Search
Search results
Gareth von Kallenbach (980 KP) rated Ice Age: Dawn of the Dinosaurs (Ice Age 3) (2009) in Movies
Aug 9, 2019
Scrat and the gang are back, and this time in stunning 3D in the new “Ice Age: Dawn of the Dinosaurs”. The third chapter in the popular series once again follows the adventures of the unusual mix of friends, in their frozen home.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
Gareth von Kallenbach (980 KP) rated Missing Link (2019) in Movies
Jul 2, 2019
Annapurna Pictures and Laika Films release the new film “Missing Link”,
written and directed by Chris Butler.
It stars Hugh Jackman as Sir Lionel Frost, Zoe Saldana as Adelina
Fortnight, and Zach Galifinakis as Mr. Link, and Stephen Fry as Lord
Piggot-Dunceby.
Sir Lionel Frost wants to be famous. He wants to be recognized for
amazing discoveries and to be able to join the ranks of what he sees as
the elite explorers at London’s Optimates Club.
The head of the Optimates Club is Lord Piggot Dunceby, who, for whatever
reason, is dead set against both acknowledging Frost’s discoveries, and
acknowledging evolution (in the form of the Missing Link aka Sasquatch)
Frost, determined to prove his worthiness, sets off to the Pacific
Northwest to track down the Sasquatch, and Lord Dunceby promptly
dispatches a hired thug to thwart and discredit his efforts.
We follow Frost to the forests of Washington State where he discovers
the Sasquatch itself had written the letter prompting his search and the
reason why is that he has no other family and has heard that there are
others like him in the Himalayans. Mr. Link wants Sir Frost to help him
find his distant cousins so that he will not be lonely anymore.
Still being tracked by the hit man, (voiced by Timothy Oliphant) Mr.
Link (who prefers to be called “Susan”) and Frost first travel to see
Adelina Fortnight to gather a map belonging to her now-deceased explorer
husband. Adelina is none too happy to see Sir Frost and they argue about
the map, with Adelina finally agreeing to let Frost use it on his quest,
but only if she comes along with them on their travels.
We follow the trio across the miles, and watch them outwit their
sinister tracker, finally arriving at their destination.
All is not well, however, when Susan finally meets his distant cousins,
as their leader says he does not belong.
The movie was made with a blend of claymation, CGI and 3D printing, and
was very interesting to watch from an adult standpoint for that alone.
There were quite a few laugh-out-loud moments from the adults in the
audience as well, although it seemed like less laughs from the younger
crown at the theatre.
The storyline was ok, but seemed to not flow as well as other recent
kids movies, and my 10 year old son said it was “just ok”. He said it
was rather boring.
From my own standpoint, I liked that the film showed the importance of
friendships and of doing “the right thing” even if it’s not for personal
gain, but I am not sure that it was portrayed in a way that the target
audience would grasp it 100%.
Overall, the movie Missing Link was just ok, and good for a family
outing, but perhaps I might wait till it came out at the discount
theatre.
written and directed by Chris Butler.
It stars Hugh Jackman as Sir Lionel Frost, Zoe Saldana as Adelina
Fortnight, and Zach Galifinakis as Mr. Link, and Stephen Fry as Lord
Piggot-Dunceby.
Sir Lionel Frost wants to be famous. He wants to be recognized for
amazing discoveries and to be able to join the ranks of what he sees as
the elite explorers at London’s Optimates Club.
The head of the Optimates Club is Lord Piggot Dunceby, who, for whatever
reason, is dead set against both acknowledging Frost’s discoveries, and
acknowledging evolution (in the form of the Missing Link aka Sasquatch)
Frost, determined to prove his worthiness, sets off to the Pacific
Northwest to track down the Sasquatch, and Lord Dunceby promptly
dispatches a hired thug to thwart and discredit his efforts.
We follow Frost to the forests of Washington State where he discovers
the Sasquatch itself had written the letter prompting his search and the
reason why is that he has no other family and has heard that there are
others like him in the Himalayans. Mr. Link wants Sir Frost to help him
find his distant cousins so that he will not be lonely anymore.
Still being tracked by the hit man, (voiced by Timothy Oliphant) Mr.
Link (who prefers to be called “Susan”) and Frost first travel to see
Adelina Fortnight to gather a map belonging to her now-deceased explorer
husband. Adelina is none too happy to see Sir Frost and they argue about
the map, with Adelina finally agreeing to let Frost use it on his quest,
but only if she comes along with them on their travels.
We follow the trio across the miles, and watch them outwit their
sinister tracker, finally arriving at their destination.
All is not well, however, when Susan finally meets his distant cousins,
as their leader says he does not belong.
The movie was made with a blend of claymation, CGI and 3D printing, and
was very interesting to watch from an adult standpoint for that alone.
There were quite a few laugh-out-loud moments from the adults in the
audience as well, although it seemed like less laughs from the younger
crown at the theatre.
The storyline was ok, but seemed to not flow as well as other recent
kids movies, and my 10 year old son said it was “just ok”. He said it
was rather boring.
From my own standpoint, I liked that the film showed the importance of
friendships and of doing “the right thing” even if it’s not for personal
gain, but I am not sure that it was portrayed in a way that the target
audience would grasp it 100%.
Overall, the movie Missing Link was just ok, and good for a family
outing, but perhaps I might wait till it came out at the discount
theatre.
EmersonRose (320 KP) rated Alfred: And The Underworld in Books
Nov 20, 2019
“Yes Alfred, that is it. I love you. I love you so much. And I am worried. I, we, your father and I, and even Tirnalth – we chose this life for you. We fled for you. A great magic was unleashed to help us, for you Alfred. It helped us escape a world fallen to darkness”
Alfred and the Underworld is the second volume of Alfred: The Boy King series by author Ron Smorynski. Published on November 2017, this book continues Alfred’s journey as the King of Westfold. After spending some time back with his mother in the human world researching and preparing, he goes back to his people. Things are not going well, and Alfred has a lot of work to do to help his people get back on their feet and defend themselves from the darkness that surrounds them.
In this book, Smorynski continues not only with this adventure-filled story but has continued to build up his fantasy world. Alfred encounters several new magical creatures, both good and bad around his kingdom. We also get a further building of the magical system and who has access to magic, which adds to the world and what is possible within it. Another interesting aspect was the history and politics that took a forefront position in this book. We are given a better grasp of the world outside of Alfred’s little kingdom. There are more players in the game now some that could be allies and some that have allied themselves with the evil in the land.
I really enjoyed that in this book we get to see different perspectives. While mostly told from Alfred’s point of view, we also get sneak peaks into both his mother’s mind and the enemies Alfred, and his people are fighting. This was interesting because these other characters are privy to information Alfred does not have access to and helps build the intrigue of the story. I particularly liked the chapters focused on Alfred’s mother. Through the excitement of Alfred building up his kingdom and the thrill of preparing for battle and defeating enemies, the mother is a reminder of a big picture and a deeper mystery. Throughout the first book we were given pieces of the life that she left behind when she brought Alfred to our world, and slowly those pieces are coming together.
I greatly enjoyed this book and am excited about the third book in the series Alfred and the Quest of the Knights. Alfred and the Underworld was an exciting, fun, and interesting story on its own, but it also set up nicely for the next installment. Between the big bad that is Gorbogal the witch and the truth bomb that was dropped on Alfred in the last sentence as a cliffhanger, this book as left me desperately waiting for more.
Alfred and the Underworld is the second volume of Alfred: The Boy King series by author Ron Smorynski. Published on November 2017, this book continues Alfred’s journey as the King of Westfold. After spending some time back with his mother in the human world researching and preparing, he goes back to his people. Things are not going well, and Alfred has a lot of work to do to help his people get back on their feet and defend themselves from the darkness that surrounds them.
In this book, Smorynski continues not only with this adventure-filled story but has continued to build up his fantasy world. Alfred encounters several new magical creatures, both good and bad around his kingdom. We also get a further building of the magical system and who has access to magic, which adds to the world and what is possible within it. Another interesting aspect was the history and politics that took a forefront position in this book. We are given a better grasp of the world outside of Alfred’s little kingdom. There are more players in the game now some that could be allies and some that have allied themselves with the evil in the land.
I really enjoyed that in this book we get to see different perspectives. While mostly told from Alfred’s point of view, we also get sneak peaks into both his mother’s mind and the enemies Alfred, and his people are fighting. This was interesting because these other characters are privy to information Alfred does not have access to and helps build the intrigue of the story. I particularly liked the chapters focused on Alfred’s mother. Through the excitement of Alfred building up his kingdom and the thrill of preparing for battle and defeating enemies, the mother is a reminder of a big picture and a deeper mystery. Throughout the first book we were given pieces of the life that she left behind when she brought Alfred to our world, and slowly those pieces are coming together.
I greatly enjoyed this book and am excited about the third book in the series Alfred and the Quest of the Knights. Alfred and the Underworld was an exciting, fun, and interesting story on its own, but it also set up nicely for the next installment. Between the big bad that is Gorbogal the witch and the truth bomb that was dropped on Alfred in the last sentence as a cliffhanger, this book as left me desperately waiting for more.
Natacha (374 KP) rated Half the World in Books
Dec 15, 2019 (Updated Dec 15, 2019)
As with the first book, the main story is very basic. I group of misfits that are thrown together to complete a quest to find allies. But I still had a blast reading this book.
Things I liked:
-Because the main plot is so simple all characters and their developments are amazing. All of them have their own voice, their own personality and keep evolving and keep you intrigued until the end.
-Thorn. Thorn is a strong female character but with a twist. She is not the typical strong female character that is the best fighter to ever walk this earth, the most beautiful woman to ever walk the earth and who think that loves is something stupid and not for her. No, she tall, muscular, with scars and a weird hair cut. She is a fighter and a killer but you get to see her become one through hard training and strong will. And when she falls in love? She is afraid of it, yes, but when the times comes she doesn't shy away from it, she embraces it and doesn't mind showing a more gentle side of her. That was very nice to see.
-Brand is our second main character and the opposite of Thorn. He is a sweet boy that wants to be a soldier but deep down he just wants to be a good person and do good no matter what.
-There is a love story but it's not the main theme of the story and it's a slow burn one. Initially, I was a little annoyed just because at some point there is a misunderstanding that could have easily been solved by simply talking but the way things evolve later makes up for it.
-The ending left me with the feeling that something big is coming with the next book and made we want to pick it right away.
-We got to see magic! One of my complaints in the first book was that we had elves and magic being mention but never saw any of it.
Things I didn't like
-The main reason why my rating is (4.5 instead of 5 goodreads rating) 9/10 instead of 10/10 if this one. As I mention the main plot is very basic. I group of misfits that are thrown together. They travel a lot, get to know each other, bond and fight bad guys. Unfortunately, although I loved the characters, for more than half of the book I felt disappointed because what I was reading felt very similar to what I had read in book one. In Half a King you had again a group of misfits thrown in a boat together that travelled a lot, had to find a way to survive, they get to know each-other bond and fight bad guys. It sounds like a minor thing but when I picked because it picked up this book straight after the first one it felt repetitive.
Things I liked:
-Because the main plot is so simple all characters and their developments are amazing. All of them have their own voice, their own personality and keep evolving and keep you intrigued until the end.
-Thorn. Thorn is a strong female character but with a twist. She is not the typical strong female character that is the best fighter to ever walk this earth, the most beautiful woman to ever walk the earth and who think that loves is something stupid and not for her. No, she tall, muscular, with scars and a weird hair cut. She is a fighter and a killer but you get to see her become one through hard training and strong will. And when she falls in love? She is afraid of it, yes, but when the times comes she doesn't shy away from it, she embraces it and doesn't mind showing a more gentle side of her. That was very nice to see.
-Brand is our second main character and the opposite of Thorn. He is a sweet boy that wants to be a soldier but deep down he just wants to be a good person and do good no matter what.
-There is a love story but it's not the main theme of the story and it's a slow burn one. Initially, I was a little annoyed just because at some point there is a misunderstanding that could have easily been solved by simply talking but the way things evolve later makes up for it.
-The ending left me with the feeling that something big is coming with the next book and made we want to pick it right away.
-We got to see magic! One of my complaints in the first book was that we had elves and magic being mention but never saw any of it.
Things I didn't like
-The main reason why my rating is (4.5 instead of 5 goodreads rating) 9/10 instead of 10/10 if this one. As I mention the main plot is very basic. I group of misfits that are thrown together. They travel a lot, get to know each other, bond and fight bad guys. Unfortunately, although I loved the characters, for more than half of the book I felt disappointed because what I was reading felt very similar to what I had read in book one. In Half a King you had again a group of misfits thrown in a boat together that travelled a lot, had to find a way to survive, they get to know each-other bond and fight bad guys. It sounds like a minor thing but when I picked because it picked up this book straight after the first one it felt repetitive.
JT (287 KP) rated Extremely Loud & Incredibly Close (2012) in Movies
Mar 10, 2020
Oskar Schell (Horn) and his father Thomas (Hanks) share a special bond, the pair seem inseparable. They spend most nights together reading books and solving puzzles with Thomas regaling stories of a mysterious sixth borough once part of New York.
When the 9/11 attacks tear the city apart it also rips apart the the Schell family as they come to terms with the loss of Thomas. Sandra Bullock supports as a grieving wife and a mother that has seemingly lost all control over her son. Oskar is himself a unique individual blessed with high intelligence he struggles to fill the void left by his father, but when he gains the courage to venture into his parents bedroom and his father’s closet he finds a key which leads him on a journey of self discovery and ultimate closure.
I have a bit of a gripe when it comes to child actors, their talents are almost so good it is beyond their own age and their performances can be over elaborated. Horn delivers a performance with gusto and it’s a credit to him. If occasionally annoying at times. Oskar’s journey takes him all over New York city, through its boroughs and interacting with its inhabitants all of whom have been affected by the terrible tragedy in someway.
Oskar links the key to the name Black, believing this to be a person he creates himself a map and intricate catalogue of every individual in New York by this name.He sets himself the goal of speaking to every last person, no matter how long it is going to take and records everything in a journal with photographs to accompany his experiences with them. Bullock gives an assured performance as a grief stricken and desperate mother
Max von Sydow joins him on his quest as a mysterious old man who doesn’t speak and only communicates through a notepad and pen. He himself has his own set of personal problems and its obvious from the outset just who he is. Von Sydow gives a typically brilliant performance even without the use of dialogue. The film is drawn out, too long for its own good. We’re desperate to understand just where this key fits and when the pieces of the jigsaw are finally complete we feel about the same disappointment as Oskar does.
That’s not to say the film is without its merits, and director Stephen Daldry and writer Eric Roth deal with the implications of Oskar and his problems extremely well, using flashbacks you can really begin to unravel the complexities of the 11-year olds inner psyche. I enjoyed the film but wouldn’t say I was completely comfortable with it for some parts, the ending, while closing the narrative, left me feeling somewhat annoyed and that’s a feeling that sticks with me long after the credits go up.
When the 9/11 attacks tear the city apart it also rips apart the the Schell family as they come to terms with the loss of Thomas. Sandra Bullock supports as a grieving wife and a mother that has seemingly lost all control over her son. Oskar is himself a unique individual blessed with high intelligence he struggles to fill the void left by his father, but when he gains the courage to venture into his parents bedroom and his father’s closet he finds a key which leads him on a journey of self discovery and ultimate closure.
I have a bit of a gripe when it comes to child actors, their talents are almost so good it is beyond their own age and their performances can be over elaborated. Horn delivers a performance with gusto and it’s a credit to him. If occasionally annoying at times. Oskar’s journey takes him all over New York city, through its boroughs and interacting with its inhabitants all of whom have been affected by the terrible tragedy in someway.
Oskar links the key to the name Black, believing this to be a person he creates himself a map and intricate catalogue of every individual in New York by this name.He sets himself the goal of speaking to every last person, no matter how long it is going to take and records everything in a journal with photographs to accompany his experiences with them. Bullock gives an assured performance as a grief stricken and desperate mother
Max von Sydow joins him on his quest as a mysterious old man who doesn’t speak and only communicates through a notepad and pen. He himself has his own set of personal problems and its obvious from the outset just who he is. Von Sydow gives a typically brilliant performance even without the use of dialogue. The film is drawn out, too long for its own good. We’re desperate to understand just where this key fits and when the pieces of the jigsaw are finally complete we feel about the same disappointment as Oskar does.
That’s not to say the film is without its merits, and director Stephen Daldry and writer Eric Roth deal with the implications of Oskar and his problems extremely well, using flashbacks you can really begin to unravel the complexities of the 11-year olds inner psyche. I enjoyed the film but wouldn’t say I was completely comfortable with it for some parts, the ending, while closing the narrative, left me feeling somewhat annoyed and that’s a feeling that sticks with me long after the credits go up.
JT (287 KP) rated Sleep Tight (2011) in Movies
Mar 10, 2020
Jaume Balagueró brought terror to our screens with [Rec] in 2007, a tightly filmed horror set inside the walls of an apartment block over run with flesh eating zombies.
In Sleep Tight Balagueró again goes back inside an apartment block, this time the zombies are replaced by normal residents and a concierge with a sinister secret. César (Luis Tosar) is unhappy, and has been pretty much all his life, from the opening shot we see him standing on a ledge high above the streets preparing himself to drop to the concrete below.
He goes about his daily business with meticulous routine greeting the residents with a wry smile and engaging them in conversation day to day, but deep down he loathes it.It seems that his quest is to make others just as unhappy as he is, with main target being the gorgeous Clara (Marta Etura). Initially César seems pleasant enough, he’s polite and courteous and is always making himself available to those who need his help, whether it’s from feeding dogs to fumigating apartments.
It’s when we finally see him under Clara’s bed lying in wait that you realize that Balagueró is about to deliver us a 21st century boogieman. The lengths that César will go to to put Clara in harm’s way will leave you with your jaw open. The idea being that he wants to break her, “we’ll wipe that smile off her face,” he tells his bed ridden mother in hospital.
This almost nods right away to a Hitchcockian feel to the film, think of César as the Spanish version of Norman Bates without the dress, although at one point he does toy with the idea of using a large kitchen knife. During his torment of poor Clara he infests her house with bugs, injects things into her moisturizing products and even goes so far as to sleep in the same bed, with a little help from chloroform.
It would be unfair to explain anything more as it would give too much of the story away, and when Clara’s boyfriend Marcos arrives on the scene things only get worse. During the film you almost feel sorry for César and you’d be guilty for feeling anything but admiration towards him, at his dedication the very least.
It’s a voyeuristic nightmare, more so for the audience as Clara doesn’t really have much of a clue what is going on. Even when César is caught in the apartment during one of the films more gripping scenes he has an embarrassed excuse.
Balagueró proves to critics that he can capture as much tension and suspense through conventional cameras as opposed to the point of view of a hand held camcorder, which he used so effectively throughout [Rec] and its sequel.
Sleep Tight is an edgy slow burning thriller, a different take on the horror genre that will leave you gasping after the final act.
In Sleep Tight Balagueró again goes back inside an apartment block, this time the zombies are replaced by normal residents and a concierge with a sinister secret. César (Luis Tosar) is unhappy, and has been pretty much all his life, from the opening shot we see him standing on a ledge high above the streets preparing himself to drop to the concrete below.
He goes about his daily business with meticulous routine greeting the residents with a wry smile and engaging them in conversation day to day, but deep down he loathes it.It seems that his quest is to make others just as unhappy as he is, with main target being the gorgeous Clara (Marta Etura). Initially César seems pleasant enough, he’s polite and courteous and is always making himself available to those who need his help, whether it’s from feeding dogs to fumigating apartments.
It’s when we finally see him under Clara’s bed lying in wait that you realize that Balagueró is about to deliver us a 21st century boogieman. The lengths that César will go to to put Clara in harm’s way will leave you with your jaw open. The idea being that he wants to break her, “we’ll wipe that smile off her face,” he tells his bed ridden mother in hospital.
This almost nods right away to a Hitchcockian feel to the film, think of César as the Spanish version of Norman Bates without the dress, although at one point he does toy with the idea of using a large kitchen knife. During his torment of poor Clara he infests her house with bugs, injects things into her moisturizing products and even goes so far as to sleep in the same bed, with a little help from chloroform.
It would be unfair to explain anything more as it would give too much of the story away, and when Clara’s boyfriend Marcos arrives on the scene things only get worse. During the film you almost feel sorry for César and you’d be guilty for feeling anything but admiration towards him, at his dedication the very least.
It’s a voyeuristic nightmare, more so for the audience as Clara doesn’t really have much of a clue what is going on. Even when César is caught in the apartment during one of the films more gripping scenes he has an embarrassed excuse.
Balagueró proves to critics that he can capture as much tension and suspense through conventional cameras as opposed to the point of view of a hand held camcorder, which he used so effectively throughout [Rec] and its sequel.
Sleep Tight is an edgy slow burning thriller, a different take on the horror genre that will leave you gasping after the final act.
Phillip McSween (751 KP) rated Crank 2: High Voltage (2009) in Movies
Apr 12, 2020
A Very Poor Man's Hardcore Henry
Chev Chelios (Jason Statham) is back (because apparently falling out of a helicopter thousands of feet in the air can’t kill him) facing off against a gang of thugs that want to harvest his “special” heart for their leader. Artificial heart attached, Chev has to keep recharging himself or slow down and, ultimately, die. Can’t make this shit up…
Acting: 2
Beginning: 4
Characters: 3
You might find it a challenge to find a more disinteresting group of characters wrapped in one movie. I’m not exaggerating when I say I hated just about everyone in Crank 2: High Voltage. Every character is overdone and represents one big waste of space. And the man of the hour, Chev Chelios? Yep, hate him too. He’s crass (and not in the cool Logan kind of way), racist (and not in the cool Clint Eastwood kind of way), and only cares about himself. Thirty minutes in, I was wishing he would run out of options and his heart would just stop, putting me out of my misery once and for all.
I wish he was the worst, but yes it gets worse. The other characters are a combination of racist stereotypes, antagonists that would be better off with a couple of lines rather than pages of them, and fodder for gunfire. The combination was painful to say the least.
Cinematography/Visuals: 9
Conflict: 7
The action is far out there and I definitely give them a C for effort. I know farfetched is the name of the game when it comes to this movie, but so is Hardcore Henry by comparison and I loved those action scenes. Perfect example: A gunfight breaks out at a mansion. A gardener continues to hedge the bushes while bullets are flying all around him before he finally gets shot. Come on, man! Too lazy for words.
Entertainment Value: 5
Memorability: 7
For better or worse, there are definitely moments of this movie I will never forget. Like the sex scene on the horse racetrack. During a live horse race. Or the head in the jar. Or the random porn star protest. Or or or…I never said they were great memorable moments, but they are in there.
Pace: 7
Plot: 4
The story doesn’t even begin to make sense. I’m only giving it a four because the whole story revolves around Chev beating people the hell up so the story really shouldn’t matter that much. Still, if you’re looking for something coherent, please save your time and go watch something else.
Resolution: 4
Overall: 52
On my quest to watch 366 movies in a year, yes, I have seen worse movies than Crank 2: High Voltage. But not many. It’s bad. Real bad. Please save your time and avoid this movie at all costs.
Acting: 2
Beginning: 4
Characters: 3
You might find it a challenge to find a more disinteresting group of characters wrapped in one movie. I’m not exaggerating when I say I hated just about everyone in Crank 2: High Voltage. Every character is overdone and represents one big waste of space. And the man of the hour, Chev Chelios? Yep, hate him too. He’s crass (and not in the cool Logan kind of way), racist (and not in the cool Clint Eastwood kind of way), and only cares about himself. Thirty minutes in, I was wishing he would run out of options and his heart would just stop, putting me out of my misery once and for all.
I wish he was the worst, but yes it gets worse. The other characters are a combination of racist stereotypes, antagonists that would be better off with a couple of lines rather than pages of them, and fodder for gunfire. The combination was painful to say the least.
Cinematography/Visuals: 9
Conflict: 7
The action is far out there and I definitely give them a C for effort. I know farfetched is the name of the game when it comes to this movie, but so is Hardcore Henry by comparison and I loved those action scenes. Perfect example: A gunfight breaks out at a mansion. A gardener continues to hedge the bushes while bullets are flying all around him before he finally gets shot. Come on, man! Too lazy for words.
Entertainment Value: 5
Memorability: 7
For better or worse, there are definitely moments of this movie I will never forget. Like the sex scene on the horse racetrack. During a live horse race. Or the head in the jar. Or the random porn star protest. Or or or…I never said they were great memorable moments, but they are in there.
Pace: 7
Plot: 4
The story doesn’t even begin to make sense. I’m only giving it a four because the whole story revolves around Chev beating people the hell up so the story really shouldn’t matter that much. Still, if you’re looking for something coherent, please save your time and go watch something else.
Resolution: 4
Overall: 52
On my quest to watch 366 movies in a year, yes, I have seen worse movies than Crank 2: High Voltage. But not many. It’s bad. Real bad. Please save your time and avoid this movie at all costs.
Gareth von Kallenbach (980 KP) rated The Croods (2013) in Movies
Aug 7, 2019
When seeing the trailers for this film it seemed like so many other stories that have come before (Ice Age: Continental Drift for example). I figured that this was just the next shameless animated money grab by studios attempting to cash in on those parents who take their young children to each new animated film no matter what it is. That being said, the trailer for this film does not do it justice. Seriously, 20th Century Fox is doing Dreamworks Animation a disservice by not providing better trailers and promotion for The Croods. While the complete package of this film is not the best animated film, it is more than just a mere money grab.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
