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Debbiereadsbook (1484 KP) rated Dead In The Shop (Grasmere Cottage Mystery #3) in Books
Oct 26, 2018
a very fitting end!!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the trilogy, and you MUST read book one, Dead In The Garden, and book two, Dead In The Pond, before you read this one. They are NOT stand alone books and need to be read in order!
With Bishan in the hospital, Valor has to dig deep within himself to keep it together. When there is another murder, the police finally decide that they need to draw the murderer out. And Valor finds himself not only fighting for Bish, but for his life.
I have LOVED these three books, I really have! But I think you would get a better enjoyment if you read them back to back, not with several other books between each one, like I did! Just my personal opinion, though!
Again, only Valor has his say and I did miss Bishan and his off-on-tangents thing, so it would have been nice if they both had their say here, but it doesn't affect my rating , I'm just bloody greedy and always want more!
As always, with Ms Donovan's work, lots of giggles among the drama and murders and lots of lovely ways that show that Bishan and Valor really are perfect for each other.
Some surprises too, with that murder being front and centre, but some budding romances within the supporting cast!
The way it all went down with the murderer was a fitting end, and one I didn't see coming, so that's always good, being kept on your toes!
I shall miss these guys, along with all their friends and family, I really shall!
A very fitting . . . .
5 stars!
**same worded review will appear elsewhere**
This is book 3 in the trilogy, and you MUST read book one, Dead In The Garden, and book two, Dead In The Pond, before you read this one. They are NOT stand alone books and need to be read in order!
With Bishan in the hospital, Valor has to dig deep within himself to keep it together. When there is another murder, the police finally decide that they need to draw the murderer out. And Valor finds himself not only fighting for Bish, but for his life.
I have LOVED these three books, I really have! But I think you would get a better enjoyment if you read them back to back, not with several other books between each one, like I did! Just my personal opinion, though!
Again, only Valor has his say and I did miss Bishan and his off-on-tangents thing, so it would have been nice if they both had their say here, but it doesn't affect my rating , I'm just bloody greedy and always want more!
As always, with Ms Donovan's work, lots of giggles among the drama and murders and lots of lovely ways that show that Bishan and Valor really are perfect for each other.
Some surprises too, with that murder being front and centre, but some budding romances within the supporting cast!
The way it all went down with the murderer was a fitting end, and one I didn't see coming, so that's always good, being kept on your toes!
I shall miss these guys, along with all their friends and family, I really shall!
A very fitting . . . .
5 stars!
**same worded review will appear elsewhere**
Manhattan requiem
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Cryptid
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Cryptozoologist Mike Kellogg studies the creatures of folklore and legend: cryptids. Some are well...
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Mark @ Carstairs Considers (2389 KP) rated Christmas Cocoa Murder in Books
Nov 8, 2022
Drowning in Hot Chocolate
This story finds Siobhan O’Sullivan, the main character in the popular Irish Village Mysteries, a few weeks from joining the local police department in her small Irish village. Even though she’s not supposed to officially join until after the first of the year, she finds herself getting involved in a case just before Christmas. First, her family’s dog goes missing. Then the intermission entertainment at the holiday panto goes horribly wrong. Paddy O’Shea, the village Santa, has been obsessed over how to top the Santa from the neighboring village, and he’s come up with what he thinks is the perfect way. He’s had a custom-built dunk tank made, and he’s going to challenge people to dunk him in hot chocolate. However, before the show is over, Paddy is found floating face down in the hot chocolate. Who killed Santa?
This was my introduction to the characters, and I did struggle a bit keeping Siobhan’s family straight, and there are some references to things going on in her personal life that I didn’t get. However, these were very minor issues in an overall fun story and easy enough to ignore. As you might have guessed from the description of the story, there is some humor involved in the events, but it does have plenty of serious moments as well. These were balanced perfectly. I really enjoyed getting to know Siobhan and the suspects were all strong enough to be believable as the killer. The plot kept me engaged until we reached the great climax.
NOTE: This story is a novella, roughly 100 pages, and was originally part of the novella collection Christmas Cocoa Murder. If you have that book, there is no need to buy this ebook. If you haven’t read the story, now is the time to sit back and enjoy this Christmas mystery.
This was my introduction to the characters, and I did struggle a bit keeping Siobhan’s family straight, and there are some references to things going on in her personal life that I didn’t get. However, these were very minor issues in an overall fun story and easy enough to ignore. As you might have guessed from the description of the story, there is some humor involved in the events, but it does have plenty of serious moments as well. These were balanced perfectly. I really enjoyed getting to know Siobhan and the suspects were all strong enough to be believable as the killer. The plot kept me engaged until we reached the great climax.
NOTE: This story is a novella, roughly 100 pages, and was originally part of the novella collection Christmas Cocoa Murder. If you have that book, there is no need to buy this ebook. If you haven’t read the story, now is the time to sit back and enjoy this Christmas mystery.
Sutton and Ethan Montclair had the ideal life--a beautiful marriage, a gorgeous house, successful writing careers, and a beautiful baby son. But with the death of their baby, Dashiell, things started to crumble. Peering into the cracks, it was clear that Ethan's career isn't going well and Sutton was depressed and broken after Dashiell's death. So when Ethan wakes up and finds a note from Sutton telling him that she's left and not to look for her, he doesn't know what to think. Did she really run off, leaving her phone, laptop, credit cards, and ID behind? Or did something more sinister happen? As for Ethan and Sutton's friends--and the police--they quickly start to wonder if the something sinister is Ethan.
So in the years since [b:Gone Girl|19288043|Gone Girl|Gillian Flynn|https://images.gr-assets.com/books/1397056917s/19288043.jpg|13306276] has come out, I've seen so many books compared to that juggernaut and felt that so little truly were similar (and keep in mind that I wasn't one of those that *adored* the novel). However, reading LIE TO ME, I felt like this book really deserved the plot comparison to GONE GIRL -- wife missing, volatile marriage, husband under suspicion, unreliable narrators, etc. For a while, I was curious how [a:J.T. Ellison|1311949|J.T. Ellison|https://images.gr-assets.com/authors/1450824118p2/1311949.jpg] would differentiate her novel from GONE GIRL, but she pulled it off (more on that later).
<i>This novel was compulsively readable</i>; I read it basically in two sittings. I stayed up until midnight to finish it, which is no small feat considering my small children don't care how late I stay up! It slowly builds suspense with the unknown, dropping little hints as to bits and pieces of the story. We start with Ethan's piece of the story, eventually switch to Sutton, and then finish with both of them. Interspersed are various portions where an unknown "narrator" speaks directly to us, the reader, as well as the police. All of this <i>creates suspicion and tension</i> and lets us know that we certainly have unreliable narrators in both Ethan and Sutton. Who do we believe? Even the police--called in to investigate Sutton's disappearance--are confused. <i>I was completely hooked and, honestly, madly flipping the pages. </i>
The Sutton portion slowed things down slightly, but things rapidly picked back up. I won't lie (ha), I worked out some of the plot, but it certainly didn't diminish my enjoyment of the novel, and I definitely didn't figure out everything. <i>The book's a little crazy, with a slightly wild plot, but it's a fun and thrilling read.</i> The supporting cast is interesting--especially a policewoman itching to become a detective, and some of Sutton and Ethan's friends. As I mentioned, the plot is a little insane, but fun crazy, and Ellison weaves together all the pieces quite effectively.
This is my second novel by Ellison and I'm finding that I just enjoy the suspense and escapism of her novels. (You can read my review of her novel, NO ONE KNOWS, <a href="https://www.goodreads.com/review/show/1460145588?book_show_action=false&from_review_page=1">here</a>;). The book isn't always perfect, but it's a really enjoyable thriller, hence the 4-star rating--which makes it higher than GONE GIRL for me. Sacrilege for some, but I just enjoyed this one more.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 09/05/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
So in the years since [b:Gone Girl|19288043|Gone Girl|Gillian Flynn|https://images.gr-assets.com/books/1397056917s/19288043.jpg|13306276] has come out, I've seen so many books compared to that juggernaut and felt that so little truly were similar (and keep in mind that I wasn't one of those that *adored* the novel). However, reading LIE TO ME, I felt like this book really deserved the plot comparison to GONE GIRL -- wife missing, volatile marriage, husband under suspicion, unreliable narrators, etc. For a while, I was curious how [a:J.T. Ellison|1311949|J.T. Ellison|https://images.gr-assets.com/authors/1450824118p2/1311949.jpg] would differentiate her novel from GONE GIRL, but she pulled it off (more on that later).
<i>This novel was compulsively readable</i>; I read it basically in two sittings. I stayed up until midnight to finish it, which is no small feat considering my small children don't care how late I stay up! It slowly builds suspense with the unknown, dropping little hints as to bits and pieces of the story. We start with Ethan's piece of the story, eventually switch to Sutton, and then finish with both of them. Interspersed are various portions where an unknown "narrator" speaks directly to us, the reader, as well as the police. All of this <i>creates suspicion and tension</i> and lets us know that we certainly have unreliable narrators in both Ethan and Sutton. Who do we believe? Even the police--called in to investigate Sutton's disappearance--are confused. <i>I was completely hooked and, honestly, madly flipping the pages. </i>
The Sutton portion slowed things down slightly, but things rapidly picked back up. I won't lie (ha), I worked out some of the plot, but it certainly didn't diminish my enjoyment of the novel, and I definitely didn't figure out everything. <i>The book's a little crazy, with a slightly wild plot, but it's a fun and thrilling read.</i> The supporting cast is interesting--especially a policewoman itching to become a detective, and some of Sutton and Ethan's friends. As I mentioned, the plot is a little insane, but fun crazy, and Ellison weaves together all the pieces quite effectively.
This is my second novel by Ellison and I'm finding that I just enjoy the suspense and escapism of her novels. (You can read my review of her novel, NO ONE KNOWS, <a href="https://www.goodreads.com/review/show/1460145588?book_show_action=false&from_review_page=1">here</a>;). The book isn't always perfect, but it's a really enjoyable thriller, hence the 4-star rating--which makes it higher than GONE GIRL for me. Sacrilege for some, but I just enjoyed this one more.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 09/05/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Kristy H (1252 KP) rated Let Me Lie in Books
Mar 14, 2018
Slow-building shocking thriller
Anna Johnson is still reeling from the suicide of her father, Tom, when her mother, Caroline, dies as well, in a suicide that copies that of Tom's. A year later, Anna is grief-stricken, parenting a young baby, and trying to put together the pieces of her life. She lives in her parents' old home, surrounded by memories of their life together. On the anniversary of her mother's death, Anna receives a suspicious note that prompts her to dig into her parents' past and their deaths. She quickly discovers that nothing is as it seems--not their suicides, nor the happy childhood memories she holds so dear.
I really love Clare Mackintosh; her first novel, I Let You Go, is one of my favorites, and she's one of those authors I follow on Twitter and find very relatable. So I was very excited to finally get a chance to read this one. I'm still in awe of Mackintosh--who spent twelve years in the police force--and her writing talent. She has such a talent for creating some of her characters. And boy, can she really shock you with a plot twist.
I must first preface that if you have issues or triggers with suicide, this might be one to skip. Having lost a loved one to suicide, I can tell you that this can be a little hard to read. But Mackintosh treats the subject very delicately; she also presents us with a character with BPD, and I thought her treatment of mental illness was very well-done.
The novel is told mainly from Anna's point of view and that of a former police detective, Murray, who gets involved with her case. We do get snippets from someone else--we are left to imagine to try to figure out who it is, when they are speaking, and what has happened to them. Once Anna receives the note questioning her mother's suicide, she takes it to the police, where Murray--an investigator/detective now relegated to desk duty post-retirement--starts looking into it, which is a bit against the rules. This doesn't matter to us, because unless you have no heart, you'll immediately love Murray. He was the star of the story, to me, and I immediately adored him. He's also a great detective and a wonderful force in the book. (Can we have another story with Murray, please, Ms. Mackintosh?)
The book is ominous, creepy, and and tense, as the story slowly builds to its conclusion. It's not a fast-paced thriller, per se, but I was definitely fascinated in what had happened to Anna's parents. I was kept guessing for good chunks of the book, which I certainly appreciated. There are a bunch of twists and turns, several of which had me quite surprised. I just love how Mackintosh can throw you off track and then shock you quite convincingly.
For me, part of this book was a little far-fetched, and I thought Anna acted a little odd at times -- though in her defense, the poor girl is put through a lot. The book is best if you roll with the surprises and just enjoy them. Even better, you have Murray, who offers a touching character (his interactions with his wife are beyond lovely and show a deftness in writing that is quite impressive) as well as superbly-written detective. The book was compelling; nearing the end, I kept going "what? what did he find? who?!" so I know it was effective in creating suspense. It's also creepy at times and surprising until the end. Well-done. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
I really love Clare Mackintosh; her first novel, I Let You Go, is one of my favorites, and she's one of those authors I follow on Twitter and find very relatable. So I was very excited to finally get a chance to read this one. I'm still in awe of Mackintosh--who spent twelve years in the police force--and her writing talent. She has such a talent for creating some of her characters. And boy, can she really shock you with a plot twist.
I must first preface that if you have issues or triggers with suicide, this might be one to skip. Having lost a loved one to suicide, I can tell you that this can be a little hard to read. But Mackintosh treats the subject very delicately; she also presents us with a character with BPD, and I thought her treatment of mental illness was very well-done.
The novel is told mainly from Anna's point of view and that of a former police detective, Murray, who gets involved with her case. We do get snippets from someone else--we are left to imagine to try to figure out who it is, when they are speaking, and what has happened to them. Once Anna receives the note questioning her mother's suicide, she takes it to the police, where Murray--an investigator/detective now relegated to desk duty post-retirement--starts looking into it, which is a bit against the rules. This doesn't matter to us, because unless you have no heart, you'll immediately love Murray. He was the star of the story, to me, and I immediately adored him. He's also a great detective and a wonderful force in the book. (Can we have another story with Murray, please, Ms. Mackintosh?)
The book is ominous, creepy, and and tense, as the story slowly builds to its conclusion. It's not a fast-paced thriller, per se, but I was definitely fascinated in what had happened to Anna's parents. I was kept guessing for good chunks of the book, which I certainly appreciated. There are a bunch of twists and turns, several of which had me quite surprised. I just love how Mackintosh can throw you off track and then shock you quite convincingly.
For me, part of this book was a little far-fetched, and I thought Anna acted a little odd at times -- though in her defense, the poor girl is put through a lot. The book is best if you roll with the surprises and just enjoy them. Even better, you have Murray, who offers a touching character (his interactions with his wife are beyond lovely and show a deftness in writing that is quite impressive) as well as superbly-written detective. The book was compelling; nearing the end, I kept going "what? what did he find? who?!" so I know it was effective in creating suspense. It's also creepy at times and surprising until the end. Well-done. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
Gareth von Kallenbach (980 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
A crew of bank robbers is strong-armed by the Russian mob to pull off a near impossible heist due the response time of the police. In order to create a larger window, the dirty cops of this crew suggest creating a 999 (police code for “officer down.”) on the other side of town. That is the basic plot of Triple 9. Yet, the tagline for this film is, “The Code on the street is never black and white.” Seems like a different movie which is part of the letdown of Triple 9. It doesn’t know what it wants to be. Is it a heist movie like Heat or The Town? Or is it trying to be a movie about the cops and the rules of the streets like Training Day?
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
Gareth von Kallenbach (980 KP) rated Game Night (2018) in Movies
Jun 19, 2019
Max (Jason Bateman), and his wife Annie (Rachel McAdams),are a loving
couple who met during a trivia night at a bar. Gaming has been a regular
part of their lives, and they are often involved with hosting game nights
for their friends.
Max and Annie seems have it all save for a family and
when it is determined that stress may be leading to the problem Max
attempts to resolve the issue. Max has issues with his older brother
Brooks (Kyle Chandler), who he sees as ultra-successful and rubbing his
success in his face.
The fact that Max has not seen his brother in a while
is not an issue, the fact that the brother who seems to beat him in
everything has returned is enough to set the mild-mannered Max on edge.
After an enjoyable game night, Brooks offers to host the next one and
although Max knows this is just Brooks looking for a way to show off his
house, he accepts the invitation.
Upon arrival,Brooks tells Max, Annie, and their friends that they will be
playing a mystery night where a group of actors will stage a kidnapping
and they must unravel clues to solve the mystery. The fact that Brooks is
offering a prized car that Max has long coveted is all the motivation he
needs to win the competition.
The game starts and a group of goons arrive and rough up Brooks and kidnap
him in front of the guests who all think this is part of the show. They
soon come to realize that Brooks may not be the person he claims to bend
that the kidnapping may indeed be real and not part of a scripted game.
What follows is a mix of comedy and dramatic mystery that while unfolding
slowly at times, is filled with some funny moments and great characters.
Bateman has his likable everyman persona down well in the film and the
supporting cast does a great job playing in the wacky adventure without
every getting to madcap.
The breakout star of the film is Jesse Plemons
who plays Max and Annie's creepy police neighbor who is deeply disturbed
following the breakup of his marriage and has taken things to a new level.
You will want to stay through the credits as there are some extra scenes
which round out the film nicely. "Game Night", is a pleasant enoughfilm
that cannot quite determine if it is a comedy or dramedy, but it does
enough good things to make it an enjoyable outing.
http://sknr.net/2018/02/22/game-night/
couple who met during a trivia night at a bar. Gaming has been a regular
part of their lives, and they are often involved with hosting game nights
for their friends.
Max and Annie seems have it all save for a family and
when it is determined that stress may be leading to the problem Max
attempts to resolve the issue. Max has issues with his older brother
Brooks (Kyle Chandler), who he sees as ultra-successful and rubbing his
success in his face.
The fact that Max has not seen his brother in a while
is not an issue, the fact that the brother who seems to beat him in
everything has returned is enough to set the mild-mannered Max on edge.
After an enjoyable game night, Brooks offers to host the next one and
although Max knows this is just Brooks looking for a way to show off his
house, he accepts the invitation.
Upon arrival,Brooks tells Max, Annie, and their friends that they will be
playing a mystery night where a group of actors will stage a kidnapping
and they must unravel clues to solve the mystery. The fact that Brooks is
offering a prized car that Max has long coveted is all the motivation he
needs to win the competition.
The game starts and a group of goons arrive and rough up Brooks and kidnap
him in front of the guests who all think this is part of the show. They
soon come to realize that Brooks may not be the person he claims to bend
that the kidnapping may indeed be real and not part of a scripted game.
What follows is a mix of comedy and dramatic mystery that while unfolding
slowly at times, is filled with some funny moments and great characters.
Bateman has his likable everyman persona down well in the film and the
supporting cast does a great job playing in the wacky adventure without
every getting to madcap.
The breakout star of the film is Jesse Plemons
who plays Max and Annie's creepy police neighbor who is deeply disturbed
following the breakup of his marriage and has taken things to a new level.
You will want to stay through the credits as there are some extra scenes
which round out the film nicely. "Game Night", is a pleasant enoughfilm
that cannot quite determine if it is a comedy or dramedy, but it does
enough good things to make it an enjoyable outing.
http://sknr.net/2018/02/22/game-night/
Bob Mann (459 KP) rated Copshop (2021) in Movies
Sep 15, 2021
Ludicrous plot points ruin a promising actioner.
Teddy Murretto (Frank Grillo) is arrested after deliberately punching dedicated rookie cop Valerie Young (Alexis Louder) and incarcerated within Gun Creek City police station. Soon after, Bob Viddick (Gerard Butler) is dumped in the opposite cell for drunk driving. It’s clear both men intended to end up there, but why?
The wheels come off the night big time though when the psychopathic Anthony Lamb (Toby Huss) arrives, having the same mission as Viddick.
Positives:
- While the three male leads have fun with their roles, the star of the show for me was the (unknown to me) Alexis Louder. She delivers a really strong performance here, with a confident stillness in some of her close-ups.
- There are a number of nice lines in the script, some of which made me laugh out loud, which I wasn't expecting to do.
- As a 'park your brain at the door' shoot-em-up, the ending is fun, similar in many ways I thought to the claustrophobic violence of "Free Fire".
Negatives:
- Here's YET another example of a script that is downright insulting to the audience's intelligence. There are some genuine "WTF" moments in this script. I can't go into details without dropping spoilers, but the biggest of these - you'll know it when you see it - is a genuine "HANG ON A MINUTE!!!" moment.
- The sound mix drowns out a lot of the (already drawly and indistinct) dialogue with the incessant music. It's really difficult to pick up on some of the lines.
- There's something surprisingly 'retro' about the whole movie, right down to the use of split-screen at the end. The titles feel as if they were from a 70's TV show like Kojak. I could imagine this would work well... if the movie had actually been set in the 70's!
Summary Thoughts on "Copshop": There's almost a good little action film buried in here struggling to get out. Alexis Louder makes a very positive impression with the best parts of the film happening when she is verbally sparring with Butler. But a good action movie needs to keep things credible, albeit on the edge of credibility (e.g. John McClane's lift shaft fall in "Die Hard" is very much on the boundary, if a little over it). Thanks to some ludicrous decisions within the script, this one lost all credibility for me and took me right out of the story.
(For the full graphical and video reviews, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
The wheels come off the night big time though when the psychopathic Anthony Lamb (Toby Huss) arrives, having the same mission as Viddick.
Positives:
- While the three male leads have fun with their roles, the star of the show for me was the (unknown to me) Alexis Louder. She delivers a really strong performance here, with a confident stillness in some of her close-ups.
- There are a number of nice lines in the script, some of which made me laugh out loud, which I wasn't expecting to do.
- As a 'park your brain at the door' shoot-em-up, the ending is fun, similar in many ways I thought to the claustrophobic violence of "Free Fire".
Negatives:
- Here's YET another example of a script that is downright insulting to the audience's intelligence. There are some genuine "WTF" moments in this script. I can't go into details without dropping spoilers, but the biggest of these - you'll know it when you see it - is a genuine "HANG ON A MINUTE!!!" moment.
- The sound mix drowns out a lot of the (already drawly and indistinct) dialogue with the incessant music. It's really difficult to pick up on some of the lines.
- There's something surprisingly 'retro' about the whole movie, right down to the use of split-screen at the end. The titles feel as if they were from a 70's TV show like Kojak. I could imagine this would work well... if the movie had actually been set in the 70's!
Summary Thoughts on "Copshop": There's almost a good little action film buried in here struggling to get out. Alexis Louder makes a very positive impression with the best parts of the film happening when she is verbally sparring with Butler. But a good action movie needs to keep things credible, albeit on the edge of credibility (e.g. John McClane's lift shaft fall in "Die Hard" is very much on the boundary, if a little over it). Thanks to some ludicrous decisions within the script, this one lost all credibility for me and took me right out of the story.
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Darren (1599 KP) rated Gnaw (2017) in Movies
Dec 3, 2019
Verdict: Slow Build, Great Ending
Story: Gnaw starts when Jennifer Conrad (Mitchell) escapes from her abusive husband, to start a new life in a small apartment complex, where the handyman Terry (Gass) takes her under his wing, trying to make her feel welcome. When one of the neighbours spends hours crying at night before killing herself.
Jennifer must deal with her ex-husband Boyd (Johnson) finding her, just as she gets a pet turtle and more painfully an uncomfortable bite, which just seems to keep getting worse.
Thoughts on Gnaw
Characters – Jennifer has been struck in an abusive relationship which she has gotten the courage to leave behind her, this does leave her in a small apartment complex where she must try to start a new life. Things seem positive, when she bumps into an old friend who wants to help her get a job, only things start going badly after her neighbour’s suicide and bites which appear on her skin, with no explanation behind them. She must face her own past, deal with a problem before moving on with her own life. Terry Lumley is the friendly handyman that offers Jennifer all the support while staying the apartments. Boyd is the abusive ex-husband and police officers, making it harder for Jennifer to escape him, he has always put her down and wants to keep his control over her. Claudette runs the apartments she doesn’t get on with anybody, just wants to see money coming in.
Performances – Penelope Mitchell in the leading role is the star of the show here, being able to show the pain she is running from and the hope she is fighting for. Kyle Gass is the next best thing in the film, where he does bring moments of laughter in his kind natured character. The rest of the cast do a solid job without being tested with what they have to do.
Story – The story here follows an abuse victim that is trying to escape her own life’s pain only to find herself dealing with the latest problem which has come her way in the form of a bite. This story does manage to show us how difficult getting out of an abusive relationship can be for the victim, where starting a new life can take more time than people believe, this side of the story is the strongest part because it shows the real horrors of Jennifer’s life. When we get into the mystery about the bites, it does go on the routine way, until we learn the truth, which makes both sides of the story get connected nicely.
Horror – The horror side of the film mixes the reality of being abused by a partner with the unknown of mysterious bites being found on the body and why they are there.
Settings – Most of the film remains in the hotel complex which is a place where people go to start life again.
Special Effects – When it comes to the effects we see what happens with the bites getting worse and the revel of what is behind it.
Scene of the Movie – The showdown in the room.
That Moment That Annoyed Me – The job interview.
Final Thoughts – This is a nice slow build horror that tries to reflect the ideas of the horror being in real life rather than needing supernatural elements.
Overall: Horror that tests the reality of life.
Story: Gnaw starts when Jennifer Conrad (Mitchell) escapes from her abusive husband, to start a new life in a small apartment complex, where the handyman Terry (Gass) takes her under his wing, trying to make her feel welcome. When one of the neighbours spends hours crying at night before killing herself.
Jennifer must deal with her ex-husband Boyd (Johnson) finding her, just as she gets a pet turtle and more painfully an uncomfortable bite, which just seems to keep getting worse.
Thoughts on Gnaw
Characters – Jennifer has been struck in an abusive relationship which she has gotten the courage to leave behind her, this does leave her in a small apartment complex where she must try to start a new life. Things seem positive, when she bumps into an old friend who wants to help her get a job, only things start going badly after her neighbour’s suicide and bites which appear on her skin, with no explanation behind them. She must face her own past, deal with a problem before moving on with her own life. Terry Lumley is the friendly handyman that offers Jennifer all the support while staying the apartments. Boyd is the abusive ex-husband and police officers, making it harder for Jennifer to escape him, he has always put her down and wants to keep his control over her. Claudette runs the apartments she doesn’t get on with anybody, just wants to see money coming in.
Performances – Penelope Mitchell in the leading role is the star of the show here, being able to show the pain she is running from and the hope she is fighting for. Kyle Gass is the next best thing in the film, where he does bring moments of laughter in his kind natured character. The rest of the cast do a solid job without being tested with what they have to do.
Story – The story here follows an abuse victim that is trying to escape her own life’s pain only to find herself dealing with the latest problem which has come her way in the form of a bite. This story does manage to show us how difficult getting out of an abusive relationship can be for the victim, where starting a new life can take more time than people believe, this side of the story is the strongest part because it shows the real horrors of Jennifer’s life. When we get into the mystery about the bites, it does go on the routine way, until we learn the truth, which makes both sides of the story get connected nicely.
Horror – The horror side of the film mixes the reality of being abused by a partner with the unknown of mysterious bites being found on the body and why they are there.
Settings – Most of the film remains in the hotel complex which is a place where people go to start life again.
Special Effects – When it comes to the effects we see what happens with the bites getting worse and the revel of what is behind it.
Scene of the Movie – The showdown in the room.
That Moment That Annoyed Me – The job interview.
Final Thoughts – This is a nice slow build horror that tries to reflect the ideas of the horror being in real life rather than needing supernatural elements.
Overall: Horror that tests the reality of life.