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Gareth von Kallenbach (980 KP) rated Attack the Block (2011) in Movies
Aug 7, 2019
Remember, remember the fifth of November…because that’s when the film Attack the Block (from the producers of “Shaun of the Dead”) begins – on Guy Fawkes Night. If you want to know what that is, use a search engine like I did (there’s even a catchy poem for this British holiday, too).
Anyway, back to the film. It’s Guy Fawkes Night in London, with fireworks exploding throughout the city, a small gang of teens are looking to have a little fun. The gang has 5 people; the leader Moses (John Boyega), Jerome (Leeon Jones), Dennis (Franz Drameh), Biggz (Simon Howard) and Pest (Alex Esmail). During this “fun time” they mug Sam (Jodie Whitaker) a nurse returning home from work. During the course of the mugging an object falls from the sky striking a nearby car. While the gang is distracted, Sam runs off and calls the police. As Moses investigates what hit the car and what he can steal, something scratches his arm and escapes into the night. Moses is so furious, he and the rest of the gang give chase, eventually cornering and killing the creature.
They aren’t sure what the creature is but they know they can probably make money off of it, so they take it to Ron (Nick Frost), the friendly neighborhood drug dealer who lives in their apartment complex, for safe keeping. As the gang enjoys a “relaxing” smoke (don’t worry anti-tobacco people, they aren’t smoking cigarettes), Moses is approached by Hi-Hatz (Jumayn Hunter) the local drug kingpin that Ron works for. Hi-Hatz likes the tough, street-smart Moses and wants him to be one of his dealers, a job Moses considers an honor to be offered.
As Moses’ gang gaze out the apartment’s window at the fireworks exploding over South London they see more aliens landing. They soon discover that these aliens are bigger, stronger, tougher and way more violent than the first one they encountered and, even worse than that, these aliens are coming after them. The gang decides that they have to fight back and protect their block. During one encounter with the aliens, Pest becomes seriously injured and they end up tracking down Sam (the nurse they mugged at the beginning of the movie) for help. Once Sam is convinced that they are telling the truth about the invasion she joins them and eventually a sort of mutual respect forms between her and the members of the gang. Unfortunately while they are fighting off the invasion, Moses’s gang has a falling out with Hi-Hatz. So just to be clear, at a point in the film, Moses and his gang have the police, Hi-Hatz with his crew and aliens chasing after them. Will Moses and his merry men be victorious or will they fall prey to ‘those clamorous harbingers of blood and death’? Sorry, felt the need to quote Shakespeare.
The movie is highly enjoyable with its unique twist on the sci-fi genre blended with a healthy dose of humor, believable action and great anti-heroes. While the movie is a low budget film, the cast put on a big budget performance. The special effects were well done and not over the top like so many other sci-fi action movies I’ve seen. While the movie is a bit on the campy side (which I do enjoy) I do want to point out that with the exception of the alien-thing the film keeps things quite realistic. One negative thing about the film is that because of the British accent and slang I did not understand some of the dialogue (I’m sure the British say the same thing about our movies).
I will be honest, Nick Frost was the driving force behind me wanting to see this movie and I thoroughly enjoyed his scenes but he only has a few scenes. Jodie Whitaker did a very nice job of taking the audience on a journey of a character who, at the beginning is both mad at and afraid of those who had mugged her, but as the movie progresses those feelings are slowly replaced with mutual respect, understanding and friendship. Jumayn Hunter portrayed such a unique drug kingpin I was actually rooting for him (don’t worry law enforcement officials, I will still “Say ‘No’ to Drugs”). The rest of the supporting cast all did wonderful jobs as well but I want to talk about the actors that made up Moses’s Gang.
You wouldn’t know it by watching the movie but this is the first film for John Boyega, Leeon Jones, Simon Howard and Alex Esmail; the second movie for Franz Drameh. Even before knowing that, I already thought these five actors did an incredible job in the film but after finding that out I was really blown away. Their five characters are the core of the movie that takes us on this great adventure. However I do want to single out the lead John Boyega, as his character goes through a sort of rite of passage in the film. He does an amazing job with the range of emotion that is needed all the while keeping the character as real as a sci-fi film will allow. I will definitely keep an eye out for future films with these actors.
Anyway, back to the film. It’s Guy Fawkes Night in London, with fireworks exploding throughout the city, a small gang of teens are looking to have a little fun. The gang has 5 people; the leader Moses (John Boyega), Jerome (Leeon Jones), Dennis (Franz Drameh), Biggz (Simon Howard) and Pest (Alex Esmail). During this “fun time” they mug Sam (Jodie Whitaker) a nurse returning home from work. During the course of the mugging an object falls from the sky striking a nearby car. While the gang is distracted, Sam runs off and calls the police. As Moses investigates what hit the car and what he can steal, something scratches his arm and escapes into the night. Moses is so furious, he and the rest of the gang give chase, eventually cornering and killing the creature.
They aren’t sure what the creature is but they know they can probably make money off of it, so they take it to Ron (Nick Frost), the friendly neighborhood drug dealer who lives in their apartment complex, for safe keeping. As the gang enjoys a “relaxing” smoke (don’t worry anti-tobacco people, they aren’t smoking cigarettes), Moses is approached by Hi-Hatz (Jumayn Hunter) the local drug kingpin that Ron works for. Hi-Hatz likes the tough, street-smart Moses and wants him to be one of his dealers, a job Moses considers an honor to be offered.
As Moses’ gang gaze out the apartment’s window at the fireworks exploding over South London they see more aliens landing. They soon discover that these aliens are bigger, stronger, tougher and way more violent than the first one they encountered and, even worse than that, these aliens are coming after them. The gang decides that they have to fight back and protect their block. During one encounter with the aliens, Pest becomes seriously injured and they end up tracking down Sam (the nurse they mugged at the beginning of the movie) for help. Once Sam is convinced that they are telling the truth about the invasion she joins them and eventually a sort of mutual respect forms between her and the members of the gang. Unfortunately while they are fighting off the invasion, Moses’s gang has a falling out with Hi-Hatz. So just to be clear, at a point in the film, Moses and his gang have the police, Hi-Hatz with his crew and aliens chasing after them. Will Moses and his merry men be victorious or will they fall prey to ‘those clamorous harbingers of blood and death’? Sorry, felt the need to quote Shakespeare.
The movie is highly enjoyable with its unique twist on the sci-fi genre blended with a healthy dose of humor, believable action and great anti-heroes. While the movie is a low budget film, the cast put on a big budget performance. The special effects were well done and not over the top like so many other sci-fi action movies I’ve seen. While the movie is a bit on the campy side (which I do enjoy) I do want to point out that with the exception of the alien-thing the film keeps things quite realistic. One negative thing about the film is that because of the British accent and slang I did not understand some of the dialogue (I’m sure the British say the same thing about our movies).
I will be honest, Nick Frost was the driving force behind me wanting to see this movie and I thoroughly enjoyed his scenes but he only has a few scenes. Jodie Whitaker did a very nice job of taking the audience on a journey of a character who, at the beginning is both mad at and afraid of those who had mugged her, but as the movie progresses those feelings are slowly replaced with mutual respect, understanding and friendship. Jumayn Hunter portrayed such a unique drug kingpin I was actually rooting for him (don’t worry law enforcement officials, I will still “Say ‘No’ to Drugs”). The rest of the supporting cast all did wonderful jobs as well but I want to talk about the actors that made up Moses’s Gang.
You wouldn’t know it by watching the movie but this is the first film for John Boyega, Leeon Jones, Simon Howard and Alex Esmail; the second movie for Franz Drameh. Even before knowing that, I already thought these five actors did an incredible job in the film but after finding that out I was really blown away. Their five characters are the core of the movie that takes us on this great adventure. However I do want to single out the lead John Boyega, as his character goes through a sort of rite of passage in the film. He does an amazing job with the range of emotion that is needed all the while keeping the character as real as a sci-fi film will allow. I will definitely keep an eye out for future films with these actors.
Writing (3 more)
No character development
Too many inconsistencies
Too many chapters
Errin Stowell's new novel series starts with Covet Not which is about a middle-aged lawyer named Sam Sparks - - - who is referred to as Sparks nearly the entire story - - - whose fiancee goes missing and he then becomes the prime suspect. Before everything happens though, readers see that Sparks spends his time trying to defend the elderly from home foreclosures as a small-time lawyer.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Haley Mathiot (9 KP) rated The Lawyer's Lawyer (Jack Tobin, #3) in Books
Apr 27, 2018
You know what makes certain books fantastic? Character development. That was the strongest point of The Lawyer’s Lawyer; the characters were wonderful.
Jack, the protagonist, was clever and intelligent and innovative and full of emotion (and hilarious when drunk). He was the kind of person I’d want to hang around… and for that matter, so were his friends. They left you with the feeling of belonging, of security. And by the end of the book, you’re thanking your lucky stars Jack had those friends, because they saved his rear end!
Danny was awesome. For the sake of keeping this review spoiler-free, I’ll just say this: The best people are the ones who do everything in love—whether those things are good or bad is up for you to decide.
And the bad guys! Sometimes the bad guys are the best! This was definitely the case in this book. One of the characters, Sam (the police chief), started off as this guy who was a little annoying. But as the story went on, I began to like him less and less, and finally at the end, I despised him. And the lawyer who represented the State in the case? Man that guy was a twit. I hated his guts. I wanted to slap him across the face.
The other exceptional attribute of this book was the narrator for the audiobook. He is incredibly talented, giving unique and identifiable voices to each character that totally described their person in a few sounds. I’m adding Rick Zieff to my list of narrators to look for in the future!
There were a few parts I would have liked to see improved: namely the beginning of the story, a chapter in the middle, and the very last scene. In the beginning, we are met with character development and background information, which is all fine… but there’s this one random case that Jack works that has nothing to do with the main plot. I kept waiting for it to come back into the main story, but it never did, and it felt out of place.
Then there was the scene in the middle, and the other part, the ending. These scenes were just borderline sappy. Danny and Jack are in love and they date and have hot sex and get all wishy-washy and twitterpated. And I’ll be the first to admit that I thoroughly enjoy being twitterpated, especially with sexy fictional characters. But I’m going to be brutally honest here… James Sheehan, you are a thriller writer… NOT a romance writer. And there’s a good reason for that: Because you suck at romance.
All in all, I absolutely loved The Lawyer’s Lawyer, and look forward to more from Sheehan.
Content/Recommendation: Some language, mild violence, mention of sex. Ages 17+
Jack, the protagonist, was clever and intelligent and innovative and full of emotion (and hilarious when drunk). He was the kind of person I’d want to hang around… and for that matter, so were his friends. They left you with the feeling of belonging, of security. And by the end of the book, you’re thanking your lucky stars Jack had those friends, because they saved his rear end!
Danny was awesome. For the sake of keeping this review spoiler-free, I’ll just say this: The best people are the ones who do everything in love—whether those things are good or bad is up for you to decide.
And the bad guys! Sometimes the bad guys are the best! This was definitely the case in this book. One of the characters, Sam (the police chief), started off as this guy who was a little annoying. But as the story went on, I began to like him less and less, and finally at the end, I despised him. And the lawyer who represented the State in the case? Man that guy was a twit. I hated his guts. I wanted to slap him across the face.
The other exceptional attribute of this book was the narrator for the audiobook. He is incredibly talented, giving unique and identifiable voices to each character that totally described their person in a few sounds. I’m adding Rick Zieff to my list of narrators to look for in the future!
There were a few parts I would have liked to see improved: namely the beginning of the story, a chapter in the middle, and the very last scene. In the beginning, we are met with character development and background information, which is all fine… but there’s this one random case that Jack works that has nothing to do with the main plot. I kept waiting for it to come back into the main story, but it never did, and it felt out of place.
Then there was the scene in the middle, and the other part, the ending. These scenes were just borderline sappy. Danny and Jack are in love and they date and have hot sex and get all wishy-washy and twitterpated. And I’ll be the first to admit that I thoroughly enjoy being twitterpated, especially with sexy fictional characters. But I’m going to be brutally honest here… James Sheehan, you are a thriller writer… NOT a romance writer. And there’s a good reason for that: Because you suck at romance.
All in all, I absolutely loved The Lawyer’s Lawyer, and look forward to more from Sheehan.
Content/Recommendation: Some language, mild violence, mention of sex. Ages 17+
Debbiereadsbook (1576 KP) rated At War with a Broken Heart in Books
Feb 26, 2019
get the tissues ready, you'll need them!
Davet and his younger brother moved to Bideford, in Cornwall to be away from their abusive parents. Davet runs a coffee shop and Fie goes every day for his coffee before starting in his pottery shop. Sid is a local police officer who also frequents the coffee shop, mostly when Fie is there too. All three men have crushed on each other for several years. When Davet is dealt a devastating blow, Fie and Sid have to rally round Davet, to keep the younger man from crumbling. Can they really make this work, the three of them?
I was warned, you know? Warned that I would need a box of tissues, for this one and boy did I need them!
Davet's blow is shocking in it's extreme, and it broke my heart for him. But also, for Fie and Sid, watching their man ( and they WERE a three, even before they voiced it!) fall apart around them and not really being able to help. BUT Davet's parents turning up galvanised them into doing what DAVET needed, rather than what they thought they should be doing, if that makes sense?
It's mmt overly explicit for a three way book, but that's not needed here. HERE it's about three men falling in, and acting on that love, even if it takes a tragedy for them to see it. That loves shines right from the start and it really is a joy to watch them fall, almost one after the other, like dominoes!
All three men have their say, so we get it all. We get Fie's dawning realisation to what Davet might feel for him, and how he deals with his survivors guilt, or not most days. We get Davet's heartbreak, but equally his joy when they finally give in to each other and how HE deals with everyone and everything in his own way. And we get Sid and his internal wrangling with himself over his relationship with his dad, and whether the three of them can REALLY be together.
It's full of Ms Donovan's witty one liners, quirky characters and her damaged and tortured men. Ms Donovan's boys do like to play with their food and I'm so glad we got a little food fight here!
I started this book at 10.15pm, after a long busy shift at work, full of a nasty cold. A few pages before sleep, is the lie you tell yourself and the next thing you know, it's 2.30am, your head is pounding, and you've ran out of book.
So, it can only get . . .
5 full and shiny stars
**same worded review will appear elsewhere**
I was warned, you know? Warned that I would need a box of tissues, for this one and boy did I need them!
Davet's blow is shocking in it's extreme, and it broke my heart for him. But also, for Fie and Sid, watching their man ( and they WERE a three, even before they voiced it!) fall apart around them and not really being able to help. BUT Davet's parents turning up galvanised them into doing what DAVET needed, rather than what they thought they should be doing, if that makes sense?
It's mmt overly explicit for a three way book, but that's not needed here. HERE it's about three men falling in, and acting on that love, even if it takes a tragedy for them to see it. That loves shines right from the start and it really is a joy to watch them fall, almost one after the other, like dominoes!
All three men have their say, so we get it all. We get Fie's dawning realisation to what Davet might feel for him, and how he deals with his survivors guilt, or not most days. We get Davet's heartbreak, but equally his joy when they finally give in to each other and how HE deals with everyone and everything in his own way. And we get Sid and his internal wrangling with himself over his relationship with his dad, and whether the three of them can REALLY be together.
It's full of Ms Donovan's witty one liners, quirky characters and her damaged and tortured men. Ms Donovan's boys do like to play with their food and I'm so glad we got a little food fight here!
I started this book at 10.15pm, after a long busy shift at work, full of a nasty cold. A few pages before sleep, is the lie you tell yourself and the next thing you know, it's 2.30am, your head is pounding, and you've ran out of book.
So, it can only get . . .
5 full and shiny stars
**same worded review will appear elsewhere**
Becs (244 KP) rated The Silent Patient in Books
Jun 6, 2019
Twisty and captivating!
My rating: ☆☆☆☆
TRIGGER WARNINGS: talk of suicide, mental illness, depression, stalking, cheating, loss of a parent, and child abuse.
The Silent Patient is told through two different point of views: Theo's, who narrates majority of the novel and Alicia's diary entries. It starts with talking about Alicia and her husband, the life they had, and that one fateful night that changed multiple of lives.
Alicia was seeing things, a man who watched her but she could never see his face clearly. She tried talking to her husband and a therapist about the stalker, but they didn't help one bit. They put her on medications for hallucinations, Alicia didn't take them because she didn't believe that they were hallucinations she was seeing. Then one fateful night, the police barged into the apartment to see Alicia standing standing over her now dead husband. He had been shot five times in the face by Alicia.
Alicia went to court and was charged guilty with her husband's murder but did not speak at all. She became a mute and instead of being sent to prison, she was assigned to a psychiatric unit called The Grove. This is where Theo comes in.
Theo is absolutely obsessed with Alicia Berenson and is determined to get Alicia to talk as nobody else has been able too. But he soon realizes that it isn't what he wants to hear. This is the big twist and I can't tell you cause that would be a spoiler and I don't want to spoil you. *insert winky kissy face*
“That's how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and she feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
Reasons why I rated it 4 stars:
1. The plot:
The Silent Patient was not only compelling, but captivating as well. It did start a tad slow but soon became unputdownable!
2. My enjoyment:
I really enjoyed the twists, turns, Greek stylized tragedy, and the mysteriousness of both the main characters' stories.
3. Character and story development:
Wow! The development in The Silent Patient was really amazing. Background was given for both characters and story. There was development, even with the switching of POV's. I was not expecting to be enthralled with both Theo and Alicia's stories.
4. Grammar and spelling:
This is a freebie star as I listened via audiobook. But everything sounded grammatically correct!
5. The overall story:
At first, The Silent Patient was slow and I was pushing myself to just get it finished. But it eventually picked up and I was blown away with the mysteriousness and enthrallment of the story.
“We're all crazy, I believe, just in different ways.”
TRIGGER WARNINGS: talk of suicide, mental illness, depression, stalking, cheating, loss of a parent, and child abuse.
The Silent Patient is told through two different point of views: Theo's, who narrates majority of the novel and Alicia's diary entries. It starts with talking about Alicia and her husband, the life they had, and that one fateful night that changed multiple of lives.
Alicia was seeing things, a man who watched her but she could never see his face clearly. She tried talking to her husband and a therapist about the stalker, but they didn't help one bit. They put her on medications for hallucinations, Alicia didn't take them because she didn't believe that they were hallucinations she was seeing. Then one fateful night, the police barged into the apartment to see Alicia standing standing over her now dead husband. He had been shot five times in the face by Alicia.
Alicia went to court and was charged guilty with her husband's murder but did not speak at all. She became a mute and instead of being sent to prison, she was assigned to a psychiatric unit called The Grove. This is where Theo comes in.
Theo is absolutely obsessed with Alicia Berenson and is determined to get Alicia to talk as nobody else has been able too. But he soon realizes that it isn't what he wants to hear. This is the big twist and I can't tell you cause that would be a spoiler and I don't want to spoil you. *insert winky kissy face*
“That's how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and she feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
Reasons why I rated it 4 stars:
1. The plot:
The Silent Patient was not only compelling, but captivating as well. It did start a tad slow but soon became unputdownable!
2. My enjoyment:
I really enjoyed the twists, turns, Greek stylized tragedy, and the mysteriousness of both the main characters' stories.
3. Character and story development:
Wow! The development in The Silent Patient was really amazing. Background was given for both characters and story. There was development, even with the switching of POV's. I was not expecting to be enthralled with both Theo and Alicia's stories.
4. Grammar and spelling:
This is a freebie star as I listened via audiobook. But everything sounded grammatically correct!
5. The overall story:
At first, The Silent Patient was slow and I was pushing myself to just get it finished. But it eventually picked up and I was blown away with the mysteriousness and enthrallment of the story.
“We're all crazy, I believe, just in different ways.”
Sensitivemuse (246 KP) rated Jar City in Books
Jan 15, 2018
What made this book enjoyable was how such an intricate web was spun throughout the novel giving the reader enough interest to keep reading. I was not sure what to expect from this book. Although I’ve heard good things about it I didn’t think I would be so engrossed and be flying through the pages to find out what will happen next.
I’m still not sure what to think of Erlandur as a character. Like most protagonists in series like these they usually have an underlying personal issue (whether it be health, or family for example) which he does have, but his personality I can’t really quite make out. He doesn’t seem to have much of one except he cares for his daughter and her well being even though they are estranged. He does have some sense of humor and wit but overall he appears to be driven by his work and hard working to solve the crime (we all need police like these don’t we?.)
I’m liking how his relationship with his daughter is turning out. It’s nice to see them slowly step away from their estrangement and it shows they do truly care for each other even though it’s done through yelling (most families are like that though, aren’t they?) It shows a lot of tough love, and I’m hoping the best for Eva Lind in the next books (I hope she appears as I’m slowly starting to like her more.)
What I enjoyed the most of this book was the plot like I mentioned earlier. It went from point A to point B but in such a dramatic motion it certainly kept you reading to find out what was going to happen next. The mood of the story also, was excellent. It was dark, dreary, melancholy, and although not suspenseful like the majority of the crime novels, it didn’t have to be. It made the setting suitable for the plot and made it more enjoyable.
One little thing I do have to add though, is the side story with the bride. I’m not sure why that was mentioned as it had little to do with the main story and it seemed like a filler. It wasn’t necessary as the plot itself was fine without it. I also enjoyed the ending of the book. It was sad, but you came to the realization it had to come to an ending like this.
As this is book #3 in its native language, it’s considered book #1 in its’ English translation. It seems all right and nothing seems to be lacking. Perhaps a bit of backstory might have helped but it was comprehensible to read. Greatly recommended! It’s a great break from the usual detective novels we have out there.
I’m still not sure what to think of Erlandur as a character. Like most protagonists in series like these they usually have an underlying personal issue (whether it be health, or family for example) which he does have, but his personality I can’t really quite make out. He doesn’t seem to have much of one except he cares for his daughter and her well being even though they are estranged. He does have some sense of humor and wit but overall he appears to be driven by his work and hard working to solve the crime (we all need police like these don’t we?.)
I’m liking how his relationship with his daughter is turning out. It’s nice to see them slowly step away from their estrangement and it shows they do truly care for each other even though it’s done through yelling (most families are like that though, aren’t they?) It shows a lot of tough love, and I’m hoping the best for Eva Lind in the next books (I hope she appears as I’m slowly starting to like her more.)
What I enjoyed the most of this book was the plot like I mentioned earlier. It went from point A to point B but in such a dramatic motion it certainly kept you reading to find out what was going to happen next. The mood of the story also, was excellent. It was dark, dreary, melancholy, and although not suspenseful like the majority of the crime novels, it didn’t have to be. It made the setting suitable for the plot and made it more enjoyable.
One little thing I do have to add though, is the side story with the bride. I’m not sure why that was mentioned as it had little to do with the main story and it seemed like a filler. It wasn’t necessary as the plot itself was fine without it. I also enjoyed the ending of the book. It was sad, but you came to the realization it had to come to an ending like this.
As this is book #3 in its native language, it’s considered book #1 in its’ English translation. It seems all right and nothing seems to be lacking. Perhaps a bit of backstory might have helped but it was comprehensible to read. Greatly recommended! It’s a great break from the usual detective novels we have out there.
Kristy H (1252 KP) rated The Breakdown in Books
Jan 21, 2018
Predictable (1 more)
Silly plot
Cass is driving home one rainy night--taking the back road to her house--when she sees a woman stopped by the side of the road. Cass pauses to help her, but eventually drives home without making any contact. She feels bad about not assisting, but the crazy storm prevents her from even seeing who is in the car. It's only later that her husband tells her that someone was murdered that night, and Cass realizes that it was the same woman she saw. Eventually Cass realizes it was a woman she knew, Jane, and she feels even worse. After, Cass is consumed by Jane's murder. She feels watched and is convinced the murderer is calling her house repeatedly. She's forgetting things, unable to work her household appliances, and receiving items she swears she never ordered. Is Cass truly going crazy--and is the murderer coming for her next?
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Kristy H (1252 KP) rated Faultlines in Books
Feb 13, 2018
At 20, Jordy Cline's life should be just beginning. Instead, it seems as if he's looking at a long period in jail and a lifetime of guilt. It all begins when his mother, Sandy, receives the call every mother dreads: there's been a car accident. Jordy and his cousin, Travis, were thrown from the vehicle, and their passenger, Michelle, is in a coma. Both boys are seriously injured and even worse, it looks like they were drinking. Local law enforcement seems to think Jordy was drinking and driving--a natural assumption given his history of underage drinking and Travis' usual role as the designated driver--but Jordy is insistent that he wasn't. Suddenly, Sandy finds herself fighting for her son's survival and dealing with her sister Jenna's anger over Jordy's role in the crash. The crash also reveals more family and town secrets. Will things ever be the same? And was Jordy really responsible for the crash?
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
Kristy H (1252 KP) rated The Sleepwalker in Books
Feb 13, 2018
Lianna Ahlberg has always known that her mother, Annalee, is a sleepwalker. So when Annalee goes missing, her family immediately assumes she has vanished while sleepwalking. After all, Lianna once pulled her naked mother off a bridge near the river by their home. A scrap of her nightshirt is found near that same river, and everyone assumes the worst. College-aged Lianna, her twelve-year-old sister, Paige, and their father, Warren, must grapple with a life without this loving mother and wife. Still, the police, including detective Gavin Rikert, continue to probe into Annalee's disappearance. And so does her family. Lianna finds herself learning more about her mother, her parents' marriage, and her family's history of sleepwalking. She also finds herself drawn to Gavin, who knew her mother before she disappeared. Where is Annalee, or her body? And what really happened that night?
This story is almost a treatise in the facts of sleepwalking, or parasomnia. It is told from Lianna's point of view, but interspersed with odd snippets from a journal (or something, we aren't sure) with facts, thoughts, and ruminations about sleepwalking. It's also a very (very) slow-building mystery as we discover what happened to Annalee Ahlberg (as Lianna calls her repeatedly throughout the novel - something that bothered me. Just call her mom!). The novel certainly has some intrigue, but man, it's a slow buildup, and while I liked Lianna and Paige, I wasn't fully part of their world, and I didn't find myself rushing to read this book; it took me five or so days to finish it, which is a lot for me. Now I read it over the holidays, and I wasn't feeling well (not its fault), but still.
Furthermore, the book details a lot of odd plot threads that never seem to fully connect. I often found myself wondering if it was interesting, or just dragging on. Having Lianna tell the story as she's looking back in time was also an odd storytelling device, as it just allowed for weird, pointless inserts (e.g., ruminating about how she never used condoms).
By the time we get to the ending, it is somewhat surprising, but almost a little frustrating. So much buildup for very little resolution, and then the novel is over. In a way, I feel as if Bohjalian suffered (for me) from his greatness; I've loved so many of his other novels and characters that this one just fell a bit flat. It was interesting premise, and not a bad read, but certainly not my favorite of his.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 1/10/2017.
This story is almost a treatise in the facts of sleepwalking, or parasomnia. It is told from Lianna's point of view, but interspersed with odd snippets from a journal (or something, we aren't sure) with facts, thoughts, and ruminations about sleepwalking. It's also a very (very) slow-building mystery as we discover what happened to Annalee Ahlberg (as Lianna calls her repeatedly throughout the novel - something that bothered me. Just call her mom!). The novel certainly has some intrigue, but man, it's a slow buildup, and while I liked Lianna and Paige, I wasn't fully part of their world, and I didn't find myself rushing to read this book; it took me five or so days to finish it, which is a lot for me. Now I read it over the holidays, and I wasn't feeling well (not its fault), but still.
Furthermore, the book details a lot of odd plot threads that never seem to fully connect. I often found myself wondering if it was interesting, or just dragging on. Having Lianna tell the story as she's looking back in time was also an odd storytelling device, as it just allowed for weird, pointless inserts (e.g., ruminating about how she never used condoms).
By the time we get to the ending, it is somewhat surprising, but almost a little frustrating. So much buildup for very little resolution, and then the novel is over. In a way, I feel as if Bohjalian suffered (for me) from his greatness; I've loved so many of his other novels and characters that this one just fell a bit flat. It was interesting premise, and not a bad read, but certainly not my favorite of his.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 1/10/2017.