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Gareth von Kallenbach (980 KP) rated The Last Witch Hunter (2015) in Movies
Jun 19, 2019
Over 800 years ago, a group of warriors and Clergy set off on a journey to destroy a witch and her minions in her lair. The witch had unleashed a plague upon the human race and she was determined to wipe them from the face of the planet.
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
Gareth von Kallenbach (980 KP) rated Crimson Peak (2015) in Movies
Jun 19, 2019
For Writer/Director Guillermo del Toro horror and the supernatural go hand in hand with much of his work. From Pan’s Labyrinth” to The Strain, and “Hellboy” his unique mix of visuals and compelling characters have made him a darling of the genre.
In his new film “Crimson Peak”, the setting is the cold locales of Buffalo New York and Rural England during the late 1800s, and one where the weather both cold and wet play important parts in the look and plot of the film.
For Edith Cushing (Mia Wasikowska), life is exciting as despite the loss of her mother, her wealthy and supportive father has arranged for her to see her potentially see her stories published. As an avid writer, Edith holds that she has seen the ghost of her mother a secret and uses this as central themes of her writing.
Naturally this does not go well with the times, and she is urged to focus on romantic stories instead. Undaunted, Edith soldiers on unaware that her sheltered and privileged world is going to be upended by the arrival of the dashing Thomas (Tom Hiddleston), and his sister Lucille (Jessica Chastain), who have come to America to secure funding for their business ventures.
Tom came from a wealthy background and has fallen on hard times which have forced him to look for backers abroad. Edith’s father takes a disliking to him and even more so when he begins to court his daughter.
When her father pays off Thomas to leave when parts of his past are uncovered, things become complicated when Edith’s father is brutally killed and it is passed off as an accident. Grief stricken Edith marries Thomas and relocates to his home in England with Lucille to await her inheritance.
Of course things are not as they seem, and the home in which she lives is filled with dark secrets and Edith must find a way to survive the nightmare to which she has become a part of.
The film has some great visuals and a strong cast, but does tend to plod along. It is less of a horror story and more of a drama as the Supernatural element is there mainly to support aspects of the story rather than be the driving point.
My biggest issue with the film aside from pacing was that I was able to figure out where the story was going, twists and all within the first 30 minutes so there were no real surprises for me as it unfolded.
That being said, it was a pleasant enough diversion, I just do not think it will deliver the thrills and chills that audiences are expecting as it is more of a turn of the century drama than a horror film.
http://sknr.net/2015/10/14/crimson-peak/
In his new film “Crimson Peak”, the setting is the cold locales of Buffalo New York and Rural England during the late 1800s, and one where the weather both cold and wet play important parts in the look and plot of the film.
For Edith Cushing (Mia Wasikowska), life is exciting as despite the loss of her mother, her wealthy and supportive father has arranged for her to see her potentially see her stories published. As an avid writer, Edith holds that she has seen the ghost of her mother a secret and uses this as central themes of her writing.
Naturally this does not go well with the times, and she is urged to focus on romantic stories instead. Undaunted, Edith soldiers on unaware that her sheltered and privileged world is going to be upended by the arrival of the dashing Thomas (Tom Hiddleston), and his sister Lucille (Jessica Chastain), who have come to America to secure funding for their business ventures.
Tom came from a wealthy background and has fallen on hard times which have forced him to look for backers abroad. Edith’s father takes a disliking to him and even more so when he begins to court his daughter.
When her father pays off Thomas to leave when parts of his past are uncovered, things become complicated when Edith’s father is brutally killed and it is passed off as an accident. Grief stricken Edith marries Thomas and relocates to his home in England with Lucille to await her inheritance.
Of course things are not as they seem, and the home in which she lives is filled with dark secrets and Edith must find a way to survive the nightmare to which she has become a part of.
The film has some great visuals and a strong cast, but does tend to plod along. It is less of a horror story and more of a drama as the Supernatural element is there mainly to support aspects of the story rather than be the driving point.
My biggest issue with the film aside from pacing was that I was able to figure out where the story was going, twists and all within the first 30 minutes so there were no real surprises for me as it unfolded.
That being said, it was a pleasant enough diversion, I just do not think it will deliver the thrills and chills that audiences are expecting as it is more of a turn of the century drama than a horror film.
http://sknr.net/2015/10/14/crimson-peak/
James P. Sumner (65 KP) rated Yesterday (2019) in Movies
Jul 18, 2019
The best British film in years!
Despite not really being a fan of The Beatles or their music, when I first saw the trailer for this at the start of the year, I was genuinely intrigued by the concept. An aspiring musician (and huge Beatles fan) is hit by a bus during an inexplicable global blackout, only to wake up to a world in which The Beatles seemingly never existed. As the only one who remembers their songs, he releases them as his own and conquers the music world.
The trailer did a good job of letting you know what to expect without giving too much away, believe it or not. There are a few twists and turns along the way, which were a nice surprise. Ultimately, this IS a British rom-com underneath it all, and the final third is as predictable as every other film in the genre.
Yet this film oozes charm and whimsicality, and sets itself apart from everything that's come before it. Say what you want about Love Actually, but for me, that was the last British film to really make a splash on this level - which was 16 years ago!
The script is amazing. No scene feels unnecessary. No dialogue feels pointless. Richard Curtis, yet again, proves he's a true master of his craft. The lead roles are perfectly cast. Lily James, in particular, puts in another great performance, showing she's worthy of more heavyweight roles (although she's definitely found her niche in this type of film).
What I really loved about this film was how thought-provoking it was. Relative newcomer, Himesh Patel's portrayal of Jack Malek is spot-on, playing with your own emotions and morals, forcing you to ask yourself if you could remain as grounded and humble as he did if something like this happened to you. Despite being over the top at times, it all felt surprisingly real. I can imagine this is exactly how it would play out if something like this were to happen to someone - the media frenzy, the explosion of popularity online, the whirlwind of life-changing moments...
The film is about big moments in your life, and what you choose to do with them when they happen. It's about chasing your dreams and what you would do if you caught them. It's about how to follow your heart when it wants two things at once. I left the cinema smiling, but also genuinely thinking about my entire outlook on life.
Danny Boyle has done an excellent job with this film, and it deserves to go down as one of the best British films in recent years. Whether you're a fan of the music or not, this should not be missed. Near perfect!
The trailer did a good job of letting you know what to expect without giving too much away, believe it or not. There are a few twists and turns along the way, which were a nice surprise. Ultimately, this IS a British rom-com underneath it all, and the final third is as predictable as every other film in the genre.
Yet this film oozes charm and whimsicality, and sets itself apart from everything that's come before it. Say what you want about Love Actually, but for me, that was the last British film to really make a splash on this level - which was 16 years ago!
The script is amazing. No scene feels unnecessary. No dialogue feels pointless. Richard Curtis, yet again, proves he's a true master of his craft. The lead roles are perfectly cast. Lily James, in particular, puts in another great performance, showing she's worthy of more heavyweight roles (although she's definitely found her niche in this type of film).
What I really loved about this film was how thought-provoking it was. Relative newcomer, Himesh Patel's portrayal of Jack Malek is spot-on, playing with your own emotions and morals, forcing you to ask yourself if you could remain as grounded and humble as he did if something like this happened to you. Despite being over the top at times, it all felt surprisingly real. I can imagine this is exactly how it would play out if something like this were to happen to someone - the media frenzy, the explosion of popularity online, the whirlwind of life-changing moments...
The film is about big moments in your life, and what you choose to do with them when they happen. It's about chasing your dreams and what you would do if you caught them. It's about how to follow your heart when it wants two things at once. I left the cinema smiling, but also genuinely thinking about my entire outlook on life.
Danny Boyle has done an excellent job with this film, and it deserves to go down as one of the best British films in recent years. Whether you're a fan of the music or not, this should not be missed. Near perfect!
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