
Neon's Nerd Nexus (360 KP) rated The Incredibles 2 (2018) in Movies
May 14, 2019

Sassy Brit (97 KP) rated Pretty Ugly Lies in Books
Jun 5, 2019
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.

FilmIntuition (33 KP) rated All We Ever Wanted in Books
Jul 6, 2018
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.

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