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Carma (21 KP) rated Condemned & Admired - The Earl's Cunning Wife (#9 Love's Second Chance Series) in Books

Jun 17, 2019

Condemned and Admired (The Earls Cunning Wife) is the first book Ive read by Bree Wolf. It is an historical story involving both England and France. It is quite a long book if you are a slow reader, just as a reference. 4 stars from this reader.

Our heroine starts as Violet Winters, daughter of Viscount Silox on a night when her mother makes the ultimate sacrifice to save both her and her daughter from a life of hell.
Fast forward the story to Violette Duret and the mission she is on to save her family.

Oliver Cornell is the Earl of Cullingwood and he is tired of the rules and regulations he must follow to keep the titles in his family. He is young and just wants to have fun and enjoy himself, much to the chagrin of his father. When he wakes up on a ship headed to see he thinks he has found his ticket to freedom.

When Violette and her family pull their ship over to commandeer the vessel they dont realize the precious commodity they now have on board. When the Earl reveals his identity she realizes he could help with her plan.

Violette and Oliver set off on an adventure that brings her right back into the family life her mother fought to remove her from. Will she make it out a second time?

A well written historical story with plenty of description of times in 1800s England. I enjoyed the storyline of Violette and Oliver and look forward to reading her mothers story in Trapped and Liberated. I received a copy without expectation for review, any and all opinions expressed are my own. I have a couple other books by Ms. Wolf on my TBR, cant wait to dive in.

Kudos

Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books

Feb 3, 2020

Diverse collection of short stories all revisiting the Martian invasion of 1898 (as originally detailed by H.G. Wells). Most (but not all) of the stories are narrated by notables from the period, most (but not all) of these are famous writers: Henry James, Samuel Clemens, Rudyard Kipling, and so on. The collection kind of overlooks the implication that the Martians only actually invade southern England in Wells' novel, but then most adaptations do the same thing, and the stories here aren't even consistent with each other (the fate of Paris varies significantly in the Jules Verne and Pablo Picasso entries).

A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.

Kudos

LeftSideCut (3776 KP) rated Doom: Annihilation (2019) in Movies

Feb 7, 2020

Doom: Annihilation (2019)

2019 | Action, Horror, Sci-Fi

4.6

(15 Ratings)

Movie Rating Watch

Doom Annihilation is not a good film, no sir, but it's honestly not as terrible as I expected it to be.
The main problem stems from the low budget - a low budget doesn't always mean a bad end product, but when that end product is a sci-fi horror based on a hyper violent video game, there are going to be issues.

The whole film has a plastic cheap look to it. It works to a certain degree - it does have a kind of Starship Troopers-esque aesthetic (a good thing), but the cheap looking weapons and re used sets are a glaring eyesore.
The monsters a very generic for the most part, but I do respect that the bulk of them are practical. The CGI that is used is mostly awful, with a few exceptions - the occasional exterior shots of the base are passable, and the ending sequence doesn't look too bad - but otherwise, it's used infrequently, and for good reason.
The actors involved all do the best with what they're given - lead Amy Manson is likable enough - but the poor character writing provides us with a group of cliché ridden Marines and scientists that feel like cannon fodder.

The only concrete connection to the Doom game series that I noticed was the character of Dr Betruger, but that's it. The fact that Bethesda and id Software stayed well away from this, and that the production team were not allowed to use anything from the 2016 Doom reboot onwards, shows that maybe this shouldn't have been a thing.

As a schlocky B-movie sci-fi horror, it's not completely terrible, but I can't help but feel it shouldn't have the Doom brand attached to it, and even a cheeky Wolfenstein reference won't change my mind on that.