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ClareR (5879 KP) rated A System So Magnificent It Is Blinding in Books

Apr 25, 2023  
A System So Magnificent It Is Blinding
A System So Magnificent It Is Blinding
Amanda Svensson | 2022 | Contemporary, Fiction & Poetry
6
6.0 (1 Ratings)
Book Rating
I have very mixed feelings about this book. I gave up reading it twice, but something kept pulling me back. I still can’t work out what the system is that’s so blinding, but I did like how quirky the whole novel was. It’s surreal, everyone in it has some sort of mental health issue, and is muddling their way through a life that they can make no sense of. Honestly, I couldn’t make sense of their lives either.
There are some really quite beautiful descriptive passages of London and Easter Island, and I found myself googling one of the photographic artists that was mentioned and falling down a rabbit hole for a while.
Should this win the international Booker prize? I have no idea, and I wouldn’t want to be the one that had to choose. Am I glad that I read it? I’m still not absolutely sure on that one. It’s left me with more questions than answers, and I don’t know as there even are any answers!
  
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Merissa (12911 KP) rated A Sliver of Sunset in Books

May 8, 2023  
A Sliver of Sunset
A Sliver of Sunset
Devon Rhodes | 2016 | LGBTQ+, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
This is a short but detail-filled story about a shifter who becomes ill with a human disease. Now most books will say that this is impossible, which is why it made for such interesting reading. There is everything in here that you would want or need in a novella - enough backstory so you know what's going on without drowning in it, steam between the main two, plenty of interesting and quirky secondary characters, and an overall story arc that I hope will continue as there are questions left unanswered by the end of this book.

Well-written and with a smooth pace, there were no editing or grammatical errors that I found. This was one enjoyable read from start to finish, and Devon Rhodes is definitely an author to look out for. I would like to read more from her. Recommended.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jan 6, 2016
  
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BankofMarquis (1832 KP) rated Edward Scissorhands (1990) in Movies

Apr 23, 2020  
Edward Scissorhands (1990)
Edward Scissorhands (1990)
1990 | Fantasy, Romance
8
8.1 (76 Ratings)
Movie Rating Watch
Has more heart than later Burton/Depp collaborations
There have been many actor/director long term collaborations through the years - John Ford/John Wayne, Martin Scorcese/Robert DeNiro and Alfred Hitchock/Jimmy Stewart all come to mind. Another interesting collaboration is the unique one between Tim Burton and Johnny Depp. The films these 2 have made have shown an "outsider" being introduced into an environment - usually in a quirky and gothic dark manner. So it was interesting to go back to the film that started it all - 1990's EDWARD SCISSORHANDS.

Interestingly enough, this film works because of the lack of weight of previous Burton/Depp collaborations.

Let me explain...

If you were to hear today that Tim Burton and Johnny Depp were to collaborate on a film, what expectations would you have? Quirky, dark and gothic comes to mind. With EDWARD SCISSORHANDS, none of these expectations were in place. You can see the purity in the beginning of this collaboration with these 2 artists finding there footing together in a film that is...yes...quirky, dark and gothic.

It is also, unexpectedly, light, airy, funny and poignant - traits that I think get lost in later Burton/Depp collaborations....collaborations where the focus seemed to be on the design and look and less on the emotion.

Set in a timeless, stylized world that is part '50's, part '60's, part 80's and part "everything else", EDWARD SCISSORHANDS is Burton's loose retelling of the Frankenstein story, where an isolated inventor (in this case Vincent Price) creates life (Depp)...with scissors for hands (you'll have to see the film to see why). When a local resident (and door to door cosmetic saleslady) discovers Edward living alone, she invites him into her house - and into the lives of the the neighborhood that exists below.

Depp owns this character - and owns it well. He brings an innocence and integrity to this character that rides a fine line well. His character is naive - but not simpleminded. He is longing to please - and to be loved - but has his own mind. In Depp's performance, you see an actor coming into his own.

He is joined - wonderfully - by Diane Wiest as the lady that invites him into her home. Winona Ryder (who turned down Godfather 3 to appear in this film) as Wiest's daughter (and object of Edward's affections) and the great Alan Arkin as the patriarch of the family who is a fun stereo-type of the Suburban dad.

All of this is packaged - uniquely - by Burton with an "8 crayon" color palate that exaggerates the various styles of the time. It is an expert job of combining styles into a unique vision that works very, very well.

I also have to give Burton credit for casting the iconic horror movie veteran Vincent Price (in his last film role) as the inventor of Edward Scissorhands.

I was taken under the spell of this film - and not just because of the interesting visuals - it has a heart and soul (because of Depp's work) that, I think both Depp and Burton lose in some of their later collaborations.

If you haven't seen this film in awhile - check it out - I think you'll like it.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)