, this is an intriguing one. The plot is definitely original, I'll give you that. But throw in a slightly irritating main character and a somewhat disappointing ending and it was a 3.5 star read for me-just barely.
"Why can't I remember? Why can't I remember my name? The weight of what this means bears down on him with each cold snatched breath he takes. Fear pumping through him, primal and quickening. Oh God. It's all gone. His world shrinks to a pinhead and then dilates so wide, suddenly terrifyingly borderless."
This book started out like gangbusters. Alternating between Emma and Mr. Nobody, whom the hospital staff quickly dubs Matthew, I was drawn in immediately. Who on earth is Matthew, why can't he remember who he is, and what is his deal? But there were a few issues. Emma clearly has a backstory. Yes, something happened to her fourteen years ago. To me, this is the equivalent of "vaguebooking"--you know when someone posts something on Facebook or social media: "Something horrible has happened. Oh woe is me." And then all their friends have to either guess, or say "Oh I'm so sorry," but the poster never actually tells you what happened? I'm sorry, but in books, after a while, dragging this all out is too much. Just freaking tell us what happened to you, Emma, or stop alluding to it!
So Emma and Matthew, of course, surpass patient/doctor boundaries, finding each other fascinating. There are, accordingly, twists in the book. Some, I will hand it to Steadman, are pretty darn good. Much of the book is quite readable and moves at a good pace--Emma's allusions to her past not withstanding. It's certainly intriguing. There are some interesting side characters: a local police officer and his nosy reporter wife; a benevolent nurse, etc. Emma's kind and patient brother.
But then the ending and biggest reveal comes along and eh. I found it a little anticlimactic. After all we've been through together, Emma?! I don't know. I was hoping for more, especially after all the fuss about Something in the Water, which I still haven't read. (I know, I know. It's on my TBR.)
So, in the end, this is an intriguing one. The plot is definitely original, I'll give you that. But throw in a slightly irritating main character and a somewhat disappointing ending and it was a 3.5 star read for me-just barely.
Gareth von Kallenbach (980 KP) rated Super (2011) in Movies
Aug 7, 2019
When I first heard about Super, written and directed by James Gunn, my first thought was “Dwight (from The Office) will be a superhero?” However what I saw on the screen was anything but Dwight, it was 75% awesome and 25% “I can’t believe they did that!”
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
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Charlie Cobra Reviews (1840 KP) rated Captive State (2019) in Movies
Jul 6, 2020
Not Captivating Enough - 6/10
Captive State is a 2019 sci-fi/thriller movie directed by Rupert Wyatt and co-written by Rupert Wyatt and Erica Beeney. It was produced by Amblin Partners and Participant Media with producers Rupert Wyatt and David Crockett. The film stars John Goodman, Ashton Sanders, Jonathan Majors, and Vera Farmiga.
In 2019, Chicago is placed under Martial Law as extraterrestrials invade Earth. Attempting to flee the city, the Drummond family, breaks through a barricade to a tunnel exit. Before they can back up and reverse, the aliens attack, vaporizing both parents, with the children having survived in the backseat. Nine years later, 2028, the world has surrendered to the conquering alien forces, who have now become the governing authority. They are called "The Legislators" because all rules of governance and subsequent laws come from them. Walled off from the rest of the city and deep beneath the ground, they've had conscripted humans build them suitable habitats called "Closed Zones" where only high government officials are granted access. Gabriel Drummond (Ashton Sanders), the younger son of the Drummond family is confronted by Chicago Police Commander William Mulligan (John Goodman) who believes he is a part of the resistance. Gabriel's brother Rafe Drummond (Jonathan Majors) was part of the resistance but died on a mission and murals are painted of him in Pilsen, the poor part of town, where Gabriel lives. Mulligan however is not convinced the resistance group, called Phoenix has been neutralized as believed and continues to work towards bringing them down.
This movie was not at all what I expected. I thought it was going to be better than what it was and that's because I didn't even have high expectations going into it. So from the previews/trailers it looked like it was going to be a bigger scale resistance. When I hear resistance fighting, I guess I picture more like fighting like Fallen Skies or like the resistance fighters in Star Wars. This was more of a political/spy thriller going back and forth between the point of view from members of the resistance and those tasked with bringing them down. It had sprinkling of sci-fi and aliens but was too grounded in reality to make it entertaining. It seemed very "done before" and lacked originality. John Goodman did a good job and so did Ashton Sanders but I feel this movie suffered from a bad plot to begin with. Or maybe it sounds good on paper but the delivery failed. Visually it was appealing, the aliens and ships and things looked wonderful but after watching seemed like it wasn't enough to leave the audience satisfied. I give it a 6/10.
In 2019, Chicago is placed under Martial Law as extraterrestrials invade Earth. Attempting to flee the city, the Drummond family, breaks through a barricade to a tunnel exit. Before they can back up and reverse, the aliens attack, vaporizing both parents, with the children having survived in the backseat. Nine years later, 2028, the world has surrendered to the conquering alien forces, who have now become the governing authority. They are called "The Legislators" because all rules of governance and subsequent laws come from them. Walled off from the rest of the city and deep beneath the ground, they've had conscripted humans build them suitable habitats called "Closed Zones" where only high government officials are granted access. Gabriel Drummond (Ashton Sanders), the younger son of the Drummond family is confronted by Chicago Police Commander William Mulligan (John Goodman) who believes he is a part of the resistance. Gabriel's brother Rafe Drummond (Jonathan Majors) was part of the resistance but died on a mission and murals are painted of him in Pilsen, the poor part of town, where Gabriel lives. Mulligan however is not convinced the resistance group, called Phoenix has been neutralized as believed and continues to work towards bringing them down.
This movie was not at all what I expected. I thought it was going to be better than what it was and that's because I didn't even have high expectations going into it. So from the previews/trailers it looked like it was going to be a bigger scale resistance. When I hear resistance fighting, I guess I picture more like fighting like Fallen Skies or like the resistance fighters in Star Wars. This was more of a political/spy thriller going back and forth between the point of view from members of the resistance and those tasked with bringing them down. It had sprinkling of sci-fi and aliens but was too grounded in reality to make it entertaining. It seemed very "done before" and lacked originality. John Goodman did a good job and so did Ashton Sanders but I feel this movie suffered from a bad plot to begin with. Or maybe it sounds good on paper but the delivery failed. Visually it was appealing, the aliens and ships and things looked wonderful but after watching seemed like it wasn't enough to leave the audience satisfied. I give it a 6/10.
Charlie Cobra Reviews (1840 KP) rated Crawl (2019) in Movies
Jul 7, 2020
Killer Alligators and Buckets Of Blood
Crawl is a 2019 disaster/horror movie directed by Alexandre Aja and written by Michael and Shawn Rasmussen. It was produced by Sam Raimi and Craig J. Flores and also Ghost House Pictures and Raimi Productions with distribution by Paramount Pictures. The film stars Kaya Scodelario and Barry Pepper.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
JT (287 KP) rated The Little Things (2021) in Movies
Feb 6, 2021
The opening of The Little Things promises a lot but ultimately the tension that is driven during the first ten minutes is nowhere to be seen for the rest of the run time.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
