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Paramedic and deputy coroner Zoe Chambers responds to a shooting and discovers her longtime friend,...
Chris Sawin (602 KP) rated Gozu (2003) in Movies
Jun 21, 2019
Minami is stuck in a rather peculiar situation. Both him and his closest friend, Ozaki, are members of the Azamawari Crew. Their boss orders Minami to take Ozaki out of the picture. Rumors are swirling about how crazy Ozaki has become, as of late. He claimed a chihuahua was a "yakuza attack dog" and that a random car that happened to be behind them at the time was a "yakuza attack car." When Minami accidentally kills Ozaki before they reach the actual destination for Ozaki's "dismissal," he thinks that things can't get any worse. That is until he reaches the inn where everyone seems to be acting unusual and Ozaki's body disappears.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Marble Woka Woka
Games and Entertainment
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Play Woka Woka, the world’s most dynamic and fun Zuma - style game! Join Woka the Turtle’s quest...
Solomon Kane
Tabletop Game
Solomon Kane is a dour English Puritan and redresser of wrongs. He roams the world, fighting against...
Boardgames NovelsintoGames 2019Games
Gareth von Kallenbach (980 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
BookishWoo (317 KP) rated Impervious in Books
Jul 12, 2020
When I agreed to take part in the Love Books Group book tour, I honestly thought that I would be immersing myself in a new Fantasy fiction. That one genre I hold close to my heart, where I can truly lose myself in the pages and is my escapism from everyday life. Where the hero’s and heroines win through and live happily every after.
Don’t get me wrong, on the face of it, Impervious is a Fantasy story. You find yourself wrapped up in a Quest with cleverly thought out nods to legends we oh so love. King Arthur, Excalibur and The Lady of the Lake, are those that struck me the most. With bone chilling monsters thrown into the mix.
As I got further into it, I realised there is something underlying, running parallel that you need to scratch, no dig under the surface to find.
It’s that scab that you just have to pick at (no intentions to gross anyone out there, but its the best analogy I can think of at the moment)
It’s not until close to the end that I had that Eureka moment. It was at that moment my heart was wrenched from my chest and the full force of the story hit me like a ton of bricks.
I have no doubt that some of you will have you “Ah Ha” moment a lot earlier than me. I was so wrapped up in the quest that I literally could not see the woods for the trees. But that’s OKAY! I am glad I didn’t figure it out, it kinda would have spoilt it for me.
Trina our protagonist, who pretty much has the full focus throughout, with reason, is just so god damn likeable. Lets give it up for Girl Power!
She takes everything in her stride, or so you are led to believe. Im having to be so careful I don’t give anything away here!
With that said, I am going to just leave you with this……….
This is a well written book, with a truly intricate plot within a plot. Delving into the Psyche and coping mechanisms of a teenage girl. A story with a deep message!
I received my copy from Love Books Group, A.J. Hartley and Uclan Publishing in exchange for an honest review.
Don’t get me wrong, on the face of it, Impervious is a Fantasy story. You find yourself wrapped up in a Quest with cleverly thought out nods to legends we oh so love. King Arthur, Excalibur and The Lady of the Lake, are those that struck me the most. With bone chilling monsters thrown into the mix.
As I got further into it, I realised there is something underlying, running parallel that you need to scratch, no dig under the surface to find.
It’s that scab that you just have to pick at (no intentions to gross anyone out there, but its the best analogy I can think of at the moment)
It’s not until close to the end that I had that Eureka moment. It was at that moment my heart was wrenched from my chest and the full force of the story hit me like a ton of bricks.
I have no doubt that some of you will have you “Ah Ha” moment a lot earlier than me. I was so wrapped up in the quest that I literally could not see the woods for the trees. But that’s OKAY! I am glad I didn’t figure it out, it kinda would have spoilt it for me.
Trina our protagonist, who pretty much has the full focus throughout, with reason, is just so god damn likeable. Lets give it up for Girl Power!
She takes everything in her stride, or so you are led to believe. Im having to be so careful I don’t give anything away here!
With that said, I am going to just leave you with this……….
This is a well written book, with a truly intricate plot within a plot. Delving into the Psyche and coping mechanisms of a teenage girl. A story with a deep message!
I received my copy from Love Books Group, A.J. Hartley and Uclan Publishing in exchange for an honest review.
Rose (201 KP) rated Assassin's Creed: Origins in Video Games
Nov 28, 2017
Beautiful visuals (1 more)
Engaging story
This may actually beat AC: Syndicate for my second favorite Assassin's Creed game, the first being AC: Brotherhood.
The visuals are beautiful, in both day and night.
As per usual, I'm far more interested in exploring the world and doing side quests than running through the main story, but when I do, I get sucked right in: I need to know what happens next... until I get the itch to go exploring again or another side quest catches my eye.
I like the inclusion of taming certain animals and having them be additional dps when fighting. It's really cool knowing that a huge lion has your back when you're taking out a group of bandits. Though I am disappointed that they don't seem to follow you into caves or are still waiting outside when you emerge from clearing out a bandit infestation.
I'm very impressed at the schedule of extra quests and events such as fighting various gods like Anubis and Sobek, as well as the upcoming history to lay out the groundwork for the brotherhood in an expansion next year.
All of these are going to keep me very entertained for quite a while.
The visuals are beautiful, in both day and night.
As per usual, I'm far more interested in exploring the world and doing side quests than running through the main story, but when I do, I get sucked right in: I need to know what happens next... until I get the itch to go exploring again or another side quest catches my eye.
I like the inclusion of taming certain animals and having them be additional dps when fighting. It's really cool knowing that a huge lion has your back when you're taking out a group of bandits. Though I am disappointed that they don't seem to follow you into caves or are still waiting outside when you emerge from clearing out a bandit infestation.
I'm very impressed at the schedule of extra quests and events such as fighting various gods like Anubis and Sobek, as well as the upcoming history to lay out the groundwork for the brotherhood in an expansion next year.
All of these are going to keep me very entertained for quite a while.
Suswatibasu (1703 KP) rated The Buried Giant in Books
Jan 3, 2018
An unusual melancholic adventure
Beautifully written with a typical Kazuo Ishiguro unreliable narrator, this novel however, is not about self-delusion this time. It's a collective memory loss, a post-Arthurian quest that questions the value of remembering. It is written as a fable so the style may appear stilted and formal, and it may not be everyone's cup of tea, but I found the plot beguiling.
Ishiguro ventures in the Tolkien-world of medieval fantasy in which an elderly couple, who seem to be suffering a fog of memory loss, attempt to reconnect with their son by journeying across the lands. On their way, they face dangers from opposing forces, that try to hinder their progress.
This is a powerful treatment of memories, the passage of time and the enduring love of a couple living many years together. Nothing is over-stated, even the moments of high drama. A strange collection of characters but all of them wholly believable. Overall, this book rewards patience and reflection, a devastating portrayal of love in old age and it's a fantastic metaphor for the way nations forget/remember traumatic events.
Ishiguro ventures in the Tolkien-world of medieval fantasy in which an elderly couple, who seem to be suffering a fog of memory loss, attempt to reconnect with their son by journeying across the lands. On their way, they face dangers from opposing forces, that try to hinder their progress.
This is a powerful treatment of memories, the passage of time and the enduring love of a couple living many years together. Nothing is over-stated, even the moments of high drama. A strange collection of characters but all of them wholly believable. Overall, this book rewards patience and reflection, a devastating portrayal of love in old age and it's a fantastic metaphor for the way nations forget/remember traumatic events.
Phillip McSween (751 KP) rated I Declare War (2013) in Movies
Jan 4, 2018
Not Bad
I Declare War is the first film I chose in my quest to watch 365 films in 2018. It won't go down as a classic, but rather a film you're glad you watched at least once. Honestly, had it been a film about anything else, it could've been a classic. The subject matter made it hard to stay intrigued. You're entertained sure, but in the back of your mind, you're constantly reminding yourself that this is kids playing a game. With no real stakes. In the woods.
That's the plot, guys. A game of War played with fake weapons by kids in the woods. There were some funny moments that gave me a chuckle. One quote in particular caught me off guard: "God is so gay." Hilarious. I also thought writer Jason Lapeyre did an excellent job of capturing the fun blend between reality and pretend and how blurred those lines can be when kids use their imaginations. Friendships get tested in the spirit of competition. We all know how much kids hate to lose.
Decent, not classic. Even better, you can check it out on Vudu right now for free. I give it a 70.
That's the plot, guys. A game of War played with fake weapons by kids in the woods. There were some funny moments that gave me a chuckle. One quote in particular caught me off guard: "God is so gay." Hilarious. I also thought writer Jason Lapeyre did an excellent job of capturing the fun blend between reality and pretend and how blurred those lines can be when kids use their imaginations. Friendships get tested in the spirit of competition. We all know how much kids hate to lose.
Decent, not classic. Even better, you can check it out on Vudu right now for free. I give it a 70.
Suswatibasu (1703 KP) rated Homo Deus: A Brief History of Tomorrow in Books
Jan 10, 2018
An interesting theory undermined by flimsy argument and unconvincing evidence
@Yuval Noah Harari once again returns with another thought-provoking anthropological book, similar to @Sapiens: A Brief History of Humankind, however, this time he turns his focus toward humanity's future, and our quest to upgrade humans into gods.
The implications for the developments in artificial intelligence and genetic engineering - and the combining of the two are mind-blowing and we ignore them at our peril. The same applies to the amount "the system" knows about us from how we use the internet. It is alarming how willingly we have walked down that path.
While Sapiens had a few historical tenets and facts that Harari was able to access with a clear argument, given his historian background, there was a tendency in this volume to set up unrealistic false dichotomies, and 'creatively' misinterpret belief systems in order to bolster his increasingly thin argument.
The thrust of what Harari is saying may well be true, but what I would have liked to see him do is to discuss the implications a bit more thoughtfully and, in effect, set an agenda for discussion.
The implications for the developments in artificial intelligence and genetic engineering - and the combining of the two are mind-blowing and we ignore them at our peril. The same applies to the amount "the system" knows about us from how we use the internet. It is alarming how willingly we have walked down that path.
While Sapiens had a few historical tenets and facts that Harari was able to access with a clear argument, given his historian background, there was a tendency in this volume to set up unrealistic false dichotomies, and 'creatively' misinterpret belief systems in order to bolster his increasingly thin argument.
The thrust of what Harari is saying may well be true, but what I would have liked to see him do is to discuss the implications a bit more thoughtfully and, in effect, set an agenda for discussion.