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Haley Mathiot (9 KP) rated Hattitude: Knits for Every Mood in Books
Apr 27, 2018
Hattitude is an amazing, beautiful, inspiring book with a TON of hats. Hats are so cool and versatile, you can wear one almost anywhere, and with all the patterns in here, there is literally a hat for every occasion: formal diner to snow day, university lecture to yard work. Hattitude has a hat for everyone.
The patterns themselves vary in yarn type and needle size, so between the various patterns that you catch yourself drooling over and the millions of kinds of yarn in the world, you’re pretty much set for life. If you find that you don’t have the needles you need, you’ll probably have a second choice (possibly a third or a fourth etc) to make to hold you over while you get those other needles because of all the awesome hats in here.
The hats range in all kinds of yarn: cashmere, wool, acrylic, chunky, chenille, that bumpy nubby stuff, and wool for felting. Some have cool décor like beads, sequins, ribbon, buttons, appliqués, giant buckles, and pearls. And some are more simple, with a few color combos, or some pattern work.
There are patterns for all levels, too! You have to be the judge of what you can or can’t do, though, since it doesn’t outright tell you “beginner level” or “advanced level,” but as a knitter it’s pretty easy to tell if you can do something. Read the pattern. If it doesn’t make a bit of sense, get help or pick another and come back to that one two years from now. Some patterns have only simple increasing and decreasing, some have some more advanced shaping and cables, and some have some complicated lace work.
As far as the layout of the book, Each pattern has a full front face photograph on one page, and the pattern opposite with a smaller photo from a second view point, so you get a full look at what you’re making.
The only reason I’d give this one four stars rather than five is… there are also some really weird hats in here. I don’t like all of them. Some of them I’d never make, and it’s just because they’re not my style at all. Maybe they’d look good on someone else, maybe someone else will like them. The book is, again, versatile, and will please a wide range of knitters, all with different likes. The downside of that is, I don’t think anyone can be fully pleased because nobody is going to like every single pattern. However, the good outweighs the bad here: there are way more patterns that I like than patterns that I don’t like.
All in all, I’d recommend this book to any knitter who has had some experience in shaping and working on double pointed needles and circular needles. And of course, anyone who drools over hats.
**review copy provided by publisher**
The patterns themselves vary in yarn type and needle size, so between the various patterns that you catch yourself drooling over and the millions of kinds of yarn in the world, you’re pretty much set for life. If you find that you don’t have the needles you need, you’ll probably have a second choice (possibly a third or a fourth etc) to make to hold you over while you get those other needles because of all the awesome hats in here.
The hats range in all kinds of yarn: cashmere, wool, acrylic, chunky, chenille, that bumpy nubby stuff, and wool for felting. Some have cool décor like beads, sequins, ribbon, buttons, appliqués, giant buckles, and pearls. And some are more simple, with a few color combos, or some pattern work.
There are patterns for all levels, too! You have to be the judge of what you can or can’t do, though, since it doesn’t outright tell you “beginner level” or “advanced level,” but as a knitter it’s pretty easy to tell if you can do something. Read the pattern. If it doesn’t make a bit of sense, get help or pick another and come back to that one two years from now. Some patterns have only simple increasing and decreasing, some have some more advanced shaping and cables, and some have some complicated lace work.
As far as the layout of the book, Each pattern has a full front face photograph on one page, and the pattern opposite with a smaller photo from a second view point, so you get a full look at what you’re making.
The only reason I’d give this one four stars rather than five is… there are also some really weird hats in here. I don’t like all of them. Some of them I’d never make, and it’s just because they’re not my style at all. Maybe they’d look good on someone else, maybe someone else will like them. The book is, again, versatile, and will please a wide range of knitters, all with different likes. The downside of that is, I don’t think anyone can be fully pleased because nobody is going to like every single pattern. However, the good outweighs the bad here: there are way more patterns that I like than patterns that I don’t like.
All in all, I’d recommend this book to any knitter who has had some experience in shaping and working on double pointed needles and circular needles. And of course, anyone who drools over hats.
**review copy provided by publisher**
Ross (3282 KP) rated The Darkslayer: Wrath of the Royals in Books
Feb 5, 2019
Strong debut novel, deeper than expected
Wrath of the Royals, the first in the 16 book Darkslayer series following Venir, the Darkslayer (an axe-wielding barbarian) and his companion Melagal (the cowardly "rogue") as they run from the titular wrath of one of the royal families. Venir tends to get himself into bets, as alpha male types just seem attracted to him, and one such bet ends him in the bad books with one of the most powerful, and twisted, royal families.
This leads to the pair going on the run to escape the inevitable wrath. However, little do they know that the Underlings (those twisted, evil humanoids Venir is driven to hunt) are after Venir from different angles - one due to his relentless genocide of their race, and another due to being hired to hunt him down by the royals.
On the surface, I expected this to be a basic sword and sorcery tale; the barbarian wandering the wilds hacking down the Underlings. I was pleasantly surprised to find a fairly well told tale with different layers and a more intricate plot than I had expected.
Halloran's prose is decent, with a good knack for getting the balance between over-narration and concise descriptions. There is enough description of the world without it being laboured. There are some odd choices for phrases or wording here or there (eg "Impending pain was on its way"), and the book could do with a decent thorough edit, but for a first book it is a good effort.
The world of Bish turns out to be something of an experiment on the part of a God, seeing if she can design a world that will remain in permanent conflict for eternity, good and evil constantly vying but neither side ever truly winning. While this could be seen as literally setting up for "deus ex machina" whenever the author chooses, this didn't really come to the fore in this book.
Venir is a reasonably well-crafted character, albeit a stupid brute and something like Logen Ninefingers from Joe Abercrombie's First Law (when he puts on his magical helmet (yes I know!) he becomes more driven to destruction, somewhat akin to the emergence of The Bloody Nine). Numerous times he just gets up in the night and wanders off searching for the conflict he has sensed, the helmet guiding him onwards. But his actions play well off those of his travelling companions, which has now become something like the fellowship of the ring, but without a ring.
The book ends with an extended epilogue giving an idea of Venir's life before he found his magical axe, shield and mind-controlling helmet.
A good self-contained book, which concludes well and could be read on its own, without continuing the series, though I plan to (ideally before my Kindle Unlimited period runs out!).
This leads to the pair going on the run to escape the inevitable wrath. However, little do they know that the Underlings (those twisted, evil humanoids Venir is driven to hunt) are after Venir from different angles - one due to his relentless genocide of their race, and another due to being hired to hunt him down by the royals.
On the surface, I expected this to be a basic sword and sorcery tale; the barbarian wandering the wilds hacking down the Underlings. I was pleasantly surprised to find a fairly well told tale with different layers and a more intricate plot than I had expected.
Halloran's prose is decent, with a good knack for getting the balance between over-narration and concise descriptions. There is enough description of the world without it being laboured. There are some odd choices for phrases or wording here or there (eg "Impending pain was on its way"), and the book could do with a decent thorough edit, but for a first book it is a good effort.
The world of Bish turns out to be something of an experiment on the part of a God, seeing if she can design a world that will remain in permanent conflict for eternity, good and evil constantly vying but neither side ever truly winning. While this could be seen as literally setting up for "deus ex machina" whenever the author chooses, this didn't really come to the fore in this book.
Venir is a reasonably well-crafted character, albeit a stupid brute and something like Logen Ninefingers from Joe Abercrombie's First Law (when he puts on his magical helmet (yes I know!) he becomes more driven to destruction, somewhat akin to the emergence of The Bloody Nine). Numerous times he just gets up in the night and wanders off searching for the conflict he has sensed, the helmet guiding him onwards. But his actions play well off those of his travelling companions, which has now become something like the fellowship of the ring, but without a ring.
The book ends with an extended epilogue giving an idea of Venir's life before he found his magical axe, shield and mind-controlling helmet.
A good self-contained book, which concludes well and could be read on its own, without continuing the series, though I plan to (ideally before my Kindle Unlimited period runs out!).
Gareth von Kallenbach (971 KP) rated The Girl on the Train (2016) in Movies
Jun 19, 2019
Rachael (Emily Blunt) is a woman who has hit rock bottom. Her downward spiral has cost her a marriage, her career, and everything else she cherished and left her a severe alcoholic. Rachael is so far gone that she rides the commuter train into New York every day secretly drinking along the way. There is some method to this madness as the train goes by her former home and this allows Rachael a look in at the woman who replaced her and the new family her ex now enjoys.
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
Sophia (Bookwyrming Thoughts) (530 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I wish I could have enjoyed <i>And I Darken</i> as much as everyone else did – and as much as I hoped I would – rather than being part of the black sheep club.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/lonely.gif"; width="320" height="156" border="0" /></div>
The number one thing that didn't work out for me: Lada. I <i>cannot </i>stand this girl. She takes the crown for the most ruthless character of the year, and well... pardon my language, but um... she's also bitchy as hell. I suppose that makes sense considering the time period the book is set in, but um... she has no remorse whatsoever. She is cold-hearted, she thinks she's above everyone else, and she acts like she's above everyone else as well.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/imthebest.gif"; width="320" height="179" border="0" /></div>
Also, she is extremely disturbing. Then again, the book is disturbing as well, but there's no glorifying pictures of people being impaled, so therefore I'm much more braver reading words than seeing images (I can deal with disturbing... depending on what disturbing is). I really don't want to count how many WTFs I have in my notes right now in regards to Lada's actions and words though (there's a lot).
She also complains a lot. A great majority of the majority that I actually read consisted a lot of Lada saying something along the lines of, "I WANNA GO HOME. I WANNA GO HOME. I WANNA GO HOME." with maybe a threat or two inserted here and there.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/complaining.gif"; width="320" height="178" border="0" /></div>
The concept, however, was great! <i>And I Darken</i> was interesting enough in some parts that I continued reading because I hoped the book would actually pick up the dragging pace it was going as I got closer to the end. Unfortunately, it didn't pick up enough for me to trek on through to the end.
Finally, I do like me a dark book or two sooo...
I'm still sad <i>And I Darken</i> and I didn't get along. The disappointment is real. Very real indeed.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/i-sank-into-sadness.effy-stonem.gif"; width="320" height="179" border="0" /></div>
<a href="https://bookwyrmingthoughts.com/dnf-arc-review-and-i-darken-by-kiersten-white/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I wish I could have enjoyed <i>And I Darken</i> as much as everyone else did – and as much as I hoped I would – rather than being part of the black sheep club.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/lonely.gif"; width="320" height="156" border="0" /></div>
The number one thing that didn't work out for me: Lada. I <i>cannot </i>stand this girl. She takes the crown for the most ruthless character of the year, and well... pardon my language, but um... she's also bitchy as hell. I suppose that makes sense considering the time period the book is set in, but um... she has no remorse whatsoever. She is cold-hearted, she thinks she's above everyone else, and she acts like she's above everyone else as well.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/imthebest.gif"; width="320" height="179" border="0" /></div>
Also, she is extremely disturbing. Then again, the book is disturbing as well, but there's no glorifying pictures of people being impaled, so therefore I'm much more braver reading words than seeing images (I can deal with disturbing... depending on what disturbing is). I really don't want to count how many WTFs I have in my notes right now in regards to Lada's actions and words though (there's a lot).
She also complains a lot. A great majority of the majority that I actually read consisted a lot of Lada saying something along the lines of, "I WANNA GO HOME. I WANNA GO HOME. I WANNA GO HOME." with maybe a threat or two inserted here and there.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/complaining.gif"; width="320" height="178" border="0" /></div>
The concept, however, was great! <i>And I Darken</i> was interesting enough in some parts that I continued reading because I hoped the book would actually pick up the dragging pace it was going as I got closer to the end. Unfortunately, it didn't pick up enough for me to trek on through to the end.
Finally, I do like me a dark book or two sooo...
I'm still sad <i>And I Darken</i> and I didn't get along. The disappointment is real. Very real indeed.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/08/i-sank-into-sadness.effy-stonem.gif"; width="320" height="179" border="0" /></div>
<a href="https://bookwyrmingthoughts.com/dnf-arc-review-and-i-darken-by-kiersten-white/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hadley (567 KP) rated In Cold Blood: A True Account of a Multiple Murder and Its Consequences in Books
Aug 2, 2020
The writing (1 more)
The flow
In the 'Introduction' of Capote's true crime novel In Cold Blood, American writer Bob Colacello states: "Capote was one of the first who dared to elevate journalism to the level of art. In Cold Blood is a work of great discipline and even greater restraint, a tale of fate, as spare and elegiac as a Greek tragedy, as rich in its breadth and depth as the classic French novels of Stendhal and Flaubert. 'We all have our souls and we all have facades,' Truman Capote told his friend Kay Meehan a year or so before he came upon the news that would inspire his masterpiece, 'and then there's something in between that makes us function as people. That's what I have the ability to communicate.' "
The novel, which was published in 1965, is an eyewitness account of Capote's visitation to the scene of the murder as well as meetings with the murderers and townspeople- - - a retelling of the crime and aftermath, mostly from the eyes of those affected, by hundreds of hours of interviews and interrogations. The novel, ultimately, was the end of Capote which led him to alcoholism that took his life in 1984.
Like most small-town murders, a tension between residences is created when a well-known and well-liked family of four is brutally murdered, and everyone begins to point a finger at the other: "But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and again - - - those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers." Fortunately, the KBI (Kansas Bureau of Investigation) didn't allow these accusations to keep them from finding the real killers.
" 'Deep down,' Perry continued, 'way, way rock bottom, I never thought I could do it. A thing like that.' " Perry Smith, one of the murderers, confesses to his cohort and partner-in-crime, Richard Hickock, about murdering the Clutter family. "Presently, he said, 'Know what it is that really bugs me? About that other thing[Clutter murder]? It's just I don't believe it- - - that anyone can get away with a thing like that.' And he suspected that Dick [Richard] didn't, either. For Dick was at least partly inhabited by Perry's mystical-moral apprehensions. Thus: 'Now, just shut up!' "
Capote writes clearly of the impact that Smith's and Hickock's past may have played leading up to the murders, mostly focusing on Smith's traumatic childhood. During the trial portion of the book, a psychologist is brought in to point out how the two murderers may not have been responsible for their actions due-to instances in their past - - - a horrific car crash in Hickock's that left him with a lop-sided face and black-out spells, as well as Smith being physically and emotional abused by his alcoholic mother and father. In exploring these traumas, In Cold Blood leaves the impression that these two men were merely ticking time bombs and that the Clutter family, unfortunately, had to pay for it.
The trauma shared by Hickock and Smith help to shape the two murderers into actual human beings rather than monsters throughout the novel: one scene, where we get to read a letter to Smith from his last living sister, readers get to see how he was perceived by his family members, as his sister goes on to degrade him to the maturity level of a child and that she is above him because of that- - -but she also reveals her jealousy of their father loving him more than he ever loved her (despite the excessive abuse). A close friend of Smith's tells him to be careful writing her anymore because he believes that: 'they can only serve to increase your already dangerous anti-social instincts.'
Part of the narrative, too, is the KBI agent in-charge of the Clutter murder, Alvin Dewey: One day while visiting Holcomb's well-known cafe (Hartman's) where Dewey is told he looks awful from weight loss and fatigue - - - Dewey recalls that he had spent: 'two wearying and wasted days trying to trace that phantom pair, the Mexicans sworn by Paul Helm to have visited Mr. Clutter on the eve of the murders.' And then he gets heckled by a local, who wants to know why he hasn't found the people responsible yet,but Dewey simply smiles and walks away, having put up with numerous people being angry that the murders were taking so long to solve.
But it wasn't footwork that got the pair arrested, it was an old cellmate who had given Hickock the idea that there was $10,000 in a safe at the Clutter farm that came forward: (read this on my blog because I had to cut it out since my review was too long!).
Meanwhile, readers also get to experience Hickock and Smith's troubles as they are on the run after the murders which is done masterfully by Capote. And although one would assume that the killers would stay as far away from Kansas as possible, the two end up back there, only to miraculously get out before the police can catch up with them. The pair decide to head to Florida, where, on December 19, 1959, an entire family was murdered in the exact same way as the Clutters; Hickock and Smith both adamantly denied that they were involved with it - - - and back in 2012- - - Hickock and Smith's bodies were exhumed to compare their DNA with a profile found on one of the victim's clothing: they were not a match. The case remains unsolved til this day.
" Presently he[Smith] came across an inner-page story that won his entire attention. It concerned murder, the slaying of a Florida family, a Mr. and Mrs. Clifford Walker, their four-year-old son, and their two-year-old daughter. Each of the victims, though not bound or gagged, had been shot through the head with a .22 weapon. The crime, clueless and apparently motiveless, had taken place Saturday night, December 19, at the Walker home, on a cattle-raising ranch not far from Tallahassee."
Not soon after the pair leave the Florida beaches, they are arrested on what they believe to be parole violations, but it's clear, when the arresting officers are KBI agents that they had been caught for the Clutter murders. " 'Listen good, Perry. Because Mr. Duntz[KBI agent] is going to tell you where you really were...' Midway in the questioning, after he'd[Smith] begun to notice the number of allusions to a particular November weekend, he'd nerved himself for what he knew was coming, yet when it did, when the big cowboy with the sleepy voice said, 'You were killing the Clutter family' - - - well, he'd damn near died. That's all. "
The confession that follows is the most intense part of the book, given in it's entirety, readers finally get to know what happened to the Clutter family that cold night in November, 1959. Smith reveals that he never had the intention to kill anyone in the home, and that when the safe hadn't been found, he had fully intended to leave, even without Hickock, but what kept him there was Hickock threatening to rape Nancy Clutter. Smith states that he hates people who can't control themselves sexually, and that he didn't allow his partner to touch her at all. He also reveals that he thought about killing Hickock afterwards,stating: " no witnesses."
Capote didn't write 'In Cold Blood' until after Hickock and Smith were executed. The amount of interviews, court room appearances, and even witnessing the executions of both murderers shines through in this novel. But the book has also brought about doubters; a handful of people have since come forward to state that Capote's masterpiece is either 'not the full story' or 'completely wrong.' Just as recent as 2017, a man came forward with a 'manuscript' of a book that Hickock was writing, that contained a different confession on how and why the murders took place- - - Hickock states in this unpublished manuscript that a man by the name 'Roberts' had hired him and Smith to kill the Clutters.
Whether or not you believe that Capote wrote the whole truth or some of the truth, this novel is flawless and beautiful. The writing is poetic and the flow of the story keeps moving, page after page, never stopping long enough to bore the reader. I highly recommend this book as a MUST READ for anyone who loves the True Crime genre.
The novel, which was published in 1965, is an eyewitness account of Capote's visitation to the scene of the murder as well as meetings with the murderers and townspeople- - - a retelling of the crime and aftermath, mostly from the eyes of those affected, by hundreds of hours of interviews and interrogations. The novel, ultimately, was the end of Capote which led him to alcoholism that took his life in 1984.
Like most small-town murders, a tension between residences is created when a well-known and well-liked family of four is brutally murdered, and everyone begins to point a finger at the other: "But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and again - - - those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers." Fortunately, the KBI (Kansas Bureau of Investigation) didn't allow these accusations to keep them from finding the real killers.
" 'Deep down,' Perry continued, 'way, way rock bottom, I never thought I could do it. A thing like that.' " Perry Smith, one of the murderers, confesses to his cohort and partner-in-crime, Richard Hickock, about murdering the Clutter family. "Presently, he said, 'Know what it is that really bugs me? About that other thing[Clutter murder]? It's just I don't believe it- - - that anyone can get away with a thing like that.' And he suspected that Dick [Richard] didn't, either. For Dick was at least partly inhabited by Perry's mystical-moral apprehensions. Thus: 'Now, just shut up!' "
Capote writes clearly of the impact that Smith's and Hickock's past may have played leading up to the murders, mostly focusing on Smith's traumatic childhood. During the trial portion of the book, a psychologist is brought in to point out how the two murderers may not have been responsible for their actions due-to instances in their past - - - a horrific car crash in Hickock's that left him with a lop-sided face and black-out spells, as well as Smith being physically and emotional abused by his alcoholic mother and father. In exploring these traumas, In Cold Blood leaves the impression that these two men were merely ticking time bombs and that the Clutter family, unfortunately, had to pay for it.
The trauma shared by Hickock and Smith help to shape the two murderers into actual human beings rather than monsters throughout the novel: one scene, where we get to read a letter to Smith from his last living sister, readers get to see how he was perceived by his family members, as his sister goes on to degrade him to the maturity level of a child and that she is above him because of that- - -but she also reveals her jealousy of their father loving him more than he ever loved her (despite the excessive abuse). A close friend of Smith's tells him to be careful writing her anymore because he believes that: 'they can only serve to increase your already dangerous anti-social instincts.'
Part of the narrative, too, is the KBI agent in-charge of the Clutter murder, Alvin Dewey: One day while visiting Holcomb's well-known cafe (Hartman's) where Dewey is told he looks awful from weight loss and fatigue - - - Dewey recalls that he had spent: 'two wearying and wasted days trying to trace that phantom pair, the Mexicans sworn by Paul Helm to have visited Mr. Clutter on the eve of the murders.' And then he gets heckled by a local, who wants to know why he hasn't found the people responsible yet,but Dewey simply smiles and walks away, having put up with numerous people being angry that the murders were taking so long to solve.
But it wasn't footwork that got the pair arrested, it was an old cellmate who had given Hickock the idea that there was $10,000 in a safe at the Clutter farm that came forward: (read this on my blog because I had to cut it out since my review was too long!).
Meanwhile, readers also get to experience Hickock and Smith's troubles as they are on the run after the murders which is done masterfully by Capote. And although one would assume that the killers would stay as far away from Kansas as possible, the two end up back there, only to miraculously get out before the police can catch up with them. The pair decide to head to Florida, where, on December 19, 1959, an entire family was murdered in the exact same way as the Clutters; Hickock and Smith both adamantly denied that they were involved with it - - - and back in 2012- - - Hickock and Smith's bodies were exhumed to compare their DNA with a profile found on one of the victim's clothing: they were not a match. The case remains unsolved til this day.
" Presently he[Smith] came across an inner-page story that won his entire attention. It concerned murder, the slaying of a Florida family, a Mr. and Mrs. Clifford Walker, their four-year-old son, and their two-year-old daughter. Each of the victims, though not bound or gagged, had been shot through the head with a .22 weapon. The crime, clueless and apparently motiveless, had taken place Saturday night, December 19, at the Walker home, on a cattle-raising ranch not far from Tallahassee."
Not soon after the pair leave the Florida beaches, they are arrested on what they believe to be parole violations, but it's clear, when the arresting officers are KBI agents that they had been caught for the Clutter murders. " 'Listen good, Perry. Because Mr. Duntz[KBI agent] is going to tell you where you really were...' Midway in the questioning, after he'd[Smith] begun to notice the number of allusions to a particular November weekend, he'd nerved himself for what he knew was coming, yet when it did, when the big cowboy with the sleepy voice said, 'You were killing the Clutter family' - - - well, he'd damn near died. That's all. "
The confession that follows is the most intense part of the book, given in it's entirety, readers finally get to know what happened to the Clutter family that cold night in November, 1959. Smith reveals that he never had the intention to kill anyone in the home, and that when the safe hadn't been found, he had fully intended to leave, even without Hickock, but what kept him there was Hickock threatening to rape Nancy Clutter. Smith states that he hates people who can't control themselves sexually, and that he didn't allow his partner to touch her at all. He also reveals that he thought about killing Hickock afterwards,stating: " no witnesses."
Capote didn't write 'In Cold Blood' until after Hickock and Smith were executed. The amount of interviews, court room appearances, and even witnessing the executions of both murderers shines through in this novel. But the book has also brought about doubters; a handful of people have since come forward to state that Capote's masterpiece is either 'not the full story' or 'completely wrong.' Just as recent as 2017, a man came forward with a 'manuscript' of a book that Hickock was writing, that contained a different confession on how and why the murders took place- - - Hickock states in this unpublished manuscript that a man by the name 'Roberts' had hired him and Smith to kill the Clutters.
Whether or not you believe that Capote wrote the whole truth or some of the truth, this novel is flawless and beautiful. The writing is poetic and the flow of the story keeps moving, page after page, never stopping long enough to bore the reader. I highly recommend this book as a MUST READ for anyone who loves the True Crime genre.
Purple Phoenix Games (2266 KP) rated Broom Service in Tabletop Games
Jun 24, 2021
A show of hands for all of us who have dressed for Halloween as a witch, wizard, druid, fairy, or the like. My hand is raised. How awesome would it be to actually have power to fly – even by broomstick? Or to make some excellent magic potions? Well daydream no more. Broom Service puts you into the world of flying witches and gathering druids and even Weather Fairies all to help your business deliver potions to towers and other buildings with magical tenants.
At its heart Broom Service is a trick-taking card game with pick-up-and-deliver mechanics flowing to the board. Each player will be attempting to supply the board’s towers and castles with magic potions, but they will need to craft them first. AND one does not simply HAVE potion ingredients handy – they need to gather the correct supplies. The winner of Broom Service is the player who best can supply areas of the board by claiming tricks to increase production of said potions.
To setup place the board in the middle of the table (I am waiting for a game to come along that asks you to place the board in the Northwest quadrant of the table or something similar). Populate the board with the proper Heavy Cloud tokens to be whisked away by players for points and access to additional board areas. Place player score tokens on 10 VP along the VP track. Shuffle the Event deck and randomly place seven cards in a draw pile, revealing one into the discard. Each player will receive their two witch hat pawns to be placed on the main castles, a deck of 10 role cards from which they will choose four each round, a set of one each of the three colors of potions, and magic wands per the rules. The game can now begin!
On a player’s turn they will choose one of their four role cards and place it face down in front of themselves. Once all have done this, the starting player will announce their chosen role and declare that they wish to be Cowardly or Brave. For instance, a player may say, “I am a Cowardly Fruit Gatherer” whilst revealing their role card. By declaring Cowardly, the player immediately performs the action on the bottom of the card for Cowardly Fruit Gatherers: produce one purple potion. In order to perform the actions on top of the card the player would need to declare that they are Brave. The player will not perform the action quite yet as now play continues to the next player in line who, if they also chose to play the Fruit Gatherer card, will declare if they will also be Brave. If so, the newest player to claim Brave will be essentially winning the Brave Fruit Gatherer trick. This continues around the table until the very last Brave Fruit Gatherer has declared and won the trick. The winning player then performs the action while all other previous Brave Fruit Gatherers receive NOTHING. Brutal.
The game continues in this fashion of players bidding on Brave roles for better results (as in the example, a Brave Fruit Gatherer is able to make two purple potions AND another potion of their choice) until players have played seven rounds. They then add up their points per the rule book and the winner is determined!
Now, this is a brief explanation of the trick-taking aspect of the game, but other roles actually allow players to deliver the potions made, and still others allow players to use their magic wands to whisk away Heavy Clouds for VPs and remove their board space blocking qualities. Each time a potion is delivered, the player will earn VPs. The trick-taking aspect is simply the gist and also crux of the game.
Components. I love the components in Broom Service. The board is nice and super colorful, with all areas easy to read and understand (though some players have issues with where the towers actually lie on the board, but you must look at which area the BASES of the towers touch to determine this). The cards have wistful artwork on them and the art throughout is stellar. The wooden witch hats and potions are all great, and I love the colors used on these – I mean, orange and purple go super well together. And then there’s green. All in all the components in Broom Service are just great.
That said, I give Broom Service excellent marks because it truly is a better implementation of its predecessor, Witch’s Brew, in almost every aspect (even though my wife disagrees). The art is better, the components are better, the addition of the board and its mechanics add so much to the game. I love being able to travel to different areas of the board to deliver items, and I really don’t have too many pick-up-and-deliver style games, so this really fills a niche in my collection. Also, on another personal note, Halloween happens to be my favorite holiday and Broom Service is certainly a game for that season. I am definitely not alone in my assessment of this one, as Purple Phoenix Games gives Broom Service a whooshy 14 / 18. Come at me on this one because I am defo a Brave Mountain Witch… or just a normal reviewer who likes this game a whole lot.
At its heart Broom Service is a trick-taking card game with pick-up-and-deliver mechanics flowing to the board. Each player will be attempting to supply the board’s towers and castles with magic potions, but they will need to craft them first. AND one does not simply HAVE potion ingredients handy – they need to gather the correct supplies. The winner of Broom Service is the player who best can supply areas of the board by claiming tricks to increase production of said potions.
To setup place the board in the middle of the table (I am waiting for a game to come along that asks you to place the board in the Northwest quadrant of the table or something similar). Populate the board with the proper Heavy Cloud tokens to be whisked away by players for points and access to additional board areas. Place player score tokens on 10 VP along the VP track. Shuffle the Event deck and randomly place seven cards in a draw pile, revealing one into the discard. Each player will receive their two witch hat pawns to be placed on the main castles, a deck of 10 role cards from which they will choose four each round, a set of one each of the three colors of potions, and magic wands per the rules. The game can now begin!
On a player’s turn they will choose one of their four role cards and place it face down in front of themselves. Once all have done this, the starting player will announce their chosen role and declare that they wish to be Cowardly or Brave. For instance, a player may say, “I am a Cowardly Fruit Gatherer” whilst revealing their role card. By declaring Cowardly, the player immediately performs the action on the bottom of the card for Cowardly Fruit Gatherers: produce one purple potion. In order to perform the actions on top of the card the player would need to declare that they are Brave. The player will not perform the action quite yet as now play continues to the next player in line who, if they also chose to play the Fruit Gatherer card, will declare if they will also be Brave. If so, the newest player to claim Brave will be essentially winning the Brave Fruit Gatherer trick. This continues around the table until the very last Brave Fruit Gatherer has declared and won the trick. The winning player then performs the action while all other previous Brave Fruit Gatherers receive NOTHING. Brutal.
The game continues in this fashion of players bidding on Brave roles for better results (as in the example, a Brave Fruit Gatherer is able to make two purple potions AND another potion of their choice) until players have played seven rounds. They then add up their points per the rule book and the winner is determined!
Now, this is a brief explanation of the trick-taking aspect of the game, but other roles actually allow players to deliver the potions made, and still others allow players to use their magic wands to whisk away Heavy Clouds for VPs and remove their board space blocking qualities. Each time a potion is delivered, the player will earn VPs. The trick-taking aspect is simply the gist and also crux of the game.
Components. I love the components in Broom Service. The board is nice and super colorful, with all areas easy to read and understand (though some players have issues with where the towers actually lie on the board, but you must look at which area the BASES of the towers touch to determine this). The cards have wistful artwork on them and the art throughout is stellar. The wooden witch hats and potions are all great, and I love the colors used on these – I mean, orange and purple go super well together. And then there’s green. All in all the components in Broom Service are just great.
That said, I give Broom Service excellent marks because it truly is a better implementation of its predecessor, Witch’s Brew, in almost every aspect (even though my wife disagrees). The art is better, the components are better, the addition of the board and its mechanics add so much to the game. I love being able to travel to different areas of the board to deliver items, and I really don’t have too many pick-up-and-deliver style games, so this really fills a niche in my collection. Also, on another personal note, Halloween happens to be my favorite holiday and Broom Service is certainly a game for that season. I am definitely not alone in my assessment of this one, as Purple Phoenix Games gives Broom Service a whooshy 14 / 18. Come at me on this one because I am defo a Brave Mountain Witch… or just a normal reviewer who likes this game a whole lot.
Chris Sawin (602 KP) rated Kingdom (2019) in Movies
Aug 12, 2019
Action sequences. (2 more)
The Mountain Tribe.
Zuo Ci.
134-minute duration feels like a marathon. (1 more)
Drags a lot in its first half.
I haven’t read any of the 55 volumes (and counting) of Yasuhisa Hara’s Kingdom manga or watched any of the 77 episodes of the anime adapted by animation studio Pierrot (Bleach, Yu Yu Hakusho, and Tokyo Ghoul among many others). To make matters worse, I haven’t seen any of the films by director and co-screenwriter Shinsuke Sato (the two live-action Gantz films, Death Note: Light Up the New World, the live-action Bleach film for Netflix). I’m going into Kingdom completely blind and I have no idea if that makes the viewing experience any better or worse.
In 255 B.C., Kingdom revolves around the quick-tempered and charge-headfirst-into-battle-without-thinking Xin (Kento Yamazaki) that dreams of being the greatest general of the Qin Kingdom. There’s other stuff going on; a bloody 500 year war between the seven states of China, Xin’s best friend Piao (Ryô Yoshizawa) being enlisted by the King only to turn around and be killed, and King Yin Zheng being a splitting image of Piao, but nothing is emphasized or screamed louder than Xin’s desire to become the greatest general China has ever known.
Kingdom feels like it’s about 45 minutes too long for its own good. The first hour seems to drag as blood spraying into the air every now and then isn’t enough to keep you fully intrigued. The manga is an exaggerated recounting of Zheng actually becoming king in 221 B.C. during the Warring States period and eventually unifying China while the characters are loosely based on actual historical figures. The action adventure film attempts to portray Xin and Piao as worthy and capable swordsman because they clunked stick swords together 10,000 times in an empty field throughout their childhood and teenage years.
The film tries to compensate for its slow first hour with a more eventful second half, but it doesn’t totally succeed. Yang Duan He (Masami Nagasawa) and her mountain tribe are pretty awesome. Their masks remind you of something straight out of Princess Mononoke and you’ll be trying your hardest not to compare Yang Duan He to Xena: Warrior Princess. There’s this competition for the throne that gets a little complicated. Zheng’s brother Cheng Jiao (Kanata Hongo) is nasty and heartless and basically a human version of Salacious Crumb sitting on an even more elaborate version of Jabba the Hutt’s dais. Zheng and Jiao have the same father, but different mothers; Jiao’s is of royal blood and Zheng’s is a dancer or, in other words, a commoner. Jiao viewed peasantry as being bone deep; it isn’t something that can ever go away.
The main theme of Kingdom sounds like a direct ripoff of the main Guardians of the Galaxy theme, which is kind of brain-numbing. The prosthetics in the film are questionable with Li Dian, the original slave owner of Xin and Piao, having this awkwardly orange colored face, inhumanly puffy cheeks, stringy facial hair, and the ugliest facial expressions imaginable. After Xin joins up with Zheng, a girl in a bushy owl costume named He Liao Diao (Kanna Hasimoto) is mostly only around to take everyone to the mountains later. The chemistry Xin, Zheng, and Diao have is reminiscent of what Mugen, Jin, and Foo have in Samurai Champloo. Another observation is that Xin is basically Goku with Vegeta’s short-fuse temper; he lives to fight and eat, he’s dumber than a bag of rocks, and he can’t identify a woman when she’s standing directly in front of him.
Cheng Jiao’s go-to henchman, former general and current hitman for hire Zuo Ci (Tak Sakaguchi) may be the film’s coolest character. He doesn’t care about anybody, tells Xin that all dreams are BS, and is a part of what is arguably the best action sequence in the film. Meanwhile, General Wang Yi (Takao Ohsawa), the most renowned general in all of China and the guy with the status Xin plans on taking in the future, is a bit overrated. He mostly just parades his weird and pointy facial hair around and swings his giant sword as if it won’t remind us of Guts from Berserk.
All in all, Kingdom is a decent action adventure that just takes a while to really get going. The performances aren’t totally satisfying with Kento Yamazaki hamming it up on more than occasion and taking the brainless dolt with a huge mouth thing to uncomfortable levels. The story isn’t exactly hard to follow, but it does feel like it’s trying to be more convoluted than it needs to be. You don’t feel any sort of attachment to any of the characters and any sort of twist can be seen long before the reveal. Kingdom is just an okay way to spend two hours that is probably a justifiable rental on a day when you have nothing better to do, but is not worth paying full price to own.
In 255 B.C., Kingdom revolves around the quick-tempered and charge-headfirst-into-battle-without-thinking Xin (Kento Yamazaki) that dreams of being the greatest general of the Qin Kingdom. There’s other stuff going on; a bloody 500 year war between the seven states of China, Xin’s best friend Piao (Ryô Yoshizawa) being enlisted by the King only to turn around and be killed, and King Yin Zheng being a splitting image of Piao, but nothing is emphasized or screamed louder than Xin’s desire to become the greatest general China has ever known.
Kingdom feels like it’s about 45 minutes too long for its own good. The first hour seems to drag as blood spraying into the air every now and then isn’t enough to keep you fully intrigued. The manga is an exaggerated recounting of Zheng actually becoming king in 221 B.C. during the Warring States period and eventually unifying China while the characters are loosely based on actual historical figures. The action adventure film attempts to portray Xin and Piao as worthy and capable swordsman because they clunked stick swords together 10,000 times in an empty field throughout their childhood and teenage years.
The film tries to compensate for its slow first hour with a more eventful second half, but it doesn’t totally succeed. Yang Duan He (Masami Nagasawa) and her mountain tribe are pretty awesome. Their masks remind you of something straight out of Princess Mononoke and you’ll be trying your hardest not to compare Yang Duan He to Xena: Warrior Princess. There’s this competition for the throne that gets a little complicated. Zheng’s brother Cheng Jiao (Kanata Hongo) is nasty and heartless and basically a human version of Salacious Crumb sitting on an even more elaborate version of Jabba the Hutt’s dais. Zheng and Jiao have the same father, but different mothers; Jiao’s is of royal blood and Zheng’s is a dancer or, in other words, a commoner. Jiao viewed peasantry as being bone deep; it isn’t something that can ever go away.
The main theme of Kingdom sounds like a direct ripoff of the main Guardians of the Galaxy theme, which is kind of brain-numbing. The prosthetics in the film are questionable with Li Dian, the original slave owner of Xin and Piao, having this awkwardly orange colored face, inhumanly puffy cheeks, stringy facial hair, and the ugliest facial expressions imaginable. After Xin joins up with Zheng, a girl in a bushy owl costume named He Liao Diao (Kanna Hasimoto) is mostly only around to take everyone to the mountains later. The chemistry Xin, Zheng, and Diao have is reminiscent of what Mugen, Jin, and Foo have in Samurai Champloo. Another observation is that Xin is basically Goku with Vegeta’s short-fuse temper; he lives to fight and eat, he’s dumber than a bag of rocks, and he can’t identify a woman when she’s standing directly in front of him.
Cheng Jiao’s go-to henchman, former general and current hitman for hire Zuo Ci (Tak Sakaguchi) may be the film’s coolest character. He doesn’t care about anybody, tells Xin that all dreams are BS, and is a part of what is arguably the best action sequence in the film. Meanwhile, General Wang Yi (Takao Ohsawa), the most renowned general in all of China and the guy with the status Xin plans on taking in the future, is a bit overrated. He mostly just parades his weird and pointy facial hair around and swings his giant sword as if it won’t remind us of Guts from Berserk.
All in all, Kingdom is a decent action adventure that just takes a while to really get going. The performances aren’t totally satisfying with Kento Yamazaki hamming it up on more than occasion and taking the brainless dolt with a huge mouth thing to uncomfortable levels. The story isn’t exactly hard to follow, but it does feel like it’s trying to be more convoluted than it needs to be. You don’t feel any sort of attachment to any of the characters and any sort of twist can be seen long before the reveal. Kingdom is just an okay way to spend two hours that is probably a justifiable rental on a day when you have nothing better to do, but is not worth paying full price to own.
Eilidh G Clark (177 KP) rated Optograms in Books
May 13, 2017
Great Collection
Stephen Watt is a poet and spoken word artist from Dumbarton. I stumbled upon his work by accident, and was drawn by his likeness in style to a favourite poet of mine, Raymond Carver. Delighted by what I had read, I preceded to watch some of his spoken word performances on You Tube. I was not disappointed. Watt’s poetry and indeed his spoken word delivery, is smart, punchy, intelligent and contemporary. I was delighted to be offered the opportunity to review his new poetry pamphlet Optograms, published by Wild Word press in 2016. Optograms is a wonderful representation of Watt’s finest work, and is a fresh new approach to Scottish poetry. The poet tackles some controversial topics such as prostitution, homelessness, and gender as well as delving into the more intimate topics such as miscarriage and Alzheimer’s. The imagery is his work is striking and each word and line carefully crafted, but it is the way in which the poems radiate emotion that make this work unique. The readers need look no further than the opening poem to get an understanding of the poet’s compassion and understanding of contemporary society. ‘Lipstick’ explores gender representation and discrimination,
I go to my room, wiping
the admirer’s lipstick clean
with tights beneath jeans
retrieved from a friend’s house,
and with the words
Big Girl’s Blouse
reverberating inside my head
This poem speaks volumes in so little words and the reader is forced to look inwardly at their own behaviour toward people who do not conform to the norm. Similarly, ‘Prayers to Aliens and Satellites’ is a raw and candid view of homelessness which digs deep into the readers conscience,
where bloodless, xylophonic fingers
sink into armpits –
petitioned hands closed to benefits
and the friendships of passersby.
Like the previous poem, ‘Prayers to Aliens and Satellites’ urges the reader to become more aware of the social problems in society. If these poems are not enough to capture the heart of the reader, Watt surprises us with his heart crushing honesty in poems such as ‘Clinics Lip’ – a grief stricken account of miscarriage,
A husband, once the acme of affection,
now lollygagging in the garden;
crossmaker in waiting
for the small plot earmarked for the hill’s crest.
My own personal favourite is ‘Trouble was Someone Else’s Kid’, a short account of childhood memories, like a fragment of memoir condensed into neatly arranged stanza’s. There is something funny yet tragic about this poem that brought to me both nostalgia and a desire to relive my own fading youth.
We moved in shadows, kept the lid
on, as if peanut butter sandwiches
had pasted our lips together.
Other neighbourhoods sizzled
with pyromaniacs and politics,
alcoholics who played tin whistles
when Di and Charles got hitched.
These are only a few of the delights that can be found in this little treasure of a pamphlet and I would urge poetry lovers as well as those who are new to poetry to seek out a copy of this work. With twenty-six wonderful poems Optograms, is undoubtedly one of the best collections of contemporary Scottish poetry that I have read.
To learn more about the Stephen Watt you can visit The Scottish Poetry Library, http://www.scottishpoetrylibrary.org.uk/poetry/poets/stephen-watt or like his Facebook page @StephenWattSpit. Optograms, can be purchased from stephenwattspit299@gmail.com or the publisher Marc Sherland marcsherland@me.com at Wild Word Press.
I go to my room, wiping
the admirer’s lipstick clean
with tights beneath jeans
retrieved from a friend’s house,
and with the words
Big Girl’s Blouse
reverberating inside my head
This poem speaks volumes in so little words and the reader is forced to look inwardly at their own behaviour toward people who do not conform to the norm. Similarly, ‘Prayers to Aliens and Satellites’ is a raw and candid view of homelessness which digs deep into the readers conscience,
where bloodless, xylophonic fingers
sink into armpits –
petitioned hands closed to benefits
and the friendships of passersby.
Like the previous poem, ‘Prayers to Aliens and Satellites’ urges the reader to become more aware of the social problems in society. If these poems are not enough to capture the heart of the reader, Watt surprises us with his heart crushing honesty in poems such as ‘Clinics Lip’ – a grief stricken account of miscarriage,
A husband, once the acme of affection,
now lollygagging in the garden;
crossmaker in waiting
for the small plot earmarked for the hill’s crest.
My own personal favourite is ‘Trouble was Someone Else’s Kid’, a short account of childhood memories, like a fragment of memoir condensed into neatly arranged stanza’s. There is something funny yet tragic about this poem that brought to me both nostalgia and a desire to relive my own fading youth.
We moved in shadows, kept the lid
on, as if peanut butter sandwiches
had pasted our lips together.
Other neighbourhoods sizzled
with pyromaniacs and politics,
alcoholics who played tin whistles
when Di and Charles got hitched.
These are only a few of the delights that can be found in this little treasure of a pamphlet and I would urge poetry lovers as well as those who are new to poetry to seek out a copy of this work. With twenty-six wonderful poems Optograms, is undoubtedly one of the best collections of contemporary Scottish poetry that I have read.
To learn more about the Stephen Watt you can visit The Scottish Poetry Library, http://www.scottishpoetrylibrary.org.uk/poetry/poets/stephen-watt or like his Facebook page @StephenWattSpit. Optograms, can be purchased from stephenwattspit299@gmail.com or the publisher Marc Sherland marcsherland@me.com at Wild Word Press.
BookwormMama14 (18 KP) rated The Ringmaster's Wife in Books
Jan 2, 2019
When that which that Lady Rosamund loves most is threatened to be taken away from her, she stepped on a train and changed the course of her life forever.
"You could never fit in, Rose. You were made to stand out."
The Ringmaster's Wife
(Location 1403)
With the family estate in financial difficulties, Lady Rosamund's father saw fit to sell that which was closest to her heart, Ingénue, her beautiful Arabian mare. Colin Keary set out to acquire the Arabian for the Ringling circus. Little did he know that he would find an incredible talent in the owner. Colin persuades Lady Rosamund to join them in America, to see Ingénue safely settled. With dreams as vast as the ocean, she agrees. Will Lady Rosamund give up a comfortable future for the thrills and magic of the circus, or will duty call her home in the end? Will she be able to put her trust in God to make her dreams come true? As the logical, organized "boss man", will Colin be able to protect Rose from the danger of the circus life? Open the pages of The Ringmaster's Wife and be transported back in time. Where prohibition is in full effect, the World's Fair of 1893 is beyond compare, and people everywhere flock to the Big Top to witness the wonders of the Ringling circus. All the while in the background you see Mable Ringling, the ringmaster's wife, with her gentle hand and kind words. A woman of strength and compassion. May her story live on...
Kristy Cambron has been a favorite of mine for some months now. But I have a confession, this is the first book of hers that I have read! I follow her blog, and I have never been so blessed! Kristy speaks truth with love and wisdom. Many times I am in tears before I even finish reading the post. So it is no surprise that the these elements can be found on the pages of The Ringmaster's Wife. I had very high expectations for this book, and Kristy did NOT disappoint! Her imagination and creativity completely blew me away! The depth of feeling and truth spoke volumes to my heart. Every page is filled with wonder and mystery. The emotions were so very real and intense. My heart pounded in rhythm with Rose's, my tears fell with Mable's and my anger rose with Colin's. All the time, with the message of trusting in our Heavenly Father to care for us and guide us through our journey. Halfway through, I was ready to run off with the circus myself! The story's timeline jumps back and forth quite a bit, but is easy to follow. The dates and locations are clearly marked. Kristy even used my hometown for one of the chapters! I was so tickled! She makes reference to Walt Disney and J.M. Barrie as well! Overall, I was thoroughly impressed and can not wait for The Illusionist's Apprentice, scheduled to release in March 2017. Thankfully, I have her other two books to read in the meantime, The Butterfly and the Violin and A Sparrow in Terezin. (I am already planning on reading this one again.) I would recommend this book to anyone who has ever had a dream and longs for a little adventure!
★★★★★ - "You have bewitched me, body and soul."
I received a free copy of The Ringmaster's Wife from Thomas Nelson through NetGalley in exchange for my honest review. All opinions expressed are mine alone.
"You could never fit in, Rose. You were made to stand out."
The Ringmaster's Wife
(Location 1403)
With the family estate in financial difficulties, Lady Rosamund's father saw fit to sell that which was closest to her heart, Ingénue, her beautiful Arabian mare. Colin Keary set out to acquire the Arabian for the Ringling circus. Little did he know that he would find an incredible talent in the owner. Colin persuades Lady Rosamund to join them in America, to see Ingénue safely settled. With dreams as vast as the ocean, she agrees. Will Lady Rosamund give up a comfortable future for the thrills and magic of the circus, or will duty call her home in the end? Will she be able to put her trust in God to make her dreams come true? As the logical, organized "boss man", will Colin be able to protect Rose from the danger of the circus life? Open the pages of The Ringmaster's Wife and be transported back in time. Where prohibition is in full effect, the World's Fair of 1893 is beyond compare, and people everywhere flock to the Big Top to witness the wonders of the Ringling circus. All the while in the background you see Mable Ringling, the ringmaster's wife, with her gentle hand and kind words. A woman of strength and compassion. May her story live on...
Kristy Cambron has been a favorite of mine for some months now. But I have a confession, this is the first book of hers that I have read! I follow her blog, and I have never been so blessed! Kristy speaks truth with love and wisdom. Many times I am in tears before I even finish reading the post. So it is no surprise that the these elements can be found on the pages of The Ringmaster's Wife. I had very high expectations for this book, and Kristy did NOT disappoint! Her imagination and creativity completely blew me away! The depth of feeling and truth spoke volumes to my heart. Every page is filled with wonder and mystery. The emotions were so very real and intense. My heart pounded in rhythm with Rose's, my tears fell with Mable's and my anger rose with Colin's. All the time, with the message of trusting in our Heavenly Father to care for us and guide us through our journey. Halfway through, I was ready to run off with the circus myself! The story's timeline jumps back and forth quite a bit, but is easy to follow. The dates and locations are clearly marked. Kristy even used my hometown for one of the chapters! I was so tickled! She makes reference to Walt Disney and J.M. Barrie as well! Overall, I was thoroughly impressed and can not wait for The Illusionist's Apprentice, scheduled to release in March 2017. Thankfully, I have her other two books to read in the meantime, The Butterfly and the Violin and A Sparrow in Terezin. (I am already planning on reading this one again.) I would recommend this book to anyone who has ever had a dream and longs for a little adventure!
★★★★★ - "You have bewitched me, body and soul."
I received a free copy of The Ringmaster's Wife from Thomas Nelson through NetGalley in exchange for my honest review. All opinions expressed are mine alone.
Hazel (1853 KP) rated Nineteen Minutes in Books
Dec 7, 2018
<i>Your son says the bullying was unbearable. But his revenge was murder. What would you do?
Nineteen Minutes</i> is perhaps Jodi Picoult’s most controversial novel, as well as one of the longest. Lots of things can happen in nineteen minutes including a school shooting resulting in the deaths of ten people. This is what happens at the beginning of this book, leaving hundreds of teachers and students emotionally scarred for the remainder of their lives. Picoult explores the reactions of a community who’s ideas of safety have been shattered, the grief of the victims and their families and, perhaps most importantly, the heartache of the parents of the shooter.
Seventeen-year-old Peter Houghton has had enough of the bullying that he has endured throughout his entire school life. He has no friends, is constantly miserable, possibly suicidal, and so, on a typical morning in March 2007 he decides permanently fix the situation, unthinking of the consequences. But why did he go to such extremes? What circumstances in his life led to firing a gun as the only solution?
As the evidence is gathered in the lead up to the court trial, many key characters question their own involvement in Peter’s life. Firstly there is Josie Cormier, a straight-A student who swapped her childhood friendship with Peter for popularity and her boyfriend Matt, a particularly aggressive bully. Secondly there is Alex Cormier, Josie’s mother, who destroyed her friendship with Peter’s mother after finding their five-year-old children playing with guns in the Houghton’s basement.
If Peter’s father had never owned a selection of hunting rifles, would Peter ever have thought of guns as a way out of his predicament? On the other hand, Lacy Houghton blames herself for not noticing how badly her son was suffering, not just at school, but at home as well, where he had to live up to the memory of his saint-like older brother who died in a car crash the previous year.
Naturally a tragic event such as this changes people, however not always in a negative way. Relationships begin to blossom as characters realize how close they were to losing the ones they love. Alex takes a step back from her demanding job to comfort Josie in the aftermath, thus feeling closer to her than she ever has done before. Alex, a single mother, also opens herself up to a romantic relationship, something she has had no time to seriously consider up until now.
All the while, Defense Attorney Jordan McAfee, who some readers may remember from <i>Salem Falls</i>, fights a losing battle to get Peter acquitted, by arguing and prying into Peter’s emotions to discover his reason for committing murder.
What I like about Picoult’s novels is that there is a lot more to it than a simple storyline. While the story plays out and plot twists happen, the reader is learning something new. In <i>Nineteen Minutes</i> Picoult provides insight into midwifery, psychology and economics – things that are not synonymous with the shootings.
Readers will constantly question whose side of the story they are on. Hundreds of people grow up being bullied and will understand how Peter was feeling; yet they would not pick up a gun. Likewise, by putting themselves in the shoes of the victims readers will think about how they would feel in the same situation. However would anyone be willing to admit that they made someone else’s life a living hell? There is no simple conclusion to <i>Nineteen Minutes</i>; someone will always lose. Nevertheless, Picoult’s fantastic writing skills provide an enthralling story of love and loss.
I cannot recommend this book to readers in general due to the nature of the themes found in the story. Gun crime and school shootings are sadly still an occurrence in the present time, particularly in America, therefore there are thousands of people who have been affected by such an event, whether directly or indirectly as part of a local community. Some readers may find <i>Nineteen Minutes</i> challenging and upsetting, which is why I am not going to encourage everyone to read this book. However, Picoult has excelled herself with this novel and it would be a shame for people not to read it. Fans will not be disappointed with her writing and will love all her characters, possibly even Peter!
Nineteen Minutes</i> is perhaps Jodi Picoult’s most controversial novel, as well as one of the longest. Lots of things can happen in nineteen minutes including a school shooting resulting in the deaths of ten people. This is what happens at the beginning of this book, leaving hundreds of teachers and students emotionally scarred for the remainder of their lives. Picoult explores the reactions of a community who’s ideas of safety have been shattered, the grief of the victims and their families and, perhaps most importantly, the heartache of the parents of the shooter.
Seventeen-year-old Peter Houghton has had enough of the bullying that he has endured throughout his entire school life. He has no friends, is constantly miserable, possibly suicidal, and so, on a typical morning in March 2007 he decides permanently fix the situation, unthinking of the consequences. But why did he go to such extremes? What circumstances in his life led to firing a gun as the only solution?
As the evidence is gathered in the lead up to the court trial, many key characters question their own involvement in Peter’s life. Firstly there is Josie Cormier, a straight-A student who swapped her childhood friendship with Peter for popularity and her boyfriend Matt, a particularly aggressive bully. Secondly there is Alex Cormier, Josie’s mother, who destroyed her friendship with Peter’s mother after finding their five-year-old children playing with guns in the Houghton’s basement.
If Peter’s father had never owned a selection of hunting rifles, would Peter ever have thought of guns as a way out of his predicament? On the other hand, Lacy Houghton blames herself for not noticing how badly her son was suffering, not just at school, but at home as well, where he had to live up to the memory of his saint-like older brother who died in a car crash the previous year.
Naturally a tragic event such as this changes people, however not always in a negative way. Relationships begin to blossom as characters realize how close they were to losing the ones they love. Alex takes a step back from her demanding job to comfort Josie in the aftermath, thus feeling closer to her than she ever has done before. Alex, a single mother, also opens herself up to a romantic relationship, something she has had no time to seriously consider up until now.
All the while, Defense Attorney Jordan McAfee, who some readers may remember from <i>Salem Falls</i>, fights a losing battle to get Peter acquitted, by arguing and prying into Peter’s emotions to discover his reason for committing murder.
What I like about Picoult’s novels is that there is a lot more to it than a simple storyline. While the story plays out and plot twists happen, the reader is learning something new. In <i>Nineteen Minutes</i> Picoult provides insight into midwifery, psychology and economics – things that are not synonymous with the shootings.
Readers will constantly question whose side of the story they are on. Hundreds of people grow up being bullied and will understand how Peter was feeling; yet they would not pick up a gun. Likewise, by putting themselves in the shoes of the victims readers will think about how they would feel in the same situation. However would anyone be willing to admit that they made someone else’s life a living hell? There is no simple conclusion to <i>Nineteen Minutes</i>; someone will always lose. Nevertheless, Picoult’s fantastic writing skills provide an enthralling story of love and loss.
I cannot recommend this book to readers in general due to the nature of the themes found in the story. Gun crime and school shootings are sadly still an occurrence in the present time, particularly in America, therefore there are thousands of people who have been affected by such an event, whether directly or indirectly as part of a local community. Some readers may find <i>Nineteen Minutes</i> challenging and upsetting, which is why I am not going to encourage everyone to read this book. However, Picoult has excelled herself with this novel and it would be a shame for people not to read it. Fans will not be disappointed with her writing and will love all her characters, possibly even Peter!