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Bob Mann (459 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Jun 27, 2020
Rachel McAdams and Dan Stevens steal most of the scenes (1 more)
A real feelgood movie that spoofs the unspoofable pretty well
My lovely farce
Will Ferrell's output over the last few years has been decidedly patchy. I have to go back to "Get Hard" to find one of his movies that really got to my funny bone. But this latest Netflix offering hits the spot for me.
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
Bong Mines Entertainment (15 KP) rated Becky and the Birds by Becky and the Birds in Music
Jun 7, 2019
Becky and the Birds (Thea Gustafsson) is a talented R&B/Soul singer-producer out of Örebro, Sweden. Not too long ago, she released her wonderful self-titled debut EP.
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
Debbiereadsbook (1110 KP) rated Guarding His Melody (Enhacned World #1) in Books
Sep 25, 2018
loved this addition to this world!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
This is billed as book 1 in the Enhanced World Standalones series, but you don't need to have red the 3 books in the main series, before this one. I have listened to book one, Five More Minutes, and am currently part way through book two, Who We Truly are and will get to Beneath This Mask after that. Mild spoilers, is all. and a hint at what I have to come.
After getting meningitis as a child, Seb is left deaf. Throw in mark of the Enhanced that appeared when he was 12, and life has thrown him a double whammy. When there are death threats, Seb hires Gray as a bodyguard. But the Threat is getting worse, after the death of his previous bodyguard and that of his music teacher. If Seb could shake these crippling headaches, and just play his piano, he'll be happy.
I'm really enjoying these books! They are different and different is always good in my book!
Seb is pretty much housebound, but the first thing Gray does, is drag him out of bed at stoopid o'clock to do Tia-Chi in the garden. Helped him, so gotta be worth a try, right?? And that there, is what I particularly LOVED about this book.
The HINTS at what Gray suffered. You don't get the FULL story, not at all, just hints and clues along the way that make you put together a picture, a bigger picture at what Gray suffered, HOW much he suffered and how he got through it. But you just know, that someone else will put together a different picture, with the same clues. And I LOVED that!
Seb's threat isn't who I thought it was, but it was just as bad. I do love being proven wrong!
The chemistry between Gray and Seb bubbles along for much of the book, and I did, at one point, think we wouldn't get to the main event, but we do, and it is glorious!
Talon and Finn (Five Minutes Longer) pop up at the end, and the others are mentioned at various places in the book, so ties the books together.
The Enhanced status of Seb plays very much second fiddle to his deafness.
But I'm not left wanting to LISTEN to this book. Nick J Russo narrates the other books, and I hope he does this one too. I'm eager to see how Seb's voice comes across.
I originally wrote 4 stars at the top of the page (and yes, i do WRITE them up by hand before I post them!) but, actually, I can't find anything to knock that star off, so...
5 full stars!
**same worded review will appear elsewhere**
This is billed as book 1 in the Enhanced World Standalones series, but you don't need to have red the 3 books in the main series, before this one. I have listened to book one, Five More Minutes, and am currently part way through book two, Who We Truly are and will get to Beneath This Mask after that. Mild spoilers, is all. and a hint at what I have to come.
After getting meningitis as a child, Seb is left deaf. Throw in mark of the Enhanced that appeared when he was 12, and life has thrown him a double whammy. When there are death threats, Seb hires Gray as a bodyguard. But the Threat is getting worse, after the death of his previous bodyguard and that of his music teacher. If Seb could shake these crippling headaches, and just play his piano, he'll be happy.
I'm really enjoying these books! They are different and different is always good in my book!
Seb is pretty much housebound, but the first thing Gray does, is drag him out of bed at stoopid o'clock to do Tia-Chi in the garden. Helped him, so gotta be worth a try, right?? And that there, is what I particularly LOVED about this book.
The HINTS at what Gray suffered. You don't get the FULL story, not at all, just hints and clues along the way that make you put together a picture, a bigger picture at what Gray suffered, HOW much he suffered and how he got through it. But you just know, that someone else will put together a different picture, with the same clues. And I LOVED that!
Seb's threat isn't who I thought it was, but it was just as bad. I do love being proven wrong!
The chemistry between Gray and Seb bubbles along for much of the book, and I did, at one point, think we wouldn't get to the main event, but we do, and it is glorious!
Talon and Finn (Five Minutes Longer) pop up at the end, and the others are mentioned at various places in the book, so ties the books together.
The Enhanced status of Seb plays very much second fiddle to his deafness.
But I'm not left wanting to LISTEN to this book. Nick J Russo narrates the other books, and I hope he does this one too. I'm eager to see how Seb's voice comes across.
I originally wrote 4 stars at the top of the page (and yes, i do WRITE them up by hand before I post them!) but, actually, I can't find anything to knock that star off, so...
5 full stars!
**same worded review will appear elsewhere**
ClareR (5603 KP) rated The German House in Books
Dec 30, 2019
The German House is set in Frankfurt in 1963 at the time of the Auschwitz trials. Eva Bruhns is a 24 year old translator, and is asked to translate the testimony of the Polish speaking Jews who were imprisoned at Auschwitz. Eva was a small child during the war, and remembers little of it. She seems to be mostly concerned with her romance and possible engagement to Jürgen Schoorman, a wealthy businessman. However, when David Miller, a Canadian lawyer who is working for the prosecution at the trials, hires Eva as a translator, her world view and her opinion of her parents and the Germans involved in the war, changes. Her parents don’t want to talk about their involvement in the war, and Jürgen doesn’t think that she should be involved in something so distasteful. But this isn’t just a coming of age story. Granted, Eva does grow in this novel. She learns about the collective guilt of the German nation with regards to the Holocaust, and looks at how the children of the war generation reacted to something that was in effect hidden from them. They called it Vergangenheitsbewältigung - the struggle to come to term with and overcome the past. Young Germans wanted to analyse, digest and learn to live with the past, and the Holocaust in particular. Eva can’t understand why her parents will not own up to their share of the guilt.
I really enjoyed this novel. It was hard-going at times, and it did read like a translated novel. It did however, catch the spirit of the time. Eva’s longing to break out of the societal restrictions of the time (for example when she refers to how much she likes a new Beatles song that Jürgen can’t understand, he doesn’t like pop music) and Jürgen’s wish that she stops work as soon as she gets engaged (as a modern woman, I was positively fuming at this point!!).
I was fascinated by the trip the Court makes to Auschwitz - somewhere I’ve never been, and after a trip to Oranienburg (a camp for political prisoners outside Berlin), I feel that I would struggle to go. This was one of the most emotional parts of the book.
The side story involving Eva’s older sister is also fascinating, and I feel portrays the effect of seeing so much violence and hatred as a young child (no spoilers here!).
All in all, after I got used to the writing style, I really enjoyed this. It was an interesting insight into the post-war years, and West Germany’s reaction to the damage and destruction that the Nazis had caused during the Holocaust.
This is well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
I really enjoyed this novel. It was hard-going at times, and it did read like a translated novel. It did however, catch the spirit of the time. Eva’s longing to break out of the societal restrictions of the time (for example when she refers to how much she likes a new Beatles song that Jürgen can’t understand, he doesn’t like pop music) and Jürgen’s wish that she stops work as soon as she gets engaged (as a modern woman, I was positively fuming at this point!!).
I was fascinated by the trip the Court makes to Auschwitz - somewhere I’ve never been, and after a trip to Oranienburg (a camp for political prisoners outside Berlin), I feel that I would struggle to go. This was one of the most emotional parts of the book.
The side story involving Eva’s older sister is also fascinating, and I feel portrays the effect of seeing so much violence and hatred as a young child (no spoilers here!).
All in all, after I got used to the writing style, I really enjoyed this. It was an interesting insight into the post-war years, and West Germany’s reaction to the damage and destruction that the Nazis had caused during the Holocaust.
This is well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Andy K (10821 KP) rated Dancer in the Dark (2000) in Movies
Nov 24, 2019
Selma is a simple woman leading a simple life. She lives with her only son in a trailer on the property of her friends the nice cop and his wife. She works at a metal factory making sinks and basins. She doesn't make a lot of money, so she holds on to almost every penny she earns for something secret. She can't even buy her son a present for his birthday, so her friends and landlords buy the boy the used bicycle he has been yearning for. Selma also enjoys musicals. She loves them. Especially The Sound of Music, She is actually cast in a local production and gets to play Maria. She can even hear rhythm through the common sounds of life like a train on its tracks or even the sounds of people walking. She creates melodies in her head to distract from the mundane events of life. Sometimes these melodies turn into full production numbers only visible in the confines of her cerebrum.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Shirley Manson recommended Walk Across the Rooftops by The Blue Nile in Music (curated)
Radio HQ (lite version)
Music and Entertainment
App
"Radio HQ (lite version)" is a modern internet radio receiver that enables you to listen lots of...