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LoganCrews (2861 KP) rated Open Water (2003) in Movies
Sep 19, 2020
Admirable for what it had to work with, and I guess it gets points for being one of the most realistic shark movies out there - but why the hell did this terrify everyone back in the day lmfao. It amounts to a somehow pointedly slow 81 minutes (less after credits) of a couple bickering at sea while... like, occasionally seeing a jellyfish or maybe half a second of a shark from far away. This actually works better as an (intentional) comedy than a horror film, and the beginning of this feels like a weird ass porno, too - complete with millimeters away from couples full-frontal nudity in a dingy hotel room. The one thing this has going for it is that they're in *real* ocean water with *real* sharks, and on that front there are some real motherfucker shots in this that made me jump just on principle. There's also just some really terrific footage of various sea + land creatures in this that help add to the realism. When all is said and done I have to give props to that brutally hopeless coda though, Jesus Christ - made my skin crawl and actually made this whole product grow on me a lot more than my initial measure. But it fucks around too much and even though it does what it can decently well, it isn't enough. While I still think it's too unfair of a reaction, I can clearly see why everyone hates this now.
Babylon Berlin
5.0
Rate It
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A metropolis in turmoil. From economy to culture, politics to the underworld – everything is in...
crime drama
Rob Zombie recommended Taxi Driver (1976) in Movies (curated)
Scott Tostik (389 KP) rated Three on A Meathook (1972) in Movies
Jan 6, 2019
The Porno 70's Soundtrack (1 more)
The Dad character
About a million gratuitous boob shots (1 more)
The plot is somewhat absent...ish
Huh.... Kinda cool...ish
Contains spoilers, click to show
When you review cheesy horror films for fun while your fiancee is alseep.... And you have to keep the volune down so you can barely hear the drivel that most scripted movies spew out... Captions are always an option.
When they work...
This movie is sorta bad to begin with. The camera work is sub par. Tue acting is all around shite. And lets be honest here.... The only good part about this film was the creativity of the kills for the time it was made.
The movie breaks down at the halfway point when it turns into Billy goes to tue city lookin for love and all he finds is a brunette skank who wants to come to his farm after knowing him for 15 seconds in a bar.... But its true love
Lobg story short... Billy's Daddy is a psychopath... Blood is spilt... Carnage insues... And boobs are flashed a plenty....
But not even glorious tan lined hooters can save this thing.... Only reason i rated it what i did... Is because i could see how modern day horror film writers and directors would use this as source material for writing their own slasher style scripts. Its groundbreaking... I admit that... It's just not... Well... It's not Black Christmas enough to be considered the first slasher style film of the 70's... Watch it if you want to.... I recommend it to those who want to go into horror directing or writing as both things to do and not to do.
On to the next....
When they work...
This movie is sorta bad to begin with. The camera work is sub par. Tue acting is all around shite. And lets be honest here.... The only good part about this film was the creativity of the kills for the time it was made.
The movie breaks down at the halfway point when it turns into Billy goes to tue city lookin for love and all he finds is a brunette skank who wants to come to his farm after knowing him for 15 seconds in a bar.... But its true love
Lobg story short... Billy's Daddy is a psychopath... Blood is spilt... Carnage insues... And boobs are flashed a plenty....
But not even glorious tan lined hooters can save this thing.... Only reason i rated it what i did... Is because i could see how modern day horror film writers and directors would use this as source material for writing their own slasher style scripts. Its groundbreaking... I admit that... It's just not... Well... It's not Black Christmas enough to be considered the first slasher style film of the 70's... Watch it if you want to.... I recommend it to those who want to go into horror directing or writing as both things to do and not to do.
On to the next....
LoganCrews (2861 KP) rated I Hope They Serve Beer in Hell (2009) in Movies
Apr 11, 2021
I mean, just read the title. Its reputation absolutely precedes it - one of the most hateful, tasteless, depraved movies ever to have a wide release within the last 50 years. Pure sleaze, one last battle cry from the 2000s signature brand of worshipping the most objectionable fratbro stupidity there is out there (no surprise that this, 𝘛𝘩𝘦 𝘏𝘢𝘯𝘨𝘰𝘷𝘦𝘳, and 𝘔𝘪𝘴𝘴 𝘔𝘢𝘳𝘤𝘩 all came out the same year) - which usually I'm averse to, but even after having seen thousands of movies at this point even *I* was shocked at how mean they played this. On that level alone I admire it for the sole purpose that this would never get made today; it set out to be vile and by God did it accomplish that without reservation. I also like how they (smartly) removed all pretense and for once in one of these just decided to play the lead character as a self-confessed sociopath (not to mention Matt Czuchry is fucking aces in this role). They take the entire core concept of these movies and - against all expectations - flip it right on its head so rather than us being expected to empathize with this creep, the story instead becomes about how the people around him cope/rationalize with being friends with a psycho. And on that note, the three leads are cleverly realized as the three types of misogynist you're likely to see in these sorts of college groups (the one with no delusions about his hatred of women, the one who also hates women but plays coy about it, and the one who's convinced he's above it all despite enabling the previous two while also casually partaking in it himself albeit not as often). My biggest gripe? The porno-cheap production. You couldn't get a real director to touch this thing? But hey the dwarf stripper stuff is *riotously* funny.
Gareth von Kallenbach (965 KP) rated Zack and Miri Make a Porno (2008) in Movies
Aug 14, 2019
Zack (Seth Rogan), and Miri (Elizabeth Banks), are two lifelong friends with problems. Their lives in a Pittsburgh Suburb have not turned out as well as they would have hoped as they find themselves mired in low paying jobs struggling to pay the bills and have any semblance of a happy life.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
Gareth von Kallenbach (965 KP) rated Eagle Eye (2008) in Movies
Aug 14, 2019
Zack (Seth Rogan), and Miri (Elizabeth Banks), are two lifelong friends with problems. Their lives in a Pittsburgh Suburb have not turned out as well as they would have hoped as they find themselves mired in low paying jobs struggling to pay the bills and have any semblance of a happy life.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.
While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.
In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.
Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.
With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.
Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.
Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.
While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.
No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.
I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.
“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
Anna Marie Green (7 KP) rated Mass Effect: Andromeda in Video Games
Jul 3, 2018
Incredible Scenery (2 more)
Excellent Gameplay
Good Story Concept
Horrible Dialogue Interactions (4 more)
Rushed Production Led to Disastrous Bugs
The Faces
Online Mode
Romance Options Feel Hollow
The Tragedy of Mass Effect
The game I love to hate.
ME:A is worth at least a single playthrough, at least to understand where the complainsts were coming from. This game enrages us so much for a variety of reasons:
1. It Isn't Really Mass Effect
For a the bells and whistles of the Mass Effect title, Andromeda feels more like an Alternative Universe Fanfiction. There are hints of the original hidden in the world– messages from Liara T'Soni, a mention of Shephard, and the logs with the Reapers– but the story is so jarringly different at times that they could have replaced any of the alien species with new ones and been none the wiser. Ryder's relationship with SAM is at complete odds with the entirery of the Mass Effect story. This was probably BioWare's narrative goal, but it was so poorly executed that it just read as lazinezs.
2. The Dialogue
I'm not entirely sure who was in charge of the game's dialogue, but I am certain they helped ghostwrite 50 Shades of Grey.
"He's dead. Ha. Probably because I shot him in the face."
"You, and your god damned father. Sorry. My face is tired."
It's just... Horrible. Like a really crummy porno imitation of a good film. The voice actors have awkward pauses and scenes where they just look at you for a few moments.
3. The Ruined Potential
The worst thing about this game is the fact that underneath all the mistakes, the palimpsest of poorly written dialogue, and the rushed money-grubbing of a rabid EA, Mass Effect Andromeda was actually... Fun? The story was genuinely interesting. The characters had good stories. The worlds were beautiful and creative.
The Angara were interesting and creative. The revelation towards the end? I wouldn't say I was completely surprised, but it did leave me wanting to know about the galaxy beyond the Heleus Cluster.
It's just a shame they ruined their own creation before it was even completed.
Andromeda was flawed and greedy, but at the same time, it was a testament to game design and world development.
ME:A is worth at least a single playthrough, at least to understand where the complainsts were coming from. This game enrages us so much for a variety of reasons:
1. It Isn't Really Mass Effect
For a the bells and whistles of the Mass Effect title, Andromeda feels more like an Alternative Universe Fanfiction. There are hints of the original hidden in the world– messages from Liara T'Soni, a mention of Shephard, and the logs with the Reapers– but the story is so jarringly different at times that they could have replaced any of the alien species with new ones and been none the wiser. Ryder's relationship with SAM is at complete odds with the entirery of the Mass Effect story. This was probably BioWare's narrative goal, but it was so poorly executed that it just read as lazinezs.
2. The Dialogue
I'm not entirely sure who was in charge of the game's dialogue, but I am certain they helped ghostwrite 50 Shades of Grey.
"He's dead. Ha. Probably because I shot him in the face."
"You, and your god damned father. Sorry. My face is tired."
It's just... Horrible. Like a really crummy porno imitation of a good film. The voice actors have awkward pauses and scenes where they just look at you for a few moments.
3. The Ruined Potential
The worst thing about this game is the fact that underneath all the mistakes, the palimpsest of poorly written dialogue, and the rushed money-grubbing of a rabid EA, Mass Effect Andromeda was actually... Fun? The story was genuinely interesting. The characters had good stories. The worlds were beautiful and creative.
The Angara were interesting and creative. The revelation towards the end? I wouldn't say I was completely surprised, but it did leave me wanting to know about the galaxy beyond the Heleus Cluster.
It's just a shame they ruined their own creation before it was even completed.
Andromeda was flawed and greedy, but at the same time, it was a testament to game design and world development.
Work! Consume! Die!: I am Actually Almost Completely Insane Now
Book
Brace yourself, Frankie's back, and he's more outspoken and brilliantly inappropriate than ever....
Gareth von Kallenbach (965 KP) rated T2 Trainspotting (2017) in Movies
Jul 12, 2019
The first time I saw Trainspotting was my senior year of high school. At the time, I knew that I wanted to get involved in film, and I really did for about ¾ of a year after I graduated. I looked at movies for their artistry and cinematography even at a young age. I was a band geek, so music was also things I would love about movies. I was deep for a 17-year-old, or so I thought any way. But I explain this to you so you don’t think that I loved this movie simply because of the drug use or humor it presented. I have always been of the mind to find something I like about a movie, watch it for what it is, and try to just find the enjoyment value (I know, weird coming from a film reviewer). I didn’t even have to try for Trainspotting. It was the complete package, and ground breaking. It also introduced me to Ewan McGregor, who is one of my favorite actors. I loved the movie so much, I bought Irvine Welsh’s book that the movie was based on of the same title, Trainspotting, which I highly recommend simply for the fact that it’s written in phonetic Scottish. I never picked up Porno, the literary sequel to Trainspotting, but I hear it is bizarre and will need to pick it up, but not because of this movie. I’ll explain in a moment.
Naturally, when the announcement was made for a second Trainspotting movie, I was both excited and terrified at the same time. The first was so good, why did Hollywood need to ruin it with a sequel that has a bigger budget. What was promising was that it was announced that the entire cast of characters (that survived from the first film) would be back, including Diane (Kelly MacDonald). But it’s been 20 years. Typically, when you see sequels come out even after only 10 years, the whole film seems a contrite, forced replication of the first. Hell, look at all the criticism for the Hangover films being exactly that, and they were only a few years apart. Whether the script feels forced just for the sake of a sequel, or the actors are trying too hard to be the character they played many years prior, it never quite works. So, as we neared the release date, I was getting more and more weary of seeing the film. Then, the trailer dropped.
Damn the trailer looked good. And I will tell you, the movie did not fall into the trap of forced sequels. The main cast came back and played the characters perfectly. Not as they were, but as the people they grew to be over the 20-year period. The plot was fun and pointless, with all of the same charm as its predecessor. I saw the movie with fellow SKNR staffer Joshua Aja, and we had a pretty good conversation following the film. We both came to the same conclusion, that neither of us could remember the last time we saw a film that just that good.
So now to the actual meat of the review itself. What was the movie about? Well, I won’t give away too much, but I will give you a quick recap of the events leading up to this film. Basically, do you remember the end of Trainspotting? Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle) had successfully pulled off a heist, and Renton was making off with the money while everyone slept, except Spud of course who saw Renton leaving but didn’t say anything. As a result, Renton left Spud’s share of the cash for him in a locker. Okay; all caught up.
T2 Trainspotting picks up 20 years later. Renton comes back to Scotland because his mother passed away, he ends up reuniting with Spud, and eventually Sick Boy, who we now know by his real name, Simon. Begbie is in prison because, well… he’s Begbie, but he doesn’t stay there long. Tempers fly, old feelings flare, and not every reunited moment is met with glee. But soon enough, Renton, Simon and Spud are drawn into old habits, though not old drugs, and start to build money up to open a ‘sauna’ (read: undercover brothel) for Simon’s girlfriend, Veronika (Angela Nedyalkova). It’s not long before Begbie shows up and starts mucking things up leading to a suspenseful conclusion between Renton, Simon and Begbie.
That’s all I can say. There was an excellent use of the history from the first film, and of course we get another fantastic ‘Choose Life’ speech from Renton. The soundtrack, while not quite as good as the first, still holds its own very well. And be sure to look for the Bowie tribute, since it was he who helped Danny Boyle obtain a lot of music rights on the cheap for the first film. And, you will find Spud’s writings throughout the movie to be lifted, verbatim, from the Trainspotting by Irvine Welsh. But what’s interesting, is that there is not a lot that relates this film to the literary sequel, Porno. Much of the plot of this film is taken from, or at least inspired by, parts of the book that were not used in the first film. That combined with some new writing and storytelling from Irvine Welsh and John Hodge.
Bottom line: if you liked the Trainspotting even in the slightest, you will absolutely enjoy T2 Trainspotting. A phenomenal job by cast, crew, and writers, and an excellent soundtrack will leave you wanting a trilogy. This is only the third film I have given a perfect score to in my 7 years of reviewing films, and it is well deserved. Go see this movie.
Naturally, when the announcement was made for a second Trainspotting movie, I was both excited and terrified at the same time. The first was so good, why did Hollywood need to ruin it with a sequel that has a bigger budget. What was promising was that it was announced that the entire cast of characters (that survived from the first film) would be back, including Diane (Kelly MacDonald). But it’s been 20 years. Typically, when you see sequels come out even after only 10 years, the whole film seems a contrite, forced replication of the first. Hell, look at all the criticism for the Hangover films being exactly that, and they were only a few years apart. Whether the script feels forced just for the sake of a sequel, or the actors are trying too hard to be the character they played many years prior, it never quite works. So, as we neared the release date, I was getting more and more weary of seeing the film. Then, the trailer dropped.
Damn the trailer looked good. And I will tell you, the movie did not fall into the trap of forced sequels. The main cast came back and played the characters perfectly. Not as they were, but as the people they grew to be over the 20-year period. The plot was fun and pointless, with all of the same charm as its predecessor. I saw the movie with fellow SKNR staffer Joshua Aja, and we had a pretty good conversation following the film. We both came to the same conclusion, that neither of us could remember the last time we saw a film that just that good.
So now to the actual meat of the review itself. What was the movie about? Well, I won’t give away too much, but I will give you a quick recap of the events leading up to this film. Basically, do you remember the end of Trainspotting? Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle) had successfully pulled off a heist, and Renton was making off with the money while everyone slept, except Spud of course who saw Renton leaving but didn’t say anything. As a result, Renton left Spud’s share of the cash for him in a locker. Okay; all caught up.
T2 Trainspotting picks up 20 years later. Renton comes back to Scotland because his mother passed away, he ends up reuniting with Spud, and eventually Sick Boy, who we now know by his real name, Simon. Begbie is in prison because, well… he’s Begbie, but he doesn’t stay there long. Tempers fly, old feelings flare, and not every reunited moment is met with glee. But soon enough, Renton, Simon and Spud are drawn into old habits, though not old drugs, and start to build money up to open a ‘sauna’ (read: undercover brothel) for Simon’s girlfriend, Veronika (Angela Nedyalkova). It’s not long before Begbie shows up and starts mucking things up leading to a suspenseful conclusion between Renton, Simon and Begbie.
That’s all I can say. There was an excellent use of the history from the first film, and of course we get another fantastic ‘Choose Life’ speech from Renton. The soundtrack, while not quite as good as the first, still holds its own very well. And be sure to look for the Bowie tribute, since it was he who helped Danny Boyle obtain a lot of music rights on the cheap for the first film. And, you will find Spud’s writings throughout the movie to be lifted, verbatim, from the Trainspotting by Irvine Welsh. But what’s interesting, is that there is not a lot that relates this film to the literary sequel, Porno. Much of the plot of this film is taken from, or at least inspired by, parts of the book that were not used in the first film. That combined with some new writing and storytelling from Irvine Welsh and John Hodge.
Bottom line: if you liked the Trainspotting even in the slightest, you will absolutely enjoy T2 Trainspotting. A phenomenal job by cast, crew, and writers, and an excellent soundtrack will leave you wanting a trilogy. This is only the third film I have given a perfect score to in my 7 years of reviewing films, and it is well deserved. Go see this movie.