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Kristy H (1252 KP) rated Moxie: A Novel in Books
Apr 4, 2019
This book has been on my shelf for a little while; I'd bought it as I'd heard good things. I'm working on my self-imposed #readwhatyouown challenge this year, and once I heard that Amy Poehler was going to direct an adaption of this one at Netflix, I figured it was a good time to pick it up.
MOXIE was a slow starter, but turned into a really rousing, empowering read, and I'm excited to see how it translates to the screen. It's incredibly timely and also very terrifying. The more I read it, the more horrified I was that this was reality for females in high school. So much of what Mathieu describes you know happens, but as a parent of two young girls, it's just awful to read about all these kids endure.
There's almost two plot lines in this one--the feminist saga of Moxie and a romance featuring Vivian and another boy at school. I've seen some complaints that the romance detracted from the overall plot, but I actually enjoyed it. Vivian even worries that she is distracting herself from Moxie, at times, because of her relationship. The romance also provides some comedic moments and humanizes Vivian, making her seem more like a real teen. She's a great character, and I really like her.
Overall, even though this was a little slow to begin, I really enjoyed it. It's very YA, if that makes any sense--it's a great book to have on the shelves of all high schools. I would rate it as a 3.5-star read, but I'm bumping it up to 4-stars, because it makes you laugh, cheer, and nearly cry. You'll also fall for the characters, especially Vivian and her friends. I'm looking forward to see how Poehler and crew bring this to Netflix.
MOXIE was a slow starter, but turned into a really rousing, empowering read, and I'm excited to see how it translates to the screen. It's incredibly timely and also very terrifying. The more I read it, the more horrified I was that this was reality for females in high school. So much of what Mathieu describes you know happens, but as a parent of two young girls, it's just awful to read about all these kids endure.
There's almost two plot lines in this one--the feminist saga of Moxie and a romance featuring Vivian and another boy at school. I've seen some complaints that the romance detracted from the overall plot, but I actually enjoyed it. Vivian even worries that she is distracting herself from Moxie, at times, because of her relationship. The romance also provides some comedic moments and humanizes Vivian, making her seem more like a real teen. She's a great character, and I really like her.
Overall, even though this was a little slow to begin, I really enjoyed it. It's very YA, if that makes any sense--it's a great book to have on the shelves of all high schools. I would rate it as a 3.5-star read, but I'm bumping it up to 4-stars, because it makes you laugh, cheer, and nearly cry. You'll also fall for the characters, especially Vivian and her friends. I'm looking forward to see how Poehler and crew bring this to Netflix.
Billie Wichkan (118 KP) rated Out of the Pocket in Books
May 22, 2019
For over a century, the town of Green Beach has frightened its children with the tragic legend of Joshua Thorne. Hes the reason it not only locks its doors at night but nails its windows shut. Steeped in romance and revenge, his is the kind of story Angela Ironwright lives for.
When the specter of Joshua appears to her, insisting shes the only one who can help him piece together the fragments of his own murder, she follows him without a second thought into a place he calls the Pocket, a beautiful hidden world of jumbled memory and imagination. But the Pocket holds more than magic and mystery. Before long, its other reclusive inhabitants begin to call out to Angela, warning her not to trust Joshua and begging for her help to escape his dark power.
Angelas sure there must be some misunderstanding, and shes determined to set it straight. Otherwise, finding justice will mean betraying the only boy whos ever liked her.
Smart and genre-savvy, Out of the Pocket is a dark, honest, subversive take on the modern paranormal love story.
The plot is about a girl named Angela who doesn't have a great life in reality being ignored or ridiculed by others gets pulled into a fantasy where she falls in love and goes through perilous adventures.
Very good characters with a good story line. The characters are real with strangeness thrown in.
Love all the twist and turns.
You find yourself very surprised in a good way by this book.
This was my first from this author and I look forward to more.
I received a free copy via AXP Authors but this is my own honest voluntary review.
When the specter of Joshua appears to her, insisting shes the only one who can help him piece together the fragments of his own murder, she follows him without a second thought into a place he calls the Pocket, a beautiful hidden world of jumbled memory and imagination. But the Pocket holds more than magic and mystery. Before long, its other reclusive inhabitants begin to call out to Angela, warning her not to trust Joshua and begging for her help to escape his dark power.
Angelas sure there must be some misunderstanding, and shes determined to set it straight. Otherwise, finding justice will mean betraying the only boy whos ever liked her.
Smart and genre-savvy, Out of the Pocket is a dark, honest, subversive take on the modern paranormal love story.
The plot is about a girl named Angela who doesn't have a great life in reality being ignored or ridiculed by others gets pulled into a fantasy where she falls in love and goes through perilous adventures.
Very good characters with a good story line. The characters are real with strangeness thrown in.
Love all the twist and turns.
You find yourself very surprised in a good way by this book.
This was my first from this author and I look forward to more.
I received a free copy via AXP Authors but this is my own honest voluntary review.
Michael Packner (32 KP) rated The Strangers (2008) in Movies
Jun 15, 2019
The suspense is off the charts. Bryan Bertino creates tension like very few can. You can't even breathe at times, especially on a first viewing. (5 more)
The Strangers themselves are crafted to perfection from the iconic masks to their mannerisms to their lack of a true motive.
The symbolism is heavy throughout. It takes multiple viewings to catch it all. Look at the busted windshield at the end for one example.
The use of music as another character is absolutely brilliant. Each tune was used to perfection.
The camerawork and set design are off the charts given the budget Bertino had to work with.
The ending. Not every horror story has a happy ending. This one was a beautiful and glorious gut punch.
The very last scene. If Bertino had been allowed to keep the exact ending he wanted this would've been 1000 times more impactful. (1 more)
The sound. When things are quiet you can hear a pin drop, but when a noise comes it blows out your eardrum.
Why are you doing this to us?
Because you were home.
This is my favorite film of all time. To me, this film is literally horror nirvana. This remains to this day the only film to ever truly scare me. This isn't some fake supernatural hocus pocus. This is reality. While the film may only be INSPIRED by true events, and not something that actually happened, it could happen, and it does happen...every day, whether you want to come to terms with it or not. The crazy thing is that if Bertino had been able to do this his way without any studio intervention, this film would've been 10 times darker and 10 times better. I don't care what anyone says, this film is a horror heavyweight that pays true homage to the birth era of horror.
Because you were home.
This is my favorite film of all time. To me, this film is literally horror nirvana. This remains to this day the only film to ever truly scare me. This isn't some fake supernatural hocus pocus. This is reality. While the film may only be INSPIRED by true events, and not something that actually happened, it could happen, and it does happen...every day, whether you want to come to terms with it or not. The crazy thing is that if Bertino had been able to do this his way without any studio intervention, this film would've been 10 times darker and 10 times better. I don't care what anyone says, this film is a horror heavyweight that pays true homage to the birth era of horror.
Elli H Burton (1288 KP) rated The Mersey Girls in Books
Jun 15, 2019
Soul Warming
Now, I don't want to spoil anything as I really hope other avid readers will have a read of this book.
One of the main characters in the beginning sort of, fizzles out which is a shame as, it was that character that started the story.
The chapters are so long and I like to stop at a chapter as it's a good stopping point but the whole 394 pages is split into a mere 13 chapters.
The book involves two sides that run concurrently quite well, similarities and differences are seen easily but the timeline is difficult to keep up with.
Although it's lovely that it includes some traditional Irish names, it's hard to read as someone who isn't familiar with them. I also had to google some words and phrases to just make sure I know what it is. For example: Clodagh is a name of a character and I am still not 100% how that is pronounced and what a curragh is.
The plot is very serene - meaning theres no massive things happening just lots of little ones. Not massive drama and although it is slightly romantic, it's quite bland in that, a love story is intruded and that's sort of it, it doesn't seem to cook up it goes from raw to cooked so to speak. The stories core plot is ended sweetly yet kind of anti-climactic. Made me smile but it wasn't as wonderful as I feel it could have been.
Despite this I found the read pleasant, certainly something someone should read if they are a fan of Historical Romances.
One of the main characters in the beginning sort of, fizzles out which is a shame as, it was that character that started the story.
The chapters are so long and I like to stop at a chapter as it's a good stopping point but the whole 394 pages is split into a mere 13 chapters.
The book involves two sides that run concurrently quite well, similarities and differences are seen easily but the timeline is difficult to keep up with.
Although it's lovely that it includes some traditional Irish names, it's hard to read as someone who isn't familiar with them. I also had to google some words and phrases to just make sure I know what it is. For example: Clodagh is a name of a character and I am still not 100% how that is pronounced and what a curragh is.
The plot is very serene - meaning theres no massive things happening just lots of little ones. Not massive drama and although it is slightly romantic, it's quite bland in that, a love story is intruded and that's sort of it, it doesn't seem to cook up it goes from raw to cooked so to speak. The stories core plot is ended sweetly yet kind of anti-climactic. Made me smile but it wasn't as wonderful as I feel it could have been.
Despite this I found the read pleasant, certainly something someone should read if they are a fan of Historical Romances.
Awix (3310 KP) rated Geostorm (2017) in Movies
Feb 7, 2018 (Updated Feb 7, 2018)
Gerard Butles With The Elements
It's a movie directed by the producer of The Day After Tomorrow and 2012, in which Gerard Butler is shot into space to have a fight with bad weather. If the description alone does not make you engage in fairly serious expectation-management, you must be new to this whole going-to-the-movies business.
Um, yeah: Gerard Butler plays a brilliant but maverick meteorologist (stay with me) who invents a global weather control system codenamed 'Dutch Boy' (possibly because the satellites are really high all the time), then gets sacked for being a pain in the neck. Years later, the system starts to go wrong (unimportant people like Afghans and Chinese meet spectacular weather-related deaths) and Butler is recruited by his brother (don't ask) to figure out the problem.
There is a lot of chasing about and a conspiracy and the world's most oddly designed self-destruct system, and the villain turns out to be the person you thought it was all the time. Butler spends most of the movie in space, which at least means Abbie Cornish can do more as a member of the Secret Service who ends up kidnapping the President (it's that kind of movie). Geostorm hasn't quite figured out how to handle having the President as a character in a movie in the current situation: Andy Garcia plays him in a very sensible, nondescript manner, quite divorced from reality.
I have to say a friend of mine said Geostorm was so bad it made London Has Fallen look like a Christopher Nolan movie, but it's not so much flat-out awful as simply very silly, obvious, and predictable, not to mention very much like all the other movies Dean Devlin produced for Roland Emmerich. I suppose the moral should be 'stick to what you're (reasonably) good at'.
Um, yeah: Gerard Butler plays a brilliant but maverick meteorologist (stay with me) who invents a global weather control system codenamed 'Dutch Boy' (possibly because the satellites are really high all the time), then gets sacked for being a pain in the neck. Years later, the system starts to go wrong (unimportant people like Afghans and Chinese meet spectacular weather-related deaths) and Butler is recruited by his brother (don't ask) to figure out the problem.
There is a lot of chasing about and a conspiracy and the world's most oddly designed self-destruct system, and the villain turns out to be the person you thought it was all the time. Butler spends most of the movie in space, which at least means Abbie Cornish can do more as a member of the Secret Service who ends up kidnapping the President (it's that kind of movie). Geostorm hasn't quite figured out how to handle having the President as a character in a movie in the current situation: Andy Garcia plays him in a very sensible, nondescript manner, quite divorced from reality.
I have to say a friend of mine said Geostorm was so bad it made London Has Fallen look like a Christopher Nolan movie, but it's not so much flat-out awful as simply very silly, obvious, and predictable, not to mention very much like all the other movies Dean Devlin produced for Roland Emmerich. I suppose the moral should be 'stick to what you're (reasonably) good at'.
Steph Freeman (26 KP) rated The Shape of Water (2017) in Movies
Mar 5, 2018
Cinematography was excellent. (1 more)
Character development was perfect, not a lot of detail but enough to fall into their lives.
The Shape of Water - Visually Stunning
The Shape of Water, as discussed in other reviews, follows Eliza Esposito through a snapshot of her life. She has a clear love of water from the beginning, bordering on a fetish, and she connects with few people due to her mutism. The people around her are flawed. Her neighbor is fighting through a new advertising world that no longer values true artwork, her coworker Zelda has a painful home life with a husband that won't participate. Even the characters that are not part of Eliza's life have their struggles depicted within this movie. We see snapshots, just enough to understand these people are flawed, their lives are flawed, their relationships are flawed. Everyone in this movie is struggling towards a goal, though Eliza is the clear focus.
The cinematography reflects the 60's, from the lighting, to the sets and even how the cameras move with the characters. It's a world that engulfs the viewer, suspension of disbelief is a guarantee. The majority of the film is shot in drab, dark colors to reflect the loneliness of the characters, and the fear of the era. It's extremely effective at creating the unspoken sense of unease the country would have felt during the height of the communist scare.
As the movie moves towards the conclusion it becomes more fairy tale than reality. It was still beautiful, and the story still riveting, however, the transition to the more fantastic style was abrupt and could have been handled with more grace. I did appreciate the open ended conclusion, it's rare in American cinema to see, as most American film-goers prefer the ending tied up in a pretty bow.
The cinematography reflects the 60's, from the lighting, to the sets and even how the cameras move with the characters. It's a world that engulfs the viewer, suspension of disbelief is a guarantee. The majority of the film is shot in drab, dark colors to reflect the loneliness of the characters, and the fear of the era. It's extremely effective at creating the unspoken sense of unease the country would have felt during the height of the communist scare.
As the movie moves towards the conclusion it becomes more fairy tale than reality. It was still beautiful, and the story still riveting, however, the transition to the more fantastic style was abrupt and could have been handled with more grace. I did appreciate the open ended conclusion, it's rare in American cinema to see, as most American film-goers prefer the ending tied up in a pretty bow.
Erika Kehlet (21 KP) rated Trust No One in Books
Feb 19, 2018
***NOTE: I was provided a free copy of this book from the publisher and Netgalley in exchange for an honest review***
Jerry Grey is a best-selling crime writer who writes under the pen name of Henry Cutter. He is 49 years old, and has been diagnosed with early onset Alzheimer’s. Jerry can’t always remember what is reality and what is fiction. Sometimes he believes that he is Henry. Sometimes he talks to Henry. And sometimes he confuses his real life with the lives of his characters. He confesses to crimes that never happened except within the confines of his books. At least that what everyone keeps telling him…
Several women have been killed recently at times when Jerry has gone wandering away from the nursing home where he now resides. He may know what has happened to them, but he can’t trust his memory of events. Can he trust what he’s written in his “madness journal”? And how can he be sure people are telling him the truth about what has happened during times that he has no memory of?
Trust No One is a very fast-paced, suspenseful novel. This book kept me guessing right up to the end. Just when I thought I knew who did what, something would happen to make me think that I must be wrong.
I would recommend Trust No One to any thriller or suspense fan, but if you like stories told by unreliable narrators, such as Before I Sleep or Girl on the Train, then you really must read this one!
Warnings: occasional explicit language, violence, and those who have a loved one suffering from Alzheimer’s may be uncomfortable reading about the disease’s devastating effects on Jerry and his ability to function
Jerry Grey is a best-selling crime writer who writes under the pen name of Henry Cutter. He is 49 years old, and has been diagnosed with early onset Alzheimer’s. Jerry can’t always remember what is reality and what is fiction. Sometimes he believes that he is Henry. Sometimes he talks to Henry. And sometimes he confuses his real life with the lives of his characters. He confesses to crimes that never happened except within the confines of his books. At least that what everyone keeps telling him…
Several women have been killed recently at times when Jerry has gone wandering away from the nursing home where he now resides. He may know what has happened to them, but he can’t trust his memory of events. Can he trust what he’s written in his “madness journal”? And how can he be sure people are telling him the truth about what has happened during times that he has no memory of?
Trust No One is a very fast-paced, suspenseful novel. This book kept me guessing right up to the end. Just when I thought I knew who did what, something would happen to make me think that I must be wrong.
I would recommend Trust No One to any thriller or suspense fan, but if you like stories told by unreliable narrators, such as Before I Sleep or Girl on the Train, then you really must read this one!
Warnings: occasional explicit language, violence, and those who have a loved one suffering from Alzheimer’s may be uncomfortable reading about the disease’s devastating effects on Jerry and his ability to function
Awix (3310 KP) rated King Kong Lives (1986) in Movies
Jun 15, 2018
Ape Sh*t
Inexplicably boring and frankly quite weird attempt to cash in on the Kong name: having survived being machine gunned off the top of the Twin Towers and falling five hundred metres onto concrete (and thus proving that some gorillas just can't take a hint), Kong is in a coma being looked after by Linda Hamilton, who should have read the script before signing on. A no-mark leading man is able to hunt up a female giant gorilla to help out with a blood transfusion, but when the two apes get it on and escape, there's panic all round.
History has seen many overly optimistic monster movies, but few quite as out-of-touch with reality as King Kong Lives. It's not just that the story is preposterous (it is), or that the special effects are terrible (they are), but that one of main emotional relationships at the heart of the story is realised through the medium of two stuntmen in not-great gorilla suits nuzzling up to each other in simulation of simian romance. Your mind rebels when it is exposed to this stuff. 'No,' comes the interior monologue, 'no. Even the big bird in The Giant Claw was more convincing than this. I object. I am on strike from this point on.' With your suspension of disbelief in full revolt, you are forced to watch the rest of the movie simply in 'how much worse can this possibly get?' mode. And the answer is: considerably. To be honest it's only the sheer badness of the movie that keeps it interesting; anything remotely competent is also rather dull. I don't think the 1976 version of King Kong is nearly as bad as most people say; it certainly looks like a classic compared to this.
History has seen many overly optimistic monster movies, but few quite as out-of-touch with reality as King Kong Lives. It's not just that the story is preposterous (it is), or that the special effects are terrible (they are), but that one of main emotional relationships at the heart of the story is realised through the medium of two stuntmen in not-great gorilla suits nuzzling up to each other in simulation of simian romance. Your mind rebels when it is exposed to this stuff. 'No,' comes the interior monologue, 'no. Even the big bird in The Giant Claw was more convincing than this. I object. I am on strike from this point on.' With your suspension of disbelief in full revolt, you are forced to watch the rest of the movie simply in 'how much worse can this possibly get?' mode. And the answer is: considerably. To be honest it's only the sheer badness of the movie that keeps it interesting; anything remotely competent is also rather dull. I don't think the 1976 version of King Kong is nearly as bad as most people say; it certainly looks like a classic compared to this.
Just take my money!
Claire North just seems to get better and better. It's getting to the point where I pick up one of her books and hand over my money, not even knowing what the book is about. I just know that it will be a really good book.
This is dystopian fiction, set in a very probable present/ near future. Everyone's life has a monetary value. Crimes are calculated and those who commit them can pay off their value. Those who can't afford to pay the fine, are sent to the 'pattie line'. Social media is king and The Company runs everything.
The main character, Theo, is a faceless, seemingly emotionless man, who runs in to an ex-girlfriend. He then has to admit to himself and to her that he isn't in fact Theo Miller in reality. It's a persona he has stolen from an old university friend who was killed in a 'duel gone wrong' so that he could get on in life (social class is still everything). His ex is murdered and Theo decides that he has the responsibility of trying to solve her murder and continuing with the task she had set herself before she was murdered. And in the process, he hopes to bring down The Company.
The language is disjointed and unsettling, which only adds to the feelings of distress and hopelessness in this dystopian future-present.
I loved it, and would happily turn back to the beginning and start all over again. I will say though, if you're looking for a light 'beach read' (I've never understood that term), this probably isn't it. If you're looking for something that will make you sit up and think, then this is the book for you!
This is dystopian fiction, set in a very probable present/ near future. Everyone's life has a monetary value. Crimes are calculated and those who commit them can pay off their value. Those who can't afford to pay the fine, are sent to the 'pattie line'. Social media is king and The Company runs everything.
The main character, Theo, is a faceless, seemingly emotionless man, who runs in to an ex-girlfriend. He then has to admit to himself and to her that he isn't in fact Theo Miller in reality. It's a persona he has stolen from an old university friend who was killed in a 'duel gone wrong' so that he could get on in life (social class is still everything). His ex is murdered and Theo decides that he has the responsibility of trying to solve her murder and continuing with the task she had set herself before she was murdered. And in the process, he hopes to bring down The Company.
The language is disjointed and unsettling, which only adds to the feelings of distress and hopelessness in this dystopian future-present.
I loved it, and would happily turn back to the beginning and start all over again. I will say though, if you're looking for a light 'beach read' (I've never understood that term), this probably isn't it. If you're looking for something that will make you sit up and think, then this is the book for you!
Kristin (149 KP) rated Looking for La La in Books
Dec 7, 2018
Disclaimer: I received an e-copy in exchange for an honest review.
Cathy is a stay-at-home mom, but that's starting to be an issue for her husband. He thinks all she does is sit at home all day, now that both kids are in school most of the day. He harps on her about joining the workforce again, but she has her own issues and reasons for not wanting to go along with it. Then, random postcards start arriving in the post from a person called "La La," talking about Cathy's husband. Is he having an affair? Is THAT why he wants her otherwise occupied with a job, so she's not home as often? Or is it just someone messing with him, with her? As Cathy and her trusted friends try to figure out the identity of the poison penner, their "perfect" suburban lives start to go through downward spirals. With all this other chaos going on, how will Cathy even find the time to figure out who La La is, much less be able to nab a job?
This is such a fun little mystery, and it has all those juicy tidbits that also pull you along for the ride; you know, the ones we all watch reality shows and soap operas for. Cathy and her friends are such interesting characters, and I honestly can't tell you how many times I flipped back and forth on La La's identity, as well as how I felt about certain people in her life. All of this, while still trying to be a wife and mother; it's craziness, I tell you! I'm definitely looking forward to reading the next one in the series, and will actually be starting it upon publishing this review. Loved it!
4 1/2 stars
Cathy is a stay-at-home mom, but that's starting to be an issue for her husband. He thinks all she does is sit at home all day, now that both kids are in school most of the day. He harps on her about joining the workforce again, but she has her own issues and reasons for not wanting to go along with it. Then, random postcards start arriving in the post from a person called "La La," talking about Cathy's husband. Is he having an affair? Is THAT why he wants her otherwise occupied with a job, so she's not home as often? Or is it just someone messing with him, with her? As Cathy and her trusted friends try to figure out the identity of the poison penner, their "perfect" suburban lives start to go through downward spirals. With all this other chaos going on, how will Cathy even find the time to figure out who La La is, much less be able to nab a job?
This is such a fun little mystery, and it has all those juicy tidbits that also pull you along for the ride; you know, the ones we all watch reality shows and soap operas for. Cathy and her friends are such interesting characters, and I honestly can't tell you how many times I flipped back and forth on La La's identity, as well as how I felt about certain people in her life. All of this, while still trying to be a wife and mother; it's craziness, I tell you! I'm definitely looking forward to reading the next one in the series, and will actually be starting it upon publishing this review. Loved it!
4 1/2 stars