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Mark @ Carstairs Considers (2057 KP) rated Room for Doubt in Books
Aug 21, 2018
Suicide or a Serial Killer?
A body has been found hanging from the Hollywood sign, and radio reporter Carol Childs is sent to the scene. The police have ruled it a suicide, but Carol thinks something else is going on. Before the weekend is over, Carol is contacted by a PI who shares her belief that there is more to this death. Then a caller to Carol’s new late Sunday show all but confesses. What is really going on?
From this intriguing premise, we get another fun mystery filled with plenty of suspense. I did have some issues with some moral issues brought up in this book, which is funny because I am on the opposite side of things on some TV shows I watch. A psychic we met in the first book is back, but I was happy that her “ability” only played a small part in the book. In fact, I enjoyed seeing her again since she is a fun foil for Carol. I really liked the cast of characters as well. There were some timeline issues in the middle of the book, but overall, they were a minor annoyance.
From this intriguing premise, we get another fun mystery filled with plenty of suspense. I did have some issues with some moral issues brought up in this book, which is funny because I am on the opposite side of things on some TV shows I watch. A psychic we met in the first book is back, but I was happy that her “ability” only played a small part in the book. In fact, I enjoyed seeing her again since she is a fun foil for Carol. I really liked the cast of characters as well. There were some timeline issues in the middle of the book, but overall, they were a minor annoyance.
Awix (3310 KP) rated Widows (2018) in Movies
Nov 18, 2018 (Updated Nov 18, 2018)
Based on a TV show that most people will probably have either forgotten or never heard of in the first place, the new film from Steve McQueen (not that one) exchanges the existential historical misery of his last one for existential present-day corruption and despair. When a crew of robbers are killed on a job-gone-wrong and the leader's widow is menaced by the target, demanding his money back, she decides to recruit the widows of the other men to execute her former husband's planned next heist in order to meet her obligations.
Smartly written and well played, there is a lot going on here apart from the obvious genre stuff - various subplots explore the lives of women in modern America, police violence, institutional racism, and so on. However, the problem is that the film seems to get lost in exploring all of this and the meat-and-potatoes stuff about the heist kind of gets a bit lost as a result - the robbery, when it finally arrives, feels a bit rushed and underdeveloped. Still, this is a quality movie with lots to commend it.
Smartly written and well played, there is a lot going on here apart from the obvious genre stuff - various subplots explore the lives of women in modern America, police violence, institutional racism, and so on. However, the problem is that the film seems to get lost in exploring all of this and the meat-and-potatoes stuff about the heist kind of gets a bit lost as a result - the robbery, when it finally arrives, feels a bit rushed and underdeveloped. Still, this is a quality movie with lots to commend it.
Underrated attempt at a proper science fiction series from the BBC. In the far-off year of 2027, British copper Nathan Spring takes command of the International Space Police Force, responsible for law and order on the Moon and aboard the various space stations. Psychological and political issues prove to be as tricky as the actual crimes, though...
Clearly made on a punishingly low budget, and the vision of the future is occasionally a bit wonky from a modern perspective, but the five episodes written by series creator Chris Boucher are some of the best, most intelligent, wittiest and most cynical SF ever broadcast by the BBC. The other episodes not so much: everything gets a bit campy and there are a lot of national stereotypes on display. (Plus, the theme tune has been called the worst in TV history, and most of the incidental music is rubbish too.) Even when it's not particularly good, it's always trying to do something a bit different, and David Calder is consistently excellent as Spring. Not the first nor the last SF or fantasy show to be cut loose by the BBC before it had a chance to realise its potential.
Clearly made on a punishingly low budget, and the vision of the future is occasionally a bit wonky from a modern perspective, but the five episodes written by series creator Chris Boucher are some of the best, most intelligent, wittiest and most cynical SF ever broadcast by the BBC. The other episodes not so much: everything gets a bit campy and there are a lot of national stereotypes on display. (Plus, the theme tune has been called the worst in TV history, and most of the incidental music is rubbish too.) Even when it's not particularly good, it's always trying to do something a bit different, and David Calder is consistently excellent as Spring. Not the first nor the last SF or fantasy show to be cut loose by the BBC before it had a chance to realise its potential.
Hazel (2934 KP) rated Ready Or Not in Books
Sep 26, 2021
This is a deliciously creepy and gripping read made all the better as it's partly set in my neck of the woods!
A serial killer is on the loose murdering people at random and the police have no leads whatsoever. Tom and Alice are happily married with a beautiful baby girl but the cracks begin to show; they are exhausted by a lack of sleep, bruising begins to appear on their baby and Alice starts writing about the serial killer. As Alice becomes more embroiled in her story, it appears the killer has her in his sights.
Written from different perspectives and with timelines from the past which smoothly lead into the present, this is a fast paced and thrilling read where the tension builds and builds right until the end. Each and every character is strong and adds something to the story.
I have read some of Alex Lake's previous books and have enjoyed each and every one of them and I will certainly be looking out for the next.
Thank you to HarperCollins UK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.
A serial killer is on the loose murdering people at random and the police have no leads whatsoever. Tom and Alice are happily married with a beautiful baby girl but the cracks begin to show; they are exhausted by a lack of sleep, bruising begins to appear on their baby and Alice starts writing about the serial killer. As Alice becomes more embroiled in her story, it appears the killer has her in his sights.
Written from different perspectives and with timelines from the past which smoothly lead into the present, this is a fast paced and thrilling read where the tension builds and builds right until the end. Each and every character is strong and adds something to the story.
I have read some of Alex Lake's previous books and have enjoyed each and every one of them and I will certainly be looking out for the next.
Thank you to HarperCollins UK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.
Gareth von Kallenbach (965 KP) rated Hostage (2005) in Movies
Aug 14, 2019
Chief of Police Jeff Talley (Bruce Willis) is a man filled with turmoil. A former S.W.A.T. officer and top hostage negotiator for the Los Angeles Police Department, Talley now toils away in a quite California town where crime is light and very infrequent. The change in locales was made necessary for Jeff in the aftermath of a hostage negotiation where things did not go accordingly leaving Jeff with more questions than answers.
As if this is not bad enough, Talley is having difficulties with his wife Jane (Serena Scott Thomas), and his daughter Amanda (Rumer Willis), who is not happy with their relocation to the quiet locale or the strain that is amongst her parents as it is clear that they still love each other very much.
The quiet town is disrupted when a robbery of a successful locale business man goes horribly wrong and ends up with a dead police officer and three hostages being held in a high tech, high security home.
Jeff responds to the incident and soon finds himself dealing with the three young men who are clearly in over their head and very dangerous due to the instability of the situation. Jeff decides to call in the Sheriff’s office as he believe his police force is not suited for this sort of situation and essentially decides to wash his hands of the situation and go home.
While driving home, Jeff is carjacked by a group of individuals who show Jeff that they have taken his wife and daughter hostage and instruct him not to let anyone in or out of the house where the hostage crisis is taking place. Jeff is also instructed to not deviate in any way from his instructions under pain of immediate death for his wife and daughter. His only communication with his new handlers will be via a cell phone, and he is to resume control of the negotiations.
It is learned that there is something in the house that the people holding Jeff’s family need and are willing to resort to very extreme measure to get it.
It is at this point that the very, very gripping and entertaining setup to the film begins to slide, as the second half of the film does not come close to matching the quality of the opening segments.
There are some very good cat and mouse moments as the men in the house start to argue amongst themselves, and interact with the family inside the house. The supporting performances are solid especially those of Jennifer (Michelle Horn), who plays the daughter held captive by the trio and the eerie performance of Ben Foster as the twisted Hostage taker Mars.
Sadly the film decides to turn to a series of brutal images and sequences rather than continue to develop the characters and work the story. The characters often embark on some inane courses of action and do things that not only contradict what we know about their characters but also fly into the lapse of logic as people in their situations would never do. I would love to expand on this by referencing a segment of the film but in the interest of not spoiling the film, I will explain it as when characters are told not to do something, why would they repeatedly do it, and then continue to do so without any consequences?
It is the continued lack of common sense and the and the very over the top and lazy finale to the film that sinks what could have and should have been a much better movie as the film is clearly sunk by the awful final 40 minutes of the show. Willis does a solid job with his role but the last act of the script let him down as even a star of his magnitude and talents cant make up for the films numerous shortcomings.
As if this is not bad enough, Talley is having difficulties with his wife Jane (Serena Scott Thomas), and his daughter Amanda (Rumer Willis), who is not happy with their relocation to the quiet locale or the strain that is amongst her parents as it is clear that they still love each other very much.
The quiet town is disrupted when a robbery of a successful locale business man goes horribly wrong and ends up with a dead police officer and three hostages being held in a high tech, high security home.
Jeff responds to the incident and soon finds himself dealing with the three young men who are clearly in over their head and very dangerous due to the instability of the situation. Jeff decides to call in the Sheriff’s office as he believe his police force is not suited for this sort of situation and essentially decides to wash his hands of the situation and go home.
While driving home, Jeff is carjacked by a group of individuals who show Jeff that they have taken his wife and daughter hostage and instruct him not to let anyone in or out of the house where the hostage crisis is taking place. Jeff is also instructed to not deviate in any way from his instructions under pain of immediate death for his wife and daughter. His only communication with his new handlers will be via a cell phone, and he is to resume control of the negotiations.
It is learned that there is something in the house that the people holding Jeff’s family need and are willing to resort to very extreme measure to get it.
It is at this point that the very, very gripping and entertaining setup to the film begins to slide, as the second half of the film does not come close to matching the quality of the opening segments.
There are some very good cat and mouse moments as the men in the house start to argue amongst themselves, and interact with the family inside the house. The supporting performances are solid especially those of Jennifer (Michelle Horn), who plays the daughter held captive by the trio and the eerie performance of Ben Foster as the twisted Hostage taker Mars.
Sadly the film decides to turn to a series of brutal images and sequences rather than continue to develop the characters and work the story. The characters often embark on some inane courses of action and do things that not only contradict what we know about their characters but also fly into the lapse of logic as people in their situations would never do. I would love to expand on this by referencing a segment of the film but in the interest of not spoiling the film, I will explain it as when characters are told not to do something, why would they repeatedly do it, and then continue to do so without any consequences?
It is the continued lack of common sense and the and the very over the top and lazy finale to the film that sinks what could have and should have been a much better movie as the film is clearly sunk by the awful final 40 minutes of the show. Willis does a solid job with his role but the last act of the script let him down as even a star of his magnitude and talents cant make up for the films numerous shortcomings.
Darren (1599 KP) rated Villain (1971) in Movies
Jul 25, 2019
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Kevin Wilson (179 KP) rated Frequency - Season 1 in TV
Nov 9, 2018
Likeable characters (3 more)
Good story
Good pacing
They were able to release an epilogue to tie up some loose ends
There were a few frustrating moments (1 more)
Missed out on finishing side stories thanks to cancellation
An interesting show that deserved 1 more season
I liked this series. I know it's based on a movie which I have seen but the movie itself was rather forgettable. I don't really remember much from it. This was far much better though. Maybe because we had more time to care about the characters.
It's not a perfect series. There were a lot of frustrating moments where things could have been made a lot more simple. People could have been told what was happening and there was proof if they were just allowed to talk into the radio themselves. But other than that the series was enjoyable and paced well. Time travel is a concept that is difficult to get right without sounding confusing but this was made simple.
It is a good series but it's not great. Sometimes the main lead got annoying at times but the series got cancelled too early so some of the side stories could not be looked at like the corruption in the police force.
***Spoilers*** stan is corrupt and I expected the dads death from a car accident to be the result of that and not actually an accident. I thought that would have made a good plot for the 2nd season ***end spoiler***
However this couldn't be told so they just ended up sizzling out. On the plus side they, they were able to send out a 3 minute epilogue to tie up a couple of loose ends to give the show a proper ending. More shows should be given this chance.
Still worth a watch and maybe 1 day we will see another shot at this.
It's not a perfect series. There were a lot of frustrating moments where things could have been made a lot more simple. People could have been told what was happening and there was proof if they were just allowed to talk into the radio themselves. But other than that the series was enjoyable and paced well. Time travel is a concept that is difficult to get right without sounding confusing but this was made simple.
It is a good series but it's not great. Sometimes the main lead got annoying at times but the series got cancelled too early so some of the side stories could not be looked at like the corruption in the police force.
***Spoilers*** stan is corrupt and I expected the dads death from a car accident to be the result of that and not actually an accident. I thought that would have made a good plot for the 2nd season ***end spoiler***
However this couldn't be told so they just ended up sizzling out. On the plus side they, they were able to send out a 3 minute epilogue to tie up a couple of loose ends to give the show a proper ending. More shows should be given this chance.
Still worth a watch and maybe 1 day we will see another shot at this.
AyL (16 KP) rated Evil Genius in TV
Jan 7, 2019
An explosive documentary and must-watch for true crime lovers
Content:
A man casually walks into a bank, with a bomb strapped to his neck and demands money. He gets caught on the parking lot after leaving the bank but he never makes it into a police car. 44 minutes after the first 911 call about the robbery and the bomb, the device around the mans neck detonates and kills him, all documented by CCTV and the Police. The man is Brian Wells, a pizza delivery man from this area. The documentary investigates the events around the murder of Brian Wells in Pennsylvania in 2003, which also became known as the „Pizza-Bomber“ Case.
Review:
If you are looking for a casual show to watch while playing candy crush on your phone, this is not the documentary for you, because things become complicated quick, with loads of suspects, different crime scenes and a lot of different stories that are told.
To really enjoy this documentary, you have to give it your full focus so you catch all the minute details. It’s like working the crime scene yourself. The documentary is not for the faint hearted. It shows the original CCTV footage of Brian Wells death!
The documentary includes interviews with people that worked on the cases, suspects and the family and friend of Brian Wells, which gives it a personal touch and makes it very attractive and fascinating to watch. It creates new questions in the viewers mind: Was Brian victim or perpetrator? Was the detonation an accident, murder or even suicide? And who is Marjorie Diehl-Armstrong and what does this woman have to do with all of this?
Trey Borzillieri, director and narrator of the documentary, shows his quite intense research for this documentary which ended in a deeper relationship with one of the suspects.
Evil genius is fascinating to watch, it grabs you and takes you through all Episodes, leaving you wanting more. A must watch for true crime lovers!
A man casually walks into a bank, with a bomb strapped to his neck and demands money. He gets caught on the parking lot after leaving the bank but he never makes it into a police car. 44 minutes after the first 911 call about the robbery and the bomb, the device around the mans neck detonates and kills him, all documented by CCTV and the Police. The man is Brian Wells, a pizza delivery man from this area. The documentary investigates the events around the murder of Brian Wells in Pennsylvania in 2003, which also became known as the „Pizza-Bomber“ Case.
Review:
If you are looking for a casual show to watch while playing candy crush on your phone, this is not the documentary for you, because things become complicated quick, with loads of suspects, different crime scenes and a lot of different stories that are told.
To really enjoy this documentary, you have to give it your full focus so you catch all the minute details. It’s like working the crime scene yourself. The documentary is not for the faint hearted. It shows the original CCTV footage of Brian Wells death!
The documentary includes interviews with people that worked on the cases, suspects and the family and friend of Brian Wells, which gives it a personal touch and makes it very attractive and fascinating to watch. It creates new questions in the viewers mind: Was Brian victim or perpetrator? Was the detonation an accident, murder or even suicide? And who is Marjorie Diehl-Armstrong and what does this woman have to do with all of this?
Trey Borzillieri, director and narrator of the documentary, shows his quite intense research for this documentary which ended in a deeper relationship with one of the suspects.
Evil genius is fascinating to watch, it grabs you and takes you through all Episodes, leaving you wanting more. A must watch for true crime lovers!
Gareth von Kallenbach (965 KP) rated The Dukes of Hazzard (2005) in Movies
Aug 14, 2019
Those good ol’ boys from Hazzard County are back, in the film version of one of the most enduring series from the 70’s.
For those unfamiliar with the series, each week Cousins Bo and Luke Duke used their super charged Dodge Charger, christened “The General Lee”, to avoid corrupt police, city overlord Boss Hogg, and bad guys of the week.
If this sounds very simplistic, it is, yet the show was a huge ratings sensation as were subsequent T.V. reunions after the show completed its run. Thanks to reruns on syndication and the recent DVD sales, a new generation is encountering the Dukes and in many ways, that is who the new film is targeted to.
Starring Johnny Knoxville and Sean William Scott as Luke and Bo Duke, the film follows the basic theme of the series as the two cousins joke with one another as they run Moonshine for their Uncle Jessie (Willie Nelson), and try to stay one step ahead of the Sheriff Roscoe P. Coltrane (M.C. Gainey),
As the film opens, Bo is concerned about defending his title in the annual road rally and tying the record with his 4th consecutive win. Luke is concerned about staying one step ahead of a shotgun toting father & son duo who aren’t thrilled about his numerous dalliances with the daughter.
It is all fun and games until local overlord Boss Hogg (Burt Reynolds), seizes the family farm when he plants a still on the property and drives the Dukes out. Not ones to take it sitting down, Bo, Luke, and Cousin Daisy (Jessica Simpson), set out to discover why Boss Hogg is acquiring through ruthless means all of the land in the outlying areas of Hazzard County.
Bo and Luke are forced to flee Hazzard County and venture to Atlanta in order to gain further insight into Boss Hogg’s plans, which results in some funny fish-out-of-water moments when Bo and Luke have to deal with yuppies, college dorms, and the ‘hood as well as city police and the Boss himself.
Of course in keeping with the show, there will be countless car chases, spectacular jumps, and more than enough T&A thanks to Simpson, but what is surprising is that the film’s humor for the most part works.
Directed by Jay Chandrasekher of the Broken Lizard comedy troupe, the film does have its share of moments that may raise a few eyebrows as drug use, sex, and shots to the groin are present in this film, as is language that is more colorful than anything from the original series.
That being said, it is important to remember, that times have changed greatly since the Dukes first aired and you cannot blame the film makers for attempting to reach out to a broader audience. Such is the running joke of Bo being more concerned with his car than with woman, and his inability to speak with the object of his affections without fainting. This is quite a change from the unflappable character of the television show, yet one that still allows the good natured appeal of the character to remain intact.
The cast works well, especially the chemistry between Knoxville and Scott, as well as the scenery chewing performance of Reynolds who seems to be having the time of his life in the role. Much has been made of Simpson’s part, but it is mostly a limited role that offers her little chance to do much more than serve as eye candy, and does not show if she is capable of doing much more.
Nelson is sadly underused, but when he is on screen he raises the bar as his easygoing charm is a perfect match for Uncle Jessie.
While the film is in no way great cinema, it is at times an enjoyable bit of nostalgia to the days when Friday nights growing up meant dinner in front of the television watching the Dukes.
If car chases and some light comedy are what you are in the mood for, and you do not mind a thin story, you can do a lot worse than the Dukes.
For those unfamiliar with the series, each week Cousins Bo and Luke Duke used their super charged Dodge Charger, christened “The General Lee”, to avoid corrupt police, city overlord Boss Hogg, and bad guys of the week.
If this sounds very simplistic, it is, yet the show was a huge ratings sensation as were subsequent T.V. reunions after the show completed its run. Thanks to reruns on syndication and the recent DVD sales, a new generation is encountering the Dukes and in many ways, that is who the new film is targeted to.
Starring Johnny Knoxville and Sean William Scott as Luke and Bo Duke, the film follows the basic theme of the series as the two cousins joke with one another as they run Moonshine for their Uncle Jessie (Willie Nelson), and try to stay one step ahead of the Sheriff Roscoe P. Coltrane (M.C. Gainey),
As the film opens, Bo is concerned about defending his title in the annual road rally and tying the record with his 4th consecutive win. Luke is concerned about staying one step ahead of a shotgun toting father & son duo who aren’t thrilled about his numerous dalliances with the daughter.
It is all fun and games until local overlord Boss Hogg (Burt Reynolds), seizes the family farm when he plants a still on the property and drives the Dukes out. Not ones to take it sitting down, Bo, Luke, and Cousin Daisy (Jessica Simpson), set out to discover why Boss Hogg is acquiring through ruthless means all of the land in the outlying areas of Hazzard County.
Bo and Luke are forced to flee Hazzard County and venture to Atlanta in order to gain further insight into Boss Hogg’s plans, which results in some funny fish-out-of-water moments when Bo and Luke have to deal with yuppies, college dorms, and the ‘hood as well as city police and the Boss himself.
Of course in keeping with the show, there will be countless car chases, spectacular jumps, and more than enough T&A thanks to Simpson, but what is surprising is that the film’s humor for the most part works.
Directed by Jay Chandrasekher of the Broken Lizard comedy troupe, the film does have its share of moments that may raise a few eyebrows as drug use, sex, and shots to the groin are present in this film, as is language that is more colorful than anything from the original series.
That being said, it is important to remember, that times have changed greatly since the Dukes first aired and you cannot blame the film makers for attempting to reach out to a broader audience. Such is the running joke of Bo being more concerned with his car than with woman, and his inability to speak with the object of his affections without fainting. This is quite a change from the unflappable character of the television show, yet one that still allows the good natured appeal of the character to remain intact.
The cast works well, especially the chemistry between Knoxville and Scott, as well as the scenery chewing performance of Reynolds who seems to be having the time of his life in the role. Much has been made of Simpson’s part, but it is mostly a limited role that offers her little chance to do much more than serve as eye candy, and does not show if she is capable of doing much more.
Nelson is sadly underused, but when he is on screen he raises the bar as his easygoing charm is a perfect match for Uncle Jessie.
While the film is in no way great cinema, it is at times an enjoyable bit of nostalgia to the days when Friday nights growing up meant dinner in front of the television watching the Dukes.
If car chases and some light comedy are what you are in the mood for, and you do not mind a thin story, you can do a lot worse than the Dukes.
Andy K (10821 KP) rated First Blood (1982) in Movies
Jun 23, 2018 (Updated Jun 23, 2018)
They drew First Blood, not me!
Sylvester Stallone will probably always be best remembered for his portrayal of boxer Rocky Balboa, but a close second is his role and character of troubled Vietnam War veteran John Rambo.
All he wanted to do was stop and settle in a small, rural town, but the local sheriff would have none of that. Rambo, the drifter, was arrested and booked for just wanting to have a hot meal somewhere. Thus, this is when the ordeal began. Rambo quickly escaped his captors as well as the police station and set forth a sequence of events, like a game of cat and mouse, whereas the authorities try to bring him back into custody.
After their initial attempt are unsuccessful they even try bringing in his former commanding officer, Colonel Trautman, to try and talk him in.
Stallone's portrayal of Rambo in First Blood shows real depth and emotion. Subsequent Rambo sequels show him as more of a huklish, strongman, badass, one man army, but First Blood shows his emotional scars come to the surface several times. You feel empathy for him and realize his actions were defensive and only used because of his intense training.
It's one of the great chase movies ever made.
All he wanted to do was stop and settle in a small, rural town, but the local sheriff would have none of that. Rambo, the drifter, was arrested and booked for just wanting to have a hot meal somewhere. Thus, this is when the ordeal began. Rambo quickly escaped his captors as well as the police station and set forth a sequence of events, like a game of cat and mouse, whereas the authorities try to bring him back into custody.
After their initial attempt are unsuccessful they even try bringing in his former commanding officer, Colonel Trautman, to try and talk him in.
Stallone's portrayal of Rambo in First Blood shows real depth and emotion. Subsequent Rambo sequels show him as more of a huklish, strongman, badass, one man army, but First Blood shows his emotional scars come to the surface several times. You feel empathy for him and realize his actions were defensive and only used because of his intense training.
It's one of the great chase movies ever made.