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Gareth von Kallenbach (980 KP) rated Selah and the Spades (2019) in Movies
May 28, 2020
The school is run by five factions, each one function in a different capacity. Like Student Government for juvenile delinquents. They are organized enough to call group meetings, but not focused enough to get the through without arguments.
This is Selah’s senior year. She is caught between trying to figure out what to do with her life after graduation, waiting for the acceptance letters to come in while she is completely fixated on The Spade’s control over the drug trade on campus. She is also trying to find her successor to run the Spades once she leaves her alma mater. Her best friend, Maxxie (Jharrel Jerome) is her right hand in the Spades. Together, they have kept the five groups running the underground smoothly. It’s their senior year and they have plans.
Paloma (Celeste O’Connor)is the new sophomore at the school. She is immediately befriended by Selah, who quickly decides that Paloma would be the perfect person to inherit the Spades crown for the following year. While Selah tutors Paloma in the business of running the show, Max becomes distracted by a new face on the cheerleading squad, leaving Selah to go into a slow, emotional and mental tailspin.
Overall, the film felt unfocused, as if the purpose was to create a lowkey Lord of the Flies. It’s difficult to find empathy for teenage struggles in a private school setting. The film seems to be about Selah’s concern with losing her identity and the fear of leaving all that is familiar to her as she moves on to her next phase in life.
We see the kids trying to run this warped StuGo, undermining the leaders hold on each group. There isn’t much empathy for the students. They don’t have to worry about their next meal. These kids don’t have to worry about doing well in school in order to earn a scholarship for college.
The story lacks depth. It does not illicit empathy for any of the characters. There is one scene in the film that I had hoped would set the tone for the film. I was disappointed because that scene perfectly encapsulated how women are expected to be and how to they can take control of the narrative. I was hoping for more in this movie and it did not deliver enough.
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LeftSideCut (3776 KP) rated House of Gucci (2021) in Movies
Dec 7, 2021
The pacing is the main culprit. The first 45 minutes or so feel relatively breezy. The narrative unfolding is a fun and interesting one. The characters are all introduced well enough. But something happens around the midpoint that makes HoG feel like a slog, and it never quite recovers. For a story that has a very specific final destination, it manages to feel direction-less for quite a bit of the runtime. By the time the credits rolled, I felt like I'd run a marathon through thick mud.
The saving grace then, is the aforementioned cast. Lady Gaga turns in a magnificent performance, further cementing that she belongs in cinema. I've said before, and I'll say it again, I fucking love Adam Driver in pretty much everything he touches, and here is no different. The two leads together go a long way to ensure that HoG remains watchable. Al Pacino and Jeremy Irons could play these kind of roles in their sleep by now but their presence here is a welcome one. There's a specific scene somewhere within the first hour (I think) where it's just the two of them talking to eachother about their respective offspring, and it's like screen crack for me. Two masters at work. Then there's Jared Leto, who's portrayal of Paolo Gucci could definitely be deemed as excessive, full on Mario-esque accent and all, but he actually provides a huge dash of charisma in the duller moments so I can't complain too much.
All of the characters in this story are bad people to varying levels of degree, but they also command a certain level of sympathy, and to HoG's credit, this aspect is executed well, and 100% sold by it's great talent.
House of Gucci is nice to look at, boasts a top drawer ensemble cast, and has some genuine moments of excellence, but it's also overblown and overstuffed with hot air. I saw another review on here saying that it felt like it was made with the sole and transparent purpose of winning Oscars, and I can completely agree with that statement. Ridley Scott has made some of my absolute favourite films over the years, and while it does have its merits and is fun in parts, this one sadly feels a little self indulgent to really hit the mark.