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Kristy H (1252 KP) rated Where the Crawdads Sing in Books
Aug 12, 2021
A haunting story of survival
Kya Clark is very young when her mother leaves, abandoning her to their marshland home and her violent father. His presence is in her life is scattered, at best, and Kya mostly raises herself, learning about the land, the wildlife, and the swamp on her own. She forms attachment to few, but meets two very different young men from town whom she feels drawn to. In 1969, one of those men is found dead and Kya--always a source of gossip among the locals--is the prime suspect.
I'm not sure there's much I can add to the many reviews of this popular book. I read it as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my third book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read! I'm glad I finally read it-- it's a very mesmerizing tale, and Kya's improbable life on the marsh quickly drew me in.
This is part a character-driven and coming of age story combined with a mystery and courtroom drama. It covers a lot of Kya's life, but focuses on her growing up in the marsh. There's a lot that seems hard to believe--especially that no one does anything to help this parent-less child, growing up alone in the marsh. The book covers a lot of heady topics, including racism, sexual assault, and more. Its description of nature and the marsh are beautiful. At the heart of the story is Kya, and it's impossible not to root for our heroine. She's tough and smart, and the way she loves her marsh is simply beautiful.
Overall, rating on pure enjoyment, I really liked this book. If I don't delve too deep into pondering about the inner workings of the plot, this was a great read--mesmerizing, haunting, and lovely. 4+ stars.
I'm not sure there's much I can add to the many reviews of this popular book. I read it as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my third book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read! I'm glad I finally read it-- it's a very mesmerizing tale, and Kya's improbable life on the marsh quickly drew me in.
This is part a character-driven and coming of age story combined with a mystery and courtroom drama. It covers a lot of Kya's life, but focuses on her growing up in the marsh. There's a lot that seems hard to believe--especially that no one does anything to help this parent-less child, growing up alone in the marsh. The book covers a lot of heady topics, including racism, sexual assault, and more. Its description of nature and the marsh are beautiful. At the heart of the story is Kya, and it's impossible not to root for our heroine. She's tough and smart, and the way she loves her marsh is simply beautiful.
Overall, rating on pure enjoyment, I really liked this book. If I don't delve too deep into pondering about the inner workings of the plot, this was a great read--mesmerizing, haunting, and lovely. 4+ stars.
Kristy H (1252 KP) rated Black Cake in Books
Feb 4, 2022
Siblings Byron and Benny are estranged, but after their mother's death, they discover she’s left them a black cake, a beloved food from their childhood and history, and a voice recording that reveals many surprises about her past. Their mother Eleanor's story is heartbreaking and shocking, but will it bring Byron and Benny together to share the cake "when the time is right," as their mother desired?
This is a really interesting and different book. It’s a sweeping tale that spans from the 1960s to the present and touches on racism, homophobia, immigration, assault, the meaning of family, and so much more. If that sounds like a lot, it is, and sometimes it feels like too much. The story meanders at times--it's a lot to go from the 1960s to the near present, and the story is told through many narrators and short chapters. It's sometimes confusing to keep track of. At times, the musings and whining of present-day Byron and Benny are frustrating because you just want to get back to Eleanor and the past.
And that is where BLACK CAKE shines. Because while this is a debut novel and it shows at times, the story really is engrossing, especially when Eleanor gets into her origin story and we learn about the Caribbean and how she became who she is. There's almost a mystery in there, and it's fascinating. We are taken back to the islands, meeting a young determined swimmer and her best friend. I love how Wilkerson weaves everything together into a touching and poignant tale that delves deep into this family's past. I was mesmerized and needed to know everything that happened. There are a lot of characters and a few false starts, but this story winds around to make sense, and it was a really beautiful and fascinating.
I received a copy of this book from Random House / Ballantine and Netgalley in return for an unbiased review.
This is a really interesting and different book. It’s a sweeping tale that spans from the 1960s to the present and touches on racism, homophobia, immigration, assault, the meaning of family, and so much more. If that sounds like a lot, it is, and sometimes it feels like too much. The story meanders at times--it's a lot to go from the 1960s to the near present, and the story is told through many narrators and short chapters. It's sometimes confusing to keep track of. At times, the musings and whining of present-day Byron and Benny are frustrating because you just want to get back to Eleanor and the past.
And that is where BLACK CAKE shines. Because while this is a debut novel and it shows at times, the story really is engrossing, especially when Eleanor gets into her origin story and we learn about the Caribbean and how she became who she is. There's almost a mystery in there, and it's fascinating. We are taken back to the islands, meeting a young determined swimmer and her best friend. I love how Wilkerson weaves everything together into a touching and poignant tale that delves deep into this family's past. I was mesmerized and needed to know everything that happened. There are a lot of characters and a few false starts, but this story winds around to make sense, and it was a really beautiful and fascinating.
I received a copy of this book from Random House / Ballantine and Netgalley in return for an unbiased review.
Ali A (82 KP) rated A Multitude of Dreams in Books
Sep 6, 2023
Trigger Warnings: plague, death, blood, racism, murder, self harm, genocide, survivors guilt
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
Sarah (7798 KP) rated Green Book (2018) in Movies
Mar 28, 2019
Deserving of the Oscar
I knew very little about Green Book heading in to it, other than the basic plot and that it had won the Oscar. I hadn't even seen a trailer, but when deciding what to watch on an afternoon off work, it seemed like a good choice. And I can honestly say that this is the best 2 hours I've spent in the cinema recently that didn't involve a Marvel film. It really is that good.
Right from the opening scene, this film was captivating and engaging. It's funny and heartwarming and really quite sad at times, without ever becoming dull or drawn out. It's such a beautiful story of a journey between two polar opposite characters. Viggo Mortensen's brash and uncultured Tony is a loveable rogue, and his clashes against the cultured, prim and proper pianist played by Mahershala Ali are a delight and often humorous to watch. It's the interaction and development of these two characters that make this film brilliant. Both actors are superb, and both would have been deserving of an Oscar in their own rights for their performances. The scene with them discussing KFC had me in stitches and is possibly the funniest thing I've seen in quite a long time.
The film itself is beautifully made and shot, and I cannot believe that this film has come from Peter Farrelly, who's previous films with his brother Bobby were as far from Oscar winners as you could get. The entire film from the costumes and soundtrack to the script were well done and altogether faultless. The film also does very well to get across the important attitudes and messages about racism and it does so in a very subtle yet powerful way.
I spent the entirety of this film with a smile on my face and a warm fuzzy feeling inside, which I still have now writing this review just thinking about unexpectedly brilliant this film was. I usually think most Oscar winners and nominees are entirely overrated, but not Green Book - this deserves every accolade it can get and more.
Right from the opening scene, this film was captivating and engaging. It's funny and heartwarming and really quite sad at times, without ever becoming dull or drawn out. It's such a beautiful story of a journey between two polar opposite characters. Viggo Mortensen's brash and uncultured Tony is a loveable rogue, and his clashes against the cultured, prim and proper pianist played by Mahershala Ali are a delight and often humorous to watch. It's the interaction and development of these two characters that make this film brilliant. Both actors are superb, and both would have been deserving of an Oscar in their own rights for their performances. The scene with them discussing KFC had me in stitches and is possibly the funniest thing I've seen in quite a long time.
The film itself is beautifully made and shot, and I cannot believe that this film has come from Peter Farrelly, who's previous films with his brother Bobby were as far from Oscar winners as you could get. The entire film from the costumes and soundtrack to the script were well done and altogether faultless. The film also does very well to get across the important attitudes and messages about racism and it does so in a very subtle yet powerful way.
I spent the entirety of this film with a smile on my face and a warm fuzzy feeling inside, which I still have now writing this review just thinking about unexpectedly brilliant this film was. I usually think most Oscar winners and nominees are entirely overrated, but not Green Book - this deserves every accolade it can get and more.
Neon's Nerd Nexus (360 KP) rated Widows (2018) in Movies
May 13, 2019
Perfection
#widows is this years biggest surprise. Just like a punch to the gut its full of #pain, suffering an overload of #emotion & shock. My goodness what an exceptional & #stunning piece of work this is. As soon as the film opened is was hanging off my seat, with an opening which not only sets the stage for what's to come but showcases just how talented #stevemcqueen is as a director. This calm before the storm style of directing works so well that it constantly lulls you into a false sense of security (by using #beautiful/unique camera work, a powerful score, subbtle #humour, interesting characters & deep character connections) to pull you in which are then followed instantly by incredibly tense action or scenes of #brutal #violence or shocking emotional breakdowns which hit you hard like a slap across the face. Long but never once #boring this is such a heavy, bleak & #depressing film not only about grief, loss, #broken trust & #survival but also about #racism, corruption, power abuse & the using of money & #religion as a control tool. I dont want to spoil to much because its best to go in blind here to feel the full impact of the #film & its twists. #Widowsmovie is so powerful & full of so much depth I felt like id been hit by a train walking out. Everything flows together so perfectly here from its pacing to its plot & its cinematography right down to its sound & set design. Theres also stellar acting all across the board here & i mean seriously impressive preformances by a good chunk of the cast which makes sure each & every characters pain, grief & struggle through #life is felt deeply, making it at times increadibly #heartbreaking & tuff to watch. This film overall was such an engaging/draining & absorbing thrill ride full of intelligent & current themes that I cant wait to see it again & delve deeper into its layers. Absolutely mind blowing & one of the most tense & well constructed #heist films ive seen in a long long time. #odeon #odeonlimitless #filmbuff #filmcritic #thursdaythoughts #violadavis #collinfarrell #liamnesson #danielkaluuya #love
Goddess in the Stacks (553 KP) rated It's Not Like It's a Secret in Books
Jun 4, 2019
Sana is a California transplant from Wisconsin; both her parents are immigrants from Japan, so despite feeling like she's a midwesterner, none of her friends think of her as one. There's a cringe-y scene early in the book where she cheers with her friends about being "midwestern farmer's daughters" and they tell her she's cute for thinking that, but she's Japanese, obv. I felt really bad for her. When her family moves to California, suddenly she's not the only Asian girl in a sea of whiteness. It's an interesting mix of having a place with your own people but also fighting the stereotypes of sticking with your own ethnicity. It's assumed she'll be friends with the other Asian kids, which annoys her, but she also finds to be true; having not had the opportunity to have friends like her before, she finds she really likes it. But she also tries to break that mold and be friends with people she's not assumed to like - like Jamie Ramirez and her Hispanic friends, and Caleb and his white goth friends.
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
Lou Grande (148 KP) rated Hogg in Books
May 28, 2018
Please, please, please proceed with caution
HOGG was written in 1968, a few short months before the Stonewall Riots. Brimming with anger and pent up sexuality, HOGG is (by the author's admission) a pornographic novel for nobody. It's the kind of novel that's hard to describe as "good," even though it's masterfully constructed and hard-hitting. It's also disgusting on a deep, visceral level--multiple levels, actually.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
Kristin (149 KP) rated Weirdo. Mosher. Freak: (If Only They'd Stopped at Name Calling) in Books
Dec 7, 2018
Disclaimer: I won this book through a FirstReads giveaway (and I'm really glad I did).
Most everybody, at some point in their lives, has been picked on, bullied, pushed around, whether literally or just emotionally. What happened to Sophie Lancaster and Rob Maltby in August 2007 shows the result of that being taken to the unfortunate extreme.
To say that I enjoyed this book would seem a little inappropriate, considering its subject matter. However, I found it extremely enlightening, as I do not recall ever hearing about this case when it occurred 5 years ago. Reading about how news of it and the resulting foundation spread worldwide made me pause and try to remember back to that time, and I think I remember seeing the "S.O.P.H.I.E." logo before, here in Virginia, USA. That just goes to show how much this meant, and still means, to so many people around the world.
I found this book to be very tactful in its approach to the case, from start to finish, as well as the coverage of the fundraising events for the Sophie Lancaster Foundation and Sylvia Lancaster's work to change the laws regarding the definition of hate crimes. Having just received a Master's Degree in Forensic Psychology, and as someone who has worked with people who have committed Domestic Violence, the sections describing the defendants' actions during the assault, interviews, court appearances (as well as their parents') was extremely unsettling, but very helpful in understanding just how they could be so abusive.
I would recommend this book to anyone who works with youths, especially those considered "troubled," as they could see and share what could happen if they continue down the road they're on. However, those who might benefit most are those who can relate to the title, having been called a "weirdo" or a "freak" by their peers. They need to know that there are people all over the world just like them, and that there is no reason to take the abuse, whether verbal or physical. As Sylvia Lancaster was quoted in the book, "prejudice and intolerance is the new racism," and it can't get any better until those who promote it are held accountable.
"Hate is easy--love takes courage."
Most everybody, at some point in their lives, has been picked on, bullied, pushed around, whether literally or just emotionally. What happened to Sophie Lancaster and Rob Maltby in August 2007 shows the result of that being taken to the unfortunate extreme.
To say that I enjoyed this book would seem a little inappropriate, considering its subject matter. However, I found it extremely enlightening, as I do not recall ever hearing about this case when it occurred 5 years ago. Reading about how news of it and the resulting foundation spread worldwide made me pause and try to remember back to that time, and I think I remember seeing the "S.O.P.H.I.E." logo before, here in Virginia, USA. That just goes to show how much this meant, and still means, to so many people around the world.
I found this book to be very tactful in its approach to the case, from start to finish, as well as the coverage of the fundraising events for the Sophie Lancaster Foundation and Sylvia Lancaster's work to change the laws regarding the definition of hate crimes. Having just received a Master's Degree in Forensic Psychology, and as someone who has worked with people who have committed Domestic Violence, the sections describing the defendants' actions during the assault, interviews, court appearances (as well as their parents') was extremely unsettling, but very helpful in understanding just how they could be so abusive.
I would recommend this book to anyone who works with youths, especially those considered "troubled," as they could see and share what could happen if they continue down the road they're on. However, those who might benefit most are those who can relate to the title, having been called a "weirdo" or a "freak" by their peers. They need to know that there are people all over the world just like them, and that there is no reason to take the abuse, whether verbal or physical. As Sylvia Lancaster was quoted in the book, "prejudice and intolerance is the new racism," and it can't get any better until those who promote it are held accountable.
"Hate is easy--love takes courage."
FilmIntuition (33 KP) rated All We Ever Wanted in Books
Jul 6, 2018
Timely & Compelling
Determined to get to the second book in the series that everyone I knew had assured me was "the best," over the years, I must've picked up and earnestly started my paperback copy of Emily Giffin's Something Borrowed dozens of times but just couldn't relate to the characters.
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.
Joelene Marie (28 KP) rated The Black Witch in Books
Oct 1, 2018
Wow! This story, these characters... just wow. Seriously got me right in the feels. There's quite a bit of controversy surrounding this book and i think it's for the wrong reasons. This book isn't racist or any of the other things it's been called, not in and of itself. Does it contain racism, misogyny, homophobia, xenophobia? in spades! Religious zealots, oppression, and just plain ignorant prejudice and discrimination? Oh, absolutely! At times heartbreaking and difficult to read? Definitely! But at its core this is a book about hope. It's about moving past preconceived notions of others based on any of the labels used to divide and coming together. It's about looking beyond outward appearance and seeing the person inside. There are obvious parallels between the book and reality because the author was trying to make a point, not that she or her story are racist or condone these behaviors but the exact opposite, that it is wrong and that we could do amazing things if we quit using labels that divide us, whether it's race, religion, gender, sexuality, occupation, ability, class, country of origin, political affiliation, etc. Those are only labels, they don't define any of us nor should they.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.