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Steve Fearon (84 KP) rated Hostile (2017) in Movies
Nov 7, 2018
Claustraphobic (1 more)
Good ramping up of tension
Here in my car, I feel safest of all...
An interesting if not overly original premise, Hostile tells the post apocalyptic tale of a woman in the desert, trapped and injured under her overturned vehicle, whilst being stalked by a mutant creature.
It does a decent job of creating a world and setting for a modest budget, and though its attempts to avoid showing too much for financial reasons are a little transparent at times.
The film oscillates between the post apocalyptic and the pre-catastrophe, and the performances of the main cast are good enough to maintain interest even when going though the largely melodramatic character building of the contemporary setting.
It is ultimately reminiscent of movies like open water, 47 feet under, and even some episodes of the Walking Dead, with the stranded survivor having to survive whilst essentially trapped in one location.
It is a slow burn movie, and very character based, so you spend a lot of time with our protagonist, who was a little cliched, and hard to like most of the time, but a decent enough performance that you can get through the more dialogue heavy parts.
A decent film, and at only 80 minutes, not a huge investment of your time, so might be worth a look if you like your survival movies a bit wasteland-y.
It does a decent job of creating a world and setting for a modest budget, and though its attempts to avoid showing too much for financial reasons are a little transparent at times.
The film oscillates between the post apocalyptic and the pre-catastrophe, and the performances of the main cast are good enough to maintain interest even when going though the largely melodramatic character building of the contemporary setting.
It is ultimately reminiscent of movies like open water, 47 feet under, and even some episodes of the Walking Dead, with the stranded survivor having to survive whilst essentially trapped in one location.
It is a slow burn movie, and very character based, so you spend a lot of time with our protagonist, who was a little cliched, and hard to like most of the time, but a decent enough performance that you can get through the more dialogue heavy parts.
A decent film, and at only 80 minutes, not a huge investment of your time, so might be worth a look if you like your survival movies a bit wasteland-y.
Project Genesis: The Short Story Prequel to the Genesis Rising Series
Book
Global terrorism. The declining population. An uncertain future. Does the Sphinx hold the...
Genesis Rising science fiction pre-apocalyptic
LoganCrews (2861 KP) rated Sunshine (2007) in Movies
Sep 20, 2020
Frantic, superhuman space escapism (spacapism? spacecapism? spacescapism?) which revels in chucking its cast of unfortunate characters head-first into ludicrous amounts of mental anguish, bodily torment, and spiritual deformation with nary a single solitary moment of repose. What do you do when you can't even trust your own mind (especially if it's scarier when you can) and don't even have the time to be sure before you act? Part sumptuous feast for the senses, part wildly fun men-on-a-mission space adventure, part bonkers slasher flick, part volatile mindfuck. Still one of the best looking movies you're likely to find, I'm never any less than blown away with how orgasmic this looks and sounds - the CGI is just immaculate. And the tech-fetish is so striking but never intrusive. Bonus points for being a pre-apocalyptic, time sensitive future sci-fi thriller that doesn't turn into a surface-level lecture on misplaced technophobia or "maybe *we're* the real virus" nonsense. Boyle and Garland are a dream team duo, knocked it right out of the park with this one - five hundred times the movie ššš¶š®š„š°šØ ššŖšššŖš°šÆš¢šŖš³š¦ is.
Awix (3310 KP) rated Gamera: Revenge of Iris (1999) in Movies
Mar 15, 2019 (Updated Mar 15, 2019)
Apocalyptic final instalment in Kaneko's trilogy takes the Japanese monster movie to places it has never been before or since. Amid signs of the man-eating Gyaos creatures reappearing in vast numbers, an embittered girl bonds with the life-draining Iris creature to seek revenge on Gamera after her parents were killed in his battle with the first Gyaos some years earlier.
Incomplete Struggle (a much better title to my mind) is much more of a fantasy film than the previous chapter in the story, once again playing cleverly with various tropes of Japanese monster stories. The script takes the trouble to include characters from both previous films (it is clearly intended as a grand conclusion to the story) and also explores notions of pre-millennial angst. Once again, the monster battles are superbly staged, but the big ideas explored by the film are also fascinating, even if some elements of the story are left a bit vague. What one person sees as vaulting imagination and ambition, another may see as the script getting a bit out of control; some may also have an issue with the deliberate lack of closure at the very end of the film. Nevertheless, this movie manages to give the Japanese kaiju genre a sense of majesty and gravitas it has seldom achieved anywhere else.
Incomplete Struggle (a much better title to my mind) is much more of a fantasy film than the previous chapter in the story, once again playing cleverly with various tropes of Japanese monster stories. The script takes the trouble to include characters from both previous films (it is clearly intended as a grand conclusion to the story) and also explores notions of pre-millennial angst. Once again, the monster battles are superbly staged, but the big ideas explored by the film are also fascinating, even if some elements of the story are left a bit vague. What one person sees as vaulting imagination and ambition, another may see as the script getting a bit out of control; some may also have an issue with the deliberate lack of closure at the very end of the film. Nevertheless, this movie manages to give the Japanese kaiju genre a sense of majesty and gravitas it has seldom achieved anywhere else.
LoganCrews (2861 KP) rated Into The Forest (2016) in Movies
Sep 19, 2020
A light, pretty take on the bonds of family during hard times gets brutalized halfway through by one of the hardest to watch scenes of 2015 before becoming a powerfully emotional apocalypse tale about how much of your life is actually necessary. This has been criticized up and down for not using a 'harrowing' enough crisis to set the scene, and look I'm just going to tell you right now that I understand why you all think this is 'millennial' but this right here would be my living nightmare. I'm that character in every pre/post-apocalyptic movie who loses their shit after the power goes out in the first five minutes - I don't even go tent camping, like I *need* that shit. To quote Kumail Nanjiani from šš©š¦ ššŖšØ ššŖš¤š¬: "I'm going to be the first guy to die. I die so the other characters get to find out something weird is going on". Also a big plus that this doesn't turn into some finger-shaking technophobic lecture as it no doubt would have under any other circumstances. No I don't take a ton of stock in this rather simple story on the surface but the real beauty of it is brought to life with these all-in performances, earthly visuals, together with the *deeply* rich and evocative score. It's such a bracingly haunting yet unforgettably sensual experience, and it has one of the more sound 'good thing, bad thing, good thing, bad thing...' structures for the genre. Very lovely.
ClareR (5561 KP) rated The Memory of Animals in Books
Jun 8, 2023
Iām completely braised. I love Claire Fullers writing, Iāve loved everything Iāve read by her and The Memory of Animals is no exception. And the fact that this could be described as a dystopian or even an apocalyptic novel made it even more fascinating. I love this genre - even though it usually enters my dreams and makes for an interesting nights sleep!
This is a pandemic novel - but not our pandemic, not Covid. This is a dropsy-type disease, where those infected swell up, their brains swell up too, they forget - and more often than not, they die.
Neffy (Nefeli) and a group of young people volunteer to be vaccinated against, and then infected by, the virus. Something goes wrong, and it looks as though Neffy and four other test volunteers are the only ones who are alive and well. But they canāt leave the building theyāre in and the food is running out.
Neffy is a Marine Biologist, an Aquarist, and my favourite parts were her letters to āHā as well as her flashbacks to childhood and pre-pandemic.
This isnāt *just* a speculative, science fiction book, itās a story about the human condition, about the human drive to survive against the odds, regret, loss, grief, memory, love and above all, hope.
I could go on and on about this. I would never have expected a novel like this from Claire Fuller after reading her previous novels, but thatās what makes it even better. I actually read this twice (unheard of for me, actually). I finished it and immediately started reading again.
So yes, I would most definitely strongly recommend this book!
This is a pandemic novel - but not our pandemic, not Covid. This is a dropsy-type disease, where those infected swell up, their brains swell up too, they forget - and more often than not, they die.
Neffy (Nefeli) and a group of young people volunteer to be vaccinated against, and then infected by, the virus. Something goes wrong, and it looks as though Neffy and four other test volunteers are the only ones who are alive and well. But they canāt leave the building theyāre in and the food is running out.
Neffy is a Marine Biologist, an Aquarist, and my favourite parts were her letters to āHā as well as her flashbacks to childhood and pre-pandemic.
This isnāt *just* a speculative, science fiction book, itās a story about the human condition, about the human drive to survive against the odds, regret, loss, grief, memory, love and above all, hope.
I could go on and on about this. I would never have expected a novel like this from Claire Fuller after reading her previous novels, but thatās what makes it even better. I actually read this twice (unheard of for me, actually). I finished it and immediately started reading again.
So yes, I would most definitely strongly recommend this book!
IN///PARALLEL by Dhani Harrison
Album Watch
Grammy Award winning musician Dhani Harrisonās first solo album IN///PARALLEL. Dhani describes...
alternative
ClareR (5561 KP) rated The Wolves of Winter in Books
Mar 11, 2022
I keep doing this. Reading books about pandemics during a pandemic, and then scaring the living daylights out of myself. Thank goodness Iād read Justin Croninās The Passage trilogy pre-Covid, because that would really have had me battening down the hatches!
This is about a different flu-like virus, but the mortality rate is far higher than Covid. And then nuclear bombs are also involved, so itās a pretty full-on start to this remarkable book.
The sensible people move north. In this case, they move to the Yukon, where the virus is less virulent and people can hunt and trap their food. Lynn McBride lives here with whatās left of her family. Theyāve carved out a life for themselves and live in relative safety in the barren, white landscape. But they canāt keep everyone away, and soothe outside world starts to encroach in the form of a loner called Jax, and a frankly scary group of people who are intent on seeing the end of the virus, no matter the human cost.
I loved the descriptions of the landscape - I do tend to love a book set in frozen landscapes (Arctic, Antarctic, just somewhere plain cold!), which is odd really, because I canāt think of a worse place to live. Itās a morbid fascination, I suppose. And the descriptions in this book of the cold, the landscape and the difficulties of living there are so evocative. People surviving against the odds always a winning theme.
It wasnāt until I sat down to write this, that I found out that the book was YA. Honestly, it hadnāt even crossed my mind. Ok, thereās no sex, but in my opinion it just seemed too cold anyway š¤·š¼āāļø. The main protagonist is in her late teens, and there is a sexual assault and some shooting/ bloodshed. Thereās a very cute dog though (also a winning formula for me).
So if youāre feeling brave and like a post-apocalyptic story, you may well fancy reading this. I do wonder if there will be a follow up, because Iād love to know what happens after the final page (it does seem open to that). Iād definitely read it!
This is about a different flu-like virus, but the mortality rate is far higher than Covid. And then nuclear bombs are also involved, so itās a pretty full-on start to this remarkable book.
The sensible people move north. In this case, they move to the Yukon, where the virus is less virulent and people can hunt and trap their food. Lynn McBride lives here with whatās left of her family. Theyāve carved out a life for themselves and live in relative safety in the barren, white landscape. But they canāt keep everyone away, and soothe outside world starts to encroach in the form of a loner called Jax, and a frankly scary group of people who are intent on seeing the end of the virus, no matter the human cost.
I loved the descriptions of the landscape - I do tend to love a book set in frozen landscapes (Arctic, Antarctic, just somewhere plain cold!), which is odd really, because I canāt think of a worse place to live. Itās a morbid fascination, I suppose. And the descriptions in this book of the cold, the landscape and the difficulties of living there are so evocative. People surviving against the odds always a winning theme.
It wasnāt until I sat down to write this, that I found out that the book was YA. Honestly, it hadnāt even crossed my mind. Ok, thereās no sex, but in my opinion it just seemed too cold anyway š¤·š¼āāļø. The main protagonist is in her late teens, and there is a sexual assault and some shooting/ bloodshed. Thereās a very cute dog though (also a winning formula for me).
So if youāre feeling brave and like a post-apocalyptic story, you may well fancy reading this. I do wonder if there will be a follow up, because Iād love to know what happens after the final page (it does seem open to that). Iād definitely read it!
Kelly (279 KP) rated The Passage in Books
Dec 4, 2018
In depth, well thought out characters (2 more)
Intelligent plot
A nobody is safe story line!
A ācould not put it downā read.
The passage is the first of three books which span centuries, covering before, during and after a vampire apocalypse.
I have to say, I was hooked on this novel from the start. Originally picking it up, without even reading the synopsis or reviews, I was surprised to find out that this is actually a novel about vampires (which I did not expect from the title). The build up to the vampire apocalypse is well thought out, flawless planned and written, demonstrating expert skill by Justin Cronin.
The characters are complex, and demonstrate both strengths and flaws, nobody is perfect in this novel not even Amy or Peter, who are the main characters the story centres around. We grow to love these characters, just as much as we grow to strongly dislike characters such as Babcock and Grey. I believe that the emotional connection that I was able to apply to these characters, is what drew me further into the novel. Equally all characters face hardships during the novel, some worse than others, but I found myself wishing that those characters I deemed to be good, would face better times, and those who I felt were bad individuals would soon face their comeuppance. Good or bad however, Croninsā concentration on the back grounds of the characters does allow us to emphasise and understand why the primary characters within the novel act the way they did, even if this was in conflict with our own values and morals.
As the story unravels, Cronin does jump between different time periods (pre, during and post apocalypse). Although Cronin does give each period a fair amount of time within the book, I did find it difficult to leave the characters from one period behind, in order to move onto another, partially due to the attachment that I had created with the characters. Although the time jumps were carried out at deliberate timings and are not too frequent, I did find them a little distracting.
The story itself makes sense as a stand alone novel, but makes even more sense when read with the rest of the series. When read with the other two novels, The Passage is merely a scene setting novel, for the books that are to come, and as such, has a lot less of a biblical undertone than the series as an entirety (there are a lot of references to the Old Testament in the books that follow). Despite this, the book is a highly enjoyable read, and is not your usual vampire/ apocalyptic novel.
I have to say, I was hooked on this novel from the start. Originally picking it up, without even reading the synopsis or reviews, I was surprised to find out that this is actually a novel about vampires (which I did not expect from the title). The build up to the vampire apocalypse is well thought out, flawless planned and written, demonstrating expert skill by Justin Cronin.
The characters are complex, and demonstrate both strengths and flaws, nobody is perfect in this novel not even Amy or Peter, who are the main characters the story centres around. We grow to love these characters, just as much as we grow to strongly dislike characters such as Babcock and Grey. I believe that the emotional connection that I was able to apply to these characters, is what drew me further into the novel. Equally all characters face hardships during the novel, some worse than others, but I found myself wishing that those characters I deemed to be good, would face better times, and those who I felt were bad individuals would soon face their comeuppance. Good or bad however, Croninsā concentration on the back grounds of the characters does allow us to emphasise and understand why the primary characters within the novel act the way they did, even if this was in conflict with our own values and morals.
As the story unravels, Cronin does jump between different time periods (pre, during and post apocalypse). Although Cronin does give each period a fair amount of time within the book, I did find it difficult to leave the characters from one period behind, in order to move onto another, partially due to the attachment that I had created with the characters. Although the time jumps were carried out at deliberate timings and are not too frequent, I did find them a little distracting.
The story itself makes sense as a stand alone novel, but makes even more sense when read with the rest of the series. When read with the other two novels, The Passage is merely a scene setting novel, for the books that are to come, and as such, has a lot less of a biblical undertone than the series as an entirety (there are a lot of references to the Old Testament in the books that follow). Despite this, the book is a highly enjoyable read, and is not your usual vampire/ apocalyptic novel.
Eilidh G Clark (177 KP) rated The Sunlight Pilgrims in Books
May 13, 2017
Smashing novel
āWhat are you meant to do when a humongous cloud is coming toward you on a sheer mountain drop? He lifts his phone and there are no bars, he canāt even google it. Two eagles spiral out of the cloud, calling to each other, and one has something small gripped in itās claws. They coast on the wind ā each wingspan must be about three feet ā and they appear almost still.ā
Jenni Faganās The Sunlight Pilgrims was published by Windmill Books in 2015 and for me, was a much-anticipated novel. After reading her debut novel, The Panopticon, my expectations were high and I was not disappointed. This is a pre-apocalyptic novel set in a fictional Scottish town of Clachan Fells in the not too distant future of 2020. The novel explores the lives of a community of eccentric individuals living in close the proximity of a caravan park. As the temperatures plunge into extreme minuses, the residents are faced with a bleak and uncertain future, not only of their own survival, but also the survival of the human race.
The most interesting thing about this novel is that on the surface, nothing really happens, yet it would be wise to look deeper. Amongst the daily challenges of individual lives, there lurks a thought provoking tale of identity, community, and environment.
The novel is written from the perspective of two of its main characters Stella ā a transgender teenager and Dylan a Londoner who recently moves to Clachan Fells. The most interesting thing about these two characters is the perspectives that each individual has about place. For Stella, her world is a difficult place full of prejudice and rejection, even from her own father. Whilst her own personal identity is unquestionable, the community rejects her choices. This point of view provokes the reader to question the nature of identity, a topic often argued when discussing Scotland. From Stellaās point of view, her own identity is progressive, changing, developing while the society around her static. Alistairās point of view however, allows the reader a modern and open approach. Described in the prologue as the Incomer (notice the capitalization) directs the reader towards Margaret Elphinstoneās novel The Incomer published in 1987. Elphinstoneās novel is a post-apocalyptic tale and, like Faganās, novel examines the question of identity. Thomas Christie suggests in Notional Identities, that Elphinstone is ādepicting the countryās ability to adapt to extreme changeĀ¬ Ģ¶ carving a form of localism from the bones of globalisation Ģ¶ she recognises its progressive aptitude to embrace forces of social transformation while retaining recognisable core cultural imperatives.ā It is no coincidence that Fagan has subtly steered the reader to this novel; identity is clearly a topic that the author is keen to explore. Dylan is a progressive character in Faganās novel. Discovering Stella identity very early in the novel, the character never questions her choices or that of Mother who has two partners. Likewise, this progressive thinking expands to the other residents of the caravan park, which houses a prostitute, an alien worshipper, and a disabled man with a crooked back who worships the sky. Not only does Dylan accept people for who they are; his deep connection to the environment makes him instinctive as opposed to the more rational thinkers of the world.
Unlike many modern writers, Fagan raises more questions about society and identity than she answers. This is an interesting technique as it leaves the reader to question the novel as opposed to question to authors own political and societal views. That said there is no doubt that this is a Scottish novel. The story is steeped in Scottish mythical symbolism such as the blackbird that lands on a fence post with his eyes reflecting a vast mountain range, to the eagles and stagās on the mountains. In addition, the characters take on mythical personaās including a giant, a girl with second sight, and a moon polisher. With oral tales of Sunlight Pilgrims highlighting the Scottish oral storytelling tradition, and a poetic sentence structure done in true Fagan style this novel feels truly Scottish.
I would highly recommend this postmodern novel, which urges the reader to look beyond society and address the problems of ego and the rational mind in order to create a progressive unified world where outsiders are welcomed as incomers ā a prevalent issue in todayās society.
Jenni Faganās The Sunlight Pilgrims was published by Windmill Books in 2015 and for me, was a much-anticipated novel. After reading her debut novel, The Panopticon, my expectations were high and I was not disappointed. This is a pre-apocalyptic novel set in a fictional Scottish town of Clachan Fells in the not too distant future of 2020. The novel explores the lives of a community of eccentric individuals living in close the proximity of a caravan park. As the temperatures plunge into extreme minuses, the residents are faced with a bleak and uncertain future, not only of their own survival, but also the survival of the human race.
The most interesting thing about this novel is that on the surface, nothing really happens, yet it would be wise to look deeper. Amongst the daily challenges of individual lives, there lurks a thought provoking tale of identity, community, and environment.
The novel is written from the perspective of two of its main characters Stella ā a transgender teenager and Dylan a Londoner who recently moves to Clachan Fells. The most interesting thing about these two characters is the perspectives that each individual has about place. For Stella, her world is a difficult place full of prejudice and rejection, even from her own father. Whilst her own personal identity is unquestionable, the community rejects her choices. This point of view provokes the reader to question the nature of identity, a topic often argued when discussing Scotland. From Stellaās point of view, her own identity is progressive, changing, developing while the society around her static. Alistairās point of view however, allows the reader a modern and open approach. Described in the prologue as the Incomer (notice the capitalization) directs the reader towards Margaret Elphinstoneās novel The Incomer published in 1987. Elphinstoneās novel is a post-apocalyptic tale and, like Faganās, novel examines the question of identity. Thomas Christie suggests in Notional Identities, that Elphinstone is ādepicting the countryās ability to adapt to extreme changeĀ¬ Ģ¶ carving a form of localism from the bones of globalisation Ģ¶ she recognises its progressive aptitude to embrace forces of social transformation while retaining recognisable core cultural imperatives.ā It is no coincidence that Fagan has subtly steered the reader to this novel; identity is clearly a topic that the author is keen to explore. Dylan is a progressive character in Faganās novel. Discovering Stella identity very early in the novel, the character never questions her choices or that of Mother who has two partners. Likewise, this progressive thinking expands to the other residents of the caravan park, which houses a prostitute, an alien worshipper, and a disabled man with a crooked back who worships the sky. Not only does Dylan accept people for who they are; his deep connection to the environment makes him instinctive as opposed to the more rational thinkers of the world.
Unlike many modern writers, Fagan raises more questions about society and identity than she answers. This is an interesting technique as it leaves the reader to question the novel as opposed to question to authors own political and societal views. That said there is no doubt that this is a Scottish novel. The story is steeped in Scottish mythical symbolism such as the blackbird that lands on a fence post with his eyes reflecting a vast mountain range, to the eagles and stagās on the mountains. In addition, the characters take on mythical personaās including a giant, a girl with second sight, and a moon polisher. With oral tales of Sunlight Pilgrims highlighting the Scottish oral storytelling tradition, and a poetic sentence structure done in true Fagan style this novel feels truly Scottish.
I would highly recommend this postmodern novel, which urges the reader to look beyond society and address the problems of ego and the rational mind in order to create a progressive unified world where outsiders are welcomed as incomers ā a prevalent issue in todayās society.