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Brian Kapfer (2 KP) created a post
May 26, 2018
graveyardgremlin (7194 KP) rated Slightly Married (Bedwyn Saga, #1) in Books
Feb 15, 2019
I don't have too much to say about this first (actual) entry into the Bedwyn/Slightly series. The pacing was good, the hero and heroine were nice and likable characters, and their romance was sweet and charming. The only thing I had a problem with were the loves scenes, they just felt 'off' and didn't quite fit into or with the flow of the storyline. Especially the second one, which struck me as odd. Otherwise it was a nice and easy story to read.
I don't dislike Freyja as much in this book, but for setting a series on a whole family of six, why did Ms. Balogh write them so unlikable? Or at least, they don't make me want to read the next book immediately, as I feel it should be. I am interested in Wulfric's intended and how she is able to break through to him. <i>That</i> ought to be something! :P
Now that I've read three in a row in the series (this and the two 'prequels'), I think I'll take a break. I've heard that there is a bit of repetition and it's better to break them up. :)
I don't dislike Freyja as much in this book, but for setting a series on a whole family of six, why did Ms. Balogh write them so unlikable? Or at least, they don't make me want to read the next book immediately, as I feel it should be. I am interested in Wulfric's intended and how she is able to break through to him. <i>That</i> ought to be something! :P
Now that I've read three in a row in the series (this and the two 'prequels'), I think I'll take a break. I've heard that there is a bit of repetition and it's better to break them up. :)
Sarah (7800 KP) rated The Thing (2011) in Movies
Jul 28, 2018
An unnecessary prequel
The problem with most prequels is they feel the need to overexplain things that aren't necessary. A certain amount of ambiguity is good for a film, and often allows the watcher to come up with their own theories. And this is the main problem with this prequel - did we need to know exactly what happened to the Norwegian team? No not really, as we saw enough in the original to use our imagination. So this prequel for me was entirely unnecessary.
It also didn't help that the plot was for the most part very similar to the original, which begs the question why make something so similar? The creature designs etc were very good, creepy and pretty scary and very in keeping with the original, but they completely ruined it with the horrendous cgi. Why they didn't stick with physical effects I'll never know, as it made the creature just look shoddy. The ending is potentially also a bit of a plot hole as it then doesn't tie in to the original.
There are a few things in this that could've been improved, but even with that, it'd still be an unnecessary prequel.
It also didn't help that the plot was for the most part very similar to the original, which begs the question why make something so similar? The creature designs etc were very good, creepy and pretty scary and very in keeping with the original, but they completely ruined it with the horrendous cgi. Why they didn't stick with physical effects I'll never know, as it made the creature just look shoddy. The ending is potentially also a bit of a plot hole as it then doesn't tie in to the original.
There are a few things in this that could've been improved, but even with that, it'd still be an unnecessary prequel.
David McK (3562 KP) rated Vision of the Future (Star Wars: The Hand of Thrawn Duology, #2) in Books
Jan 30, 2019
The second - and final - book in Timothy Zahn's <i>Hand of Thrawn</i> duology, <i>Vision of the Future</i> thus follows on from <i>Specter of the Past</i>.
In this, Luke is off to rescue Mara, while the New Republic itself moves closer and closer to internal war over the involvement of a group of Bothans in the destruction of Caamas, all of which is due to the (unknown to the Republic) machinations of a trio of Imperials, one of whom is impersonating Grand Admiral Thrawn.
Looking back on this, it's also interesting to note the veiled hints at future events - in particular, at just what is out in the Unknown Regions - that would later come to play a major role in the ongoing series (and, as a side-note, which is round about where I stopped reading them).
As this was written before prequels, there's also the occasional jarring note where this doesn't quite mesh properly, in particular with the references to the Clone Wars.
Like <i>Specter of the Past</i>, and OK read, but not as good as the <i>Heir to the Empire</i> series.
In this, Luke is off to rescue Mara, while the New Republic itself moves closer and closer to internal war over the involvement of a group of Bothans in the destruction of Caamas, all of which is due to the (unknown to the Republic) machinations of a trio of Imperials, one of whom is impersonating Grand Admiral Thrawn.
Looking back on this, it's also interesting to note the veiled hints at future events - in particular, at just what is out in the Unknown Regions - that would later come to play a major role in the ongoing series (and, as a side-note, which is round about where I stopped reading them).
As this was written before prequels, there's also the occasional jarring note where this doesn't quite mesh properly, in particular with the references to the Clone Wars.
Like <i>Specter of the Past</i>, and OK read, but not as good as the <i>Heir to the Empire</i> series.
RəX Regent (349 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Feb 20, 2019
This is not the first Star Wars spin-off, but it is joining a legacy of sub par entries to the franchise, certainly as where the big screen has been concerned, with two Ewoks movies and The Clone Wars TV pilot come movie to contend with. But Rogue One is first to take on the mantle of a blockbuster and attempt to compete with the very best of the Saga, if not join them.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
Film and stuff (30 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
May 15, 2019
Better than prequels. Not so much the originals.
Starring: John Boyega, Daisy Ridley, Adam Driver and Harrison Ford.
With the weight of the entire franchise and fans who have been burnt once before, Abrams had a monumental task to achieve in revitalising the Star Wars saga. Having had a huge amount of success with Star Trek, Abrams was the obvious choice for Disney.
With elements from all three of the original films and completely ignoring the second trilogy in every way it could, it would appear that 'The force Awakens' knew what it was doing, with enough nostalgia to take anyone back to the 70's.
Unfortunately that's where things go wrong.
The film shifts tone with such regularity it just seems confused and panicked as to what needs to be done. Instead of moments of humour and clever nods to the previous films, it vomits bucket loads of both which is more distracting than entertaining.
This is possibly the closest you can get to a remake without calling it a remake, where the ethos just seems to be "make it the same but bigger."
Instead of a continuation of the story, we are offered a setting up film. Don't we have six of those?
With the weight of the entire franchise and fans who have been burnt once before, Abrams had a monumental task to achieve in revitalising the Star Wars saga. Having had a huge amount of success with Star Trek, Abrams was the obvious choice for Disney.
With elements from all three of the original films and completely ignoring the second trilogy in every way it could, it would appear that 'The force Awakens' knew what it was doing, with enough nostalgia to take anyone back to the 70's.
Unfortunately that's where things go wrong.
The film shifts tone with such regularity it just seems confused and panicked as to what needs to be done. Instead of moments of humour and clever nods to the previous films, it vomits bucket loads of both which is more distracting than entertaining.
This is possibly the closest you can get to a remake without calling it a remake, where the ethos just seems to be "make it the same but bigger."
Instead of a continuation of the story, we are offered a setting up film. Don't we have six of those?
David McK (3562 KP) rated Dark Lord: The Rise of Darth Vader in Books
Jan 30, 2019
Belonging to the 'old' no-longer-considered-Canon selection of Star Wars stories (now contained under the banner of Star Wars Legends), this novel is mainly set roughly a month or so after the events of 'Revenge of the Sith' when Vader is new to the suit, and to his new life as Vader (as opposed to whiny emo Anakin Skywalker).
The start of the novel, in fact, actually takes place during the events of Revenge of the Sith, through the period in which Order 66 is exacted, with the Jedi who are the main characters of this novel surviving that purge. Like any good master/learner relationship, the newly-minted Emperor gives Vader a task -to hunt down those Jedi - to further pull him into the Dark Side of the Force, and to cement his place in the New Order.
The result is a pretty fast-paced novel that also takes in key characters from the original trilogy (and some from the inferior prequels), laying the foundations for the Rebellion that is to come and explainuing just how the Wookie came to be an enslaved species (although that part of the novel reminded me a fair bit of the The Force Unleashed video games!).
The start of the novel, in fact, actually takes place during the events of Revenge of the Sith, through the period in which Order 66 is exacted, with the Jedi who are the main characters of this novel surviving that purge. Like any good master/learner relationship, the newly-minted Emperor gives Vader a task -to hunt down those Jedi - to further pull him into the Dark Side of the Force, and to cement his place in the New Order.
The result is a pretty fast-paced novel that also takes in key characters from the original trilogy (and some from the inferior prequels), laying the foundations for the Rebellion that is to come and explainuing just how the Wookie came to be an enslaved species (although that part of the novel reminded me a fair bit of the The Force Unleashed video games!).
Alice (12 KP) rated Cruel Crown: Two Red Queen Short Stories in Books
Jul 3, 2018
Many thanks to the publisher for providing me with a copy of this book in exchange for an honest review
I went into Cruel Crown with an open mind - I haven't read Red Queen yet so I hoped that reading the prequel novellas to the best-seller would reveal quite a bit on the inner workings of Red's and Silver's.
In respect of Queen Song it was a pretty dark novella - a lot darker than I expected for a YA prequel. Coriane begins as a impoverished Silver with a hatred of the mundane and a love of the inner workings of machines.
Queen Song follows Coriane's rise from impoverished Silver to Queen of the Kingdom via her diary entries. The entries start off pretty mundane and childlike in their layout but over the course of her growth as a character they become much darker and they reveal that even royalty has flaws.
She comes across - as a teenager - as a bit of a spoiled brat even though she doesn't actually appear to be spoiled. She gives me the vibe of spoiled and irritating child for most of the beginning but after meeting Elara I'll give Coriane her due she's way more laid back.
As previously mentioned I haven't read Red Queen and hoped that the prequels would shed some light on certain things - what a Silver and a Red is, what a singer and a whisper is etc. I found that it didn't, without reading Red Queen first the prequel doesn't really make a whole lot of sense but it does shed light on what happens with royalty etc.
A couple of the characters (Elara I'm looking at you) were a hell of a lot more evil than I expected. Particularly at the end.
But there is a difference between a single candle in darkness, and a sunrise.
That is, without doubt, the best line in the novella. It's strikingly beautiful in contrast to the darkness of the novella.
Steel Scars on the other hand is a nice change of pace from Queen Song. Steel Scars follows a Red soldier - a member of The Scarlet Guard -as she aquires assets for the SG. It contains far more action and drama than Queen Song and it provides a better basis for certain aspects of the Red and Silver world.
It also sets up the introduction to Mare quite nicely as well.
As prequels go, they're good if a little bare of some details. The writing style flowed pretty well and most of the characters were not overly annoying or filler.
What an ending though. The Queenstrial sets Red Queen up incredibly well.
I went into Cruel Crown with an open mind - I haven't read Red Queen yet so I hoped that reading the prequel novellas to the best-seller would reveal quite a bit on the inner workings of Red's and Silver's.
In respect of Queen Song it was a pretty dark novella - a lot darker than I expected for a YA prequel. Coriane begins as a impoverished Silver with a hatred of the mundane and a love of the inner workings of machines.
Queen Song follows Coriane's rise from impoverished Silver to Queen of the Kingdom via her diary entries. The entries start off pretty mundane and childlike in their layout but over the course of her growth as a character they become much darker and they reveal that even royalty has flaws.
She comes across - as a teenager - as a bit of a spoiled brat even though she doesn't actually appear to be spoiled. She gives me the vibe of spoiled and irritating child for most of the beginning but after meeting Elara I'll give Coriane her due she's way more laid back.
As previously mentioned I haven't read Red Queen and hoped that the prequels would shed some light on certain things - what a Silver and a Red is, what a singer and a whisper is etc. I found that it didn't, without reading Red Queen first the prequel doesn't really make a whole lot of sense but it does shed light on what happens with royalty etc.
A couple of the characters (Elara I'm looking at you) were a hell of a lot more evil than I expected. Particularly at the end.
But there is a difference between a single candle in darkness, and a sunrise.
That is, without doubt, the best line in the novella. It's strikingly beautiful in contrast to the darkness of the novella.
Steel Scars on the other hand is a nice change of pace from Queen Song. Steel Scars follows a Red soldier - a member of The Scarlet Guard -as she aquires assets for the SG. It contains far more action and drama than Queen Song and it provides a better basis for certain aspects of the Red and Silver world.
It also sets up the introduction to Mare quite nicely as well.
As prequels go, they're good if a little bare of some details. The writing style flowed pretty well and most of the characters were not overly annoying or filler.
What an ending though. The Queenstrial sets Red Queen up incredibly well.