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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Tom Clancy's The Division in Video Games
Jun 19, 2019
As if pulled directly from the headlines Tom Clancy’s The Division is a chilling look at New York in the aftermath of a deadly pandemic. Dubbed the Dollar Flu, after tainted money was released during Black Friday, Manhattan is a desolated region populated by scavengers, roaming gangs; people just trying to survive. It is into this scenario that players take on the role of an agent of an elite government division known as “The Division”, their task is to help restore order, investigate the outbreak, and bring facilities and a sense of normality to a devastated area. Playing from a third person perspective and mixing elements of a RPG and shooter, The Division is an extremely ambitious and highly detailed project. Players are tasked with several main missions but also have the option to do side missions which help them gain resources in order to upgrade their base and equipment. Weapons and accessories can be bought, sold, or modified, and various skill options ranging from healing to combat options become available as well.
One of the great things about the game is the ability to join other players to complete your missions. At the start of a mission, players have the option to be matched up with other players but of course the difficulty will ramp up based on the number of players that are currently assigned. The level of difficulty can be extreme but the enjoyment rewards of successfully completing the mission of this magnitude are worth it.
There was a lot of complaining online from gamers about the delays that the game had coming to market and I would say that the time has definitely been well spent. It is a deeply immersive game that is very impressive to look at in terms of the detail that Ubisoft has put into re-creating the city. The enemies are diverse and challenging and the storyline is extremely engaging.
I am not a huge fan of micromanagement in terms of having to sort out my gear and tactful upgrades I’ve always been more in favor of finding and using an item rather than crafting and purchasing because I do not like to have to decide what is worth keeping and what is worth discarding or selling. The great thing is the game gives me the ability to play in my comfort zone but also step outside it and take some new paths to enhance my loadout.
There are unfortunately a few bugs in the game as I remember one early mission in a department store were encountering a flamethrower equipped enemy on a staircase I backed up and dispatched them with a volley from my assault rifle. My triumph was short-lived as I found that I become wedged between an ankle high box and a mannequin and that there was no way for me to get out of that predicament without ending the game and then reloading. I have not encountered any of the exploits that I read about being deployed online but I also avoid The Dark Zone more than other players as this is truly a lawless area were players run amok.
Ubisoft has said they plan to address the issues and they also have upcoming DLC which will expand upon the universe. For now The Division is a very impressive game in that it provides a fantastic an open world scenario filled with numerous challenges and a great level of visual detail. I found myself to of been drawn into the game and it is managed to maintain my interest ever since release and also has me thinking about the game and strategizing even when I’m not playing. Hopefully the necessary updates and features will continue to, so this game can reach its full potential.
http://sknr.net/2016/05/13/tom-clancys-division/
One of the great things about the game is the ability to join other players to complete your missions. At the start of a mission, players have the option to be matched up with other players but of course the difficulty will ramp up based on the number of players that are currently assigned. The level of difficulty can be extreme but the enjoyment rewards of successfully completing the mission of this magnitude are worth it.
There was a lot of complaining online from gamers about the delays that the game had coming to market and I would say that the time has definitely been well spent. It is a deeply immersive game that is very impressive to look at in terms of the detail that Ubisoft has put into re-creating the city. The enemies are diverse and challenging and the storyline is extremely engaging.
I am not a huge fan of micromanagement in terms of having to sort out my gear and tactful upgrades I’ve always been more in favor of finding and using an item rather than crafting and purchasing because I do not like to have to decide what is worth keeping and what is worth discarding or selling. The great thing is the game gives me the ability to play in my comfort zone but also step outside it and take some new paths to enhance my loadout.
There are unfortunately a few bugs in the game as I remember one early mission in a department store were encountering a flamethrower equipped enemy on a staircase I backed up and dispatched them with a volley from my assault rifle. My triumph was short-lived as I found that I become wedged between an ankle high box and a mannequin and that there was no way for me to get out of that predicament without ending the game and then reloading. I have not encountered any of the exploits that I read about being deployed online but I also avoid The Dark Zone more than other players as this is truly a lawless area were players run amok.
Ubisoft has said they plan to address the issues and they also have upcoming DLC which will expand upon the universe. For now The Division is a very impressive game in that it provides a fantastic an open world scenario filled with numerous challenges and a great level of visual detail. I found myself to of been drawn into the game and it is managed to maintain my interest ever since release and also has me thinking about the game and strategizing even when I’m not playing. Hopefully the necessary updates and features will continue to, so this game can reach its full potential.
http://sknr.net/2016/05/13/tom-clancys-division/
The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
Night Reader Reviews (683 KP) rated The Figment Wars: Through the Portals in Books
Jan 9, 2020
The Figment Wars: Through The Portals by David R. Lord is a book that I hope to see a sequel to in the coming years. In fact, the ending of the book suggests at least a sequel if not an entire series. I just wonder how such stories can continue without becoming too far fetched or simplified by the childrens stabilizes in this book, but without giving too much away I have to stop there.
Thomas and his little brother Isaac are visiting their cousin Emily at her house and they are not exactly having a good time. At Emilys house, the boys dont even have a TV to watch and they are extremely bored. Then one afternoon when Thomas goes to the woods behind the house to get Emily for lunch something amazing happens. The trees themselves bend and move, forming a portal that all three children fall into. The portal transports the children into the Realm of Imagination, a place where all the things humans imagine come to life.
https://nightreaderreviews.blogspot.com/2019/07/review-figment-wars-through-portals-by.html
https://www.austinmacauley.com/book/figment-wars-through-portals
Almost as soon as the children arrive they are attacked by Monsters but luckily they are saved by Heroes and are taken to the Library in the Impossible City. It is here that they meet Belactacus who believes that the children are Real and not just confused imaginary friends. Sadly the Council who is in charge of the portals that allow beings in the Realm of Imagination to go to the Realm of Reality is corrupted and the children are denied a portal back home. Shortly after this decision Monsters attack the Impossible City and even overwhelm the Heroes. Now the children must find a way to stop the corrupted council member from bringing all the Monsters from human imagination to life in the Realm of Reality, home of the humans.
What I liked best might not seem like much but for a story such as this one, it makes a big difference. I liked how not only was the idea of the Realm of Imagination a great concept but the creation of the Realm was well explained. Also, some of the main people in the Realm were explained to be the result of collective consciousness in humans such as the standard idea of a mother figure which was a very nice touch. What I didnt like was the budding relationship between Thomas and Emilys old imaginary friend. I actually thought it was a little creepy. At times I found myself hoping that she would be able to become real and then I thought that it would be way too much like Thomas having a relationship with his cousin.
This book falls solidly into the YA or young adult group of readers. I know this is a broad group ranging from middle school and older, but this book is actually really good and I saw nothing that would make in inappropriate for young readers. The only thing to be careful about is if an advanced reader in elementary school wanted to read this book. I dont know how well they would take to the idea that monsters such as the Boogeyman are real and just living in a different dimension so to speak. With all that being said I rate this book a 3 out of 4. Everything is extremely well thought out in this book. The idea of the Library and the collective consciousness of humans was amazing. The only reason why this book did not get a perfect rating is that I still felt like it was missing something that gave it that wonderful ability to really stand out, but few books have that.
Thomas and his little brother Isaac are visiting their cousin Emily at her house and they are not exactly having a good time. At Emilys house, the boys dont even have a TV to watch and they are extremely bored. Then one afternoon when Thomas goes to the woods behind the house to get Emily for lunch something amazing happens. The trees themselves bend and move, forming a portal that all three children fall into. The portal transports the children into the Realm of Imagination, a place where all the things humans imagine come to life.
https://nightreaderreviews.blogspot.com/2019/07/review-figment-wars-through-portals-by.html
https://www.austinmacauley.com/book/figment-wars-through-portals
Almost as soon as the children arrive they are attacked by Monsters but luckily they are saved by Heroes and are taken to the Library in the Impossible City. It is here that they meet Belactacus who believes that the children are Real and not just confused imaginary friends. Sadly the Council who is in charge of the portals that allow beings in the Realm of Imagination to go to the Realm of Reality is corrupted and the children are denied a portal back home. Shortly after this decision Monsters attack the Impossible City and even overwhelm the Heroes. Now the children must find a way to stop the corrupted council member from bringing all the Monsters from human imagination to life in the Realm of Reality, home of the humans.
What I liked best might not seem like much but for a story such as this one, it makes a big difference. I liked how not only was the idea of the Realm of Imagination a great concept but the creation of the Realm was well explained. Also, some of the main people in the Realm were explained to be the result of collective consciousness in humans such as the standard idea of a mother figure which was a very nice touch. What I didnt like was the budding relationship between Thomas and Emilys old imaginary friend. I actually thought it was a little creepy. At times I found myself hoping that she would be able to become real and then I thought that it would be way too much like Thomas having a relationship with his cousin.
This book falls solidly into the YA or young adult group of readers. I know this is a broad group ranging from middle school and older, but this book is actually really good and I saw nothing that would make in inappropriate for young readers. The only thing to be careful about is if an advanced reader in elementary school wanted to read this book. I dont know how well they would take to the idea that monsters such as the Boogeyman are real and just living in a different dimension so to speak. With all that being said I rate this book a 3 out of 4. Everything is extremely well thought out in this book. The idea of the Library and the collective consciousness of humans was amazing. The only reason why this book did not get a perfect rating is that I still felt like it was missing something that gave it that wonderful ability to really stand out, but few books have that.
Learn Chinese (Mandarin) by MindSnacks
Education and Games
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*** One of the best educational apps of the year - Apple (iTunes Rewind) *** Now you can learn...
Hadley (567 KP) rated Stumbling Stoned (The Patchwork Prince #1) in Books
Oct 22, 2020
Dark humor (1 more)
Fast paced
When I realized that Wyck's Stumbling Stoned was like Memento meets a season of Fargo, I was all in. A book about a mental patient with amnesia that has supernatural powers? Yes, please!
I was completely blown away by the twists and turns in this story, and even more so by how well it all fit together. But if you find dark humor distasteful, you won't like this book very much. I found myself giggling at things I probably shouldn't have, but these things made it all the better.
Our main character is an amnesiac mental patient known as John Doe, and the entire story is told from his point-of-view. He escapes from the hospital soon after the start of the story with one of the psychiatrists in-tow. We find that Doe has tied up the former in a bathtub while an older man is tied up to a toilet. The man is unknown to the two, and apparently has jet black eyes that make him seem inhuman. And Doe seems to have eaten a fellow patient's finger and upchucked it in the sink- - - something that surprisingly disgusts him - - - and leads him to a drawing on the mirror above, something Doe drew before blacking out.
Doe, after realizing he kidnapped the psychiatrist, quickly lets her go, and goes off on his own with no idea who he is or where he's going. Just when the reader suspects that Doe might find out who he is, he is suddenly swept up into a human trafficking business and mafia dealings he had no idea existed. And because of this, after being drugged by a mafioso, Doe realizes that he has supernatural powers whenever he is hopped-up on drugs.
When Doe makes an escape from the dirty warehouse where young girls are held as sex slaves, he helps these girls by breaking their chains with his bare hands. Not only does he co-lead their escape, but he also ends up saving the daughter of a well-known Mafia boss. However, this leads to Doe being stuck in the middle of a family feud, and he is almost killed by this very same family for knowing just a little too much. And this isn't even half of the story!
Later on, Doe ends up in the hands of a witch, but he realizes quite quickly that she's not the one to fear, but rather who she is working for - - - a man named Zabat- - - who she is delivering our character to. Somehow, Zabat knows exactly who Doe is and why he has supernatural powers, but he refuses to tell him unless Doe helps him first. Doe refuses and, instead, throws himself out of a high rise window. From here, Doe begins to piece some of his life together, but Zabat causes a couple of problems that ends up revealing to the reader that Doe is not human and that the supernatural powers are not a figment of his imagination.
Now, the story is so fast-paced and borders on ridiculous at some points, yet it all fits together quite well; I personally can't think of another way this story could have been told, but that didn't make the book flawless. Stumbling Stoned had some bad writing techniques in it, but not enough that I think readers would put it down.
I can only recommend this book to people who like dark humor, but as far as horror - - - this isn't that type of book. Stumbling Stoned takes readers on a thrill ride through the seedier side of life. I personally believe this is a good book to read to get away from the daily stressors of life. I truly hope that Wyck decides to write a sequel!
I was completely blown away by the twists and turns in this story, and even more so by how well it all fit together. But if you find dark humor distasteful, you won't like this book very much. I found myself giggling at things I probably shouldn't have, but these things made it all the better.
Our main character is an amnesiac mental patient known as John Doe, and the entire story is told from his point-of-view. He escapes from the hospital soon after the start of the story with one of the psychiatrists in-tow. We find that Doe has tied up the former in a bathtub while an older man is tied up to a toilet. The man is unknown to the two, and apparently has jet black eyes that make him seem inhuman. And Doe seems to have eaten a fellow patient's finger and upchucked it in the sink- - - something that surprisingly disgusts him - - - and leads him to a drawing on the mirror above, something Doe drew before blacking out.
Doe, after realizing he kidnapped the psychiatrist, quickly lets her go, and goes off on his own with no idea who he is or where he's going. Just when the reader suspects that Doe might find out who he is, he is suddenly swept up into a human trafficking business and mafia dealings he had no idea existed. And because of this, after being drugged by a mafioso, Doe realizes that he has supernatural powers whenever he is hopped-up on drugs.
When Doe makes an escape from the dirty warehouse where young girls are held as sex slaves, he helps these girls by breaking their chains with his bare hands. Not only does he co-lead their escape, but he also ends up saving the daughter of a well-known Mafia boss. However, this leads to Doe being stuck in the middle of a family feud, and he is almost killed by this very same family for knowing just a little too much. And this isn't even half of the story!
Later on, Doe ends up in the hands of a witch, but he realizes quite quickly that she's not the one to fear, but rather who she is working for - - - a man named Zabat- - - who she is delivering our character to. Somehow, Zabat knows exactly who Doe is and why he has supernatural powers, but he refuses to tell him unless Doe helps him first. Doe refuses and, instead, throws himself out of a high rise window. From here, Doe begins to piece some of his life together, but Zabat causes a couple of problems that ends up revealing to the reader that Doe is not human and that the supernatural powers are not a figment of his imagination.
Now, the story is so fast-paced and borders on ridiculous at some points, yet it all fits together quite well; I personally can't think of another way this story could have been told, but that didn't make the book flawless. Stumbling Stoned had some bad writing techniques in it, but not enough that I think readers would put it down.
I can only recommend this book to people who like dark humor, but as far as horror - - - this isn't that type of book. Stumbling Stoned takes readers on a thrill ride through the seedier side of life. I personally believe this is a good book to read to get away from the daily stressors of life. I truly hope that Wyck decides to write a sequel!
Emma @ The Movies (1786 KP) rated The Amazing Spider-Man in Apps
Sep 25, 2019
The Amazing Spider-man, starring Andrew Garfield, came out 10 years after Maguire's ill-fated first attempt, on 3rd July 2012. Co-starring some greats, including Emma Stone, Rhys Ifans, Martin Sheen and Sally Fields. You might as well read the last summary for this one too, but add in the fact that he's out to solve his parents' mysterious death.
Peter is less nerd, more loser this time around. And generally he comes across as a bit more sad than before. But you'd expect that as we started the movie with a sad farewell. He has a bit of a "moment" with his dad's old briefcase to push that fact home a bit more.
No field trip for this Peter, instead he gatecrashes an intern enrolment to get a nosy at what might have to do with his parent's past. We learn lessons from this film too... in this one it is super easy to break into what must be highly classified labs.
Peter's transformation happens a lot quicker in this one, much to the trauma of everyone in the subway carriage with him. His little morning rampage gives me visions of Wolverine destroying the sink in X-men Origins: Wolverine... and now I come to think of it, doesn't Cyclops have a meltdown with his powers in a bathroom? What can we learn about this? Superpowers make you hate bathroom fixtures.
Did anyone else notice the guy who runs Jurassic World? Is he trying to pick up tips on how to super charge those dinosaurs? And while we're talking about mystery appearances, I'm torn about Spidey helping The Reaper rescue his son.
Honestly, my favourite line has to be... "Yeah, nobody likes your meatloaf." Sheen and Fields reacting to each other is just priceless.
Uncle Ben dying in this one is a lot more dramatic and sets Peter off on a bit of a crusade that leads to some better green screened wall walking. And some handy falling through a roof into a wrestling arena, gives him an idea for his costume, and we see a montage of him honing his skills and tech... we're a little bit past shooting some white gunk out of our wrists at this point. I like that he points out everything is spandex, yes Parker, there should be other options.
After the big costume reveal I feel like the film drags a bit. It's good, and I enjoy it, but I feel like there's a lot of film for not a lot of plot... does that make sense? Possibly not, but I know what I mean, so it's all good.
Just goes to show you how much I was paying attention in the last one. I missed Stan Lee's cameo. This one was much better, listening to music in his library while it gets destroyed in a fight behind him. Stan Lee, I love you. Genuine hearts all around.
The crane moving scene is, well, a little bit moving. One good deed deserves another, and let's fly a flag in the background for added effect.
We started sad, we end sad. I definitely prefer this film to Spider-man. It isn't without its own flaws though. While Spider-man was just over two hours, it didn't feel like that's how long you were watching for. The Amazing Spider-man felt like 2 hours 16 minutes of screen time. But the ending... she's angry at him, and then he whispers to her, and she gives that little smile, and as she dips her head he knows she's going to forgive him. And we're left with a spark of joy.
Peter is less nerd, more loser this time around. And generally he comes across as a bit more sad than before. But you'd expect that as we started the movie with a sad farewell. He has a bit of a "moment" with his dad's old briefcase to push that fact home a bit more.
No field trip for this Peter, instead he gatecrashes an intern enrolment to get a nosy at what might have to do with his parent's past. We learn lessons from this film too... in this one it is super easy to break into what must be highly classified labs.
Peter's transformation happens a lot quicker in this one, much to the trauma of everyone in the subway carriage with him. His little morning rampage gives me visions of Wolverine destroying the sink in X-men Origins: Wolverine... and now I come to think of it, doesn't Cyclops have a meltdown with his powers in a bathroom? What can we learn about this? Superpowers make you hate bathroom fixtures.
Did anyone else notice the guy who runs Jurassic World? Is he trying to pick up tips on how to super charge those dinosaurs? And while we're talking about mystery appearances, I'm torn about Spidey helping The Reaper rescue his son.
Honestly, my favourite line has to be... "Yeah, nobody likes your meatloaf." Sheen and Fields reacting to each other is just priceless.
Uncle Ben dying in this one is a lot more dramatic and sets Peter off on a bit of a crusade that leads to some better green screened wall walking. And some handy falling through a roof into a wrestling arena, gives him an idea for his costume, and we see a montage of him honing his skills and tech... we're a little bit past shooting some white gunk out of our wrists at this point. I like that he points out everything is spandex, yes Parker, there should be other options.
After the big costume reveal I feel like the film drags a bit. It's good, and I enjoy it, but I feel like there's a lot of film for not a lot of plot... does that make sense? Possibly not, but I know what I mean, so it's all good.
Just goes to show you how much I was paying attention in the last one. I missed Stan Lee's cameo. This one was much better, listening to music in his library while it gets destroyed in a fight behind him. Stan Lee, I love you. Genuine hearts all around.
The crane moving scene is, well, a little bit moving. One good deed deserves another, and let's fly a flag in the background for added effect.
We started sad, we end sad. I definitely prefer this film to Spider-man. It isn't without its own flaws though. While Spider-man was just over two hours, it didn't feel like that's how long you were watching for. The Amazing Spider-man felt like 2 hours 16 minutes of screen time. But the ending... she's angry at him, and then he whispers to her, and she gives that little smile, and as she dips her head he knows she's going to forgive him. And we're left with a spark of joy.
Hello Next! Forget your ex.
Entertainment and Lifestyle
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Just broke up? Haven’t seen your ex for a while but your heart is still broken with no one there...
Bob Mann (459 KP) rated Lady Bird (2017) in Movies
Sep 29, 2021
“What if this is the best version”.
When did you grow up? I am now 57, and I’m still “working towards”! I remember distinctly though at the age of 16 thinking “I’ve got there”. And then again at 18. And then again at 21. And then again at 25…. There is something sweet about the certainty of youth that only life’s ultimate experiences can roughen the edges of.
“Lady Bird”, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really can’t pull off in “I, Tonya”) Saoirse Ronan plays Christine McPherson who has the given name (“I gave the name to myself”) of ‘Lady Bird’. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read ‘perfectly reasonably but firm’) mother (Laurie Metcalf, “Roseanne”); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (“the mid-west of California” – LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, “Three Billboards Outside Ebbing, Missouri”, “Manchester By The Sea”) and the aloof and enigmatic Kyle (Timothée Chalamet, “Call Me By Your Name”).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (“The Post“) is magnificent in the less showy role as the “good cop” dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her money… a drive away from an airport conveys just perfectly every college-age parent’s emotional low-point.
Where perhaps the film overplays its hand a bit is in the “wrong side of the tracks” line. The household while struggling is by no means trailer-park poor (compare and contrast with “I, Tonya”): perhaps this is the depths of financial desperation found in Sacremento? But I doubt it… there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in “Playgirl” (I want to say “it’s a penis, get over it”, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with “Phantom Thread” – here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales I’ve ever seen. On the basis that it looks like I will never get to see “Call Me By Your Name” – the only major one I’ve missed – before this Sunday’s Oscar ceremony, what a great way to round off my Oscar-viewing season.
“Lady Bird”, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really can’t pull off in “I, Tonya”) Saoirse Ronan plays Christine McPherson who has the given name (“I gave the name to myself”) of ‘Lady Bird’. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read ‘perfectly reasonably but firm’) mother (Laurie Metcalf, “Roseanne”); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (“the mid-west of California” – LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, “Three Billboards Outside Ebbing, Missouri”, “Manchester By The Sea”) and the aloof and enigmatic Kyle (Timothée Chalamet, “Call Me By Your Name”).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (“The Post“) is magnificent in the less showy role as the “good cop” dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her money… a drive away from an airport conveys just perfectly every college-age parent’s emotional low-point.
Where perhaps the film overplays its hand a bit is in the “wrong side of the tracks” line. The household while struggling is by no means trailer-park poor (compare and contrast with “I, Tonya”): perhaps this is the depths of financial desperation found in Sacremento? But I doubt it… there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in “Playgirl” (I want to say “it’s a penis, get over it”, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with “Phantom Thread” – here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales I’ve ever seen. On the basis that it looks like I will never get to see “Call Me By Your Name” – the only major one I’ve missed – before this Sunday’s Oscar ceremony, what a great way to round off my Oscar-viewing season.
Goddess in the Stacks (553 KP) rated The Girl in The Tower: The Winternight Trilogy in Books
Mar 22, 2018
The Girl in the Tower is the second in the Winternight Trilogy, after the acclaimed debut novel, The Bear and the Nightingale. It's always hard to talk about sequels without giving too much away about the preceding books, so forgive me if I'm vague. One advantage to waiting so long to read The Bear and the Nightingale was that I got to jump straight into the sequel! Now I have to several months for the third.
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Carma (21 KP) rated Just Right (Just Everyday Heroes: Day Shift, #1) in Books
Jun 17, 2019
Just Right is the first book in the Bradford series by Erin Nicholas. Nurse Jessica Bradford has loved looking at Dr Ben Torres these past 6 months in the ER Department. Tonights tragedy has them all on edge, when Ben enters the ER and strikes a patient, Jessica doesnt know how to help him. It becomes her duty to keep an eye on him during his suspension and keep him on the straight and narrow to be able to return to the ER Department. She doesnt count on falling for him quite so easily and quickly.
Dr Ben Torres is having a hell of a night in the ER. Hes lost 2 young patients and their mother is looking to be next all because a guy he put back together on the operating table a few months back decided to drink and drive. He cant stand by anymore while people take advantage of each other anymore. Why doesnt anyone appreciate the life they are living any longer? When he sees that patient put his hands on Jessica he loses control. He has kept his distance from Jessica for 6 months, he has to keep his eyes off the prize, but he wont stand by while someone hurts her. He has tossed around the idea of quitting for a while and this tips the scale big time.
When both Jessicas brother Sam and boss Russ ask her to keep an eye on Ben until he can return to the ER she does so eagerly. She grows closer to him while he tags along with her in everyday life. He helps her at her familys youth center, she helps him at his new barrista job. Their adventures together have quite a few funny situations and of course the secondary characters help the humor move along.
Ben and Jessica both have tragedy in their pasts, both have a self doubt they are working to erase from their beings. Even though they think theyve taken different roads to end up where they are now, they are actually quite similar.
I read this authors Counting on Love series first, which is a spin off of this series, so I was already pretty familiar with all the main and secondary characters in this book. Erin Nicholas is a wonderful writer with a style I love to follow along with. I have no idea how I ended up reading her first to me novel but I am so glad I did. Now on to the next Bradford book ..
Dr Ben Torres is having a hell of a night in the ER. Hes lost 2 young patients and their mother is looking to be next all because a guy he put back together on the operating table a few months back decided to drink and drive. He cant stand by anymore while people take advantage of each other anymore. Why doesnt anyone appreciate the life they are living any longer? When he sees that patient put his hands on Jessica he loses control. He has kept his distance from Jessica for 6 months, he has to keep his eyes off the prize, but he wont stand by while someone hurts her. He has tossed around the idea of quitting for a while and this tips the scale big time.
When both Jessicas brother Sam and boss Russ ask her to keep an eye on Ben until he can return to the ER she does so eagerly. She grows closer to him while he tags along with her in everyday life. He helps her at her familys youth center, she helps him at his new barrista job. Their adventures together have quite a few funny situations and of course the secondary characters help the humor move along.
Ben and Jessica both have tragedy in their pasts, both have a self doubt they are working to erase from their beings. Even though they think theyve taken different roads to end up where they are now, they are actually quite similar.
I read this authors Counting on Love series first, which is a spin off of this series, so I was already pretty familiar with all the main and secondary characters in this book. Erin Nicholas is a wonderful writer with a style I love to follow along with. I have no idea how I ended up reading her first to me novel but I am so glad I did. Now on to the next Bradford book ..