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Sarah (7800 KP) rated The Departed (2006) in Movies
Feb 20, 2021
The best gangster flick made to date
Film #15 on the 100 Movies List: The Departed
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
TravelersWife4Life (31 KP) rated Dust (Heirs of Neverland, #1) in Books
Feb 24, 2021
<a href="https://travelingwife4life.wordpress.com/2020/08/05/the-dust-celebrate-lit/">Travelers Wife 4 Life</a>
Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!
<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>
The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.
<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>
The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!
I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!
<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>
I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!
<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>
The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.
<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>
The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!
I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!
<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>
I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Jesters_folly (230 KP) rated TRON (1982) in Movies
Nov 17, 2020
Before Player One, before Ralph and Neo and even before the Lawnmower Man there was Tron. Tron covers a lot of ground, some of which was quite advanced for a film from 1983, we have hackers, corporate espionage, teleportation experiments, A.I. and what we would now call Cyberspace.
Basically Ed Dillinger is the boss of an evil corporation, Encom, (yes IT corporations were evil as far back as the 1980s) who got to where he was by stealing the programs of five arcade games from Flynn. Ed is being blackmailed by the 'Master Control Program' or 'MCP' for short, a rouge A.I. that believes it can rule the world better than humans.
Alan works at Encom and is trying to create a Data monitoring program called Tron. Alan is also dating Flynn's ex, Lora who also works at Encom, in a department that is developing a way of digitising mater and transporting it down a laser beam to a new destination. The three team up to help Flynn find the proof of the theft but the MCP digitises Flynn who finds himself used as a gladiator in the program. When Flynn meets the Tron program they team up to bring the MCP down.
First off the whole thing could have been stopped if Encom had proper health and safety, the computer that Flynn was using was the same one that operated the digitising laser and the laser was set up right behind the screen with barriers or other safety measures.
Ok in all seriousness the concepts in Tron were quite advanced, baring in mind that this was out in 1983, a time when home P.C.s were just beginning to become popular and the internet wasn't really around (there were networked computers but really only in offices) Tron brought us a concept of Cyberspace (although it wasn't called that in the film), a world where the computer programs live and the games are real. Not only that but everything is linked together, there weren't any networked games back then any you had to go to an arcade to play most of the games that existed.
By todays standards the Cyberspace world wouldn't feel right. It is a lineal landscape with fractural crystals coloured in greys, red and blues, a far cry from Wreck-it Ralph's advert filled, brightly coloured internet. Again this is due to when it was made, no internet, no advertising and, of course the computers of the time had slightly less memory than the ones today, with the ZX81 being released that year with a massive 16 or 48 Kb of memory, yes kiddies that's Kilo-bites, not even one meg so the games that were available were quite basic (compared to what we have today) an, of course, outside of an arcade those games would have been stored on floppy disk or cassette tape.
The action in Tron is muted, mainly kept to bike crashes and people throwing Frisbees at each other but this is because Tron is; 1) a kids film and 2) a Disney film. The muted action doesn't take away from the film though, it's still an enjoyable adventure film whose influence can be seen even now with films like Wreck-it Ralph.
For a film that is mostly early 80's CGI (or even just early CGI) Tron hasn't aged too badly and the story could easily have been written now, especially with the recent advent of LitRGP books and 'Isekai' anime such as 'Sword Art Online'.
Basically Ed Dillinger is the boss of an evil corporation, Encom, (yes IT corporations were evil as far back as the 1980s) who got to where he was by stealing the programs of five arcade games from Flynn. Ed is being blackmailed by the 'Master Control Program' or 'MCP' for short, a rouge A.I. that believes it can rule the world better than humans.
Alan works at Encom and is trying to create a Data monitoring program called Tron. Alan is also dating Flynn's ex, Lora who also works at Encom, in a department that is developing a way of digitising mater and transporting it down a laser beam to a new destination. The three team up to help Flynn find the proof of the theft but the MCP digitises Flynn who finds himself used as a gladiator in the program. When Flynn meets the Tron program they team up to bring the MCP down.
First off the whole thing could have been stopped if Encom had proper health and safety, the computer that Flynn was using was the same one that operated the digitising laser and the laser was set up right behind the screen with barriers or other safety measures.
Ok in all seriousness the concepts in Tron were quite advanced, baring in mind that this was out in 1983, a time when home P.C.s were just beginning to become popular and the internet wasn't really around (there were networked computers but really only in offices) Tron brought us a concept of Cyberspace (although it wasn't called that in the film), a world where the computer programs live and the games are real. Not only that but everything is linked together, there weren't any networked games back then any you had to go to an arcade to play most of the games that existed.
By todays standards the Cyberspace world wouldn't feel right. It is a lineal landscape with fractural crystals coloured in greys, red and blues, a far cry from Wreck-it Ralph's advert filled, brightly coloured internet. Again this is due to when it was made, no internet, no advertising and, of course the computers of the time had slightly less memory than the ones today, with the ZX81 being released that year with a massive 16 or 48 Kb of memory, yes kiddies that's Kilo-bites, not even one meg so the games that were available were quite basic (compared to what we have today) an, of course, outside of an arcade those games would have been stored on floppy disk or cassette tape.
The action in Tron is muted, mainly kept to bike crashes and people throwing Frisbees at each other but this is because Tron is; 1) a kids film and 2) a Disney film. The muted action doesn't take away from the film though, it's still an enjoyable adventure film whose influence can be seen even now with films like Wreck-it Ralph.
For a film that is mostly early 80's CGI (or even just early CGI) Tron hasn't aged too badly and the story could easily have been written now, especially with the recent advent of LitRGP books and 'Isekai' anime such as 'Sword Art Online'.
Bob Mann (459 KP) rated In the Heights (2021) in Movies
Jun 21, 2021
Music and lyrics are fantastic (1 more)
Choreography
Lin-Manuel Miranda's high octane musical hits the heights.
"In the Heights" follows the hopes and dreams of a group of ordinary but ambitious Latinx youngsters, living their lives as best they can in the poor neighbourhood of Washington Heights in New York. They all have their own 'El Sueñito' - a little dream - of what they want to achieve.
Positives:
- A "proper" musical, with a large percentage of high-octane song and dance numbers.
-As with "Hamilton", "In the Heights" features some truly clever rap-style lyrics - lyrics so clever that you gasp at the way in which they trip off the singer's tongue. At one point, Carla (Stephanie Beatriz) sings "My mom is Dominican-Cuban, My dad is from Chile and P. R., which means: I'm Chile-...Dominica-Rican! But I always say I'm from Queens!". Glorious stuff.
- The dancing is stupendous. The choreography team is led by Christopher Scott, and he joyfully brings back the large set piece dances that we used to see in movies of old. The Esther Williams style swimming routines even make a spectacular return in a glorious Lido sequence (although I could have personally done without the dislocating contortionist dancers here!).
- The four young people taking the leads are all extremely personable (as well as being very good looking). Anthony Ramos in particular shows real star quality, those mesmeric eyes holding your attention for every moment he's on screen. You get the feeling that Lin-Manuel Miranda (whose superfluous minor role could have usefully ended up on the cutting room floor) was itching to play the lead but was just "too old man"!
- It was also great to see a range of roles for older women as well, with the dramatic sequence with Olga Merediz, the neighbourhood saint and guardian Claudia, being a highpoint in the movie for me.
Negatives:
- When you step back and analyse it, the story is pretty slight. You are distracted from this by all the razzle-dazzle going on, but having a bit more meat on the bone would have been welcome. This is particularly the case, since....
- At 143 minutes, I have to say that the movie outstayed its welcome for me by about 20 or 30 minutes. If the movie had been tightened up a bit and shortened, it would I think have been much improved.
Summary Thoughts on "In the Heights": This is a musical for those people who say "They don't make musicals like that anymore". High octane and full of noise and colour, its a spectacular that doesn't disappoint. The quirkiness of "Crazy Rich Asians" (which Jon M. Chu also directed) is on full display in some of the sequences, which are cleverly filmed. It's a movie that had me periodically grinning, not just at the story or the songs but at the movie craft on show.
Is it a bit of an 'Emperor's New Clothes', given the shallowness of the story? Yes, perhaps. And does it laugh in the face of my 90-minute movie ideal? Definitely. But it's still well worth the price of your movie ticket..... and this IS a movie that demands to be watched on the BIG SCREEN to get the full effect.
(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/21/in-the-heights-lin-manuel-mirandas-high-octane-musical-hits-the-heights/. Thanks).
Positives:
- A "proper" musical, with a large percentage of high-octane song and dance numbers.
-As with "Hamilton", "In the Heights" features some truly clever rap-style lyrics - lyrics so clever that you gasp at the way in which they trip off the singer's tongue. At one point, Carla (Stephanie Beatriz) sings "My mom is Dominican-Cuban, My dad is from Chile and P. R., which means: I'm Chile-...Dominica-Rican! But I always say I'm from Queens!". Glorious stuff.
- The dancing is stupendous. The choreography team is led by Christopher Scott, and he joyfully brings back the large set piece dances that we used to see in movies of old. The Esther Williams style swimming routines even make a spectacular return in a glorious Lido sequence (although I could have personally done without the dislocating contortionist dancers here!).
- The four young people taking the leads are all extremely personable (as well as being very good looking). Anthony Ramos in particular shows real star quality, those mesmeric eyes holding your attention for every moment he's on screen. You get the feeling that Lin-Manuel Miranda (whose superfluous minor role could have usefully ended up on the cutting room floor) was itching to play the lead but was just "too old man"!
- It was also great to see a range of roles for older women as well, with the dramatic sequence with Olga Merediz, the neighbourhood saint and guardian Claudia, being a highpoint in the movie for me.
Negatives:
- When you step back and analyse it, the story is pretty slight. You are distracted from this by all the razzle-dazzle going on, but having a bit more meat on the bone would have been welcome. This is particularly the case, since....
- At 143 minutes, I have to say that the movie outstayed its welcome for me by about 20 or 30 minutes. If the movie had been tightened up a bit and shortened, it would I think have been much improved.
Summary Thoughts on "In the Heights": This is a musical for those people who say "They don't make musicals like that anymore". High octane and full of noise and colour, its a spectacular that doesn't disappoint. The quirkiness of "Crazy Rich Asians" (which Jon M. Chu also directed) is on full display in some of the sequences, which are cleverly filmed. It's a movie that had me periodically grinning, not just at the story or the songs but at the movie craft on show.
Is it a bit of an 'Emperor's New Clothes', given the shallowness of the story? Yes, perhaps. And does it laugh in the face of my 90-minute movie ideal? Definitely. But it's still well worth the price of your movie ticket..... and this IS a movie that demands to be watched on the BIG SCREEN to get the full effect.
(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/21/in-the-heights-lin-manuel-mirandas-high-octane-musical-hits-the-heights/. Thanks).
Lenard (726 KP) rated One Night in Miami (2020) in Movies
Jan 9, 2021
One Night in Miami is from start to finish a frank examination on responsibility and acceptance. On February 25, 1964, four friends who happened to highly visible black men, Malcolm X, Cassius Clay, Sam Cooke, and Jim Brown, met in a hotel room after Cassius surprised the world in winning the heavyweight championship. But, before we get to that night, we are introduced to each man at a crossroads. Malcolm X is breaking away from the Nation of Islam after witnessing the corruption of its leadership. His actions would lead some members to view him as a direct threat. Cassius Clay is a great boxer, but his focus is waning. His brash style is alienating the audience and he has opinions about the way his brothers are being treated in the country. Sam Cooke is recognized as a great voice, but still not respected in the "white" world where success is gauged. He is looking for a way to crossover without betraying his roots. Jim Brown is the greatest football player, but even in his hometown he is still seen as inferior socially. In this dramatized version of the events of that night, each man must come to terms with the path he has chosen and the path forward.
Like another recent film, the path is a choice between making changes within the system, like Sam Cooke and Jim Brown have attempted, or to change the system from the outside, like Malcolm and Clay. Both paths have their advantages, and both are also deadly. Within a year, both Malcolm and Cooke would be dead. The movie based on a play finds ways from each character to learn from the others by pairing them off in various combinations (Malcolm-Cooke, Brown-Clay, Cooke-Clay, Malcolm-Brown, Malcolm-Clay, Cooke-Brown). The main antagonism takes place between Cooke and Malcolm. Cooke sees Malcolm as a militant who is creating sowing seeds of fear in the eyes of "America" and Malcolm sees Cooke as a Stepin Fetchit with a huge amount of talent wasted playing by the rules. Cooke shows Malcolm that he is quietly taking control while Malcolm gives Cooke the spark to sing for civil rights for the less fortunate members of black society. Malcolm also begins to see how his actions have hurt his brothers by grouping all members of one race together similar to the way whites do not distinguish between black individuals. The movie never shies away from shading each hero with flaws.
Malcolm may be paranoid as evidenced by a couple scenes where he sees people on his trail who may or may not be real. Under a lot of pressure to break from his organization, Malcolm sees his staff betraying him to the feds who have been investigating him since he first started speaking. The whole subplot humanizes a man who many view as dangerous to the world. Jim Brown is also seen as a hero to most. He broke records and is about to conquer the film industry. Maybe they are using him, but he is using them to shine a light on the inequality of the races.
Lastly, one scene in the movie is a highlight. It is not in Miami, but in Boston. It shows how one man can turn a riot into a celebration of joy. With the main road blocked, a man of great talent can turn adversity into victory using his wits and his voice.
Like another recent film, the path is a choice between making changes within the system, like Sam Cooke and Jim Brown have attempted, or to change the system from the outside, like Malcolm and Clay. Both paths have their advantages, and both are also deadly. Within a year, both Malcolm and Cooke would be dead. The movie based on a play finds ways from each character to learn from the others by pairing them off in various combinations (Malcolm-Cooke, Brown-Clay, Cooke-Clay, Malcolm-Brown, Malcolm-Clay, Cooke-Brown). The main antagonism takes place between Cooke and Malcolm. Cooke sees Malcolm as a militant who is creating sowing seeds of fear in the eyes of "America" and Malcolm sees Cooke as a Stepin Fetchit with a huge amount of talent wasted playing by the rules. Cooke shows Malcolm that he is quietly taking control while Malcolm gives Cooke the spark to sing for civil rights for the less fortunate members of black society. Malcolm also begins to see how his actions have hurt his brothers by grouping all members of one race together similar to the way whites do not distinguish between black individuals. The movie never shies away from shading each hero with flaws.
Malcolm may be paranoid as evidenced by a couple scenes where he sees people on his trail who may or may not be real. Under a lot of pressure to break from his organization, Malcolm sees his staff betraying him to the feds who have been investigating him since he first started speaking. The whole subplot humanizes a man who many view as dangerous to the world. Jim Brown is also seen as a hero to most. He broke records and is about to conquer the film industry. Maybe they are using him, but he is using them to shine a light on the inequality of the races.
Lastly, one scene in the movie is a highlight. It is not in Miami, but in Boston. It shows how one man can turn a riot into a celebration of joy. With the main road blocked, a man of great talent can turn adversity into victory using his wits and his voice.
Andy K (10823 KP) rated Existenz (1999) in Movies
Sep 23, 2019
The 1999 body horror version of Ready Player One
Famed, innovative but reclusive software developer Allegra Geller is ready to unveil her latest virtual augmented reality game, eXistenZ, and has invited her biggest fans and followers to the first best test launch party ever. The game features bio-mechanical controller ports which actually get plugged into the gamer's spine for the fully immersive experience.
Unfortunately, her party was rudely interrupted by a would-be assassin who wants to put an end to Geller before the game is released. Wounded but not executed, her fate is given to be marketing assistant who has never played a game in his life. The two escape and begin a road trip like no other trying to navigate their situation and figure out who they can trust.
The game novice, Ted Pikul, soon gets himself a "port" so he can join Gellar in the game and to also ascertain whether her main controller hub was severely damaged in the attempt on her lie. Once jacked in, he begins to slowly morph into a more submersive version of the same gradually losing control of himself an becoming his in game character.
The other "participants" they meet serve to enhance the game experience either with conflict or assistance, but it is hard to tell which side everyone plays for. The two become passionate for each other, but still are unable to comprehend whether their feelings are real or just part of the game.
They need to figure out how to finish the game so they can return back to reality.
The last of David Cronenberg's "Body Horror" films before he took his career in a different direction in the 2000s with films like "Eastern Promises" and "A History of Violence", eXistenZ is one truly wild and unique ride. If you have seen some of his other film in the genre like "The Fly" or "The Brood" you would be used to the over-the-top gore, brutality and strange way of storytelling he has made his career.
His characters are flawed, but motivated and that is why you are interested in their situation and go along with them. This film has some remarkable visceral, macabre elements that make it extremely unique, which is why you watch a movie like this. The internet was only a few years old in 1999 and games like World of Warcraft were still years away; however, this film underscores the dangers of becoming too close to the online world and the dangers it could cause.
At many points during the film, you wonder whether you are still within the game itself similar to watching a "Nightmare on Elm Street" film and wondering if you are still dreaming.
Jennifer Jason Leigh has never really gotten the respect she deserves. Whether in the recent "The Hateful Eight" or in films like "Dolores Claiborne" or "Single White Female" she has shown longevity and the ability to play complex, sometimes unlikable characters with the charisma and charm. I liked the fact she was a female game designer, leading in her field, in 1999 when there were probably not many like her at the time.
This film will keep you guessing all the way to the end and even leave you to interpret what you have just seen as the credits roll.
Easily recommended for gruesome horror fans.
Unfortunately, her party was rudely interrupted by a would-be assassin who wants to put an end to Geller before the game is released. Wounded but not executed, her fate is given to be marketing assistant who has never played a game in his life. The two escape and begin a road trip like no other trying to navigate their situation and figure out who they can trust.
The game novice, Ted Pikul, soon gets himself a "port" so he can join Gellar in the game and to also ascertain whether her main controller hub was severely damaged in the attempt on her lie. Once jacked in, he begins to slowly morph into a more submersive version of the same gradually losing control of himself an becoming his in game character.
The other "participants" they meet serve to enhance the game experience either with conflict or assistance, but it is hard to tell which side everyone plays for. The two become passionate for each other, but still are unable to comprehend whether their feelings are real or just part of the game.
They need to figure out how to finish the game so they can return back to reality.
The last of David Cronenberg's "Body Horror" films before he took his career in a different direction in the 2000s with films like "Eastern Promises" and "A History of Violence", eXistenZ is one truly wild and unique ride. If you have seen some of his other film in the genre like "The Fly" or "The Brood" you would be used to the over-the-top gore, brutality and strange way of storytelling he has made his career.
His characters are flawed, but motivated and that is why you are interested in their situation and go along with them. This film has some remarkable visceral, macabre elements that make it extremely unique, which is why you watch a movie like this. The internet was only a few years old in 1999 and games like World of Warcraft were still years away; however, this film underscores the dangers of becoming too close to the online world and the dangers it could cause.
At many points during the film, you wonder whether you are still within the game itself similar to watching a "Nightmare on Elm Street" film and wondering if you are still dreaming.
Jennifer Jason Leigh has never really gotten the respect she deserves. Whether in the recent "The Hateful Eight" or in films like "Dolores Claiborne" or "Single White Female" she has shown longevity and the ability to play complex, sometimes unlikable characters with the charisma and charm. I liked the fact she was a female game designer, leading in her field, in 1999 when there were probably not many like her at the time.
This film will keep you guessing all the way to the end and even leave you to interpret what you have just seen as the credits roll.
Easily recommended for gruesome horror fans.