Search
Search results
Sanctuary
Book
Sometimes losing your children is the only way to save them. The year is 2039. Jean Bennett’s...
Dystopian Speculative Fiction
Lightkeepers (Tales of the Five Realms #3)
6.0
Rate It
Book
Hagar Wixey is back at Vanar University, and she’ll be a master mage soon if all goes to plan. But...
Action & Adventure Fantasy
Playing it Safe
5.0
Rate It
Book
As the Blitz continues to ravage London, Ellie McDonnell—formerly a safecracking thief, but...
Phillip McSween (751 KP) rated The Debut (2000) in Movies
Jan 18, 2018
Must See
Bottom Line: You need to watch The Debut. It's not the best movie out there, but I think it's absolutely necessary as we strive to understand race and our place in the world. No, the acting isn't out-of-this-world and the film is a bit cheesy in spots. The beauty of it all is that it still manages to deliver a powerful message in spite of its shortcomings.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
BankofMarquis (1832 KP) rated BlacKkKlansman (2018) in Movies
Aug 20, 2018
The first real Oscar contender of 2018
The first shot of the 2018 Oscar race has been fired and it is Spike Lee's BLACKkKLANSMAN. If you are an "Oscar completest" I highly recommend you check this film out as you will be hearing it's name called (probably many times) when the Oscar nominations are revealed.
But...is it a good film?
For the most part, yes.
Based on the incredible true story of Colorado Springs undercover office, Ron Stallworth, an African-American, who was able to infiltrate the KKK via the phone. He then needs a surrogate to keep the subterfuge up in face to face meetings.
In playing Stallworth, relative newcomer John David Washington (son of Denzel) shows that he has inherited at least some of his famous father's acting chops. His portrayal of Washington shows a conflicted man, determined to do his job while juggling his feelings and responsibilities of being a black man in early 1970's America.
Laura Harrier (Liz in SPIDERMAN: HOMECOMING) matches Washington beat for beat as Black activist - and potential love interest - Patrice Dumas who has razor-sharp focus on changing the plight of African Americans and drives Stallworth to thinking about more than just his job.
Other strong performances comes from Topher Grace (as KKK Head David Duke), Robert John Burke as Chief Bridges and Corey Hawkins in an extended cameo as Kwame Ture (aka 1960's Black Activist Stokely Carmichael). I really liked the passion and furvor Hawkins brought to this part.
But...the standout performance in this film comes from Adam Driver as the "white face" of Ron Stallworth to the KKK. He portrays Flip Zimmerman who has been constantly denying his Jewish heritage to pass as a WASP in this world and when he comes face to face with race hatred, he must confront his own inner feelings towards his own past. This is another strong performance by Driver (who is much, much more than just Kylo Ren) and I expect to hear his name called when Oscar nominations are announced.
But...good acting aside...this is a Spike Lee "joint" in all the ways (good and bad) that Spike Lee directs his films. There is a cleanliness in the way he drives the narrative never losing focus on what the main theme of the proceedings needs to be. He paints interesting pictures on the screen and crafts a strong, message picture that should be seen by all.
But...he does have a tendency to overplay his hand, hitting the audience over the head over and over again with his themes to the point of me wanting to say to the screen "all right already, I get it!". This knocks the film down just a hair.
But...that is the price of admission for a very good Spike Lee film, one that I highly recommend you see.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
But...is it a good film?
For the most part, yes.
Based on the incredible true story of Colorado Springs undercover office, Ron Stallworth, an African-American, who was able to infiltrate the KKK via the phone. He then needs a surrogate to keep the subterfuge up in face to face meetings.
In playing Stallworth, relative newcomer John David Washington (son of Denzel) shows that he has inherited at least some of his famous father's acting chops. His portrayal of Washington shows a conflicted man, determined to do his job while juggling his feelings and responsibilities of being a black man in early 1970's America.
Laura Harrier (Liz in SPIDERMAN: HOMECOMING) matches Washington beat for beat as Black activist - and potential love interest - Patrice Dumas who has razor-sharp focus on changing the plight of African Americans and drives Stallworth to thinking about more than just his job.
Other strong performances comes from Topher Grace (as KKK Head David Duke), Robert John Burke as Chief Bridges and Corey Hawkins in an extended cameo as Kwame Ture (aka 1960's Black Activist Stokely Carmichael). I really liked the passion and furvor Hawkins brought to this part.
But...the standout performance in this film comes from Adam Driver as the "white face" of Ron Stallworth to the KKK. He portrays Flip Zimmerman who has been constantly denying his Jewish heritage to pass as a WASP in this world and when he comes face to face with race hatred, he must confront his own inner feelings towards his own past. This is another strong performance by Driver (who is much, much more than just Kylo Ren) and I expect to hear his name called when Oscar nominations are announced.
But...good acting aside...this is a Spike Lee "joint" in all the ways (good and bad) that Spike Lee directs his films. There is a cleanliness in the way he drives the narrative never losing focus on what the main theme of the proceedings needs to be. He paints interesting pictures on the screen and crafts a strong, message picture that should be seen by all.
But...he does have a tendency to overplay his hand, hitting the audience over the head over and over again with his themes to the point of me wanting to say to the screen "all right already, I get it!". This knocks the film down just a hair.
But...that is the price of admission for a very good Spike Lee film, one that I highly recommend you see.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Runkeeper—GPS Running Tracker
Health & Fitness and Sports
9.0
Rate It
App Watch
Everyone. Every run. Join the community that helps people get out the door and stick with running...
WRC The Official Game
Games
App
*****THE RALLY SIMULATION***** WRC The Official Game, the standard for off-road racing games, is...
Ross (3284 KP) rated Black Mirror - Season 1 in TV
Jan 8, 2018
These three near-future / alternative reality episodes tell of a different chilling aspect of human life. All are fantastical, though worryingly plausible. Charlie Brooker has pretty much nailed the line between believable and speculative fiction.
The first episode sees the UK prime minister forced into considering an unpleasant act after a ransom demand from a kidnapper. It serves as a good representation of media coverage and their involvement in spreading panic and stoking outrage.
The next episode was a near-future look at a world where some classes of people spend their days on exercise bikes, presumably powering society. They are forced to watch endless hours of a small number of TV shows and are charged a fee to skip pop-up adverts for porn shows. The indictment of where society is headed, including the disposability of talent shows and how much more mandatory watching adverts could become, felt like something of a warning to turn back now!
The final episode revolved around people having the ability to instantaneously rewind and re-view moments of their lives and cast it to TV screens. The story looks at how this plays a part in a man's suspicions over his wife's faithfulness to their marriage. Similar to the previous 2 episodes, it shows that the technology, and people's reliance on it, does not help real life in any way, rather it further fuels suspicion and malcontent.
Three stories about the way the human race is headed told brilliantly.
The first episode sees the UK prime minister forced into considering an unpleasant act after a ransom demand from a kidnapper. It serves as a good representation of media coverage and their involvement in spreading panic and stoking outrage.
The next episode was a near-future look at a world where some classes of people spend their days on exercise bikes, presumably powering society. They are forced to watch endless hours of a small number of TV shows and are charged a fee to skip pop-up adverts for porn shows. The indictment of where society is headed, including the disposability of talent shows and how much more mandatory watching adverts could become, felt like something of a warning to turn back now!
The final episode revolved around people having the ability to instantaneously rewind and re-view moments of their lives and cast it to TV screens. The story looks at how this plays a part in a man's suspicions over his wife's faithfulness to their marriage. Similar to the previous 2 episodes, it shows that the technology, and people's reliance on it, does not help real life in any way, rather it further fuels suspicion and malcontent.
Three stories about the way the human race is headed told brilliantly.
Paganfire (19 KP) rated LEGO Marvel Super Heroes in Video Games
Aug 10, 2017
Save the World LEGO Marvel Superheroes!
I've been playing this one for a couple of weeks now and have honestly enjoyed this entry in the LEGO-verse. Played about 50+ hours now and still have around 15 to 18% to do (don't have my game up or I'd give the exact percentage).
The story line itself is very engaging and it's own creature (in other words it is not following a movie or book, it is it's own stand alone story.) There are over 100 characters to gain throughout the story and free roam. Deadpool's Red Brick chapters were a delight if a bit simple.
Biggest complaint is the game mechanics where it comes to the races in the game. I've only managed a meager three or four of the twenty plus available and that is due to sheer luck. As of this moment I am not sure I will 100% this LEGO entry and it is totally due to the races.
Overall, even with the races being such a hassle, I've really enjoyed running around town as the various characters. They have the more common notable heroes and villains as well as some not so common characters (IE: Squirrel Girl). With the multitude of available characters very few overlap so it is very refreshing to actually have to use almost everyone for something (be it a maze, race, free play, etc).
The story line itself is very engaging and it's own creature (in other words it is not following a movie or book, it is it's own stand alone story.) There are over 100 characters to gain throughout the story and free roam. Deadpool's Red Brick chapters were a delight if a bit simple.
Biggest complaint is the game mechanics where it comes to the races in the game. I've only managed a meager three or four of the twenty plus available and that is due to sheer luck. As of this moment I am not sure I will 100% this LEGO entry and it is totally due to the races.
Overall, even with the races being such a hassle, I've really enjoyed running around town as the various characters. They have the more common notable heroes and villains as well as some not so common characters (IE: Squirrel Girl). With the multitude of available characters very few overlap so it is very refreshing to actually have to use almost everyone for something (be it a maze, race, free play, etc).